45 books like The Story of English

I never considered myself a nerd, so why do I love Latin? (which I hated in school) It’s because I Iove seeing, and love teaching, what languages can do – culturally, socially, politically.

Leonhardt’s Latin: Story of a World Language gives us sweeping new perspectives. For 1000 years after the Romans, Latin was the intellectual glue of Europe, and a key to the sciences and humanities down through the 19th century. The new prestige of French, Italian, English, and the other European vernaculars in some ways threw up huge barriers.

If only Latin grammar and syntax weren’t, aargh, so challenging (though some do call this a cognitive plus). Teaser: Is English as today’s ‘world language’ actually acting as a latter-day Latin?

Many language stories have sad endings. I don’t like to over-personalize a language; it’s primarily the users that put the spice into a language or let it ‘die’. Or in the case of Yiddish, murdered in their millions.

Dovid Katz’s title evokes the extraordinary vitality of Yiddish – for centuries the language of Europe’s Jews and one of the major literary languages of the 20th century, until Nazism and Stalinism consumed all. Many survivors reached Israel, where Hebrew has taken its place. But Yiddish lives on. To me that matters.

For tens of thousands (and thriving) survivors’ descendants in the US and Europe, Yiddish is still a first language, preserving a traditional religious lifestyle  Many more, whose grandparents (like mine) migrated and raised children in other tongues, still cherish Yiddish for its songs and jokes. As do I. Mel Brooks, Woody Allen, Larry David – scratch the surface and… show more.

Some of the best language stories lie dissected in the work of social scientists. Not an easy read. But once in a while, someone brings it to life, enjoyably. 

One such is John Edwards, whose ‘Multilingualism’ is required reading for my course on language and politics.  Most countries are host to several languages – often a source (or a product) of ethnic pride, and why not? Sometimes, however, full-scale political and economic interventions may occur. And then, a language conflict is on the cards.

Nationalism often enflames such situations but sometimes wisdom and fortune prevail. Not long ago, Catalan and Quebecois French faced a bleak future, but have now seen political and cultural rejuvenation. But other vectors can change the story: Take the Southern Irish: The occupation over, they saw little cultural or economic value in Gaelic, which is now severely endangered.

You can piece together another trove of language stories here, this time from 20 modern Asian countries – each profiled by a different scholar. Once again, I adopted this for a course and the students were engrossed.

To take just one story: for 2000 years the vast Chinese empire had a centralized administrative tongue against a chatter of spoken dialects. But then, in the early 20th century, a sea change: the ripple of Western nationalism and liberalism that carried away the empire also produced a movement for wholesale language reform – creating one standard spoken language to unite the masses, simplifying the daunting Chinese script, even introducing Roman script.

In the end, the Communist Party settled on a Roman script just as a learning tool for children. They couldn’t erase 3000 years of history. And as I was writing my story, the parallels with China kept coming at me:… show more.

This writing instruction book came to my aid as I began to teach writing at Harvard University in the late 1990s, when I was trying to help college students cultivate their own voice as writers.

The title was brilliant, surprising the reader that the subject was revision and not writing, per se. This focused on a fundamental truth, which is that good writing – whether it be fiction or non-fiction, artistic or professional – almost always goes through several revisions. Students often recoil at the idea of revisions because they threaten to burden them with more work.

What Murray underlined (and a point I’ve reiterated) is that revisions provide the opportunity to improve your work. The more that writers are comfortable with making revisions, the easier it will be to cultivate and improve their voices in their written work.

The Oxford (and, later, Cambridge) literature scholar looks out at the shifting cultural landscape of post-war Britain in the late 1940s and prophesies the postmodern future we now inhabit. It is one of Lewis’s lesser-known volumes (he is the author of the Chronicles of Narnia and bestselling religious books such as Mere Christianity) and one of the shortest.

But this book packs a powerful punch that I have used in teaching law students about our culture three generations after Lewis wrote it. Why are people so confused about morality today and yet so strident in their opinions? Lewis helped me see why, as few others have.

We all want to use language well. But language pundits sometimes promote grammar rules (e.g. no ‘split infinitives’) that contrast with what we hear in speech all the time.

The source of the discrepancy is traditional grammar books, which originated in the 18th Century, and were based on Latin models. But English has always had a different grammatical structure than Latin, and so some traditional ‘rules’ have never made sense. Instead of relying on such traditional prescriptive grammars, it is much better to refer to modern descriptive grammars, which describes how English is actually used nowadays.

These are based on thousands of examples of real written texts and spoken discourse, and so they can confidently report how English is really used in today’s world. The Cambridge Grammar of English is one of the best examples. 

I read this book when it came out in 1985, as I was polishing my first book. I recommended it to a senior colleague who had written several books and edited a leading journal. He took it with him to some beach on winter vacation as he was completing his next book. When he returned, he said he was so engrossed in the book that his wife got mad at him for not putting it down. He loved it as much as I did.

If you have mastered this book, your writing will improve dramatically, and you will not need another style manual for the rest of your life. 

Lincoln was a great communicator, whose greatest speeches deliver emotional power through unfussy language. Harriet Beecher Stowe, the author of the best-selling page-turner Uncle Tom’s Cabin, knew a thing or two about language. She said Lincoln’s compelling words had “the relish and smack of the soil.” Douglas Wilson’s study is an exercise in historical detection. Sleuth-like he uses the successive manuscript drafts of Lincoln’s speeches and public letters to show his care in choosing his words, and how alert he was to sense, sound, imagery, context, and clarity. Lincoln’s Sword is a masterpiece, a showcase of the literary and political sensibilities that made Wilson an acclaimed winner of the Lincoln Prize.

I stumbled upon this one in a library. Yes, they still have things called Libraries. And this book is a little ripper if you are writing fiction. 

If you have ever attempted to write a novel, you would have no doubt found yourself saying things like his heart was racing; he held his breath, a shiver ran up his spine, blah, blah, blah. It’s not until you go back through your manuscript that you realize how many times you have used the same descriptions. Over and over and over again. 

This little gem of a book is jam-packed with alternatives. It offers brilliant tips on expressing the same emotions and feelings with originality and without repetition.