Here are 100 books that Fat City fans have personally recommended if you like
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I am a recovered (not “recovering”) addict and writer. These days I write historical fiction because I enjoy an escape from present-day reality, and research is fun. But I started writing as a way to make sense of my chaotic world and in hopes of healing myself. Something was broken inside me, and I didn’t know how to fix it. So I wrote about the shadowy realms of my life and kept on writing until somehow I was able to let go of the past and create a different life, one which would not land me upside down in a ditch with my neck broken and my tires spinning.
I cannot overstate how amazing this book (an autobiographical novel) is.
I was just trying to figure out how to write my own story when a professor recommended this book. I was blown away. At the time I read it, I wasn’t a big sports fan, but this is so not a book about sports. It’s about the rage, the wild beast inside us, and how we learn to live with it, and that it’s okay to be a mess as you do it.
By the time I finished the book, I felt like I had my own Virgil to lead me through the circles of hell. The writing in this book is like a drug in itself. It truly got me high.
The narrator of this tale is the ultimate unreconstructed male. his primary concerns are booze, sex and the New York Giants. But things go very wrong for him - he drinks too much, he's impotent, and the Giants start to lose. So we follow his trail, through failed marriages, to mental hospital.
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
This book haunted me for days after I finished reading it. I felt like someone I loved had died. Few works of art have stuck with me the way O’Connnor’s book did. Its main characters—Hazel Motes and Enoch Emery—are the epitome of outsiders. I grew up in a religious family in Kentucky, so I can understand Motes’ struggle with faith. The way that Motes and Emery are so severely separated from the rest of humanity is affecting them.
The book caused me to passionately take their side, rooting for them and their cause, sharing in their anger towards the rest of mankind. This book had such a powerful emotional impact and influence on me, leaving me with a palpable feeling of hopelessness and catharsis over several weeks—unlike I’ve experienced with any other work of art.
Wise Blood, Flannery O'Connor's first novel, is the story of Hazel Motes who, released from the armed services, returns to the evangelical Deep South. There he begins a private battle against the religiosity of the community and in particular against Asa Hawkes, the 'blind' preacher, and his degenerate fifteen-year-old daughter. In desperation Hazel founds his own religion, 'The Church without Christ', and this extraordinary narrative moves towards its savage and macabre resolution.
'A literary talent that has about it the uniqueness of greatness.' Sunday Telegraph
'No other major American writer of our century has constructed a fictional world so energetically…
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
I love this book because it puts me inside the heartbreaking experience of a singular character named Francis Phelan—a homeless man from Albany, New York—as he wrestles with his past and journeys home after a long, self-imposed absence. By the time Ironweed begins, Francis has been homeless for many years and is haunted by his past.
I love how the main character is a mystery, yet the author uses interiority to place the reader inside his experience. Ghosts of the past become palpable to Francis, and he struggles to make his way back home while struggling to survive the hardscrabble existence of the homeless. This book unravels the mystery of its main character and employs striking, beautiful, and direct prose. This book haunted me.
Winner of The Pulitzer Prize and the National Book Critics Circle Award for Fiction
In this Pulitzer Prize-winning novel, the third in Kennedy's Albany cycle, Francis Phelan, ex-ballplayer, part-time gravedigger, and full-time bum with the gift of gab, has hit bottom. Years earlier he'd left Albany after he dropped his infant son accidentally, and the boy died. Now, in 1938, Francis is back in town, roaming the old familiar streets with his hobo pal, Helen, trying to make peace with the ghosts of the past and present.
All these pugilistic narratives touch on people in hardship moving through dark spaces in their lives. I care about people on the fringes. I’ve known many people who have little or nothing. For a lot of my life, I’ve had little. I used to box. When something’s in your blood, you think about it every day. I can’t remember a day I haven’t thought about boxing. Once you’ve done it, it’s hard not to want to go back. You try to just pretend it away, but when it’s in you, it’s got hold. Because I understand this so well, feel it, have lived it, I absorb these boxing stories in a different kind of way.
The mantra for this novel could be that the effort matters more than anything—the attempt, the trying. Winning is something, but it’s not everything. Brooks, a high-school dropout, has to find his way in a world where his closest friend is dying from drug addiction, his household is broken, and street thugs are after him. Against all odds, if you love something and want it, the pursuit of that dream can help those who chase it with enough intensity to possibly overcome the hardship. When so many boxing stories are written with utter bleakness, there is light here.
The breakthrough modern sports novel The Contender shows readers the true meaning of being a hero.
This acclaimed novel by celebrated sportswriter Robert Lipsyte, the recipient of the Margaret A. Edwards Award for lifetime achievement in YA fiction, is the story of a young boxer in Harlem who overcomes hardships and finds hope in the ring on his path to becoming a contender.
Alfred Brooks is scared. He’s a high-school dropout, and his grocery store job is leading nowhere. His best friend is sinking further and further into drug addiction. Some street kids are after him for something he didn’t…
My father, when he consented to talk about all the moments in his life when the odds against his survival were so small as to make them statistically non-existent, would say, ‘I was lucky.’ Trying to understand what he meant got me started on this book. As well as being a novelist, I’m a poker player. Luck is a subject that every poker player has a relationship to; more importantly it’s a subject that every person has a relationship to. The combination of family history and intellectual curiosity and the gambler’s desire to win drove me on this quest.
This novel is the best account of the gambling psychology I know. It is a first-person narrative, ruthless in its depiction of the lies that addicts know they’re telling themselves. The story of a resentful compulsive gambler, the poor but superior tutor to a Russian family at “Roulettenburg,” it was itself the subject of a bet. Dostoevsky signed away his next decade’s worth of publishing profits unless he could deliver a new novel within a year. With six weeks to go he hadn’t written a word. He delivered the completed novel several hours before the deadline was going to pass.
"The Gambler" is a gripping narrative of the dangers of an addiction to gambling. As was common with Dostoyevsky's writing he draws upon his own life in a semi-autobiographical way in "The Gambler". Dostoyevksy himself suffered from a compulsion to gambling and those first-hand experiences bring a depth of realism to "The Gambler" and to his portrayal of the main character, Alexis Ivanovitch, a young man addicted to gambling. "The Gambler" is an insightful look at the compulsive nature of the gambling addict and the tragic consequences of such an addiction.
All of the books on my list are about characters who—either due to their own failings and character flaws, or bad luck, or the body blows that life has thrown their way, or a combination of all those things—have hit rock bottom (though as it sometimes turns out, there’s a bottom below that bottom). I think because of my own struggles, and because I’ve often been my own worst enemy, I’ve found comfort in reading stories of this sort. Like many of the writers on my list, I’ve also found that, more often than not, the only way out was to start writing about what I was going through.
Nearly every Goodis novel features an antihero who has fallen from a higher station in life and is now living on the fringes. In this one, Jim Cassidy, once a highly respected airline pilot until a disastrous plane crash leaves him a broken man, now finds himself driving a bus on a dead-end route, consoling himself with a drink at the neighborhood watering hole where he met his cheating wife and trying to figure out how not to get dragged down even deeper. Of course, things do get even worse for him, and not even the surprising “happy ending” can change the inevitability of the ultimate crash we know is coming for him and for all of us.
They say that a man needs a woman to go to hell with. Cassidy had two. One was Mildred, the wife who kept him chained with ties of fear and jealousy and paralyzing sexual need. The other was Doris, a frail angel with a 100-proof halo and a bottle instead of a harp. With those two, Cassidy found that the ride to hell could be twice as fast.
Goodis holds his rightful place in the pantheon of noir writers, alongside Jim Thompson, Cornell Woolrich, and Charles Williams. His writing stays true and never wavers, is never prettified. His characters always…
All of the books on my list are about characters who—either due to their own failings and character flaws, or bad luck, or the body blows that life has thrown their way, or a combination of all those things—have hit rock bottom (though as it sometimes turns out, there’s a bottom below that bottom). I think because of my own struggles, and because I’ve often been my own worst enemy, I’ve found comfort in reading stories of this sort. Like many of the writers on my list, I’ve also found that, more often than not, the only way out was to start writing about what I was going through.
This tale of Arturo Bandini, a young would-be writer living on the edge in 1930s Los Angeles, is the book that Charles Bukowski discovered in a local library and was purportedly his inspiration for becoming a writer himself. Like Henry Chinaski in Buk’s autobiographical works, Bandini is a stand-in for Fante, and his personal disasters are mined for their comic gold. He falls in love with a waitress named Camilla, only to watch her fall in love with another man and eventually suffer a nervous breakdown. In the end, Bandini realizes he can't help Camilla and must focus on his writing instead—a conclusion that I, as a young writer, totally identified with.
Ask the Dust is a virtuoso performance by an influential master of the twentieth-century American novel. It is the story of Arturo Bandini, a young writer in 1930s Los Angeles who falls hard for the elusive, mocking, unstable Camilla Lopez, a Mexican waitress. Struggling to survive, he perseveres until, at last, his first novel is published. But the bright light of success is extinguished when Camilla has a nervous breakdown and disappears . . . and Bandini forever rejects the writer’s life he fought so hard to attain.
All these pugilistic narratives touch on people in hardship moving through dark spaces in their lives. I care about people on the fringes. I’ve known many people who have little or nothing. For a lot of my life, I’ve had little. I used to box. When something’s in your blood, you think about it every day. I can’t remember a day I haven’t thought about boxing. Once you’ve done it, it’s hard not to want to go back. You try to just pretend it away, but when it’s in you, it’s got hold. Because I understand this so well, feel it, have lived it, I absorb these boxing stories in a different kind of way.
This is the most beautiful, touching, and emotional book about boxing, penned by a cut man who didn’t stumble into writing until he was in his sixties. Toole’s prose is sharp, lean, commanding, and coming from the mouth of truth. His gritty characters tell it and show it like it is, and it’s Toole’s ability to demonstrate the love trainers have for their boxers and passion for the pursuit of boxing, along with all the big hearts and often unseen vulnerability in the sport, that makes this story collection so open and heavy and heartfelt and breathing and alive.
'Ring magic is different from the magic of the theatre, because the curtain never comes down - because the blood in the ring is real blood, and the broken noses and the broken hearts are real, and sometimes they are broken forever. Boxing is the magic of men in combat, the magic of will, and skill, and pain, and the risking of everything so you can respect yourself for the rest of your life.'The hermetic world of boxing is notoriously difficult for outsiders to understand, though it has provided a source of fascination to numerous writers, including Norman Mailer, A.J.…
All these pugilistic narratives touch on people in hardship moving through dark spaces in their lives. I care about people on the fringes. I’ve known many people who have little or nothing. For a lot of my life, I’ve had little. I used to box. When something’s in your blood, you think about it every day. I can’t remember a day I haven’t thought about boxing. Once you’ve done it, it’s hard not to want to go back. You try to just pretend it away, but when it’s in you, it’s got hold. Because I understand this so well, feel it, have lived it, I absorb these boxing stories in a different kind of way.
The importance of these stories lies within the relatable concept of how people choose to medicate—through pills, alcohol, sex, distance, lies, boxing. Jones’s characters are full of grit and sharp tongues, broken bones, each pursuing a way out of the mediocre feeling of their existences. Some want to chase greatness, while most just dream of coming up out of the hole for a moment in hopes of seeing the light. What Jones teaches is that there’s always redemption in the beauty of the attempt.
Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles.
He met Liston's gaze but found it almost impossible to sustain eye contact. Soon it became an exercise in the control of fear. Sonny Liston gave Kid Dynamite the slightest hint of a smile and winked.
In the build-up to a fight, Kid Dynamite's head swirls - with thoughts of his estranged father, his difficult relationship with his stepfather, the time he met his hero, and the sense that his own life is reaching a moment…
All these pugilistic narratives touch on people in hardship moving through dark spaces in their lives. I care about people on the fringes. I’ve known many people who have little or nothing. For a lot of my life, I’ve had little. I used to box. When something’s in your blood, you think about it every day. I can’t remember a day I haven’t thought about boxing. Once you’ve done it, it’s hard not to want to go back. You try to just pretend it away, but when it’s in you, it’s got hold. Because I understand this so well, feel it, have lived it, I absorb these boxing stories in a different kind of way.
Heinz takes the day-to-day minutia of being a boxer and makes it something beautiful. While the novel follows Eddie Brown’s quest for the middleweight title, told from the cynical perspective of sportswriter Frank Hughes, what’s really being relayed is everything it takes to build up to the one moment so few people ever face—that one-on-one in the ring you’ve got nowhere to run from the truth, from yourself. Did you prepare enough? Did you give it your all? And just who in the hell are you, really?
Originally published in 1958, The Professional is the story of boxer Eddie Brown's quest for the middleweight championship of the world. But it is so much more. W. C. Heinz not only serves up a realistic depiction of the circus-like atmosphere around boxing with its assorted hangers-on, crooked promoters, and jaded journalists, but he gives us two memorable characters in Eddie Brown and in Brown's crusty trainer, Doc Carroll. They are at the heart of this poignant story as they bond together with their eye on the only prize that matters,the middleweight championship. The Professional is W. C. Heinz at…
