Here are 100 books that La Passione fans have personally recommended if you like
La Passione.
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This list reflects my focus as a writer about and researcher of cultures very different from my own. I grew up in the country of New Zealand and have been based in Australia for a long time–but I have worked and lived in places like India, Barbados, Malaysia, Canada, Jordan, Syria, Cambodia, and Laos. All of those experiences contribute to my evolution as a writer through academic works, biography, creative nonfiction, memoir, and, more lately, crime fiction and screenwriting. I would not be the writer I am without this curiosity for the “Other,” and it continues to drive me.
When I first visited Venice, I had the strange sense that I already “knew” the city because I had read this first and all the subsequent Leon novels set in the city and featuring Commissario Guido Brunetti. From those books, I recognized landmarks and hidden alleys, cafes and restaurants, how to take the Vaparetto, and where the main police stations and markets were.
I wanted to write like that, make the city a main character–and I love other series that do the same, like Andrea Camilleri’s Montalbano series set in Sicily. These books “take you there.”
'A splendid series . . . with a backdrop of the city so vivid you can almost smell it.' The Sunday Telegraph
Winner of the Suntory Mystery Fiction Grand Prize __________________________________
The twisted maze of Venice's canals has always been shrouded in mystery. Even the celebrated opera house, La Fenice, has seen its share of death ... but none so horrific and violent as that of world-famous conductor, Maestro Helmut Wellauer, who was poisoned during a performance of La Traviata. Even Commissario of Police, Guido Brunetti, used to the labyrinthine corruptions of the city, is shocked at the number of…
I spent my first seven years in Spain and Italy, devouring books and Italian food and still speak (or try!) my childhood languages. The Italian language and culture are precious to me—an integral part of my life. Our visits back to Italy, speaking Italian with friends, cooking Italian meals, writing for the Italian Language Foundation's website, and enjoying our community's Italian movie nights maintain my Italian experience. Sadly, I can't be in Italy all the time, but have found some fabulous books that take me right back! Il cuore e italiano—my heart is Italian.
This delightful mystery set in Florence not only intrigues the reader with its clever, twist-filled plot but also with its insights into daily life and culture in Italy. The characters are enjoyable and show many humorous and unique facts of Italian life. Nabb knows her Florence and her Italians, and her ability to describe both make a reader wish to accompany her on her next trip!
Introducing Marshal Salvatore Guarnaccia of the Florentine carabinieri, a Sicilian stationed far from home. He wants to go south for Christmas to spend the holiday with his family, but he is laid up with the 'flu. At this awkward moment, the death of a retired Englishman is reported. A most inconvenient time for a murder case. Who has shot Mr Langley-Smythe in the back? And why has Scotland Yard felt it appropriate to send two detectives, one of whom speaks no Italian, to 'help' the marshal and his colleagues with their investigation? Most importantly for the marshal, ever the Italian,…
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
Although I have read a number of novels focused on friendship, this one stands out with particular vigor. It started the way I expected: two friends since childhood. The more I advanced into the reading, though, the more I perceived the two main characters—Elena and Lila—as the same person: a sort of super-protagonist that incorporates not only the psychological traits of the two but their lives as well.
If it’s true that life is often a fight between who we are and who we would like to be, then this novel portrays that conflict masterfully. What I saw in this story, more than the recount of a friendship, is the power that lies hidden within each of us. Whether we annihilate it or let it bloom depends on the choices we make in our lives.
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From one of Italy's most acclaimed authors, comes this ravishing and generous-hearted novel about a friendship that lasts a lifetime. The story of Elena and Lila begins in the 1950s in a poor but…
I love writing books that feature buildings and construction as a backdrop to life. I’ve worked as an interior designer for over 30 years, and now I teach design at a university in Sydney. Our homes offer so much more than four walls and a roof. They provide us with comfort and shelter. They offer security and stability. They help us stay sane and grounded in a sometimes confusing and turbulent world. I don’t think the importance of our homes can be underestimated.
Most romance readers know that this story is about a run-down villa in Tuscany and a heartbroken heroine (Frances Mayes) struggling to build a life after her divorce. But read the book for the beautiful descriptions of the countryside, the delicious food and wine, and the gorgeous accounts of village life—the markets, the frescos, the fading sunlight!
This memoir is not just a restoration journey; it’s a book about finding yourself.
Discover the New York Times bestseller that inspired the film. The perfect read for anyone seeking an escape to the Italian countryside.
When Frances Mayes - poet, gourmet cook and travel writer - buys an abandoned villa in Tuscany, she has no idea of the scale of the project she is embarking on.
In this enchanting memoir she takes the reader on a journey to restore a crumbling villa and build a new life in the Italian countryside, navigating hilarious cultural misunderstandings, legal frustrations and the challenges of renovating a house that seems determined to remain a ruin.
I have been fascinated with ancient civilizations since my parents, amateur historians, moved our family to Saudi Arabia in the early 1980s, and we began to travel extensively around the Mediterranean, especially Greece, Italy, Egypt, and Jordan. I went on to study classical art and archaeology in graduate school in England, Scotland, and Germany, and excavated in Greece, Italy, and North Africa. My own research ranges widely, from the Etruscans to sport and entertainment in the Roman empire (about which I made a film with the Smithsonian, Rome’s Chariot Superstar). I currently live in Chicago, where I teach at a university.
If there is a Bible of Etruscan studies, this is it. The author is a revered authority in the field, having worked closely with Etruscan objects at the British Museum for many decades. Her “cultural history” is firmly rooted in the evidence of the Etruscan soil itself, and she is particularly adept at using material culture to dispense with the various Greek and Roman myths about the “mysterious” Etruscans. While the book is a mighty tome, both in its scholarly heft and physical weight, no serious student of the Etruscans can do without it.
This comprehensive survey of Etruscan civilization, from its origin in the Villanovan Iron Age in the ninth century B.C. to its absorption by Rome in the first century B.C., combines well-known aspects of the Etruscan world with new discoveries and fresh insights into the role of women in Etruscan society. In addition, the Etruscans are contrasted to the Greeks, whom they often emulated, and to the Romans, who at once admired and disdained them. The result is a compelling and complete picture of a people and a culture. This in-depth examination of Etruria examines how differing access to mineral wealth,…
I made my first visit to Pompeii at age seven. That day, I told my parents that I had been there before. It was all very familiar. And that sense of déjà vu has never left me. I feel it whenever I go back to Pompeii, Herculaneum, and the Roman Forum. I don’t believe in reincarnation, but... As an adult, I’ve returned many times to those places and visited others featured in my books: the Etruscan necropolis at Caere, which was already 1,000 years old at the time of my novels; Athens; and the ancient ports of Piraeus in Greece and Itanos in Crete. I earned a Ph.D. at Northwestern University, taught for many years, and enjoyed a million marvelous experiences, but my lifelong love of ancient Rome is the direct result of that long-ago visit to Pompeii with my parents.
A large part of the last book of my trilogy focuses on one character’s involvement in the construction of the Flavian Amphitheater, known today as The Colosseum. As with other complex issues I’ve written about — the Jewish Revolt, social constraints on women, relationships between masters and slaves — I’ve had to make sense of this grandest construction project of the first century. Elkins’ scholarly book helped me get out of the “tourist-in-Rome mindset” and into the “you-are-there-as-it’s-being-built mindset.” I’m currently writing that section, so the jury is still out, but Elkins’ in-depth research and clear exposition provide a good road map.
Go behind the scenes to discover why the Colosseum was the king of amphitheaters in the Roman world-a paragon of Roman engineering prowess.
Early one morning in 80 CE, the Colosseum roared to life with the deafening cheers of tens of thousands of spectators as the emperor, Titus, inaugurated the new amphitheater with one hundred days of bloody spectacles. These games were much anticipated, for the new amphitheater had been under construction for a decade. Home to spectacles involving exotic beasts, elaborate executions of criminals, gladiatorial combats, and even-when flooded-small-scale naval battles, the building itself was also a marvel. Rising…
Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
This was the first Anthony Doerr book I read—the literary equivalent of eating dessert first. I’ve since savored his novels, but this irresistible feast of delicious morsels of Italian life lingers in my mind. Doerr doesn’t show you Rome. He invites you to live in it with him—during his sleepless nights, in the company of his twin babies, as a beloved Pope lies dying and the seasons bring new enchantments.
I can’t say whether I love this book more for the writing or for its tender portrait of Rome. Read it for the double pleasures of exquisitely crafted vignettes and a virtual visit to a city that eternally surprises and seduces visitors.
From the author of the acclaimed Pulitzer Prize-winning #1 New York Times bestseller All the Light We Cannot See and Cloud Cuckoo Land, a "dazzling" (Azar Nafisi, author of Reading Lolita in Tehran) memoir about art and adventures in Rome.
Anthony Doerr has received many awards—from the New York Public Library, the National Endowment for the Arts, and the American Library Association. Then came the Rome Prize, one of the most prestigious awards from the American Academy of Arts and Letters, and with it a stipend and a writing studio in Rome for a year. Doerr learned of the award…
I fell in love with Italy when I traveled there with my family in 2013. While touring through this fascinating country, I felt inspired to write about it. When I came home, I threw myself into research. That research spawned my debut novel, Into the Lion’s Mouth, which is set in Renaissance Venice. I am always on the lookout for all things Italian, podcasts, TV shows, and definitely books. Since middle grade is my sweet spot, I am a sucker for a middle grade book set in Italy. Here are some of my favorites that will have you browsing airplane tickets to Italy and beyond.
This last book is a classic and part of a series that would be helpful for other travel adventures. It’s the only non-fiction book on the list. But it’s a great introduction for kids wanting to know more about the place they are travelling. While originally published in 1960 the book was updated in 2007. This is a great overall introduction to Rome and its history and a good place to start piquing a young traveler’s interest.
Like the other Sasek classics, this is a facsimile edition of the original book. The brilliant, vibrant illustrations have been meticulously preserved, remaining true to his vision more than 40 years later. Facts have been updated for the 21st-century, appearing on a "This is . . . Today" page at the back of the book. These charming illustrations, coupled with Sasek's witty, playful narrative, make for a perfect souvenir that will delight both children and their parents, many of whom will remember the series from their own childhoods. This is Rome, first published in 1960, traces the history of Roman…
I was born in the UK, in Lichfield, but moved to Italy in 1976 and to Rome in 1982. Over the
past forty years, Rome has become my city, my home, and my inspiration, as it has for
hundreds of thousands of other people during its millennia as caput mundi. It isn’t always the
easiest place to live, but it’s varied and colourful and endlessly stimulating. It’s provided a
backdrop to several of my novels and not only that. Rome is a character in its own right,
boisterous, elegant, breathtakingly beautiful, unutterably sordid. Roma è casa mia!
Pasolini’s films, Mamma Roma and Accattone, were among the reasons I decided to move to Rome in the first place.
Their blend of poetry and wretchedness chimed with my own vision of life at that time and I seized the chance to improve my knowledge of the city, of Italian and of Roman dialect, by reading his first novel Ragazzi di Vita, as soon as I arrived in the city.
Ragazzi di vita are hustlers, doomed from birth by circumstances outside their control, and I was drawn to the novel’s dark non-conformist romanticism, its refusal to compromise and the sheer texture of the language, which I only partly understood. It’s like Kerouac, but for real.
The “provocative” novel about hard-living teenagers in poverty-stricken postwar Rome, by the renowned Italian filmmaker (The New York Times).
Set during the post–World War II years in the Rome of the borgate―outlying neighborhoods beset by poverty and deprivation―The Street Kids tells the story of a group of adolescents belonging to the urban underclass. Living hand-to-mouth, Riccetto and his friends eke out an existence doing odd jobs, committing petty crimes, and prostituting themselves. Rooted in the neorealist movement of the 1950s, The Street Kids is a tender, heart-rending tribute to an entire social class in danger of being forgotten. Heavily censored…
In my college days, I majored in dance and political science. It was the 1960s, so marrying art with politics made countercultural sense. After realizing I wouldn’t become the next Martha Graham, I chose to pursue a doctoral degree in political science. But I never abandoned my first love, the arts. Following a more than twenty-year career teaching about women and politics at several universities, I returned to school myself, completed an M.F.A. in creative writing, and published my debut novel, Cities of Women.
In seventeenth-century Rome, a talented young woman artist, Artemesia Gentileschi, is put on trial for accusing her painting instructor of rape. Unwilling to bow to convention, Artemesia pours her rage into her art, inventing an aesthetic against the voyeurism and female submissiveness found in traditional artistic representations of women.
Fremantle heightens the drama and contemporary relevance of Artemisia’s life and art by telling her story in the present tense. Drawing subtle connections between women’s struggles for autonomy and dignity in the past and those in the present, this page-turner of a novel is a searing, nuanced portrait of a woman’s passion for art, determination to right being wronged, and steadfast resolve to be recognized as a great artist.
'This is the ring that you gave me, and these are your promises.'
Rome 1611. A jewel-bright place of change, with sumptuous new palaces and lavish wealth on constant display. A city where women are seen but not heard.
Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters - men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She belongs to her father and will belong to a husband.
As Artemisia patiently goes from lesson to lesson, perfecting her craft, a mysterious…
