Here are 80 books that Oswald's Tale fans have personally recommended if you like
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When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
I’ve read In Cold Blood at least twice, but I think three times is the actual count. The first time, I was in my early twenties, not yet a writer, and I remember being gobsmacked—love that word—by a single sentence.
I remember reading the sentence again. And again. It was a marvel to me how alive it was, and how it told me all I needed to know about a place to understand that place. Nothing happens here; move on, it said—“Like waters of the river, like the motorists on the highway, and like the yellow trains streaking down the Santa Fe tracks, drama in the shape of exceptional happenings had never stopped there.”
The chilling true crime 'non-fiction novel' that made Truman Capote's name, In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative published in Penguin Modern Classics.
Controversial and compelling, In Cold Blood reconstructs the murder in 1959 of a Kansas farmer, his wife and both their children. Truman Capote's comprehensive study of the killings and subsequent investigation explores the circumstances surrounding this terrible crime and the effect it had on those involved. At the centre of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly…
In 1978, I happened to be the only person present in the cramped office of my college newspaper in Texas, when Kennedy assassination eyewitness Bill Newman entered. It was during the midst of the U.S. House Select Committee on Assassinations’ investigation into the matter. Newman was standing no more than 15 feet from Kennedy when he was shot. His account intrigued me, sending me on a search that has yet to end. I witnessed Kennedy’s funeral in Washington, D.C., as a boy, grew up in Dallas, and even shared the same birthday with him. Several articles I wrote on the assassination and ensuing research have won awards, including a Best in Show Feature Writing Award from the Maryland-Delaware-D.C. Press Association. I have written books on other topics, but this is the one that most consumed me.
Written in a deeply personal, even spiritual manner that incorporates a vast amount of research, this book moved Robert F. Kennedy Jr. to visit the assassination site in Dallas for the first time more than four decades after the tragedy. Douglass particularly investigates Lee Harvey Oswald’s involvement with American intelligence agencies and writes in a highly readable style that appeals to both average readers and researchers. He provides perspective on not just how Kennedy was killed, but why, as well as why the assassination is important to continue to research to this day.
The acclaimed book Oliver Stone called "the best account I have read of this tragedy and its significance," JFK and the Unspeakable details not just how the conspiracy to assassinate President John F. Kennedy was carried out, but WHY it was done...and why it still matters today.
At the height of the Cold War, JFK risked committing the greatest crime in human history: starting a nuclear war. Horrified by the specter of nuclear annihilation, Kennedy gradually turned away from his long-held Cold Warrior beliefs and toward a policy of lasting peace. But to the military and intelligence agencies in the…
In 1978, I happened to be the only person present in the cramped office of my college newspaper in Texas, when Kennedy assassination eyewitness Bill Newman entered. It was during the midst of the U.S. House Select Committee on Assassinations’ investigation into the matter. Newman was standing no more than 15 feet from Kennedy when he was shot. His account intrigued me, sending me on a search that has yet to end. I witnessed Kennedy’s funeral in Washington, D.C., as a boy, grew up in Dallas, and even shared the same birthday with him. Several articles I wrote on the assassination and ensuing research have won awards, including a Best in Show Feature Writing Award from the Maryland-Delaware-D.C. Press Association. I have written books on other topics, but this is the one that most consumed me.
The late New Orleans District Attorney Jim Garrison pursued the only criminal case in this controversy that has tried someone for conspiracy to murder Kennedy in court. He faced death threats, prosecution, infiltration, dirty tricks, and more in the late 1960s. He details what he went through and why he mostly blamed U.S. intelligence officials and agents for what he called a “coup d’etat.” His book was a major basis for director Oliver Stone’s 1991 film, JFK, in which Garrison played a minor role as Justice Earl Warren.
The book that inspired the movie JFK recounts Jim Garrison's attempt to solve the Kennedy assassination, and describes how Garrison was harrassed because of his allegations of government involvement in Kennedy's death.
In 1978, I happened to be the only person present in the cramped office of my college newspaper in Texas, when Kennedy assassination eyewitness Bill Newman entered. It was during the midst of the U.S. House Select Committee on Assassinations’ investigation into the matter. Newman was standing no more than 15 feet from Kennedy when he was shot. His account intrigued me, sending me on a search that has yet to end. I witnessed Kennedy’s funeral in Washington, D.C., as a boy, grew up in Dallas, and even shared the same birthday with him. Several articles I wrote on the assassination and ensuing research have won awards, including a Best in Show Feature Writing Award from the Maryland-Delaware-D.C. Press Association. I have written books on other topics, but this is the one that most consumed me.
A veteran Texas journalist who started teaching a course on the assassination at UT-Arlington in 1976, Marrs saw his comprehensive work published a year after Garrison’s book. Stone also used Marrs’ book as a prime source for his movie. Unlike Garrison, Marrs steered clear of pinning the assassination on mostly one group, covering the alleged roles of organized crime, anti-Castro Cubans, the military-industrial complex, oilmen, bankers, political opponents, and more. Some 25 major publishers turn down Marrs’ manuscript, which became a best-seller, before Carroll & Graf accepted it. The work was one of the first to tie together the various alleged conspiratorial groups.
What really happened in Dallas on November 22, 1963? Was the assassination of John F. Kennedy simply the work of a warped, solitary young man, or was something more nefarious afoot? Pulling together a wealth of evidence, including rare photos, documents, and interviews, veteran Texas journalist Jim Marrs reveals the truth about that fateful day. Thoroughly revised and updated with the latest findings about the assassination, Crossfire is the most comprehensive, convincing explanation of how, why, and by whom our thirty-fifth president was killed.
In 1978, I happened to be the only person present in the cramped office of my college newspaper in Texas, when Kennedy assassination eyewitness Bill Newman entered. It was during the midst of the U.S. House Select Committee on Assassinations’ investigation into the matter. Newman was standing no more than 15 feet from Kennedy when he was shot. His account intrigued me, sending me on a search that has yet to end. I witnessed Kennedy’s funeral in Washington, D.C., as a boy, grew up in Dallas, and even shared the same birthday with him. Several articles I wrote on the assassination and ensuing research have won awards, including a Best in Show Feature Writing Award from the Maryland-Delaware-D.C. Press Association. I have written books on other topics, but this is the one that most consumed me.
The founder of pioneering web magazine Salon, Talbot covers fresh ground in this book, documenting how Robert Kennedy secretly searched for the truth behind his brother’s murder before he was assassinated himself in 1968. Based on some 150 interviews with Kennedy relatives and administration insiders, the book strikes a good balance between presenting facts and writing in an interesting style that brings to life the political struggles of that turbulent period. Robert Kennedy suspected not only the CIA, but organized crime and anti-Castro Cuban exiles who supposedly worked together. Talbot’s work does an excellent job of showing the links and explaining why some of the same sources might have conspired against RFK.
For decades, books about John or Robert Kennedy have woven either a shimmering tale of Camelot gallantry or a tawdry story of runaway ambition and reckless personal behaviour. But the real story of the Kennedys in the 1960s has long been submerged - until now. In Brothers: The Hidden History of the Kennedy Years, David Talbot sheds a dramatic new light on the tumultuous inner life of the Kennedy presidency and its stunning aftermath. Talbot, the founder of Salon.com, has written a gripping political history that is sure to be one of the most talked-about books of the year. Brothers…
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
This classic is technically nonfiction, but it reads like a mystery novel as it follows the story of Jim Williams, an antiques dealer on trial for the killing of Danny Hansford.
I’ve read this book more than once, savoring John Berendt’s lyrical prose and his brilliant evocation of the charm, eccentricity—and fear—one can find in America’s most beautiful and haunted city: Savannah, Georgia.
Genteel society ladies who compare notes on their husbands' suicides. A hilariously foul-mouthed black drag queen. A voodoo priestess who works her roots in the graveyard at midnight. A morose inventor who owns a bottle of poison powerful enough to kill everyone in town. A prominent antiques dealer who hangs a Nazi flag from his window to disrupt the shooting of a movie. And a redneck gigolo whose conquests describe him as a 'walking streak of sex'.
These are some of the real residents of Savannah, Georgia, a city whose eccentric mores are unerringly observed - and whose dirty linen…
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
The Professor and the Madman (The Surgeon of Crawthorne in the UK) is true crime through the side door. It tells the story of the creation of the Oxford English Dictionary and the crucial role a murderer played in it. That juxtaposition alone is pure gold.
The book is exhaustively researched but doesn’t read like it, which I deeply respect. The writing is so lovely, so eloquent. I want to dress up when I read Simon Winchester, and put out the good china.
The Professor and the Madman is an extraordinary tale of madness, genius, and the incredible obsessions of two remarkable men that led to the making of the Oxford English Dictionary—and literary history.
The making of the OED was one of the most ambitious projects ever undertaken. As definitions were collected, the overseeing committee, led by Professor James Murray, was stunned to discover that one man, Dr. W. C. Minor, had submitted more than ten thousand. But their surprise would pale in comparison to what they were about to discover when the committee insisted on…
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
This is the story of a man and his lover who kill the man’s wife in London, then try to escape on a ship to Canada disguised as father and son. Awkward, but doable, unless you have the misfortune of timing your transatlantic cruise with the advent of radio communication.
Thanks to the new "wireless" technology, this couple was unwittingly trapped the moment they stepped aboard. I felt like a bird, hovering above, espying them leaving their quarters to go to dinner, then flapping my wings like mad to get over to the captain and listen in as he reports their movements to authorities on shore. Absolutely captivating.
A true story of love, murder, and the end of the world’s “great hush.”
In Thunderstruck, Erik Larson tells the interwoven stories of two men—Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication—whose lives intersect during one of the greatest criminal chases of all time.
Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners; scientific advances dazzled the public with visions of a world…
Chicago-born and now living in Spain, I was a community organizer in South America and the US before earning a PhD in sociology and becoming a college professor and author. I’ve written five nonfiction books and articles for publications including The New York Times, The Nation, Counterpunch, etc. Of my collection of short stories,Welcome to My Contri, theNY Times Book Reviewsaid that it “leaves us aware that we are in the presence of a formidable new writer.” In Rabble! I’ve called on my organizing experience as well as analysis and fiction to bring to life the actors in the first worker-run, self-governing society in the modern world.
Librais a chillingly realistic novel that re-imagines the assassination of John F. Kennedy. What particularly delighted me was the very realistic-sounding dialogue of the very dissimilar actors in the rambling, uncoordinated but ultimately successful conspiracy, including right-wing Aryan-nation types, non-ideological drifters desperate to leave a mark on history, and (in this version) mobsters and Cuban exile terrorists who blamed Kennedy for the "loss" of Cuba. DeLillo’s renderings of Jack Ruby’s mobster lingo, the uptight tersely coded grunts of the CIA men, the incoherencies of revolutionary wannabe Lee Harvey Oswald and others, are a model of dialogue for any fiction writer.
A reconstruction of the events leading up to John Kennedy's assassination. The antihero of the book is, of course, Lee Harvey Oswald, who is as hauntingly real in this novel as he was elusive to us in real life.
I’ve always loved novels that reinvent and refresh history and legends. They take these building blocks of culture and make them personal and emotional. These novels breathe new life into ancient tales and historical events, so they resonate with relevance. They reveal hidden depths and connections within familiar stories, transforming them into vibrant tales. This genre makes legend and history feel personal by taking me on one character’s unique journey, transforming the exploration of the past into a deeply engaging experience.
I’ve read countless stories about the JFK assassination, but this novel completely refreshed and reframed this part of history for me. By blending the omniscient knowledge of time travel with the perspective of an ordinary person thrown into one of the greatest moments in American history, this novel created a deeply personal journey.
This intimate journey made the time period, the politics, and the culture resonate with life. The vivid portrayal of the late 1950s and early 1960s immersed me in this era, and the novel’s intricate plot, combined with the emotional depth of the main character’s journey, kept me hooked from start to finish. This novel brilliantly refreshes history, offering a thought-provoking exploration of how the past shapes the future.
Now a major TV series from JJ Abrams and Stephen King, starring James Franco (Hulu US, Fox UK and Europe, Stan Australia, SKY New Zealand).
WHAT IF you could go back in time and change the course of history? WHAT IF the watershed moment you could change was the JFK assassination? 11.22.63, the date that Kennedy was shot - unless . . .
King takes his protagonist Jake Epping, a high school English teacher from Lisbon Falls, Maine, 2011, on a fascinating journey back to 1958 - from a world of mobile phones and iPods to a new world of…
