Here are 100 books that The Professor and the Madman fans have personally recommended if you like
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When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
I’ve read In Cold Blood at least twice, but I think three times is the actual count. The first time, I was in my early twenties, not yet a writer, and I remember being gobsmacked—love that word—by a single sentence.
I remember reading the sentence again. And again. It was a marvel to me how alive it was, and how it told me all I needed to know about a place to understand that place. Nothing happens here; move on, it said—“Like waters of the river, like the motorists on the highway, and like the yellow trains streaking down the Santa Fe tracks, drama in the shape of exceptional happenings had never stopped there.”
The chilling true crime 'non-fiction novel' that made Truman Capote's name, In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative published in Penguin Modern Classics.
Controversial and compelling, In Cold Blood reconstructs the murder in 1959 of a Kansas farmer, his wife and both their children. Truman Capote's comprehensive study of the killings and subsequent investigation explores the circumstances surrounding this terrible crime and the effect it had on those involved. At the centre of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly…
An old photograph shows a little blonde girl trying to climb a fence separating her from a pasture full of broodmares near Louisville, Kentucky. That was me, and I have never lost my fascination with these creatures of beauty, courage, and magic. Combine that with an equal passion for books, research, and writing, and you have the path leading to four books and hundreds of magazine articles on Thoroughbred horses over the last twenty years, with a fifth book due out next spring. The five books I’ve recommended are just a few of those that have provided touchstones and inspiration for my journey as a writer.
When I first picked up Seabiscuit, I was dubious; I had already read too many stories of champion racehorses that were either dry histories or overblown hero-worship.
A hundred pages later (where did the time go?) I was completely engrossed and headed for an all-night read. In Hillenbrand’s hands, carefully researched history became the foundation for a sweeping story of a great horse, the incredible cast of people who gave him what he needed to become a legend, and the world of horses, horse racing, and American life in the 1930s.
If I ever write anything half as good, I will be well content.
#1 NEW YORK TIMES BESTSELLER • From the author of the runaway phenomenon Unbroken comes a universal underdog story about the horse who came out of nowhere to become a legend.
Seabiscuit was one of the most electrifying and popular attractions in sports history and the single biggest newsmaker in the world in 1938, receiving more coverage than FDR, Hitler, or Mussolini. But his success was a surprise to the racing establishment, which had written off the crooked-legged racehorse with the sad tail. Three men changed Seabiscuit’s fortunes:
Charles Howard was a onetime bicycle repairman who introduced the automobile to…
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
Oswald’s Tale is a book I’d like to read again. I was born the year after JFK was shot, but the tragedy hung over my family in such a way that each of my older siblings had a portrait of the dead president folded into their baby books.
Mailer depicts someone rootless and restless, hungry and in a hurry to make his mark. Oswald in Russia was the most disturbing to me. I spent nearly two decades in the former Soviet bloc and other so-called developing democracies. Time and again, I ran across aimless Americans who had set up camp abroad, just to be someplace “other.” In search of an identity. They were unsettled and uncomfortably eccentric. I could have run into any number of Oswalds during that long stretch of my life.
This work looks at the life of harvey Lee Oswald. In 1959 he defected to the Soviet Union and was sent to Minsk, where he was kept under constant KGB surveillance on the suspicion that he might be a CIA agent. In 1993 Norman Mailer spent six months in Minsk retracing Oswald's two and a half years in the USSR, interviewing Oswald's former friends and sweethearts. He obtained exclusive interviews with KGB officers and access to KGB surveillance reports. Mailer also provides an account of Oswald's disastrous childhood and of the events leading from his return to the US in…
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
This classic is technically nonfiction, but it reads like a mystery novel as it follows the story of Jim Williams, an antiques dealer on trial for the killing of Danny Hansford.
I’ve read this book more than once, savoring John Berendt’s lyrical prose and his brilliant evocation of the charm, eccentricity—and fear—one can find in America’s most beautiful and haunted city: Savannah, Georgia.
Genteel society ladies who compare notes on their husbands' suicides. A hilariously foul-mouthed black drag queen. A voodoo priestess who works her roots in the graveyard at midnight. A morose inventor who owns a bottle of poison powerful enough to kill everyone in town. A prominent antiques dealer who hangs a Nazi flag from his window to disrupt the shooting of a movie. And a redneck gigolo whose conquests describe him as a 'walking streak of sex'.
These are some of the real residents of Savannah, Georgia, a city whose eccentric mores are unerringly observed - and whose dirty linen…
As a child, it was shocking to observe prejudice and bullying. I wanted with all my being to resist, to make things right. I trust that in this I am not alone. Juxtaposed, I remember instances of compassion and still feel grateful. My oldest brother Luke helped me think deeply about these kinds of events. In response, I dedicated myself to a career in music and arts in education. I felt blessed to bring students from different cultures together to build creativity, understanding, and community. I wanted to empower young people to voice their feelings and thoughts in the poetry, stories, and plays they wrote, set to music, and performed.
This book captured me from its first pages, a history that reads like a novel. “They fled as if under a spell or a high fever,” Isabel Wilkerson writes, explaining the exodus from the South by oppressed African Americans.
As a writer, she drew me in by focusing on three people she came to know, who comprise the main story, providing an intimate window into the epic event. And didn’t they meet resistance and white supremacy in the North, too? Sadly, of course. I knew little about the Great Migration before and yet had learned much about the Harlem Renaissance, the southern roots of jazz in Chicago, and more. Six million on the move! This book taught me not just about our country in the past but our present as well.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NEW YORK TIMES BESTSELLER • In this beautifully written masterwork, the Pulitzer Prize–winnner and bestselling author of Caste chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life.
From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official…
In 2016, I started thinking about art’s power to unite diverse people. The recent presidential election coincided with a sharp spike in anti-immigrant rhetoric, but artists, musicians, creatives, and performers were fierce defenders of the value of cultural difference. In my own life, I’ve always found inspiration and solace from creative practice. For years now, I’ve been part of an eclectic friend group I first met in painting class. The joy art brings to my life also made me wonder who gets credit and what even constitutes “art.” Is an expensive oil painting really worth more than a comic book, if someone loves the comic book just as much?
Every biographer must do battle with Robert Caro’s Pulitzer Prize-winning book, a monumental account of urban planner Robert Moses, whose God-like power redesigning postwar New York City effectively remade the capital of the twentieth century. Over the course of 1,336 pages, Caro details Moses’s world-making vision while also acknowledging problematic issues, such as Moses’s reported use of racial slurs and his remapping of roads and overpasses to exclude poorer communities.
Today, half a century since its first publication, The Power Broker remains one of the greatest English-language biographies. It's also a landmark in showing how world-historical change can begin with aesthetic power. Like all foundational texts, its comprehensive documenting of both the ambitions and the prejudices of that era also lays a path for future insight. In gesturing toward Moses’s faults, this magisterial work also leaves room for subsequent generations to re-examine the problems of the past.
The Power Broker by Robert A. Caro is 'simply one of the best non-fiction books in English of the last forty years' (Dominic Sandbrook, Sunday Times): a riveting and timeless account of power, politics and the city of New York by 'the greatest political biographer of our times' (Sunday Times); chosen by Time magazine as one of the 100 Best Non-Fiction Books of All Time and by the Modern Library as one of the 100 Greatest Books of the Twentieth Century; Winner of the Pulitzer Prize; a Sunday Times Bestseller; 'An outright masterpiece' (Evening Standard)
As a child, I lived in 1950’s London. Despite the ravages of WWII, the city retained many of its Victorian buildings and its foggy atmosphere. I found it enchanting. Reading books sent in England around the 19th century connected me to the city long after my family moved to Ireland. If I felt homesick for the Angel or Camden Town, a book would take me back. Thanks to The Hound, I became captivated by Gothic tales and by what my mum called ‘A juicy mystery.’ This apple didn’t fall far from that tree. It’s a good thing I became a writer, or who knows how I would have ended up!
There are few joys to match happening upon a fabulous book by accident. This was the case in Kate Summerscale's work. I knew nothing about it when I picked it up, but I liked the premise. I started to read it on the bus going home and finished it in two days.
This real 1860 murder inspired many writers, from Dickens to Conan Doyle, and I can see why. It contains all those elements so dear to the hearts of mystery lovers like me: a corpse, a detective, and a closed circle of suspects in a country manor. This is a book I will reread, probably more than once.
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WINNER OF THE SAMUEL JOHNSON PRIZE FOR NON-FICTION
THE NUMBER ONE BESTSELLER
A RICHARD AND JUDY BOOK CLUB PICK
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'A remarkable achievement' - Sunday Times
'A classic, to my mind, of the finest documentary writing' - John le Carre
'Absolutely riveting' - Sarah Waters, Guardian
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On a summer's morning in 1860, the Kent family awakes in their elegant Wiltshire home to a terrible discovery; their youngest son has been brutally murdered. When celebrated detective Jack Whicher is summoned from Scotland Yard he faces the unenviable task of identifying the killer - when the grieving family are the…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.
Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.
Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.
Nate Shaw's father was born under slavery. Nate Shaw was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton for thirty-five cents an hour. At the age of forty-seven, he faced down a crowd of white deputies who had come to confiscate a neighbor's crop. His defiance cost him twelve years in prison. This triumphant autobiography, assembled from the eighty-four-year-old Shaw's oral reminiscences, is the plain-spoken story of an “over-average” man who witnessed wrenching changes in the lives of Southern black people—and whose unassuming courage helped bring those changes about.
When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
This is the story of a man and his lover who kill the man’s wife in London, then try to escape on a ship to Canada disguised as father and son. Awkward, but doable, unless you have the misfortune of timing your transatlantic cruise with the advent of radio communication.
Thanks to the new "wireless" technology, this couple was unwittingly trapped the moment they stepped aboard. I felt like a bird, hovering above, espying them leaving their quarters to go to dinner, then flapping my wings like mad to get over to the captain and listen in as he reports their movements to authorities on shore. Absolutely captivating.
A true story of love, murder, and the end of the world’s “great hush.”
In Thunderstruck, Erik Larson tells the interwoven stories of two men—Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication—whose lives intersect during one of the greatest criminal chases of all time.
Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners; scientific advances dazzled the public with visions of a world…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
This book was on the bedside table at a friend’s house where I was staying. I picked it up, started it, and stayed up much later than I had planned!
I was so engaged with the idea of an eighteenth-century woman who began making these botanical paper cut-outs and achieved attention for her work in late life, and I was drawn along by Peacock’s clear, lyrical prose and how she wove in aspects of her own life as a poet.
I loved Mary Delaney’s creativity, spirit, and grit, and she now feels to me like a friend from 250 years ago.
Mary Delany was seventy-two years old when she noticed a petal drop from a geranium. In a flash of inspiration, she picked up her scissors and cut out a paper replica of the petal, inventing the art of collage. It was the summer of 1772, in England. During the next ten years she completed nearly a thousand cut-paper botanicals (which she called mosaicks) so accurate that botanists still refer to them. Poet-biographer Molly Peacock uses close-ups of these brilliant collages in The Paper Garden to track the extraordinary life of Delany, friend of Swift, Handel, Hogarth, and even Queen Charlotte…
