Here are 100 books that Four Seasons in Rome fans have personally recommended if you like
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Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
During a plague that killed a quarter of Florence’s citizens, Boccaccio crafted an exuberant, entertaining, death-defying work of literature. In this book, seven young women and three young men taking refuge in a country villa swap 100 tales of love, lust, mischief, and treachery.
I read a translation of The Decameron during a sabbatical in Italy and was swept back in time. In every village, I’d look around a piazza and see characters straight from its pages: wily merchants, corrupt politicians, clever wives, henpecked husbands, bumbling fools. This book still resonates in the 21st century—a tribute to Boccaccio’s skill as a spell-weaver. Some of his stories are shamelessly, laughably bawdy. But all remind us that, even as everything changes, our shared humanity remains the same.
In the summer of 1348, as the Black Death ravages their city, ten young Florentines take refuge in the countryside...
Taken from the Greek, meaning 'ten-day event', Boccaccio's Decameron sees his characters amuse themselves by each telling a story a day, for the ten days of their confinement - a hundred stories of love and adventure, life and death, and surprising twists of fate. Less preoccupied with abstract concepts of morality or religion than earthly values, the tales range from the bawdy Peronella, hiding her lover in a tub, to Ser Cepperallo, who, despite his unholy effrontery, becomes a Saint.…
Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
While researching Mona Lisa: A Life Discovered, I rented an apartment a few blocks from a house where Galileo lived in Florence. I could stand outside its door every day, but this book transported me inside—not just a building but a family, a home, and an era.
Dava Sobel’s meticulous research reveals not just new dimensions of Galileo’s life and work as an intrepid scientist but the often hidden realm inhabited by his daughter. Illegitimate and unmarriageable, she entered a convent at age 13 to live in poverty and simplicity. And yet, as her letters demonstrate, Sister Marie Celeste’s soul and spirit soared. The ending—which I dare not spoil—has haunted me since my first reading decades ago.
Inspired by a long fascination with Galileo, and by the remarkable surviving letters of his daughter Maria Celeste, a cloistered nun, Dava Sobel has crafted a biography that dramatically recolors the personality and accomplishments of a mythic figure whose early-seventeenth-century clash with Catholic doctrine continues to define the schism between science and religion-the man Albert Einstein called "the father of modern physics-indeed of modern science altogether." It is also a stunning portrait of Galileo's daughter, a person hitherto lost to history, described by her father as "a woman of exquisite mind, singular goodness, and most tenderly attached to me."
As a performance psychologist, I’ve spent my career supporting high-performers on their path toward mastery. I founded Finding Mastery, a high-performance psychology consulting agency. Our primary focus is helping leaders, teams, and organizations solve the most dynamic and complex human performance challenges.
Walter Isaacson’s biography is not just a mere recounting of the life of a Renaissance genius; it is an exploration into the mind of a man whose curiosity knew no bounds.
Isaacson details how that curiosity, combined with his ability to observe and question the world around him, led to groundbreaking insights and inventions.
This resonates deeply with my own pursuit of understanding human potential and performance.
The #1 New York Times bestseller from Walter Isaacson brings Leonardo da Vinci to life in this exciting new biography that is "a study in creativity: how to define it, how to achieve it...Most important, it is a powerful story of an exhilarating mind and life" (The New Yorker).
Based on thousands of pages from Leonardo da Vinci's astonishing notebooks and new discoveries about his life and work, Walter Isaacson "deftly reveals an intimate Leonardo" (San Francisco Chronicle) in a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve…
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
After a trip to Florence to see Michelangelo’s earlier works and then David, I struggled to understand the genius, his intense pursuit of excellence, and how his surroundings influenced his art.
The author set me in one of the most fascinating eras of history and made me feel as if I were an apprentice in Michelangelo’s shop. I wept to comprehend the artist and realized that perfection was not a choice for Michelangelo, but a non-negotiable burden.
As I now observe genius in a musician, a scientist, or a mother caring for an autistic child, I give credence to what I learned from Oliver Stone’s portrayal of Michelangelo.
Irving Stone's classic biographical novel of Michelangelo-the #1 New York Times bestseller in which both the artist and the man are brought to vivid, captivating life.
His time-the turbulent Renaissance, the years of poisoning princes, warring Popes, and the all-powerful de'Medici family...
His loves-the frail and lovely daughter of Lorenzo de'Medici, the ardent mistress of Marco Aldovrandi, and his last love, his greatest love-the beautiful, unhappy Vittoria Colonna...
His genius-a God-driven fury from which he wrested brilliant work that made a grasp for heaven unmatched in half a millennium...
His name-Michelangelo Buonarroti. Creator of the David, painter of the ceiling…
Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
Long after I began studying Italian, I resisted reading Italy’s greatest poet. His classic book seemed too daunting, too distant, too dull. Then, an Italian teacher gave me the first adaptation of the La Divina Commedia that she had read as a girl: a vintage Italian Walt Disney comic book featuring Mickey Mouse (Topolino in Italian) as Dante with Minnie Mouse as his adored Beatrice.
I was so intrigued that I bought an English translation of the Divine Comedy—several, although I’m partial to John Ciardi’s. My unanticipated reaction: Wow! Like modern readers ensnared by the wizardly world of Harry Potter, I skidded into a fully imagined alternate world. An action-packed, high-adrenalin, breath-taking, rip-roaring yarn leaped off the pages into vivid, writhing, pulsating life. If you love action-packed tales and also seek insights into the Italian soul, read The Inferno. Purgatorio and Paradiso are optional.
Described variously as the greatest poem of the European Middle Ages and, because of the author's evangelical purpose, the `fifth Gospel', the Divine Comedy is central to the culture of the west. The poem is a spiritual autobiography in the form of a journey - the poet travels from the dark circles of the Inferno, up the mountain of Purgatory, where Virgil, his guide leaves him to encounter Beatrice in the Earthly Paradise. Dante conceived the poem as the new epic of Christendom, and he creates a world in which reason and faith have transformed moral and social chaos into…
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
Every Renaissance fan loves a bit of Leonardo, don’t they? And I was intrigued by the relationship between the older, established artist Leonardo and the hot-headed Michelangelo.
This is a brilliantly written book with lots of glorious details about art and painting. These are two giants of their time, and it was a brave subject to tackle–Storey manages to convey their intellect as well as their art.
Reading about the sheer labour involved in carving a block of stone into something human was really awe-inspiring, and Stephanie Storey does a great job of getting inside the heads of these two men.
In her brilliant debut, Storey brings early 16th-century Florence alive, entering with extraordinary empathy into the minds and souls of two Renaissance masters, creating a stunning art history thriller. From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.
Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all…
I’m a Virginia author who loves everything Italian! Artists like Michelangelo and Leonardo da Vinci have always inspired me with their genius. I’m very involved with the Virginia Museum of Fine Arts (VMFA) where I was a tour guide for many years. Now I’m on the VMFA’s Canvas Advisory Committee which helps guide programming and events. In addition, my articles for the Canvas newsletter give a robust behind-the-scenes look at the museum’s amazing exhibitions. In my books my main character schoolteacher Rose Maning fulfills her dream of buying an apartment in Florence and becoming an artist. It is a true joy to write about Rose’s adventures abroad.
Many art historians consider this book sacred and the best first-hand account of the wondrous artists of the Renaissance. I found the stories extremely interesting about the character of these artists. Vasari was the biographer who gave the original account of how Michelangelo and Leonardo da Vinci hated each other. It also told the story of how both Michelangelo and Leonardo were hired to paint significant battle scenes on the same wall inside the Palazzo Vecchio. It was considered the greatest painting competition of all time as both men completed massive cartoons (preliminary drawings) on The Battle of Cascina and the Battle of Anghiari respectively.
A painter and architect in his own right, Giorgio Vasari (1511-74) achieved immortality for this book on the lives of his fellow Renaissance artists, first published in Florence in 1550. Although he based his work on a long tradition of biographical writing, Vasari infused these literary portraits with a decidedly modern form of critical judgment. The result is a work that remains to this day the cornerstone of art historical scholarship. Spanning the period from the thirteenth century to Vasari’s own time, the Lives opens a window on the greatest personalities of the period, including Giotto, Brunelleschi, Mantegna, Leonardo, Raphael,…
Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
After writing La Bella Lingua, I thought I had learned many of Florence’s hidden stories. Botticelli’s Secret proved me wrong. Although we‘ve never met, I think of Joseph Luzzi as a kindred soul who shares my passion for Italy's language, art, and literature. With a scholar’s depth and a writer’s deft touch, he re-creates the brilliance and complexity of the Renaissance and traces its impact through the centuries since. At the same time, Luzzi draws us into a layered mystery that crosses centuries and unfolds in ever richer, deeper dimensions.
If you haven’t visited Florence, you’ll want to explore Botticelli’s and Dante’s hometown. If you have, you’ll want to return to deepen your appreciation of the city where artists and writers re-invented Western civilization.
Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence's unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city's greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished. Botticelli declined into poverty and obscurity, and his illustrations went missing for 400 years.
The nineteenth-century rediscovery of Botticelli's Dante…
Often, historians choose their field or specialty, but sometimes, the field chooses the historian. Being a historian of southern Italy, the land of my ancestors reflects far more than a merely academic interest. As a personal pursuit, it isn’t just what I am but who I am. I write the kind of books that I wish had existed when I wrote my first peer-reviewed article in 1984. This has come to include everything from general histories to specialised studies to translations of medieval chronicles. Through the website Best of Sicily, online since 1999, my work has reached a readership of millions over the course of two decades.
Historical travelogues were once the stuff of National Geographic, but John Keahey, who had a long career as a journalist, is part of a new wave of authors reviving that tradition.
His Italian travels have yielded several books, two on Sicily alone. If his work touches the soul of the people and places he encounters, this one was certainly challenging for its emphasis on the ancient Romans of West and East, but he was able to meet a few of their descendants in Italy, Albania, and Greece.
In 66 BC, young, almost unknown but ambitious Julius Caesar, seeking recognition and authority, became the curator of the Via Appia. He borrowed significant sums to restore the ancient highway. It was a way to gain crucial electoral votes from Roman citizens in towns and villages along the route, built from Rome to Brindisi between 312-191 B.C. He succeeded and rapidly grew in popularity, supported by grateful villagers along the route. After achieving greatness in Rome and the far reaches of Gaul, he led armies along this road to battle enemies in Roman civil wars. And then, across the Adriatic…
I was born in Romania, a closed society during the Cold War, and I never expected to live anywhere else, especially not in the West. When communism ended, I rushed out of Eastern Europe for the first time, eager to find places and people I could only read about before. I also discovered the power longing and homesickness can have on defining our identities. I moved to the United States, where I now live and work, cherishing my nostalgia for the world I left behind, imperfect as it was. The books I read and write are always, in one way or another, about traveling across cultures and languages.
At the height of her success as an American writer, Lahiri moved to Italy to pursue her dream of mastering the Italian language.
She got more than what she had hoped for—a new voice, not just a new language. But this discovery comes after many trials and tribulations that show her that a language is a whole universe that demands we completely re-invent, not merely translate ourselves.
This is the memoir of a writer who is keenly aware of language as a key part of our human condition, bilingual already before leaving Italy (in Bengali and English) and never fully at home in any language.
Italian teaches her the humbleness of sounding simple and modest; the courage of making mistakes; the patience to build a vocabulary, storing new words like a collector obsessed with having more and more items; the confidence to speak with natives, including judgmental ones who always…
On a post-college visit to Florence, Pulitzer Prize-winning author Jhumpa Lahiri fell in love with the Italian language. Twenty years later, seeking total immersion, she and her family relocated to Rome, where she began to read and write solely in her adopted tongue. A startling act of self-reflection, In Other Words is Lahiri’s meditation on the process of learning to express herself in another language—and the stunning journey of a writer seeking a new voice.
