Here are 100 books that Boxing Day fans have personally recommended if you like
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I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
The funniest memoir I’ve ever read about being Australian and growing up in Sydney. It had me in tears throughout, with belly laughs and nostalgia.
Like Robert Hughes, Clive James was a stylish writer with a wonderful facility for words who sadly is no longer with us. He wrote a bunch of sequels (Falling Towards England, May Week Was in June, et al), and his poems are bloody good, too. He’s sadly missed.
Before James Frey famously fabricated his memoir, Clive James wrote a refreshingly candid book that made no claims to be accurate, precise, or entirely truthful, only to entertain. In an exercise of literary exorcism, James set out to put his childhood in Australia behind him by rendering it as part novel, part memoir. Now, nearly thirty years after it first came out in England, Unreliable Memoirs is again available to American readers and sure to attract a whole new generation that has, through his essays and poetry, come to love James's inimitable voice.
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
This is probably the best, most exhilarating book about modern art I’ve ever read, written by one of the most erudite writers who ever lived. I read it when I was about 11 or 12, and it made me passionate about art and art history.
Hughes was such a good writer, and he made me want to get into writing myself. The BBC made a series based on the book.
This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written.
Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and showing how for many key art movements this was a task of vital importance.
The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this book's success.
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
A stellar biography of Neil Davis, the legendary Australian cameraman of the Vietnam War who was killed in 1985 in Thailand during a military coup. Davis, tragically, filmed his own death. The camera was still running as he was shot and fell to the ground. His soundman, Bill Latch, was also killed.
This book really ignited my love of travel in Southeast Asia, especially Vietnam, Thailand, and Cambodia. It would make a fabulous feature film, and I’m surprised no one has made one yet. Davis was a remarkable man and this is a remarkable story, brilliantly told by Bowden. It's a timeless book.
The bestselling biography of one of the world's greatest cinecameramen and an extraordinary Australian. For over twenty years journalist Neil Davis covered the conflicts in SouthEast Asia. Always at the battle front, he brought enduring images of the full horror of modern war to the world. Ironically, in September 1985, having survived so much war, Neil Davis was killed filming an attempted coup in the streets of Bangkok.
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
One of the original Aussie literary expats in the 1940s, Kershaw penned this slim but sparkling memoir of his time in Paris and rural France before his death in 1995.
It is superbly written and completely unknown. Grab a copy if you’re lucky enough to find it. It proves that books don’t have to be long to stick in the memory. Sometimes, the shortest ones are the best.
In this witty and entertaining illustrated memoir, Alister Kershaw describes the pleasures of his prolonged residence in France - a country of villages - from 1948, when even Paris was a series of villages. In post-war Paris, Kershaw lived a penniless but joyous existence and captures a Paris long gone. The author conjures Paris prior to the triumph of the technocrats and town planners. It also traces the author's move into the Berry, two hours south of Paris, where he lives in a hamlet of six houses and finds a rural life amongst a small group of traditional Sancerre winemakers.…
All these pugilistic narratives touch on people in hardship moving through dark spaces in their lives. I care about people on the fringes. I’ve known many people who have little or nothing. For a lot of my life, I’ve had little. I used to box. When something’s in your blood, you think about it every day. I can’t remember a day I haven’t thought about boxing. Once you’ve done it, it’s hard not to want to go back. You try to just pretend it away, but when it’s in you, it’s got hold. Because I understand this so well, feel it, have lived it, I absorb these boxing stories in a different kind of way.
Heinz takes the day-to-day minutia of being a boxer and makes it something beautiful. While the novel follows Eddie Brown’s quest for the middleweight title, told from the cynical perspective of sportswriter Frank Hughes, what’s really being relayed is everything it takes to build up to the one moment so few people ever face—that one-on-one in the ring you’ve got nowhere to run from the truth, from yourself. Did you prepare enough? Did you give it your all? And just who in the hell are you, really?
Originally published in 1958, The Professional is the story of boxer Eddie Brown's quest for the middleweight championship of the world. But it is so much more. W. C. Heinz not only serves up a realistic depiction of the circus-like atmosphere around boxing with its assorted hangers-on, crooked promoters, and jaded journalists, but he gives us two memorable characters in Eddie Brown and in Brown's crusty trainer, Doc Carroll. They are at the heart of this poignant story as they bond together with their eye on the only prize that matters,the middleweight championship. The Professional is W. C. Heinz at…
Having written over twenty-five books, including ten books on boxing, I have been involved with the sport through my work as a historian for the International Boxing Hall of Fame. I also sit on the Board of Directors Connecticut Boxing Hall of Fame and have penned biographies on five members of the International Boxing Hall of Fame. My name is Mark Allen Baker, and I am a historian and award-winning author.
"Who was/is the best...?" Perhaps in no sport is the question more asked and argued over than in boxing. And in boxing perhaps none is more qualified to answer the question than Bert Randolph Sugar. And while some fans may express outrage that Rocky Marciano barely makes the top twenty, and Marvin Hagler staggers into the top seventy-five, others will nod eagerly when they read that Harry Greb and Benny Leonard were better than just about anybody. Every fight fan on the planet, and maybe other planets as well, is familiar with the work of this prolific pugilistic pundit whose publications not only inform but entertain as well. Yep, it was Bert who put the Sugar in the sweet science!
Easily the most enduring of all sports questions is "Who was/is the best . . . ?" Perhaps in no sport is the question more asked and argued over than in boxing. And in boxing perhaps none is more qualified to answer the question than Bert Randolph Sugar.In Boxing's Greatest Fighters, not only does the former publisher of Ring Magazine tell us who the best fighters were, he lists them in order.Could Sugar Ray Robinson have beaten Muhammad Ali? Could Sugar Ray Leonard have beaten Sonny Liston? The answer, most experts agree, would be "no." But what if, as Bert…
All these pugilistic narratives touch on people in hardship moving through dark spaces in their lives. I care about people on the fringes. I’ve known many people who have little or nothing. For a lot of my life, I’ve had little. I used to box. When something’s in your blood, you think about it every day. I can’t remember a day I haven’t thought about boxing. Once you’ve done it, it’s hard not to want to go back. You try to just pretend it away, but when it’s in you, it’s got hold. Because I understand this so well, feel it, have lived it, I absorb these boxing stories in a different kind of way.
The mantra for this novel could be that the effort matters more than anything—the attempt, the trying. Winning is something, but it’s not everything. Brooks, a high-school dropout, has to find his way in a world where his closest friend is dying from drug addiction, his household is broken, and street thugs are after him. Against all odds, if you love something and want it, the pursuit of that dream can help those who chase it with enough intensity to possibly overcome the hardship. When so many boxing stories are written with utter bleakness, there is light here.
The breakthrough modern sports novel The Contender shows readers the true meaning of being a hero.
This acclaimed novel by celebrated sportswriter Robert Lipsyte, the recipient of the Margaret A. Edwards Award for lifetime achievement in YA fiction, is the story of a young boxer in Harlem who overcomes hardships and finds hope in the ring on his path to becoming a contender.
Alfred Brooks is scared. He’s a high-school dropout, and his grocery store job is leading nowhere. His best friend is sinking further and further into drug addiction. Some street kids are after him for something he didn’t…
Claudia Keenan is a historian of education whose interest in American culture was awakened during her doctoral studies, when she researched the lives of mid-twentieth-century educators. Growing up in Mount Vernon, N.Y., she developed a strong affinity with place and time among the beautiful old homes and avenues lined with elms, set against a backdrop of racial strife and ethnic politics. She continues to reconstruct and interpret American lives on her blog, and has recently finished a book about Henry Collins Brown, founder of the Museum of the City of New York. Claudia received a BA from the University of Chicago and a PhD from New York University.
“A ghost story, a haunting unto itself”—thus, music journalist Nick Tosches opens his tough tale of the boxer Sonny Liston, two-time heavyweight champion of the world. Born in 1932 into a family of tenant farmers that lived on the border of Arkansas and Mississippi, Liston grew up with violence, reinforced by an early stint in prison. Deftly, Tosches conjures the grim, ruthless culture of professional boxing during the 1950s and 60s. Most poignantly, he shows that Liston never possessed his own life—not in the fields from which he fled as a youth and not as a winner in the ring. He was always owned by white men who operated a fundamentally racist business. For readers interested in Black cultural history, this is a timely book.
A biography of the controversial fighter follows Liston from the mean streets, where he was a petty criminal, to the heavyweight championship and his life as a pawn of organized crime. By the author of Power on Earth. Reprint. 25,000 first printing.
All these pugilistic narratives touch on people in hardship moving through dark spaces in their lives. I care about people on the fringes. I’ve known many people who have little or nothing. For a lot of my life, I’ve had little. I used to box. When something’s in your blood, you think about it every day. I can’t remember a day I haven’t thought about boxing. Once you’ve done it, it’s hard not to want to go back. You try to just pretend it away, but when it’s in you, it’s got hold. Because I understand this so well, feel it, have lived it, I absorb these boxing stories in a different kind of way.
I first picked up this novel the year I started boxing. It follows the rough lives of Billy Tully and Ernie Munger, two boxers living in separate but parallel worlds—Tully an aging boxer fooled into thinking he can relive a few more glory days and Munger figuring out the hard lessons of what it means to lose. I love how this novel amplifies people eking out difficult lives who spend most of their time in dive bars, cheap motels, and seedy parts of town engaging with dubious, colorful characters. The writing is sparse, direct, sad, and unsentimental. Here Gardner is always pursuing a tough reality.
'A pitch-perfect account of boxing, blue-collar bewilderment and the battle of the sexes' San Francisco Chronicle
A major cult film directed by John Huston
Stockton, California: a town of dark bars and lunchrooms, cheap hotels and farm labourers scratching a living. When two men meet in the Lido Gym - the ex-boxer Billy Tully and the novice Ernie Munger - their brief sparring session sets a fateful story in motion, initiating young Munger into the "company of men" and luring Tully back into training.
Fat City is a vivid novel of defiance and struggle, of the potent…
Having written over twenty-five books, including ten books on boxing, I have been involved with the sport through my work as a historian for the International Boxing Hall of Fame. I also sit on the Board of Directors Connecticut Boxing Hall of Fame and have penned biographies on five members of the International Boxing Hall of Fame. My name is Mark Allen Baker, and I am a historian and award-winning author.
Among the legendary athletes of the 1920s, the unquestioned halcyon days of sports, stands Gene Tunney, the boxer who upset Jack Dempsey in spectacular fashion, notched a 77—1 record as a prizefighter, and later avenged his sole setback (to a fearless and highly unorthodox fighter named Harry Greb). Yet within a few years of retiring from the ring, Tunney willingly receded into the background. To this day, Gene Tunney’s name is most often recognized only in conjunction with his epic “long count” second bout with Dempsey. Living nearly half his life in the state of Connecticut, Mr. Tunney was the first boxer I ever corresponded with. Author Jack Cavanaugh, also from Connecticut, crafts this priceless book.
Among the legendary athletes of the 1920s, the unquestioned halcyon days of sports, stands Gene Tunney, the boxer who upset Jack Dempsey in spectacular fashion, notched a 77—1 record as a prizefighter, and later avenged his sole setback (to a fearless and highly unorthodox fighter named Harry Greb). Yet within a few years of retiring from the ring, Tunney willingly receded into the background, renouncing the image of jock celebrity that became the stock in trade of so many of his contemporaries. To this day, Gene Tunney’s name is most often recognized only in conjunction with his epic “long count”…
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