Here are 100 books that The Abolition of Man fans have personally recommended if you like
The Abolition of Man.
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I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
This is probably the best, most exhilarating book about modern art I’ve ever read, written by one of the most erudite writers who ever lived. I read it when I was about 11 or 12, and it made me passionate about art and art history.
Hughes was such a good writer, and he made me want to get into writing myself. The BBC made a series based on the book.
This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written.
Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and showing how for many key art movements this was a task of vital importance.
The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this book's success.
I’ve spent my life in North American higher education as a student and professor, so I have experienced many of the cultural shifts associated with “woke” culture. These books share the virtues of deep scholarship, sensible advice, and sprightly writing—virtues I have tried to emulate in my own writing. I have tried hard over my career (I’m in my 60s now) to be open and fair toward even the most diverse of my students and colleagues. These books have helped me do so—and I hope they have improved my teaching and writing along the way.
Irshad Manji is one of the most courageous people I know. Her earlier book, The Trouble with Islam Today, sounded such a bold call to her fellow Muslims to modernize their faith that Irshad had to live behind bulletproof glass for years.
Her newest book challenges not only her fellow believers but people like me (and you!) to respectful, sensible, courteous, and productive conversations rather than furious confrontations. In the storm of overheated polemics about diversity, equity, and inclusion, this book offered the sound, practical advice I’ve been seeking.
In these United States, discord has hit emergency levels. Civility isn't the reason to repair our caustic chasms. Diversity is.
Don't Label Me shows that America's founding genius is diversity of thought. Which is why social justice activists won't win by labeling those who disagree with them. At a time when minorities are fast becoming the majority, a truly new America requires a new way to tribe out.
Enter Irshad Manji and her dog, Lily. Raised to believe that dogs are evil, Manji overcame her fear of the 'other' to adopt Lily. She got more than she bargained for. Defying…
I’ve spent my life in North American higher education as a student and professor, so I have experienced many of the cultural shifts associated with “woke” culture. These books share the virtues of deep scholarship, sensible advice, and sprightly writing—virtues I have tried to emulate in my own writing. I have tried hard over my career (I’m in my 60s now) to be open and fair toward even the most diverse of my students and colleagues. These books have helped me do so—and I hope they have improved my teaching and writing along the way.
Political scientists don’t always write with verve and insight, but the late Glenn Tinder did. This book takes the ever-challenging theme of liberty and shows me how to understand it as more than an Independence Day slogan.
Tinder provoked me to consider how my freedom should be about more than me but used instead to assist others less resourced than I am. I found this book a refreshing change from the selfish agenda of so many authors writing about liberty and freedom without also considering responsibility and community.
Liberty is a dangerous concept. It's sure to be misused and, if left unchecked, will likely bring not social harmony and happiness but their opposites. Nonetheless, liberty is absolutely necessary: without it there can be no authentic community. People are not free to do the right thing unless they are free to do the wrong thing; if they can't be wrong, they can't be right. Thus does Glenn Tinder argue emphatically for "negative liberty" - the liberty that wants primarily to be left alone, with the authorities interfering as little as possible in the lives of people - and against…
I’ve spent my life in North American higher education as a student and professor, so I have experienced many of the cultural shifts associated with “woke” culture. These books share the virtues of deep scholarship, sensible advice, and sprightly writing—virtues I have tried to emulate in my own writing. I have tried hard over my career (I’m in my 60s now) to be open and fair toward even the most diverse of my students and colleagues. These books have helped me do so—and I hope they have improved my teaching and writing along the way.
This Black American scholar courageously confronts some of the myths that continue to dominate higher education in the United States (and, I daresay, here in Canada as well). He shows how even well-meaning programs of affirmative action and lofty ideals of justice and equality sometimes show up as heavy-handed enforcement of the preferred ideals of the controlling academic elites.
I myself have run afoul of those elites on occasion, and Yancey’s calm, well-evidenced scholarship confirms my bitter experience. He exposes the iron grip of political correctness on campus and offers reasonable, practical advice as to how to negotiate it—for professors and students alike.
Conservative and liberal commentators alike have long argued that social bias exists in American higher education. Yet those arguments have largely lacked much supporting evidence. In this first systematic attempt to substantiate social bias in higher education, George Yancey embarks on a quantitative and qualitative analysis of the social biases and attitudes of faculties in American universities--surveying professors in disciplines from political science to experimental biology and then examining the blogs of 42 sociology professors. In so doing, Yancey finds that politically--and, even more so, religiously--conservative academics are at a distinct disadvantage in our institutions of learning, threatening the free…
I am a graduate of Williams College and Princeton University and now a professor and former dean of arts and letters at the University of Notre Dame. As dean, I learned that too many of Notre Dame’s students were majoring in business. Invariably, when I asked them about their rationale, they would confess that their favorite courses were in the arts and sciences. They might have followed their passions, I thought, if they and their parents had a deeper sense of the value of a liberal arts education, so I wrote this book to answer their questions and give them justified confidence in the value of liberal arts courses.
I read this book when it came out in 1985, as I was polishing my first book. I recommended it to a senior colleague who had written several books and edited a leading journal. He took it with him to some beach on winter vacation as he was completing his next book. When he returned, he said he was so engrossed in the book that his wife got mad at him for not putting it down. He loved it as much as I did.
If you have mastered this book, your writing will improve dramatically, and you will not need another style manual for the rest of your life.
The essential guide for all writers. With over 700 examples of original and edited sentences, this book provides information about editing techniques, grammar, and usage for every writer from the student to the published author.
Ever since I was a child, I’ve been drawn to the creepy and kooky world of the Addams Family. I’ve watched every episode of the 1960s sitcom. I fell in love with the 90s films, and when the Netflix adaptation Wednesday aired, I streamed every episode immediately. I’ve written two books based on Wednesday and her family, and I have an upcoming cocktail book with recipes based on gothic literature. My love of horror books and my understanding of the Addams family led me to seek out the perfect list of Wednesday read-alikes.
What terrible tome would Morticia and Gomez have read to little Wednesday in order to ensure that she would have the most noxious nightmares? I believe they would’ve cracked open this gothic children’s classic, written and illustrated by the enigmatic Edward Gorey.
This book recites the alphabet, with each letter representing how a child died. Take, for instance, the representation of our second letter: “B is for Basil assaulted by bears.” What better way for a wicked whelp to learn her letters?
I both chuckled and winced while reading this book, especially with the paired black-and-white illustrations. It’s funny and deeply dark, which is, of course, the perfect mix for an Addams Family fan.
A new, small-format edition of one of Edward Gorey’s “dark masterpieces of surreal morality” (Vanity Fair): a witty, disquieting journey through the alphabet.
I am passionate about this book list because it helped me get where I am today, a multiple-times bestselling author and an award-winning senior reporter. I began working as an overnight police round reporter before moving into sports, where I became one of Australia's best news-breaking rugby league journalists. I was then appointed News Corp Australia's Chief National Motorsports Writer and traveled the world chasing Formula 1 story, as well as covering Australia's V8 Supercar races. Everyone has to start somewhere, and for me, this list of books helped me begin and continue to grow to reach the level of success that I have.
A builder has a tool belt. In that belt, he has a hammer, a drill, a level, a tape measure, and so on. He needs those tools to build whatever he is going to build.
A writer has a tool belt tool. In that belt, the writer has words. The writer uses those words to build, too–not houses but stories. And unless you are planning on building a shabby shack, you need to fill that tool belt of yours with as many words as you can find.
I’ve been writing for 23 years, but I still try to add at least five new words to my tool belt every day. Builders go to Bunnings to find their tools. I go to Rogets.
The ultimate tool for writers! Whether you're crafting the next great American novel or pounding away at a last-minute blog entry, there will come a time in the process when you struggle to find just the perfect word or phrase. Under the time-tested banner of Roget's Thesaurus, this collection will quickly become the most essential tool on your desk when you're working on your next piece. Far from an ordinary word list, each entry in this book is organized by meaning and offers a list of compelling word choices that relate to the ideas you'd like to use. It also…
Mark Rennella has given students and professionals helpful advice about writing throughout his career, most recently as a writing coach for MBA candidates at Harvard Business School. Mark earned a PhD in American history from Brandeis University and has taught literature and American history at Harvard University, the University of Miami, and the University of Tours (France). Mark's books, articles, business case studies, and collaborative writing endeavors have garnered him critical praise from historians, academicians, and business leaders alike. His concept of the “one-idea rule” was included among HBR.org’s ten favorite management tips for 2022 and was featured more recently in Forbes. He currently works as an editor for Harvard Business Publishing.
This writing instruction book came to my aid as I began to teach writing at Harvard University in the late 1990s, when I was trying to help college students cultivate their own voice as writers.
The title was brilliant, surprising the reader that the subject was revision and not writing, per se. This focused on a fundamental truth, which is that good writing – whether it be fiction or non-fiction, artistic or professional – almost always goes through several revisions. Students often recoil at the idea of revisions because they threaten to burden them with more work.
What Murray underlined (and a point I’ve reiterated) is that revisions provide the opportunity to improve your work. The more that writers are comfortable with making revisions, the easier it will be to cultivate and improve their voices in their written work.
Pulitzer Prize-winning author Donald M. Murray takes a lively and inspiring approach to writing and revision that does not condescend but invites students into the writer's studio.
From Lehr’s prize-winning fiction to her viral New York Times Modern Love essay, exploring the challenges facing contemporary women has been Lehr’s life-long passion. A Boob’s Life, her first project since breast cancer treatment, continues this mission, taking all who will join her on a wildly informative, deeply personal, and utterly relatable journey. And that’s exactly the kind of books she likes to read – the ones that make her laugh, nod in recognition, and understand a little more about life. She recommends these five books to everyone who asks.
Ok sure, she had me at the title. But Montell dives deep into the language we use every day that, yes, often demeans women. Many of our body parts were taken from Latin words that dudes used to describe them. And the meanings weren’t always flattering. She also explains the positives of Valley Girl-Speak such as “like” and of vocal fry, and women are so fast to say “sorry.” Did you know that “hussy” used to mean housewife and “slut” meant a messy person that could be a man? Or that “bitch” used to be a gender-neutral name that had nothing to do with dogs? And why are some words considered feminine and others, male? Read this book to find out.
"I get so jazzed about the future of feminism knowing that Amanda Montell's brilliance is rising up and about to explode worldwide."-Jill Soloway
A brash, enlightening, and wildly entertaining feminist look at gendered language and the way it shapes us.
The word bitch conjures many images, but it is most often meant to describe an unpleasant woman. Even before its usage to mean "a female canine," bitch didn't refer to women at all-it originated as a gender-neutral word for "genitalia." A perfectly innocuous word devolving into an insult directed at females is the case for tons more terms, including hussy,…
I am a Greek social psychologist and have spent much of my academic career studying myths and stories in social life - stories, even when inaccurate or wrong, serve to create meaning, a fragile and valuable resource, especially in these post-truth times. At the same time, I believe that we must not lose sight of the distinctions between story and fact, fantasy and reality, truth and fiction. I am greatly concerned that the social sciences today, as shaped by the academic publishing game, are preoccupied with trivia and act as black holes into which meaning disappears. I strongly believe that it is our responsibility to restore the meaningfulness of academic research.
This is a must for any aspiring social scientist. Ironically entitled, the book offers a brilliant account of how many researchers in the social sciences resort to esoteric jargon and abstruse arguments to promote themselves in their academic micro-fiefdoms, defend their areas of expertise from outsiders but also to obfuscate and conceal their own ignorance. The book, however, can also be read on how to write well andget published in the social sciences.
Modern academia is increasingly competitive yet the writing style of social scientists is routinely poor and continues to deteriorate. Are social science postgraduates being taught to write poorly? What conditions adversely affect the way they write? And which linguistic features contribute towards this bad writing? Michael Billig's witty and entertaining book analyses these questions in a quest to pinpoint exactly what is going wrong with the way social scientists write. Using examples from diverse fields such as linguistics, sociology and experimental social psychology, Billig shows how technical terminology is regularly less precise than simpler language. He demonstrates that there are…
