The best books to learn how to write effectively

Stephen King is sometimes thought of as an author of throwaway paperbacks, but the truth is that he is a damn good writer. I admire him for his spiffy language and storytelling ability. The first half of this book is an autobiography about King’s journey from pimple-faced-kid sending short stories to science fiction and fantasy magazines to master of the horror novel, including a gruesome traffic accident that almost killed him. The second half is a master writing course as King gives greater general insight into his craft. Even though we come from different disciplines—he from fiction, I from nonfiction—and he’s famous and I am not, I find his writing wisdom inspiring and have worked it into my book.

Just as King is a master of fiction, the late, great John McPhee is a nonfiction master. He gained fame as staff writer for The New Yorker, then authored dozens of books on such diverse subjects as fishing, geology, and transportation. (Trust me: His fascinating novel-like prose is more engaging, enlightening, and enrapturing than those topics imply.) In 1999, he finally won a well-deserved General Nonfiction Pulitzer on his fourth try. In this treatise on writing well, McPhee offers insight into his craft, including diagrams of story structure he shared with journalism students at Princeton. The book appeals to my logical side; in my book I say I see writing as like building with Legos, putting together one colorful block at a time to eventually form a 7,541-piece Millennium Falcon. 

When Lynne Truss wrote this book around the turn of the new century, she thought it would be just for grammar nerds. It turned out people care about commas and millions of copies were sold. In the book, Truss doesn’t explain her title, but I will. The cover illustration features a panda, which eats shoots and leaves—as in bamboo and its vegetation. The title, though, is mispunctuated to say the bear first eats, shoots (as with a gun), then leaves the crime scene. Truss offers advice on using apostrophes, semi-colons, em dashes—my favorite—and other marks. Like many writers, I struggle with proper placement of possessives and pauses. Truss taught me a lot about how to best employ punctuation and not to use parentheses and periods to type boobs. 

This book is old, like early 1900s. It was first drafted by William Strunk, Jr., who distributed a version to his students at Columbia University in 1919. E.B. White (author of Charlotte’s Web) modernized it in the ’50s. It went on to sell millions of copies and become one of the most influential guides to English. Why the history lesson? Because it’s remarkable how relevant it remains in 2022. It can feel dusty and literary, but it offers nuggets of wisdom like “omit needless words” that influence writers like me today. I shamelessly ripped off the concept of “elements” for my book. The “little book” is short—the fourth edition is 42 pages—but mighty. It deserves a spot on your physical or virtual bookshelf.    

Jewell is a gem. She published this guide for Black writers around the turn of the new century, but it’s full of valuable advice for creators of all ethnicities. An educator, Dr. Parker Rhodes is a New York Times bestselling author of children’s books that include Ghost Boys and Black Brother. Her emphasis in this tome is on motivating readers to tell their life stories vividly and to find inspiration all around them in their communities. Part literary analysis and part how-to guide, the book teaches about crafting biographies, memoirs, personal essays, and other nonfiction into publishable pieces. In my book, I advise readers to “diversify voices” when they write. Parker Rhodes’ words influenced how I think about researching and crafting my work for all types of readers.