As a writer of dark historical novels, I'm always drawn to other books that reflect my gothic themes. I think this interest first began when I read Wuthering Heights, soon afterwards studying the Victorian Sensation novels at university. These vividly described and densely plot-driven stories, often with shocking twists and vivid casts of characters, would thrill and entrance me. Afterwards I'd look out for any newly published books by contemporary writers dealing with similar ideas. I can't describe how it felt when I wrote one myself and saw it on the bookshop shelves.
Set in the Victorian rural fairgrounds, the glamour of the London theatres, and a museum of anatomy that really did exist in a shop on Oxford Street, this instant Sunday Times bestseller is a dark kaleidoscope of an immersive gothic novel exploring themes of love and loss, and what it is to be a 'freak' in a society that abuses or considers those born different as a source of entertainment.
This anthology of dark fairy tales is everything I love in fiction.
As Carter once said herself, she liked to pour new wine into old bottles, giving them a shake and then seeing them explode. This is something I also do in my own writing - taking the themes of myths or fairy tales and weaving their darkness into my Victorian gothic novels.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
I remember first reading this when I was in my teens. The darkness and the cruelty of such a gothic romance was both thrilling to read and utterly devastating.
While this novel seems less popular than Charlotte Bronte's Jane Eyre - and in many ways Jane Eyre is the more accomplished novel - I have always been more drawn to the tragic wild allure of Emily's much rawer passion.
One of the great novels of the nineteenth century, Emily Bronte's haunting tale of passion and greed remains unsurpassed in its depiction of destructive love. Her tragically short life is brilliantly imagined in the major new movie, Emily, starring Emma Mackey in the title role.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of Wuthering Heights features an afterword by David Pinching.
One wild, snowy night on the Yorkshire moors, a gentleman asks…
I read this when it was published in 1990, and I've lost count of how many times I've read the novel since.
It is a big complex read in which some modern-day academics chase a treasure hunt of clues to discover the truth about the secret love affair of a famed Victorian writer. Meanwhile, in the past, through the devices of poems and letters we watch that love affair unfold with all its tragic consequences.
Both literary and intellectual, this compelling story of secrets, lies, and mysteries has a wonderful cast.
Possession is an exhilarating novel of wit and romance, at once a literary detective novel and a triumphant love story. It is the tale of a pair of young scholars investigating the lives of two Victorian poets. Following a trail of letters, journals and poems they uncover a web of passion, deceit and tragedy, and their quest becomes a battle against time.
Coming from Herefordshire on the border with Wales, my own novels are often steeped in the natural reflections of eerie rural isolation, with the folklore and pagan customs of those places existing hand in hand with the newer forms of Christianity. Perhaps this is why I connect so passionately with the novels that are set in Thomas Hardy's Wessex.
And what a spell beautiful Tess was to weave around my heart. This profoundly moving novel will never be forgotten.
'She looked absolutely pure. Nature, in her fantastic trickery, had set such a seal of maidenhood upon Tess's countenance that he gazed at her with a stupefied air: "Tess- say it is not true! No, it is not true!"'
Young Tess Durbeyfield attempts to restore her family's fortunes by claiming their connection with the aristocratic d'Urbervilles. But Alec d'Urberville is a rich wastrel who seduces her and makes her life miserable. When Tess meets Angel Clare, she is offered true love and happiness, but her past catches up with her and she faces an agonizing moral choice.
Another book I've read so many times and never tire of.
The structure is very clever, being told through the means of letters, diaries, and newspaper accounts - something I also like to incorporate in my own Victorian novels. Drawing on previous works that contain vampiric themes, this turns the genre into a rip-roaring sensation. It really is a masterpiece that deserves its success - as eternal as the vampire living across the centuries.
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'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
I am a freelance writer from Winnipeg, Manitoba, Canada, specializing in media history and speculative fiction. I have been enchanted by animation since childhood and followed many series avidly through adulthood. My viewing inspired my MA thesis on the history of animation, out of which grew two books on the history and theory of animation on television, America 'Toons In: A History of Television Animation (available from McFarland and Co.) and The Encyclopedia of American Animated Television Shows (available from Rowman and Littlefield). Hopefully, others will follow.
Jefferson Ball, the mightiest female dog in a universe of the same, is, despite her anti-heroic behavior, intent on keeping her legacy as an athlete and adventurer intact. So, when female teenage robot Jody Ryder inadvertently angers her by smashing her high school records, Jefferson is intent on proving her superiority by outmuscling the robot in a not-so-fair fight. Not wanting to seem like a coward, and eager to end her enemy's trash talking, Jody agrees.
However, they have been lured to fight each other by circumstances beyond their control. Which are intent on destroying them if they don't destroy each other in combat first...
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