The best fiction on revolutionary social change

In Princess a reader feels the fears, panic, and illusions in post-World War I Germany that led to the rise of Hitler and World War II. A young German-speaking American, in love with the daughter of a Jewish banking family, witnesses the explosive growth of racist nationalism, blaming Jews for war loss and economic disaster, and how a youth socially related to that family is turned into a furious, murderous Nazi. We also glimpse young Bertolt Brecht, singing scathing critiques of the nationalists, and a Bohemian artist much like George Grosz, representing the left opposition. The book helped me understand how a movement for the exact opposite of the Paris Commune’s ideals of “Freedom, equality, and fraternity,” could develop among frightened and ignorant people, a warning for all of us.

Moon Brow describes the social tensions between ideals of freedom, religion, and authoritarianism that provoked Iran’s 1978 revolution, but only increased under Islamic rule. Amir, a formerly rich, wild playboy, flogged by the morality police after a drunken orgy, joins the army to escape shame and find meaning for his life in the brutal and futile 10-year war against Iraq. Commanding artillery in the borderland, he encounters the mysterious, sprite-like woman he calls “Moon Brow,” who, after an Iraqi shell maims him, becomes a magical force in his PTSD hallucinations. Her true identity will come as a rebuke for his comparatively pointless existence, while his sister’s spurning of her rich, pretentious suitor will be another rebuke, of his machismo. A brilliant evocation of the illusions that sustain violence.

Through the fantastical, magical reconstructions of the adventures of a supposed Palestinian liberation hero, we get a history of Palestine and the Palestinians from the 1936 Arab revolt to almost today. Khoury, a Lebanese Christian novelist and journalist, has himself been closely involved in this history, as a public commentator and interviewer of figures much like the supposed hero Yunis—who, we will see, may or may not have performed the exploits for which he is renowned. Khoury is a brilliant writer, both as an analyst of complex political relations and as a conveyor of very convincing-sounding dialogue, which is itself enough reason to love and profit from this book. And to learn something from the Palestinian point of view of what is now nearly a century-old conflict.

Libra is a chillingly realistic novel that re-imagines the assassination of John F. Kennedy. What particularly delighted me was the very realistic-sounding dialogue of the very dissimilar actors in the rambling, uncoordinated but ultimately successful conspiracy, including right-wing Aryan-nation types, non-ideological drifters desperate to leave a mark on history, and (in this version) mobsters and Cuban exile terrorists who blamed Kennedy for the "loss" of Cuba. DeLillo’s renderings of Jack Ruby’s mobster lingo, the uptight tersely coded grunts of the CIA men, the incoherencies of revolutionary wannabe Lee Harvey Oswald and others, are a model of dialogue for any fiction writer.  

This is a vivid reimagining of the Stalinist plot to assassinate Leon Trotsky, ultimately successful in 1940, and its repercussions in the Communist world. Iván, a frustrated Cuban writer, discovers this story, suppressed in Cuba, when he meets an aged foreigner walking his Russian greyhounds. Sensing a mystery like Raymond Chandler’s The Man Who Liked Dogs, Iván teases information from the man, who turns out to be Ramón Mercader (b. Barcelona, 1913), Trotsky’s assassin.

We also follow Trotsky’s precarious exile in Turkey, Europe, and finally Mexico, his marital and other conflicts and his inability to protect his sons and ultimately himself from murder—and how Mercader, a fervent Communist idealist, is turned by his Stalinist masters into the robot-like agent programed to infiltrate Trotsky’s circle and kill him.