100 books like Four Seasons in Rome

I’m including one book from long ago and far away – fourteenth-century Italy – because it leaped out at me from the bookshelf.

The Decameron is the most artistically complete written story about face-to-face storytelling – though I also love its rivals, One Thousand and One Nights and The Canterbury Tales!

The book opens with the bubonic plague that devastated Florence in 1348. Ten wealthy young friends, women and men, leave the stricken city to vacation in the countryside. While servants prepare lavish meals, the friends spend their days relaxing, dancing – and telling naughty stories. The narrator delights in describing their reactions to each other’s storytelling.

Yes, stories can be holy and powerful, but sometimes we just need them to clown around for us! Many translations are available – read one that feels playful. 

I found this beautiful book to be simultaneously uplifting and heartbreaking.

Often, science is taught as if it descended from heaven on stone tablets, devoid of the human drama involved in its discovery and explication. Sobel captures the agony and ecstasy of the drama in the life of Galileo, the father of experimental physics and the first astronomer to use the telescope.

Summoned late in life to face the Inquisition because of his unabashed promotion of heliocentric cosmology, considered heretical by the Church, Galileo survived but died broken and blind, no longer able to see the heavenly wonders he had revealed to humanity.

Sobel unfurls Galileo’s ordeal through an exchange of tender letters with his cloistered daughter, Sister Maria Celeste, whose name was chosen to honor her star-gazing father. There’s a twist at the end that brought me to tears.

Walter Isaacson’s biography is not just a mere recounting of the life of a Renaissance genius; it is an exploration into the mind of a man whose curiosity knew no bounds.

Isaacson details how that curiosity, combined with his ability to observe and question the world around him, led to groundbreaking insights and inventions.

This resonates deeply with my own pursuit of understanding human potential and performance.

After a trip to Florence to see Michelangelo’s earlier works and then David, I struggled to understand the genius, his intense pursuit of excellence, and how his surroundings influenced his art.

The author set me in one of the most fascinating eras of history and made me feel as if I were an apprentice in Michelangelo’s shop. I wept to comprehend the artist and realized that perfection was not a choice for Michelangelo, but a non-negotiable burden.

As I now observe genius in a musician, a scientist, or a mother caring for an autistic child, I give credence to what I learned from Oliver Stone’s portrayal of Michelangelo.

Dante's Divine Comedy is an epic poem in three volumes. It's perhaps the most beautiful poetry the world has ever seen.

Read it in Italian! Even if you can't read Italian, read it in Italian. Read it out loud, and you'll see what I mean. The language is so beautiful. Then read it in translation.

In it, Dante describes three worlds. The inferno is hell. An intermediate world called purgatory represents the hardest efforts that we make to be good people on Earth. The third volume is paradise.

The entire book was a huge influence on my early writing, which launched the life planning movement. My first book was divided into three segments: Childhood (inferno), Adulthood (purgatory), and Maturity (paradise), representing “the hero’s journey.”

Every Renaissance fan loves a bit of Leonardo, don’t they? And I was intrigued by the relationship between the older, established artist Leonardo and the hot-headed Michelangelo.

This is a brilliantly written book with lots of glorious details about art and painting. These are two giants of their time, and it was a brave subject to tackle–Storey manages to convey their intellect as well as their art.

Reading about the sheer labour involved in carving a block of stone into something human was really awe-inspiring, and Stephanie Storey does a great job of getting inside the heads of these two men.

Many art historians consider this book sacred and the best first-hand account of the wondrous artists of the Renaissance. I found the stories extremely interesting about the character of these artists. Vasari was the biographer who gave the original account of how Michelangelo and Leonardo da Vinci hated each other. It also told the story of how both Michelangelo and Leonardo were hired to paint significant battle scenes on the same wall inside the Palazzo Vecchio. It was considered the greatest painting competition of all time as both men completed massive cartoons (preliminary drawings) on The Battle of Cascina and the Battle of Anghiari respectively.  

Historical travelogues were once the stuff of National Geographic, but John Keahey, who had a long career as a journalist, is part of a new wave of authors reviving that tradition. 

His Italian travels have yielded several books, two on Sicily alone. If his work touches the soul of the people and places he encounters, this one was certainly challenging for its emphasis on the ancient Romans of West and East, but he was able to meet a few of their descendants in Italy, Albania, and Greece.

I enjoyed reading about his journey.

At the height of her success as an American writer, Lahiri moved to Italy to pursue her dream of mastering the Italian language.

She got more than what she had hoped for—a new voice, not just a new language. But this discovery comes after many trials and tribulations that show her that a language is a whole universe that demands we completely re-invent, not merely translate ourselves. 

This is the memoir of a writer who is keenly aware of language as a key part of our human condition, bilingual already before leaving Italy (in Bengali and English) and never fully at home in any language.

Italian teaches her the humbleness of sounding simple and modest; the courage of making mistakes; the patience to build a vocabulary, storing new words like a collector obsessed with having more and more items; the confidence to speak with natives, including judgmental ones who always… show more.

This last book is a classic and part of a series that would be helpful for other travel adventures. It’s the only non-fiction book on the list. But it’s a great introduction for kids wanting to know more about the place they are travelling. While originally published in 1960 the book was updated in 2007. This is a great overall introduction to Rome and its history and a good place to start piquing a young traveler’s interest.