100 books like The Septembers of Shiraz

Long before I fell in love with History as an academic subject, I fell in love with stories. And as the granddaughter of Caribbean immigrants, true stories of my grandparents’ early lives could transport me to another place as vividly as fiction. So although I have studied History to Master’s level, where I specialized in the legacy of slavery, it is always to fiction that I turn to breathe life into the past. My favourite books are those that are unsettling in the unfamiliarity of the world they create, and yet deeply moving because, at heart, the characters are motivated by timeless and human things like grief, ambition, or love. 

Growing up in postwar Germany, I have always been fascinated by how people survive wars emotionally and retain their humanity. In my extensive research for Captives, I came across an account of a German soldier in North Africa, whose tank had been hit and was engulfed in flames. A human torch, he jumped from the tank, expecting to be killed by British soldiers who were nearby. Instead, they rolled his body in the sand to extinguish the flames and called a medic, saving his life. This act of humanity moved me and inspired me to make the preservation of one’s humanity in war the central theme in my novel.

I’m a mathematician and incurable book-lover. It’s been one of the joys of my life to explore the links between mathematics and literature. The stories we tell ourselves about mathematics and mathematicians are fascinating, and especially the ways in which mathematicians are portrayed in fiction. I’m the first female Professor of Geometry at Gresham College, London, a role created in 1597. I don’t fit the mathematician stereotype of the dishevelled old man, obsessed only with numbers (well, perhaps I am slightly dishevelled), so I particularly relish books featuring mathematicians who bring more to the party than this. I hope you’ll enjoy my recommended books as much as I did!  

I tell stories that make issues achingly and inescapably personal. After covering the first Palestinian Uprising for two winters as a correspondent and witnessing firsthand the gamut of senseless tragedies behind the headlines, I realized that hard news could never convey an iota of the deeper story I was gleaning. I turned to fiction writing and won my State's Literary Fellowship in Fiction. I learned that I can find light in the most horrific situations and leave readers with hope. Having earned a Masters degree in Intercultural Studies, I write from a global perspective with the conscious aim of fostering intercultural, interracial, and cross-gender understanding and healing. 

I've written books about Jewish subjects before. A few years ago I published a biography about a Jewish Dutch actress named Jetta Goudal who invented a new life story for herself and became a Hollywoodstar. Before that I wrote a book about my Jewish great-grandfather Emanuel Brouwer who traveled to London in 1908 to compete in the Olympics. He traveled to the UK by boat with his best friend Isidore Goudeket, who was murdered in a German deathcamp. My great-grandfather did not win a medal in Londen (63rd place!), but he had a lot of fun in London, with loads of beer, whisky, and cigars. In 1943 he was sent to a camp as well. 

I was 12 years old when, in Amsterdam on a family holiday, I was taken to see the Anne Frank House. Until then I knew very little about WW2, the Nazis, and the Holocaust. After viewing the ‘secret annexe’ my father bought me The Diary of Anne Frank, which was on sale there, and I started reading it in the car as we drove off. The book sparked my deep lifelong interest in that chapter of history. Many years later I discovered that my own mother also had an extraordinary wartime story. By then I was a journalist and knew I’d have to write a book about it—Deadly Carousel.  

I spent 20 years in the US Army with 10 of those years in Korea. Everybody thought I was crazy. Why would you like being stationed in such an odd country as Korea? Whenever I tried to explain, their noses would crinkle and they’d stare at me as if I were mad. I started collecting books that explained better than I did. To supplement it I purchased a manual Smith Corona typewriter at the PX and to assuage my angst began writing mystery stories about two 8th Army investigators in Seoul, Korea. Fifteen novels and over 50 short stories later I’m still attempting to explain the odd beauty of GI life through the eyes of a GI.

I have been involved with teaching in prison for the last 22 years, and have taught everything from creative writing to meditation to college classes across carceral facilities in New York, California, and Massachusetts. As the founder and director of the Emerson Prison Initiative at Emerson College’s campus at Massachusetts Correctional Institution at Concord, I constantly work with faculty and students who are navigating the teaching and learning environment under some of the most adverse circumstances. These books have helped me feel less alone in this work.

My father was taken prisoner by the Japanese at the fall of Singapore on the 15th of February 1942. He spent three and a half years slaving on the Thai Burma railway. During my early years growing up, my father rarely talked about his experiences, and it wasn't until after he died in 1990 that I became interested in what he went through as a prisoner of war. Since then, I've spent my time researching the Japanese prisoner of war experiences and have read countless books on the subject. I myself have published four books and I consider myself one of the leading experts on the Japanese prisoner of war experience.

Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.