Fans pick 63 books like Fool's Assassin

Discovering Diana, the reluctant witch who must rediscover herself and her supernatural talents, makes this novel a page-turner of magick and mystery. And I loved how the weave of those two powers pulled in the romance between Diana and Matthew. An added spicy balance that mixes like a brew into the witch and vampire families that are here and from the Otherworld.

I am not a vampire fan, but the magick here is irresistible. It became rather addictive because the witchcraft spells were so illusory that I felt “invited in.” The vampire scenes were a bit nerve-wracking, creating real tension for me. Diana’s journey was perfect, as it kept growing with obsessive and fantastical suspense. I was in their witch-vampire world, which was as frightening as it was compelling. 

This book was my favorite book for most of my life, so it holds a special place in my heart. It was only bumped by Well Witched (Verdigris Deep). 

This is the book I read over and over to my two children. One of whom loved to act out being the indomitable Bilbo Baggins. The prose is beautiful, the plot is tight, the adventure is fun, the wonder is wondrous. Who doesn’t love forest elves? And the world-building is amazing. I guess we all know that was Tolkien’s specialty!

I will argue with anyone that this is the best story Tolkien ever wrote. The prose is beautiful to read. It doesn’t wander, it doesn’t get off track, there’s a humor, and let’s not forget the dragon, and all packed into 310 pages!

The title made me stop mid-step. Sometimes, a book title is misleading. I’ve been burned before. I finally borrowed it from the library and found myself smitten by the “Dramatis Thingummy” at the very beginning and headlong in love by the end.

I re-read this series often: I weird out my neighbors by laughing so hard I can’t breathe; I seek the community of St. Mary’s. Mostly, I love Max. For all her flaws, her sarcasm, her deep-seated need to go down in flames, I love her to bits. She gives me hope that no matter how screwed up a person may be, they can find love and a place in the world. This is the first book in a many-book series. With short stories. And Christmas specials. All of which I now own.

The whole storyline is unique.

It’s not a typical paranormal romance, it’s a vampire book without it. It’s well written, and I love how the author takes the reader on a journey around the world not based in one location.

There is suspense but with a historical factor driving it and that’s what makes it such a unique book.

I definitely recommend this book for the audience who is steering away from the paranormal romance tropes and wants to sit down to read a unique book. 

Some might claim this book is more urban fantasy than science fiction, but the characters are aliens who fly spaceships and travel through portals, and to me, that means science fiction. And although they are vampires and werewolves, they’re still aliens. 

Dina Demille runs a bed and breakfast that serves a very special clientele—aliens visiting the protected planet Earth. Dina is an amazing protagonist. She’s smart enough to pull off daring schemes but human enough to make me love her. I also love the supporting characters who constantly distract her from her goals in often hilarious ways. And, of course, my favorite part is the happy ending. 

In her final novel of the Mayfair Witch Trilogy, Anne Rice really seduced me with the concept of the sympathetic monster. Ash, her Taltos character is inhuman, but so pure and love-filled, I understood that an inhuman character can be used to highlight humanity’s greatest strengths. Around the creation of her creatures, she wove a history of fiction and legend and Celtic history that I found fascinating. I read this book almost thirty years ago, and it’s still one of those books that I hark back to as inspiration.

Evocative, believable, beautifully written. Dark Fantasy at its finest; Megan’s characters will resonate with anyone who feels a bit different, like they don’t fit in with everyone else. Megan explores all this can mean in her trilogy, the good, the bad, and the downright terrifying. Her world is richly written, you can smell the tangy woodfires, and feel the biting cold.

This book captured me from the first moment with Amaranthe determined to be the best enforcer despite being looked down upon because she was a woman doing a man’s job and not doing what her family expected of her.

When she finds herself the target of an assassin which she must target, she gathers a collection of misfits who (spoiler sort of) become the family she needs to succeed and survive along with bumble, trip, fail, and regroup with.

I loved cheering her on and wincing at her (sometimes hilarious) struggles.

Oswald’s Tale is a book I’d like to read again. I was born the year after JFK was shot, but the tragedy hung over my family in such a way that each of my older siblings had a portrait of the dead president folded into their baby books.

Mailer depicts someone rootless and restless, hungry and in a hurry to make his mark. Oswald in Russia was the most disturbing to me. I spent nearly two decades in the former Soviet bloc and other so-called developing democracies. Time and again, I ran across aimless Americans who had set up camp abroad, just to be someplace “other.” In search of an identity. They were unsettled and uncomfortably eccentric. I could have run into any number of Oswalds during that long stretch of my life.

Libra is a chillingly realistic novel that re-imagines the assassination of John F. Kennedy. What particularly delighted me was the very realistic-sounding dialogue of the very dissimilar actors in the rambling, uncoordinated but ultimately successful conspiracy, including right-wing Aryan-nation types, non-ideological drifters desperate to leave a mark on history, and (in this version) mobsters and Cuban exile terrorists who blamed Kennedy for the "loss" of Cuba. DeLillo’s renderings of Jack Ruby’s mobster lingo, the uptight tersely coded grunts of the CIA men, the incoherencies of revolutionary wannabe Lee Harvey Oswald and others, are a model of dialogue for any fiction writer.