Here are 100 books that The Professor and the Madman fans have personally recommended if you like
The Professor and the Madman.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I grew up on a small farm in Mississippi and discovered the wide world through a movable feast of books provided by the Bookmobile. The hayloft was my favorite reading spot. I could look across the lake to imagine myself in WWII Paris, the frozen tundras of Alaska, or anywhere beyond the pastures where Daddy’s cattle grazed. I fell in love with words when I was eight years old, a dreamer spinning stories inspired by the ones I read between the covers of my beloved books. I still love words and hear their music as they flow onto the pages of the thrillers I currently write.
I was first drawn to Capote’s book because it’s an amazing hybrid—a page-turning, true crime story about the Clutter family murders in Kansas that reads like fiction. Capote and I are both products of the Deep South, so I knew to expect lyrical writing and rich details, two elements I treasure in a novel.
When I drive from my home to visit my son in Florida, I go through Monroeville, Alabama, where Capote grew up next door to Harper Lee (To Kill a Mockingbird), and I think of how she helped him interview friends of the victims and watched him almost lose his soul as he interviewed the killers.
Those interviews are the beating heart that sucked me into the story and ensured this novel would become a classic.
The chilling true crime 'non-fiction novel' that made Truman Capote's name, In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative published in Penguin Modern Classics.
Controversial and compelling, In Cold Blood reconstructs the murder in 1959 of a Kansas farmer, his wife and both their children. Truman Capote's comprehensive study of the killings and subsequent investigation explores the circumstances surrounding this terrible crime and the effect it had on those involved. At the centre of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly…
An old photograph shows a little blonde girl trying to climb a fence separating her from a pasture full of broodmares near Louisville, Kentucky. That was me, and I have never lost my fascination with these creatures of beauty, courage, and magic. Combine that with an equal passion for books, research, and writing, and you have the path leading to four books and hundreds of magazine articles on Thoroughbred horses over the last twenty years, with a fifth book due out next spring. The five books I’ve recommended are just a few of those that have provided touchstones and inspiration for my journey as a writer.
When I first picked up Seabiscuit, I was dubious; I had already read too many stories of champion racehorses that were either dry histories or overblown hero-worship.
A hundred pages later (where did the time go?) I was completely engrossed and headed for an all-night read. In Hillenbrand’s hands, carefully researched history became the foundation for a sweeping story of a great horse, the incredible cast of people who gave him what he needed to become a legend, and the world of horses, horse racing, and American life in the 1930s.
If I ever write anything half as good, I will be well content.
#1 NEW YORK TIMES BESTSELLER • From the author of the runaway phenomenon Unbroken comes a universal underdog story about the horse who came out of nowhere to become a legend.
Seabiscuit was one of the most electrifying and popular attractions in sports history and the single biggest newsmaker in the world in 1938, receiving more coverage than FDR, Hitler, or Mussolini. But his success was a surprise to the racing establishment, which had written off the crooked-legged racehorse with the sad tail. Three men changed Seabiscuit’s fortunes:
Charles Howard was a onetime bicycle repairman who introduced the automobile to…
In 1978, I happened to be the only person present in the cramped office of my college newspaper in Texas, when Kennedy assassination eyewitness Bill Newman entered. It was during the midst of the U.S. House Select Committee on Assassinations’ investigation into the matter. Newman was standing no more than 15 feet from Kennedy when he was shot. His account intrigued me, sending me on a search that has yet to end. I witnessed Kennedy’s funeral in Washington, D.C., as a boy, grew up in Dallas, and even shared the same birthday with him. Several articles I wrote on the assassination and ensuing research have won awards, including a Best in Show Feature Writing Award from the Maryland-Delaware-D.C. Press Association. I have written books on other topics, but this is the one that most consumed me.
There are numerous books that seek to prove Oswald was the lone assassin, and Mailer’s is probably the most open-minded and convincing one. Rather than descend into name-calling against authors of more conspiratorial works, Mailer sticks to the topic of Oswald’s mysterious time in Russia. Based on interviews with former acquaintances and research gathered from Russia, the book uncovers fresh details about Oswald’s time there. While Mailer theorized that Oswald executed Kennedy to shake up the world and cement his place in history, he leaves the door open, if just ever so slighty, to other potential gunmen in Dallas.
This work looks at the life of harvey Lee Oswald. In 1959 he defected to the Soviet Union and was sent to Minsk, where he was kept under constant KGB surveillance on the suspicion that he might be a CIA agent. In 1993 Norman Mailer spent six months in Minsk retracing Oswald's two and a half years in the USSR, interviewing Oswald's former friends and sweethearts. He obtained exclusive interviews with KGB officers and access to KGB surveillance reports. Mailer also provides an account of Oswald's disastrous childhood and of the events leading from his return to the US in…
I started out as a technical writer for computer magazines and my specialty was explaining complex subjects in language the average person could understand. I got tired of that and began writing for general interest magazines, then wrote a couple of thrillers, then plays. For years, I’d been hearing the story of a gentleman farmer who was murdered in 1918, toward the end of WWI, not far from where I live. The murder was never solved and was rumored to involve German espionage. I decided to tackle the story, which involved a mountain of research into historical documents and uncovered a case that was as compelling as any fictional mystery.
On an early trip to Savannah, I stayed a block from the mansion where the murder at the heart of John Berendt’s bestselling book took place and where the movie was filmed. I wrote much of my own book in another apartment not far away. In my writing, I was inspired by the way Berendt included himself in his story and I decided to incorporate some of my own struggles to uncover the truth about the brutal murder of William K. Dean.
Genteel society ladies who compare notes on their husbands' suicides. A hilariously foul-mouthed black drag queen. A voodoo priestess who works her roots in the graveyard at midnight. A morose inventor who owns a bottle of poison powerful enough to kill everyone in town. A prominent antiques dealer who hangs a Nazi flag from his window to disrupt the shooting of a movie. And a redneck gigolo whose conquests describe him as a 'walking streak of sex'.
These are some of the real residents of Savannah, Georgia, a city whose eccentric mores are unerringly observed - and whose dirty linen…
I write historical nonfiction, I’m an avid reader, and I’ve long been fascinated by the past. But I’m far less interested in the stories of powerful people, political intrigues, and significant battles. I would rather read (and write) hidden history: the stories that have not yet been discovered or fully explored and stories that are left out of history books—accidentally or deliberately. I find these far more compelling. They often provide a deeper look at how history affects those who lack power, influence, and money but who nevertheless do remarkable and often heroic things. I live in Portugal and have started working on a new historical nonfiction book.
I love digging into the corners of history that are under-explored or never taught in schools. Isabel Wilkerson’s book tells one such story: the Great Migration of almost six million black people from the American South to the north and west of the country from 1915 to 1970.
The author, a prize-winning journalist, did her homework, digging deeply into various sources. But rather than drowning the reader in data, she illuminates this very big story with stories of three individuals who left everything they knew to start fresh. The migration changed them and changed America.
Her approach was inspirational, and her writing was breathtaking.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NEW YORK TIMES BESTSELLER • In this beautifully written masterwork, the Pulitzer Prize–winnner and bestselling author of Caste chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life.
From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official…
I’m Professor of History at Colorado State University Pueblo and have published eight books, mostly about the history of food. After encountering Up in the Old Hotel for the first time during the early 1990s, I started reading New York City history in my spare time.The Fulton Fish Market: A History is my way to blend my expertise with my hobby. Each of these books are beautifully written, informative, and fun. If you’re interested in the history of New York City and you’re looking for something else to read, I hope you’ll find my book to be the same.
Do you remember watching the news during the pandemic, when you could see everybody’s bookcases for the first time?
There’s a reason that everyone kept noticing this book over and over and again. First, it’s really long, which means it’s thick and the spine is very recognizable. More importantly, most people read it because of what Caro has to say about the nature of political power.
It’s a biography of Robert Moses, who held multiple state and local positions that allowed him to build most of the infrastructure in and around New York City during the mid-twentieth century: highways, bridges, parks, etc.
I love it because it explains why New York City is the way it is. The chapter on the Cross Bronx Expressway may be the best piece of urban history ever written.
The Power Broker by Robert A. Caro is 'simply one of the best non-fiction books in English of the last forty years' (Dominic Sandbrook, Sunday Times): a riveting and timeless account of power, politics and the city of New York by 'the greatest political biographer of our times' (Sunday Times); chosen by Time magazine as one of the 100 Best Non-Fiction Books of All Time and by the Modern Library as one of the 100 Greatest Books of the Twentieth Century; Winner of the Pulitzer Prize; a Sunday Times Bestseller; 'An outright masterpiece' (Evening Standard)
As an ex-police officer, I have experienced many of the things that I write about, albeit in the modern age: I’ve investigated scenes of sudden and violent death, attended post-mortems, and chased the odd suspected criminal through the streets. After a few years on the beat, I left the force and went to university as a mature student, where I received a PhD for my research into early modern law and literature. I now combine my love of all things true crime with my passion for early modern legal history in the books I write about historical crime, murder, and violent death.
The tragic murder of a child and the indomitable detective who strove to bring the killer to justice: what a read! The amount of research that went into this book is incredible.
As a fellow author of historical true crime, I am seriously impressed with how Summerscale weaves her research into such a moving and, at times, deeply shocking narrative.
It was an inspirational read that inspired me to write my own historical true crime.
_______________
WINNER OF THE SAMUEL JOHNSON PRIZE FOR NON-FICTION
THE NUMBER ONE BESTSELLER
A RICHARD AND JUDY BOOK CLUB PICK
_______________
'A remarkable achievement' - Sunday Times
'A classic, to my mind, of the finest documentary writing' - John le Carre
'Absolutely riveting' - Sarah Waters, Guardian
_______________
On a summer's morning in 1860, the Kent family awakes in their elegant Wiltshire home to a terrible discovery; their youngest son has been brutally murdered. When celebrated detective Jack Whicher is summoned from Scotland Yard he faces the unenviable task of identifying the killer - when the grieving family are the…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.
Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.
Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.
Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.
I’ve been enthralled with history since childhood thanks to my late father, a college professor with a passion for the past. Our house was always filled with history books of all types and my father was a veritable encyclopedia who enjoyed answering my questions. When I became a crime reporter in the early 2000s, my predilection for history merged with my interest in crime and I ended up writing four books centered around historical crimes ranging in time from the 1700s to the 1960s.
Erik Larson is a master at combining crime and history with perfect pacing and interweaving narratives.
While best known for Devil in the White City, Thunderstruck, the next book in his bibliography, released in 2006, deserves as much acclaim. Larson does a brilliant job of combining the stories of the hunt for murderer Hawley Crippen, and that of Guglielmo Marconi, the inventor and electrical engineer, responsible for the wireless telegraph, which revolutionized mass communication.
The real star of the book is Larson’s vivid descriptions that bring to life turn-of-the-century London and the lives of the two men at the center of the narrative. The book is a must-read for anyone interested in crime, history, science, and a fast-paced true-life adventure.
A true story of love, murder, and the end of the world’s “great hush.”
In Thunderstruck, Erik Larson tells the interwoven stories of two men—Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication—whose lives intersect during one of the greatest criminal chases of all time.
Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners; scientific advances dazzled the public with visions of a world…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
This book was on the bedside table at a friend’s house where I was staying. I picked it up, started it, and stayed up much later than I had planned!
I was so engaged with the idea of an eighteenth-century woman who began making these botanical paper cut-outs and achieved attention for her work in late life, and I was drawn along by Peacock’s clear, lyrical prose and how she wove in aspects of her own life as a poet.
I loved Mary Delaney’s creativity, spirit, and grit, and she now feels to me like a friend from 250 years ago.
Mary Delany was seventy-two years old when she noticed a petal drop from a geranium. In a flash of inspiration, she picked up her scissors and cut out a paper replica of the petal, inventing the art of collage. It was the summer of 1772, in England. During the next ten years she completed nearly a thousand cut-paper botanicals (which she called mosaicks) so accurate that botanists still refer to them. Poet-biographer Molly Peacock uses close-ups of these brilliant collages in The Paper Garden to track the extraordinary life of Delany, friend of Swift, Handel, Hogarth, and even Queen Charlotte…
