Here are 100 books that The Mantle of the Prophet fans have personally recommended if you like
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Richard Foltz is a cultural historian specializing in the broader Iranian world. He holds a Ph.D. in Middle Eastern History from Harvard University and has published eleven books and over one hundred articles on topics ranging from animal rights to Zoroastrianism. He is currently Professor in the Department of Religions and Cultures at Concordia University in Montréal, Canada.
An engagingly written, fair and balanced history for readers interested in more detail and analysis than is found in my own slim introductory volume. In my view the single best scholarly history of Iran ever written.
Iran is a land of contradictions. It is an Islamic republic, but one in which only 1.4 percent of the population attend Friday prayers. Iran's religious culture encompasses the most censorious and dogmatic Shi'a Muslim clerics in the world, yet its poetry insistently dwells on the joys of life: wine, beauty, sex. Iranian women are subject to one of the most restrictive dress codes in the Islamic world, but make up nearly 60 percent of the student population of the nation's universities. In A History of Iran, acclaimed historian Michael Axworthy chronicles the rich history of this complex nation from…
Richard Foltz is a cultural historian specializing in the broader Iranian world. He holds a Ph.D. in Middle Eastern History from Harvard University and has published eleven books and over one hundred articles on topics ranging from animal rights to Zoroastrianism. He is currently Professor in the Department of Religions and Cultures at Concordia University in Montréal, Canada.
Against the backdrop of an unlucky courtship between two young students in today’s Tehran, this entertaining novel uses humour to ridicule the myopic mentality of contemporary Iran’s religious leadership that wishes to see itself as cultured and intellectual.
Truly original, Censoring an Iranian Love Story is an incredibly imaginative yet always charming love story set in contemporary Iran that crackles with wit, verve and social comment: Sara falls in love with Dara through secret messages hidden in code in the pages of books that have been outlawed, but then something quite extraordinary and unexpected happens. Through adeptly handled asides to the reader, as well as anecdotes, codes and metaphors, and cheeky references to the wonderfully rich Iranian literary heritage, the novel builds to offer a revealing yet often playful and hopeful comment on the pressures of writing within…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Hedayat (1903-1951) was an Iranian writer who knew that death and the mythic experience of Kairos time exists a hair’s breadth away from what we commonly experience as human life.
The Blind Owl was the book that gave me permission to write fiction: instead of writing a novel in standard form, I wanted to create a liminal space, a threshold world between real and unreal; to invite readers into an unfamiliar (and hopefully transformative) vision of humanity.
This is exactly what Hedayat does in The Blind Owl: we are immersed in a fable of otherworldly, repetitive, poetic, dark, and mesmerising power. The story (of jealousy, despair, the cyclical nature of life and death) has a rare depth and a sense of universal reach precisely because it has one foot in the liminal.
Widely regarded as Sadegh Hedayat's masterpiece, the Blind Owl is the most important work of literature to come out of Iran in the past century. On the surface this work seems to be a tale of doomed love, but with the turning of each page basic facts become obscure and the reader soon realizes this book is much more than a love story. Although the Blind Owl has been compared to the works of the Kafka, Rilke and Poe, this work defies categorization. Lescot's French translation made the Blind Owl world-famous, while D.P. Costello's English translation made it largely accessible.…
I am a translator specializing in Chinese historical novels, and also an academic researching marginalized groups in Chinese history—ethnic minorities, the disabled, people with mental health issues, and so on. The treatment of marginalized people tells you a lot about what is going on within mainstream society. I’ve always been interested in stories about people from distant times and places, and I have a particular love of long sagas, something that you can really get your teeth into. Kingdoms in Peril covers five hundred years of history: I translated this for my own enjoyment and was surprised when I realized that I’d managed to write 850,000 words for fun!
Shahnameh is the story of the birth of the Iranian people, told in a series of wonderful stories.
In the beginning, in a time of myth and legend, the Persian kings fight the devil, and sometimes they win and sometimes they are tempted into sin. Here are great heroes like the paladin Rostam, wicked queens like the young and beautiful Sudabeh, endlessly scheming against her husband’s son and heir, and the evil serpent-king himself, Zahhak.
These are the legends that have shaped Iranian culture for more than a thousand years, given definitive form in Ferdowsi’s epic tale.
Dick Davis, "our pre-eminent translator from the Persian" (Washington Post) has revised and expanded his highly-praised translation of Ferdowsi's masterpiece, including more than 100 pages of newly translated text. Davis's elegant combination of prose and verse allows the poetry of the Shanameh to sing its own tales directly, interspersed sparingly with clearly-marked explanations to ease along modern readers. Among the greatest works of world literature, this prodigious narrative, composed by the poet Ferdowsi in the late tenth century, tells the story of pre-Islamic Iran, beginning in the mythic time of creation and continuing forward to the Arab invasion in the…
I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
This book is written by one of the leading historians and commentators on Iran. As the title suggests, the book offers an in-depth and nuanced analysis of the myriad sociopolitical forces and changes in Iran between its Constitutional Revolution (1905-09) and Islamic Revolution (1977-79). Of particular emphasis is the evolution and fate of monarchists, constitutionalists, leftists, nationalists, and Islamists. At times, the book tempts the reader to adopt a teleological perspective and contemplate missed opportunities during critical junctures or inflection points that could have put the country on a more participatory and progressive path.
Emphasizing the interaction between political organizations and social forces, Ervand Abrahamian discusses Iranian society and politics during the period between the Constitutional Revolution of 1905-1909 and the Islamic Revolution of 1977-1979. Presented here is a study of the emergence of horizontal divisions, or socio-economic classes, in a country with strong vertical divisions based on ethnicity, religious ideology, and regional particularism. Professor Abrahamian focuses on the class and ethnic roots of the major radical movements in the modem era, particularly the constitutional movement of the 1900s, the communist Tudeh party of the 1940s, the nationalist struggle of the early 1950s, and…
I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
Importantly, this book reminds the reader that the Iranian Revolution and others are rare and unpredictable events in human history that breed chaos and uncertainty. The book systematically and convincingly debunks the conventional explanations for the revolution related to static structures and processes in the government, military, economy, society, and culture. Instead, the book argues that what ultimately turned the tide of the revolution was the agency of activists who purposively created and exploited these structures and processes, translated initial fear into intensified outrage, drew power in numbers, and became convinced that success in the form of regime change was possible.
The shah of Iran, Mohammad Reza Pahlavi, would remain on the throne for the foreseeable future: This was the firm conclusion of a top-secret CIA analysis issued in October 1978. One hundred days later the shah--despite his massive military, fearsome security police, and superpower support was overthrown by a popular and largely peaceful revolution. But the CIA was not alone in its myopia, as Charles Kurzman reveals in this penetrating work; Iranians themselves, except for a tiny minority, considered a revolution inconceivable until it actually occurred. Revisiting the circumstances surrounding the fall of the shah, Kurzman offers rare insight into…
I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
This book was written by one of the few Americans, who lived in Iran during the revolution, and helped inspire and inform my own monograph on the rural politics of the country. Based on years of painstaking ethnographic fieldwork and in-depth interviews, this anthropological work traces the sociopolitical transformations that transpired in an Iranian village located outside the city of Shiraz before and after the Iranian Revolution. The book demonstrates the increasingly blurry boundaries between rural and urban geographies and identities as the country modernized, and the opportunities and challenges behind this process. While previous scholarship contends that villagers refrained from supporting or participating in the revolution, this book paints a more nuanced and complex picture by showing that some in fact did while others did not and explains why this was the case.
Outside of Shiraz in the Fars Province of southwestern Iran lies "Aliabad." Mary Hegland arrived in this then-small agricultural village of several thousand people in the summer of 1978, unaware of the momentous changes that would sweep this town and this country in the months ahead. She became the only American researcher to witness the Islamic Revolution firsthand over her eighteen-month stay. Days of Revolution offers an insider's view of how regular people were drawn into, experienced, and influenced the 1979 Revolution and its aftermath.
Conventional wisdom assumes Shi'a religious ideology fueled the revolutionary movement. But Hegland counters that the…
I am a professor of politics and international relations with a focus on Iran. My passion for the country started while studying Persian or Farsi with an exceptional professor in graduate school. During that time, I had the privilege of traveling to Iran three times to study the language and conduct research on rural politics. This period coincided with the Green Movement uprising, a pivotal moment in the country. Since then, I have been enthralled by Iranian history, politics, and culture. Their richness and complexity make it a subject that can be studied and appreciated for a lifetime.
This novel was banned in Iran and published outside of it by a renowned Iranian author who grew up in a village and moved to Tehran, where he became a prominent writer and political prisoner. It lends a surreal and personal perspective to the Iranian Revolution and the Iran-Iraq War – the two most dramatic and formative events in the Islamic Republic’s forty-year existence. It tells the haunting and heart-wrenching story of an unnamed and disgraced former army colonel, who futilely tries to keep his mind intact and his family together during this tumultuous period. The novel poignantly demonstrates how the revolution and war tore individuals and their loved ones apart to the point of madness and death. It is a microcosm of the deep-seated dissonance and disillusionment that Iranians have experienced over aspirational nationalism and piety, on one side, and endemic fragmentation and repression, on the other. A difficult…
Winner of the 2013 Jan Michalski Prize Longlististed for the Man Asian Literary Prize
A new novel by the master of Iranian letters that directly engages politics in Iran today
Ten years in the writing, this fearless novel—so powerful it’s banned in Iran—tells the stirring story of a tortured people forced to live under successive oppressive regimes.
It begins on a pitch black, rainy night, when there’s a knock on the Colonel’s door. Two policemen have come to summon him to collect the tortured body of his youngest daughter. The Islamic Revolution is devouring its own children. Set over the…
I’ve been fascinated by the Middle East ever since being taken to see Kismet at the age of 3. I travel there extensively, married into it, and have lived inside the
Middle East community in the US for the past thirty years. I’m also a
journalist, a playwright, and the author of three non-fiction books, Making the World
Safe for Tourism, Aaronsohn’s Maps,
and INTERLOCK: Art, Conspiracy, and The Shadow Worlds of Mark Lombardi.
Although I wouldn't argue that the issue of women’s rights isn't an urgent one, as a woman who focuses on history and geopolitics, I’m often
disturbed at how it's being used to whip up popular emotion
and obscure other driving forces.
I’m going to be sneaky here and wedge two books in for the price of one. Kim Ghattas’ Black Wave is a beautifully written and reported, intimate history of the destructive ideological rivalry between Sunni Saudi Arabia and Shia Iran, a rivalry fuelled by the “tilt” policy of the Ronald Reagan administration that pitted the former allies against each other in an effort to keep them both weak (and unlikely to lead OPEC to attack the West again as they did in 1973). Ghattas, a Beiruti journalist who was friends with Jamal Khashoggi, grounds her history of the devastating cultural and geopolitical upheaval that followed in the personal and highly emotional stories of public intellectuals and other progressive thinkers who fought the Dark Age descending on the Middle East.
She finds her creation moment in the 1979 Iranian revolution, which occurred in the same year as the siege of the…
'Blistering' Sunday Times 'Indispensable' Observer 'Fascinating' The Times 'Brilliant' Peter Frankopan 'Revelatory' Lindsey Hilsum
A timely and unprecedented examination of how the modern Middle East unravelled, and why it started with the pivotal year of 1979. Shortlisted for the Cundhill History Prize 2020
'What happened to us?'
For decades, the question has haunted the Arab and Muslim world, heard across Iran and Syria, Saudi Arabia and Pakistan, and in the author's home country of Lebanon. Was it always so? When did the extremism, intolerance and bloodletting of today displace the region's cultural promise and diversity?
As a religious person, I’ve always believed religion is a force for good while being constantly reminded of the horrors it causes. This became a real-world concern with the 9/11 attacks (which happened my second week in college) and the faith-tinged US response. I spent ten years in Washington, DC working at the intersection of faith and counterterrorism, hopeful religion could solve our problems but worried it will only make things worse. I’ve continued that work as a Professor at the University of Vermont. This book reflects that tension and my desire to resolve it.
This book focuses on Iran, but like the Niebuhr book has broader applications.
Tabaar is an expert on Iranian politics who conducted incredibly in-depth research on Islamic politics in the country before and after its revolution in 1979. He pushes back on the simplistic idea that religious ideas drove politics in Iran; instead, a “politics of Islam” dominated,” in which actors drew on Islamic symbols and practices to advance their political goals.
Tabaar’s book gives a compelling example of the way religion can both drive politics and be caught up in political actors’ strategic calculations, leading to unexpected effects. It provided a foundation for my book’s argument that religion is both an influence on and tool of foreign policy that rarely works out the way it was intended.
Since the 1979 revolution, scholars and policy makers alike have tended to see Iranian political actors as religiously driven-dedicated to overturning the international order in line with a theologically prescribed outlook. In Religious Statecraft, Mohammad Ayatollahi Tabaar argues that such views have the link between religious ideology and political order backwards. This provocative book examines the politics of Islam rather than political Islam-demonstrating that religious narratives can change rapidly, frequently, and dramatically in accordance with elites' threat perceptions. Tabaar traces half a century of shifting Islamist doctrines against the backdrop of Iran's factional and international politics. He argues that the…
