Here are 100 books that The Shock of the New fans have personally recommended if you like
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I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
The funniest memoir I’ve ever read about being Australian and growing up in Sydney. It had me in tears throughout, with belly laughs and nostalgia.
Like Robert Hughes, Clive James was a stylish writer with a wonderful facility for words who sadly is no longer with us. He wrote a bunch of sequels (Falling Towards England, May Week Was in June, et al), and his poems are bloody good, too. He’s sadly missed.
Before James Frey famously fabricated his memoir, Clive James wrote a refreshingly candid book that made no claims to be accurate, precise, or entirely truthful, only to entertain. In an exercise of literary exorcism, James set out to put his childhood in Australia behind him by rendering it as part novel, part memoir. Now, nearly thirty years after it first came out in England, Unreliable Memoirs is again available to American readers and sure to attract a whole new generation that has, through his essays and poetry, come to love James's inimitable voice.
I’ve spent my life in North American higher education as a student and professor, so I have experienced many of the cultural shifts associated with “woke” culture. These books share the virtues of deep scholarship, sensible advice, and sprightly writing—virtues I have tried to emulate in my own writing. I have tried hard over my career (I’m in my 60s now) to be open and fair toward even the most diverse of my students and colleagues. These books have helped me do so—and I hope they have improved my teaching and writing along the way.
The Oxford (and, later, Cambridge) literature scholar looks out at the shifting cultural landscape of post-war Britain in the late 1940s and prophesies the postmodern future we now inhabit. It is one of Lewis’s lesser-known volumes (he is the author of the Chronicles of Narnia and bestselling religious books such as Mere Christianity) and one of the shortest.
But this book packs a powerful punch that I have used in teaching law students about our culture three generations after Lewis wrote it. Why are people so confused about morality today and yet so strident in their opinions? Lewis helped me see why, as few others have.
The Abolition of Man is subtitled "Reflections on education with special reference to the teaching of English in the upper forms of schools." It is a defense of objective value, the pursuit of science and natural law, and a warning of the consequences of doing away with those things.
I’ve spent my life in North American higher education as a student and professor, so I have experienced many of the cultural shifts associated with “woke” culture. These books share the virtues of deep scholarship, sensible advice, and sprightly writing—virtues I have tried to emulate in my own writing. I have tried hard over my career (I’m in my 60s now) to be open and fair toward even the most diverse of my students and colleagues. These books have helped me do so—and I hope they have improved my teaching and writing along the way.
Irshad Manji is one of the most courageous people I know. Her earlier book, The Trouble with Islam Today, sounded such a bold call to her fellow Muslims to modernize their faith that Irshad had to live behind bulletproof glass for years.
Her newest book challenges not only her fellow believers but people like me (and you!) to respectful, sensible, courteous, and productive conversations rather than furious confrontations. In the storm of overheated polemics about diversity, equity, and inclusion, this book offered the sound, practical advice I’ve been seeking.
In these United States, discord has hit emergency levels. Civility isn't the reason to repair our caustic chasms. Diversity is.
Don't Label Me shows that America's founding genius is diversity of thought. Which is why social justice activists won't win by labeling those who disagree with them. At a time when minorities are fast becoming the majority, a truly new America requires a new way to tribe out.
Enter Irshad Manji and her dog, Lily. Raised to believe that dogs are evil, Manji overcame her fear of the 'other' to adopt Lily. She got more than she bargained for. Defying…
I’ve spent my life in North American higher education as a student and professor, so I have experienced many of the cultural shifts associated with “woke” culture. These books share the virtues of deep scholarship, sensible advice, and sprightly writing—virtues I have tried to emulate in my own writing. I have tried hard over my career (I’m in my 60s now) to be open and fair toward even the most diverse of my students and colleagues. These books have helped me do so—and I hope they have improved my teaching and writing along the way.
Political scientists don’t always write with verve and insight, but the late Glenn Tinder did. This book takes the ever-challenging theme of liberty and shows me how to understand it as more than an Independence Day slogan.
Tinder provoked me to consider how my freedom should be about more than me but used instead to assist others less resourced than I am. I found this book a refreshing change from the selfish agenda of so many authors writing about liberty and freedom without also considering responsibility and community.
Liberty is a dangerous concept. It's sure to be misused and, if left unchecked, will likely bring not social harmony and happiness but their opposites. Nonetheless, liberty is absolutely necessary: without it there can be no authentic community. People are not free to do the right thing unless they are free to do the wrong thing; if they can't be wrong, they can't be right. Thus does Glenn Tinder argue emphatically for "negative liberty" - the liberty that wants primarily to be left alone, with the authorities interfering as little as possible in the lives of people - and against…
I’ve spent my life in North American higher education as a student and professor, so I have experienced many of the cultural shifts associated with “woke” culture. These books share the virtues of deep scholarship, sensible advice, and sprightly writing—virtues I have tried to emulate in my own writing. I have tried hard over my career (I’m in my 60s now) to be open and fair toward even the most diverse of my students and colleagues. These books have helped me do so—and I hope they have improved my teaching and writing along the way.
This Black American scholar courageously confronts some of the myths that continue to dominate higher education in the United States (and, I daresay, here in Canada as well). He shows how even well-meaning programs of affirmative action and lofty ideals of justice and equality sometimes show up as heavy-handed enforcement of the preferred ideals of the controlling academic elites.
I myself have run afoul of those elites on occasion, and Yancey’s calm, well-evidenced scholarship confirms my bitter experience. He exposes the iron grip of political correctness on campus and offers reasonable, practical advice as to how to negotiate it—for professors and students alike.
Conservative and liberal commentators alike have long argued that social bias exists in American higher education. Yet those arguments have largely lacked much supporting evidence. In this first systematic attempt to substantiate social bias in higher education, George Yancey embarks on a quantitative and qualitative analysis of the social biases and attitudes of faculties in American universities--surveying professors in disciplines from political science to experimental biology and then examining the blogs of 42 sociology professors. In so doing, Yancey finds that politically--and, even more so, religiously--conservative academics are at a distinct disadvantage in our institutions of learning, threatening the free…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
A stellar biography of Neil Davis, the legendary Australian cameraman of the Vietnam War who was killed in 1985 in Thailand during a military coup. Davis, tragically, filmed his own death. The camera was still running as he was shot and fell to the ground. His soundman, Bill Latch, was also killed.
This book really ignited my love of travel in Southeast Asia, especially Vietnam, Thailand, and Cambodia. It would make a fabulous feature film, and I’m surprised no one has made one yet. Davis was a remarkable man and this is a remarkable story, brilliantly told by Bowden. It's a timeless book.
The bestselling biography of one of the world's greatest cinecameramen and an extraordinary Australian. For over twenty years journalist Neil Davis covered the conflicts in SouthEast Asia. Always at the battle front, he brought enduring images of the full horror of modern war to the world. Ironically, in September 1985, having survived so much war, Neil Davis was killed filming an attempted coup in the streets of Bangkok.
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
One of the original Aussie literary expats in the 1940s, Kershaw penned this slim but sparkling memoir of his time in Paris and rural France before his death in 1995.
It is superbly written and completely unknown. Grab a copy if you’re lucky enough to find it. It proves that books don’t have to be long to stick in the memory. Sometimes, the shortest ones are the best.
In this witty and entertaining illustrated memoir, Alister Kershaw describes the pleasures of his prolonged residence in France - a country of villages - from 1948, when even Paris was a series of villages. In post-war Paris, Kershaw lived a penniless but joyous existence and captures a Paris long gone. The author conjures Paris prior to the triumph of the technocrats and town planners. It also traces the author's move into the Berry, two hours south of Paris, where he lives in a hamlet of six houses and finds a rural life amongst a small group of traditional Sancerre winemakers.…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
Full disclosure: This was a book I edited back in 1999 when I was working as an editor at HarperCollins. I'm not sure if it was ever published outside Australia, but it should have been.
Wells, a sports journalist, tells the amazing story of the heavyweight world title boxing fight between African-American Jack Johnson and Canadian Tommy Burns at Rushcutters Bay in Sydney in 1908. It features a cast of incredible characters, including Jack London.
Describes the championship bout between Johnson and Burns in Australia and the impact of Johnson's unexpected victory, including Jack London's call for a "Great White Hope"
Having written several books on cultural history, I was puzzled in the late 1990s by the insistence of most American curators, art historians, and gallerists that there could not possibly be any spiritual content in modern artbecause the modernproject (beginning, they assert, with the first Impressionist exhibition in 1874) was all about the rejection of tradition, religion, etc. This overarching narrative has dominated the professional art world since World War II. I knew it was false because I was aware that many prominent modern artists had spiritual interests, which were expressed in their art. So began a 17-year-long research quest focused on what the artists themselves had said.
I noticed when I was interviewing prominent contemporary artists for my book that many of them had a Catholic childhood. Eleanor Heartney noticed the same thing when she began to research the art and artists who became a focus in the culture wars of the 1990s. This is a dimension of the art history of the modern era that has not been told. Heartney explores the influence of an “Incarnational consciousness” in works that transgress boundaries. Beyond that, she frames artistic manifestations of the “Catholic imagination,” tracing the influence of “the beauty of religious art, music, and literature and the slippage in sacramental rituals between the carnal and the spiritual.” Her final chapter is on “Knowledge Through the Body: The Female Perspective.”
NEWLY EXPANDED AND REDESIGNED 2ND EDITION. This redesigned, re-edited, illustrated new edition of the classic study "Postmodern Heretics: The Catholic Imagination in Contemporary Art" explores the Catholic roots of controversial artists and the impact of Catholicism on the 1990s Culture Wars. In the 1990s the United States was embroiled in a deeply divisive Culture War. "Postmodern Heretics" offers a radically original interpretation of the extraordinary cultural and political battles that took place in the late 1980s and early 1990s. Examining this period from the perspective of religion, Eleanor Heartney discovers that the most controversial artists of the time came, almost…
I am an economist by training, who has researched and taught classes related to business, governance, and democracy for more than 30 years at the University of Southern California. My work is multidisciplinary, spanning economics, finance, law, and political science, with a grounding in empirical analysis. In addition to two books and numerous scholarly articles, I am a frequent op-ed contributor and media commentator on topics related to democracy. I also direct the Initiative and Referendum Institute, a nonpartisan education organization focused on direct democracy.
Based on a series of public lectures by a notable political scientist, this book documents the fact that the “political class” has grown increasingly disconnected from ordinary Americans. Written in an accessible way, it is full of simple tables and charts that build the case. In our hyper-partisan world, it offers an important antidote to the common belief that the problems with democracy can be solved simply by defeating the other party at the polls—the challenges are much deeper than that.
Red states, blue states . . . are we no longer the United States? Morris P. Fiorina here examines today's party system to reassess arguments about party polarization while offering a cogent overview of the American electorate.
Building on the arguments of Fiorina's acclaimed Culture War? The Myth of a Polarized America, this book explains how contemporary politics differs from that of previous eras and considers what might be done to overcome the unproductive politics of recent decades. Drawing on polling results and other data, Fiorina examines the disconnect between an unrepresentative ""political class"" and the citizenry it purports to…
