100 books like The Guilty

My passion for historical adventure and Texas history stems from my heritage: I’m a native Texan related to one of the Alamo defenders. My great-great-great-great-great-granduncle, Isaac Millsaps, was one of the Immortal 32, the reinforcements from Gonzales who answered William Barret Travis's call for help, rode to San Antonio, and died in the Alamo on March 6, 1836. My relationship with words began in elementary school, where I read Beowulf and Dracula by the time I was 10 years old (probably explains a lot about me). I began writing for newspapers in 1975 and have been writing professionally ever since.

There's something about broken people trying to do good that has always resonated with me. In basic training, a drill sergeant with debilitating PTSD told us what combat would be like through a storm of choking sobs and a haze of tears. He needed us to know. Even if it broke him. Working as an investigator in Denver and Washington, I watched people with complicated pasts and uncertain futures fight tooth and nail (sometimes literally) to put human traffickers behind bars. Literature has always been a bridle for that wildness I saw in the world. A tool for taking the ghashing, stomping, unruliness of the human experience and making it rideable, relatable, survivable.

I was fascinated by American True Crime magazines from an early age. I used to buy them with my pocket money from a second-hand bookstore near my home. I graduated to reading novels by the age of ten, sneaking my father’s book collection into my bedroom one at a time to read after lights out. His books covered everything from The Carpetbaggers by Harold Robbins to The Devil Rides Out by Dennis Wheatley. By seventeen, I promised myself I’d write a novel one day. Most of my books are crime themed with a supernatural flavour. My debut, The Sister was published in 2013 and since then I’ve completed three more novels and several short stories.

I have been known to read a book a day, and I read widely: all the classics, mystery and suspense, science fiction, future fiction, and fantasy. My favorite novels in any genre take me to a place or time far away. My favorite characters are like hobbits; they are caught up in big adventures but fun to have a beer with and don’t take themselves too seriously. And all the protagonists in the novels I have chosen are women, because women my age have spent enough time reading about men who have adventures. 

The Romanov saga has intrigued me since I was an undergraduate student in history many moons ago. Three hundred years of Romanov rule were filled with exotic beauty, violence, and tragedy. I went on to teach Russian history at university and was able to share some of the stories of the tsars and tsarinas with my students. Having authored books and articles in my academic field, my teaching career has ended. Now it is historical fiction that has captured my imagination and spurred me to pen my own novels set in 19th-century Africa and Afghanistan, as well as Russia during the reign of Ivan the Terrible.

I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.

Growing up in a snowy, rural mountain town of less than 500 people, I became fascinated with humanity's will to survive the elements at an early age because I often had to do so myself. Add in a mysterious force or an escaped killer wandering through the hills outside a secluded cabin, and you've got my favorite thriller subgenre: Trapped and secluded. It wasn't until my third novel, The Excursion, that I realized my longtime dream of writing a survival thriller influenced by dozens of books and movies. Today, I live in a suburb of Denver, Colorado, but the mountains are close. And so are the secluded cabins.

It took years of being an undercover writer turned book blogger for me to realize just how much of what's considered African fiction is Western publishers' profiteering efforts to churn out novels centered on colonial trauma after postcolonial trauma tailored to white audiences. When does the African reader get a break? When do we read books that aren't geared towards African pain? When I set out to write my book, I wanted to write a novel that documented the rot in publishing and how commercialisation of the post-colonial trauma trend has been to the detriment of not just the African reader but African writers as well. 

I am a writer whose passion for Dark Academia developed in the academic world, teaching and studying at universities, as well as working in libraries and archives across the U.S. and Europe. I hold a master’s degree and Ph.D. in History from the University of St Andrews, Scotland, and an MFA in Creative Writing from New York University. The hallowed halls of historic universities provide an ideal backdrop to explore ruthless competition and the relentless drive for intellectual supremacy, which is integral to the Academy. It’s a happy coincidence to me that Dark Academia books have become so popular recently. Fun fact: The Bequest was written before I had ever heard the term! 

I once had a history advisor in school whom I informed that I was studying history so I could write fiction better. I saw him cringe a bit at that. Even so, I think that history and fiction–and the mystery–go together well. I am always drawn by mystery dramas–and by the drama of real lives facing and unraveling their way through real events. Of course, that led to graduate studies in cultural and intellectual history, to many years of teaching literature, and to passionate reading of mystery novels. Sparkling fiction and strong narrative history, for me, continue to stimulate a sense of wonder at human experience and this incredible universe we live in.