Here are 100 books that Learn to Write Badly fans have personally recommended if you like
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In my career as an academic librarian, I was often asked to teach students to think about the credibility of the information they incorporate into their academic, professional, personal, and civic lives. In my teaching and writing, I have struggled to make sense of the complex and nuanced factors that make some information more credible and other information less so. I don’t have all the answers for dealing with problematic information, but I try hard to convince people to think carefully about the information they encounter before accepting any of it as credible or dismissing any of it as non-credible.
Though written by an academic philosopher, the highly readable On Bullshit weighs in at a breezy eighty pages.
What I love about this book is the way the author differentiates the bullshitter, who attempts to persuade without any regard for the truth, from the liar, who cares about the truth but tries to hide it. Frankfurt goes on to make a strong case for why bullshit is far more dangerous than lying.
In an age where bullshitters get more far attention than they deserve, this is even more relevant than when it was first published in the social-media-free year of 1986.
A #1 NEW YORK TIMES BESTSELLER One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern. We have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves. And we lack a conscientiously developed appreciation of what it means…
I am a writer and a sociologist of money. I am passionate about money, relationships, and family violence, because I know from my research that talking about money opens up intimate conversations about the way people see themselves, their aspirations and hopes. Sometimes through hearing other people’s stories I have found mine. I realised while researching family violence that I too had suffered economic abuse. For me too economic abuse was ‘hidden in plain sight’. One of the most meaningful things for me is to help women and men overcome family violence and empower themselves to live with freedom.
Mills’ description of the sociological imagination has become central to the way I think.
He writes of the importance of linking personal troubles to social issues, of moving from the deeply personal to the impersonal, and of linking biography and history.
The sociological imagination is at the heart of my research on domestic economic abuse. It links the stories of personal devastation to the global social issue of family violence. The personal gets transformed to policy and legal issues of the criminalisation of coercive control.
C. Wright Mills is best remembered for his highly acclaimed work The Sociological Imagination, in which he set forth his views on how social science should be pursued. Hailed upon publication as a cogent and hard-hitting critique, The Sociological Imagination took issue with the ascendant schools of sociology in the United States, calling for a humanist sociology connecting the social, personal, and historical dimensions of our lives. The sociological imagination Mills calls for is a sociological vision, a way of looking at the world that can see links between the apparently private problems of the individual and important social issues.…
I am a Greek social psychologist and have spent much of my academic career studying myths and stories in social life - stories, even when inaccurate or wrong, serve to create meaning, a fragile and valuable resource, especially in these post-truth times. At the same time, I believe that we must not lose sight of the distinctions between story and fact, fantasy and reality, truth and fiction. I am greatly concerned that the social sciences today, as shaped by the academic publishing game, are preoccupied with trivia and act as black holes into which meaning disappears. I strongly believe that it is our responsibility to restore the meaningfulness of academic research.
This is an old-fashioned sociology book that shows what can be done with some sociological imagination. Many of us do entirely meaningless work and get paid for it, and what is more, we know that we do. And yet, we pay a high price for it. How to avoid doing empty labour and rediscover the meaning of serious academic work.
While most people work ever-longer hours, international statistics suggest that the average time spent on non-work activities per employee is around two hours a day. How is this possible, and what are the reasons behind employees withdrawing from work? In this thought-provoking book, Roland Paulsen examines organizational misbehavior, specifically the phenomenon of 'empty labor', defined as the time during which employees engage in private activities during the working day. This study explores a variety of explanations, from under-employment to workplace resistance. Building on a rich selection of interview material and extensive empirical research, it uses both qualitative and quantitative data…
I am a Greek social psychologist and have spent much of my academic career studying myths and stories in social life - stories, even when inaccurate or wrong, serve to create meaning, a fragile and valuable resource, especially in these post-truth times. At the same time, I believe that we must not lose sight of the distinctions between story and fact, fantasy and reality, truth and fiction. I am greatly concerned that the social sciences today, as shaped by the academic publishing game, are preoccupied with trivia and act as black holes into which meaning disappears. I strongly believe that it is our responsibility to restore the meaningfulness of academic research.
This magisterial book punctures the grandiosity and narcissism of our times when we succumb to the illusions that image, hype, and empty talk create value, when everyone must claim to be cutting edge and a world leader. Alvesson demonstrates that behind such grandiosity lurks an emptiness of meaning, of value, and of imagination. His powerful critical discussions of modern consumption, higher education, professionalism, and leadership insinuate that our current malaise goes far deeper than the economic crisis in which we find ourselves. This is a book that shows how we can recover meaning in the work we do as social scientists.
In this book, Mats Alvesson aims to demystify some popular and upbeat claims about a range of phenomena, including the knowledge society, consumption, branding, higher education, organizational change, professionalization, and leadership. He contends that a culture of grandiosity is leading to numerous inflated claims. We no longer talk about plans but strategies. Supervisors have been replaced by managers. Goods have become brands. Wealthy countries try to show that they are knowledge societies through mass higher education but with limited effect on real qualifications or qualified job opportunities for graduates. The book views the contemporary economy as an economy of persuasion,…
I am passionate about this book list because it helped me get where I am today, a multiple-times bestselling author and an award-winning senior reporter. I began working as an overnight police round reporter before moving into sports, where I became one of Australia's best news-breaking rugby league journalists. I was then appointed News Corp Australia's Chief National Motorsports Writer and traveled the world chasing Formula 1 story, as well as covering Australia's V8 Supercar races. Everyone has to start somewhere, and for me, this list of books helped me begin and continue to grow to reach the level of success that I have.
This one didn’t change my life, but it did provide me with a no-nonsense guide to pesky things like conjunctions and clauses, superlatives and synonyms, prepositions and pronouns, and, obviously, alliteration. Ha.
What I liked most about this book is that it isn’t written like a textbook. I read what is widely considered to be the writer's bible, The Elements of Style by William Struck and E.B. White, and considered giving up on my dream of becoming a writer because the book made me feel as if only someone with an Einstein-like intellect could write.
But, as Mr. King wrote, the story is what matters; everything else is just dressing. But in saying that, being able to string together sentences helps (I think my jokes are funny, but no one else does), and this book gives a simple explanation of how to make your copy sing.
On Writing Well has been praised for its sound advice, its clarity and the warmth of its style. It is a book for everybody who wants to learn how to write or who needs to do some writing to get through the day, as almost everybody does in the age of e-mail and the Internet.
Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental priciples as well as the insights of a distinguished writer and teacher. With more…
I am passionate about this book list because it helped me get where I am today, a multiple-times bestselling author and an award-winning senior reporter. I began working as an overnight police round reporter before moving into sports, where I became one of Australia's best news-breaking rugby league journalists. I was then appointed News Corp Australia's Chief National Motorsports Writer and traveled the world chasing Formula 1 story, as well as covering Australia's V8 Supercar races. Everyone has to start somewhere, and for me, this list of books helped me begin and continue to grow to reach the level of success that I have.
I stumbled upon this one in a library. Yes, they still have things called Libraries. And this book is a little ripper if you are writing fiction.
If you have ever attempted to write a novel, you would have no doubt found yourself saying things like his heart was racing; he held his breath, a shiver ran up his spine, blah, blah, blah. It’s not until you go back through your manuscript that you realize how many times you have used the same descriptions. Over and over and over again.
This little gem of a book is jam-packed with alternatives. It offers brilliant tips on expressing the same emotions and feelings with originality and without repetition.
The bestselling Emotion Thesaurus, often hailed as “the gold standard for writers” and credited with transforming how writers craft emotion, has now been expanded to include 55 new entries!
One of the biggest struggles for writers is how to convey emotion to readers in a unique and compelling way. When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much.
If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes:
As a published author with an MFA in Writing, I know how hard writing can be in terms of how to find a muse, employ an elusive craft, and deal with the soul-shaking consequences of digging deep. But as a survivor of life, including multiple moves, broken relationships, alcoholism, illness, and debilitating grief, I've also experienced the transformative power of writing. I took that belief into the community, and developed writing workshops for cancer survivors, women facing domestic violence, and many other people wrestling with trauma and illness, often recommending some of these books in my workshops. And along the way, I’ve witnessed time and again what the written word can do.
Writing professor Gabriele Rico knows how to take the fear out of writing, which is why this book became such a powerful best-seller and why I love to read and recommend it. Among the many strategies and techniques she offers in Writing the Natural Way, one of my favorites is her brainstorming strategy called clustering, which gives us permission to wander and bypass the critical censorship we are often hindered by. In turn, this fuels creativity and prompts us to make associations among ideas, memories, and feelings that are otherwise seemingly diverse or disorganized. She also firmly believes that, although writing can be a painful process, it’s not what hurts us that matters but rather it’s how we deal with the pain, and it’s through an honest expression of our truth that we can grow and heal.
I love language and its power to inform, inspire, and influence. As I wrote Seven Cs: The Elements of Effective Writing,I researched what others have said about writing well and honed it down to these resources, which I quote. During my decades as a journalist and marketer, I developed and edited scores of publications, books, and websites. I also co-wrote two travel guides—100 Secrets of the Smokiesand 100 Secrets of the Carolina Coast.I’ve written for such publications as National Geographic Travelerand AARP: The Magazine. A father of three women, I live in Springfield, Pennsylvania, outside Philadelphia, with my wife, daughter, son-in-law, and granddaughter.
This book is old, like early 1900s. It was first drafted by William Strunk, Jr., who distributed a version to his students at Columbia University in 1919. E.B. White (author of Charlotte’s Web) modernized it in the ’50s. It went on to sell millions of copies and become one of the most influential guides to English. Why the history lesson? Because it’s remarkable how relevant it remains in 2022. It can feel dusty and literary, but it offers nuggets of wisdom like “omit needless words” that influence writers like me today. I shamelessly ripped off the concept of “elements” for my book. The “little book” is short—the fourth edition is 42 pages—but mighty. It deserves a spot on your physical or virtual bookshelf.
You know the authors' names. You recognize the title. You've probably used this book yourself. This is The Elements of Style, the classic style manual, now in a fourth edition. A new Foreword by Roger Angell reminds readers that the advice of Strunk & White is as valuable today as when it was first offered.This book's unique tone, wit and charm have conveyed the principles of English style to millions of readers. Use the fourth edition of "the little book" to make a big impact with writing.
After writing more than sixty romance novels, I can sometimes find myself at a loss for words, unable to think of the right word or find myself using the same ones. Having a good thesaurus is invaluable. I use my own thesaurus, Naughty Words for Nice Writers, all the time. I wrote it as a survival guide—it was the book I needed that didn’t exist when I started writing romance. Besides Naughty Words, the thesauri/reference books I’m recommending are tools I couldn’t live without.
If you want a general thesaurus, I believe The Synonym Finder with more than 1 million synonyms is the best one on the market.
I’ve used it for more than 30 years and had to replace my original copy because it was so well-used, it fell apart. What makes this thesaurus stand out is the quality of synonyms and the ease of use. It is super easy to find the words you’re looking for. Every author should have this book!
With a simple alphabetical arrangement this book has been expanded to include thousands of new words and expressions that have entered the language in recent years, and includes clearly labelled slang and informal words and expressions.
I am professor of linguistics (Emerita) at the Australian National University. I was born in Poland, but having married an Australian I have now lived for 50 years in Australia. In 2007, my daughter Mary Besemeres and I published Translating Lives: Living with Two Languages and Cultures, based on our own experience. I have three big ideas which have shaped my life’s work, and which are all related to my experience and to my thinking about that experience. As a Christian (a Catholic) I believe in the unity of the “human race”, and I am very happy to see that our discovery of “Basic Human” underlying all languages vindicates this unity.
This book takes the reader back to another speech world, that of 16th and 17th century English, albeit one on which we have some purchase through the plays of William Shakespeare. Where someone today may hedge their words with I supposeor probably,people in this time peppered their speech with expressions conveying certainty like verily and forsooth.This contrast represents the ethos of truth and faith that reigned at this time before it was replaced by a modern spirit of epistemic detachment ushered in by the British enlightenment. Yet a by my trothwas not interchangeable with a by my faith, and each chapter of the book opens the door on the specifics of an epistemic expression in 16th and 17th century English through colourful examples, cultural evidence and a statement of its meaning. I love this book.
This is a ground-breaking study in the historical semantics and pragmatics of English in the 16th and 17th centuries. It examines the meaning, use and cultural underpinnings of confident- and certain-sounding epistemic expressions, such as forsooth, by my troth and in faith, and first person epistemic phrases, such as I suppose, I ween and I think.
The work supports the hypothesis that the British Enlightenment and its attendant empiricism brought about a profound epistemic shift in the 'ways of thinking' and 'ways of speaking' in the English speaking world. In contrast to the modern ethos of empiricism and doubt, the…
