Here are 100 books that Words on Fire fans have personally recommended if you like
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I have been a Professor of Middle Eastern Studies and Linguistics at Dartmouth College since 1997. Previously: Professor of Hebrew at London University. BA Oxford, Ph.D. London. Author/co-author of seven books, including The Story of Hebrew (Princeton, 2017) – one of CHOICE Magazine’s 'Outstanding Academic Titles for 2017', a Princeton University Press nomination for the Pulitzer Prize for nonfiction – and (co-author Jon Schommer)A Screenful of Sugar? Prescription Drug Websites Investigated. Over 80 papers on language and its social and political impact, in particular in pharmaceutical and financial literacy.
I never considered myself a nerd, so why do I love Latin? (which I hated in school) It’s because I Iove seeing, and love teaching, what languages can do – culturally, socially, politically.
Leonhardt’s Latin: Story of a World Language gives us sweeping new perspectives. For 1000 years after the Romans, Latin was the intellectual glue of Europe, and a key to the sciences and humanities down through the 19th century. The new prestige of French, Italian, English, and the other European vernaculars in some ways threw up huge barriers.
If only Latin grammar and syntax weren’t, aargh, so challenging (though some do call this a cognitive plus). Teaser: Is English as today’s ‘world language’ actually acting as a latter-day Latin?
The mother tongue of the Roman Empire and the lingua franca of the West for centuries after Rome's fall, Latin survives today primarily in classrooms and texts. Yet this "dead language" is unique in the influence it has exerted across centuries and continents. Jurgen Leonhardt has written a full history of Latin from antiquity to the present, uncovering how this once parochial dialect developed into a vehicle of global communication that remained vital long after its spoken form was supplanted by modern languages.
Latin originated in the Italian region of Latium, around Rome, and became widespread as that city's imperial…
I have been a Professor of Middle Eastern Studies and Linguistics at Dartmouth College since 1997. Previously: Professor of Hebrew at London University. BA Oxford, Ph.D. London. Author/co-author of seven books, including The Story of Hebrew (Princeton, 2017) – one of CHOICE Magazine’s 'Outstanding Academic Titles for 2017', a Princeton University Press nomination for the Pulitzer Prize for nonfiction – and (co-author Jon Schommer)A Screenful of Sugar? Prescription Drug Websites Investigated. Over 80 papers on language and its social and political impact, in particular in pharmaceutical and financial literacy.
There was probably never a language documentary as compelling as The Story of English, and the companion book The Story of English was an inspiration for my own book – and my title.
How could the language of a small out-of-the-way island go global and become the entire world’s second language? Conquest? (that’s a plus and a minus) Dysfunctional spelling and crazy grammar? (joke) Political and cultural good fortune? (Definitely.) But what else? And to what ends?
And this language ‘game’ has had so many players besides the English – the Scots, the Irish, the Americans, Africa, and Asia. And of course, 35 years ago no one could have imagined how many more global roles English would be playing.
Now revised, The Story of English is the first book to tell the whole story of the English language. Originally paired with a major PBS miniseries, this book presents a stimulating and comprehensive record of spoken and written English—from its Anglo-Saxon origins some two thousand years ago to the present day, when English is the dominant language of commerce and culture with more than one billion English speakers around the world. From Cockney, Scouse, and Scots to Gulla, Singlish, Franglais, and the latest African American slang, this sweeping history of the English language is the essential introduction for anyone who…
I have been a Professor of Middle Eastern Studies and Linguistics at Dartmouth College since 1997. Previously: Professor of Hebrew at London University. BA Oxford, Ph.D. London. Author/co-author of seven books, including The Story of Hebrew (Princeton, 2017) – one of CHOICE Magazine’s 'Outstanding Academic Titles for 2017', a Princeton University Press nomination for the Pulitzer Prize for nonfiction – and (co-author Jon Schommer)A Screenful of Sugar? Prescription Drug Websites Investigated. Over 80 papers on language and its social and political impact, in particular in pharmaceutical and financial literacy.
Some of the best language stories lie dissected in the work of social scientists. Not an easy read. But once in a while, someone brings it to life, enjoyably.
One such is John Edwards, whose ‘Multilingualism’ is required reading for my course on language and politics. Most countries are host to several languages – often a source (or a product) of ethnic pride, and why not? Sometimes, however, full-scale political and economic interventions may occur. And then, a language conflict is on the cards.
Nationalism often enflames such situations but sometimes wisdom and fortune prevail. Not long ago, Catalan and Quebecois French faced a bleak future, but have now seen political and cultural rejuvenation. But other vectors can change the story: Take the Southern Irish: The occupation over, they saw little cultural or economic value in Gaelic, which is now severely endangered.
Multilingualism is everywhere in our globalised society. Delving into the 'social life' of languages, John Edwards provides a brief yet compelling overview of multilingualism and its sociocultural implications and consequences. Covering major topics including language origins, language death, lingua francas, pidgins, creoles and artificial languages, this book provides a complete introduction to what happens when languages meet.
A vital primer for anybody interested in multilingualism, this new edition has been refreshed and updated, expanding its coverage and adding new topics such as linguistic imperialism, minority languages, and folk linguistics. A brand new chapter on recent developments also covers the linguistic…
I have been a Professor of Middle Eastern Studies and Linguistics at Dartmouth College since 1997. Previously: Professor of Hebrew at London University. BA Oxford, Ph.D. London. Author/co-author of seven books, including The Story of Hebrew (Princeton, 2017) – one of CHOICE Magazine’s 'Outstanding Academic Titles for 2017', a Princeton University Press nomination for the Pulitzer Prize for nonfiction – and (co-author Jon Schommer)A Screenful of Sugar? Prescription Drug Websites Investigated. Over 80 papers on language and its social and political impact, in particular in pharmaceutical and financial literacy.
You can piece together another trove of language stories here, this time from 20 modern Asian countries – each profiled by a different scholar. Once again, I adopted this for a course and the students were engrossed.
To take just one story: for 2000 years the vast Chinese empire had a centralized administrative tongue against a chatter of spoken dialects. But then, in the early 20th century, a sea change: the ripple of Western nationalism and liberalism that carried away the empire also produced a movement for wholesale language reform – creating one standard spoken language to unite the masses, simplifying the daunting Chinese script, even introducing Roman script.
In the end, the Communist Party settled on a Roman script just as a learning tool for children. They couldn’t erase 3000 years of history. And as I was writing my story, the parallels with China kept coming at me:…
Language and National Identity in Asia is a comprehensive introduction to the role of language in the construction and development of nations and national identities in Asia.
Leading scholars from all over the world investigate the role languages have played and now play in the formation of the national and social identity in countries throughout South, East, and Southeast Asia. They consider the relation of the regions' languages to national, ethnic, and cultural identity, and examine the status of and interactions between majority, official, and minority languages.
Illustrated with maps and accessibly written this book will interest all those concerned…
I’ve been a journalist for years, and to write my first book, I ended up doing a ton of original research and reporting about photography, fashion, the art world, and the magazine industry in midcentury New York. But certain passages in the twins’ interviews reminded me strongly of many books I’d read growing up, that address the challenges young women face as they confront choices in life. And their story, with its wild and colorful characters, begged to be structured like a novel. It also took place when American society was changing dramatically for women, as it is today. So, I kept books like these in mind while writing.
I fell in love with designer Vicky Tiel’s 2011 memoir because of what I’ll call its “sex-positive” rompiness, which reads like a Swinging Sixties female version of Henry Fielding’s Tom Jones. (I stumbled upon it during research because it includes some of my characters, primarily Mia Fonssagrives, daughter of supermodel Lisa Fonssagrives and stepdaughter of Irving Penn.)
In the book, Tiel, who made her name designing catsuits, hotpants, and miniskirts, explains how she and Mia went from being design students in New York to “It” fashion designers in Paris pretty much overnight. They have many adventures, bed many men, and pick up practical life advice from models and movie stars like Elizabeth Taylor while growing up. It’s a total period piece but also, it hasn’t aged. With pictures and recipes!
Vicky Tiel started as an "it" girl of the 1960s and has had a four decade career designing clothes that make real women look fabulous. Her sexy, fresh hot pants and miniskirts were used by Woody Allen in his first movie, What's New, Pussycat?, her classic design inspired the red dress that transformed Julia Roberts in Pretty Woman, and her creations are worn today by stars such as Halle Berry and Kim Kardashian. Tiel's own life has been dance-the-night-away fun, from her earliest days flunking out of Parsons to design on her own, to starting a chic boutique with best…
I’m a student of biography. Artists, musicians, and comedians are what I read about. I crave to know what makes a great artist tick, how their ideas develop, and why they choose to pursue their craft at huge personal expense. I’m motivated to write more of my own. These biographies are informative, entertaining, and engaging reads, well worth your time. It’s a challenging and frustrating process to tell an artist’s story. Yet their roots, their influences, and how they shake up popular culture make for greater insight into our humanity. Artists take risks and I’m always impressed by the boldness of their vision.
Interested in learning more about the life and times of Mort Sahl? Then look no further! Curtis does a remarkable job of putting Sahl’s life and work into historical context, a key to understanding the evolution of stand-up comedy after 1950. The story of Sahl is the story of every comedian who wanted to speak truth to power in a funny way. Sahl shaped the style of George Carlin, Woody Allen, and David Steinberg. Curtis pays tribute to the comedian and the artistic legacy he left us. It was an important resource for my study of George Carlin.
On December 22, 1953, Mort Sahl (b. 1927) took the stage at San Francisco's hungry i and changed comedy forever. Before him, standup was about everything but hard news and politics. In his wake, a new generation of smart comics emerged-Shelley Berman, Mike Nichols and Elaine May, Lenny Bruce, Bob Newhart, Dick Gregory, Woody Allen, and the Smothers Brothers. He opened up jazz-inflected satire to a loose network of clubs, cut the first modern comedy album, and appeared on the cover of Time surrounded by caricatures of some of his frequent targets such as Dwight Eisenhower, Richard Nixon, Adlai Stevenson,…
As a fantasy and science fiction artist, or imaginative realist, I have always gravitated toward works of imagination and own many books on artists in this field, and love them all. Having met many of my artistic heroes this was a tough call so I picked the five that books that resonated with me during my early life and exploration of this most fantastic form of expression. I hope they fill you with the same wonder as they did with me.
This was the first book compiled by Cathy and Arnie Fenner on the art of grandmaster fantasy artist Frank Frazetta. My first thought was to choose the Ballantine collection of his work because of its nostalgic quality (I was fifteen when I bought it), but this much later Underwood collection went way beyond a simple collection of art due to the care and love put into the production by the Fenner’s, who knew frank personally and admired his art. It's a big art book and the images fill the pages. If I have one gripe about art books in general it’s that the images are nearly always too small, not so here, this is a beautiful showcase that I have treasured and re-read hundreds of times.
This volume follows the work of fantasy artist, Frank Frazetta. Born in Brooklyn in 1928, he absorbed the colourful pulp adventures of Tarzan and Flash Gordon, and in the 50s he excited the next generation of fantasy lovers with his illustrations of Vampirella and Conan the Barbarian.
I have always had an interest in reading factual information about other people’s lives. I am a realist, and prefer reading non-fiction that is true. I am especially interested in reading inspirational stories from people that have overcome adversity, illness, or discrimination.
I was drawn to this book because I had always loved Dave Allen's humour.
Through Ms. Soutar's book I learned of his early life in Ireland and how his attendance at strict Catholic schools run by nuns helped to shape his later stand-up comedy routines. Not everybody enjoys Dave's kind of irreverent humour, but for me he was a comedy legend.
The image of Dave Allen is seared into our minds. He sits on a tall chair with a glass of J&B, smoking his Gauloises, a fingertip missing as he tells the most hilarious, rambling stories. But what of the man behind the image? Carolyn Soutar's biography is the most revealing account of the famously private comedian, whose career began in the sixties but who remained influential to a whole new generation of comics in the 21st century. Having worked with him as his stage manager, Soutar was able to see how he behaved both on and off screen. She discusses…
I’ve always been drawn to stories about Jewish survival. My mother’s family were Yiddish-speaking Jews from Belarus, and as a child I was often asking questions about what their world was like before it was destroyed. I later studied at Brandeis University where I earned my doctorate in Hebrew and Yiddish Literature, and then taught Jewish Literature at the University of Toronto. When my novel Come Back for Me was published, it felt as though many of my lifelong passions had finally come together in one book. Yet I’m still asking questions. My second novel (almost completed!) continues my quest to further my knowledge of all that was lost.
Despite the title, this is not so much a story of one woman, but a portrait of several individual Jews and Poles caught in the Nazi web during WWII.
Each chapter is a finely drawn sketch of a single individual tested by fate and circumstance. The author captures how each of these characters responds to his or her plight in ways that are rarely predictable. I was particularly impressed by how the author displays a broad knowledge of national and political movements which he incorporates into the stories.
This provides a nuanced backdrop to the personal struggles experienced by each of his meticulously crafted characters.
In Nazi-occupied Warsaw of 1943, Irma Seidenman, a young Jewish widow passes as the wife of a Polish officer, until an informer spots her and drags her off to the Gestapo to await her fate
The books I recommend have stayed with me years after I read them. I’ve always been fascinated by my Jewish heritage and the rich traditions of my forebearers. I’ve incorporated some of that heritage in my own work as an author. Most recently, I published a historical novel about the Jewish Ghetto in Rome, which took me down a rabbit hole of research into Jewish literature. I revisited books I’d loved for decades and discovered new books I loved.
Singer, one of the great names in Jewish literature, takes his readers to turn of the century Eastern Europe and enfolds them in the hierarchy of Jewish society. He masterfully captures a way of life that flourished before the Second World War.
I was so engrossed in this powerful story I immediately began reading Singer’s other works.
The vanished way of life of Eastern European Jews in the early part of the twentieth century is the subject of this extraordinary novel. All the strata of this complex society were populated by powerfully individual personalities, and the whole community pulsated with life and vitality. The affairs of the patriarchal Meshulam Moskat and the unworldly Asa Heshel Bannet provide the center of the book, but its real focus is the civilization that was destroyed forever in the gas chambers of the Second World War.
