Here are 100 books that Disobedient fans have personally recommended if you like
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I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
For me, this is another masterful interweaving of historical fact and wildly creative imagination. It’s a prime example of in-depth research wielded to tangibly ground the reader in the book’s world; you learn about everything from 19th-century psychological theory and forensics to quilt-making and housecleaning techniques.
Part of what I really love about the novel, though, is that unlike in The Handmaid’s Tale, here Atwood deliberately blurs the lines between “good” and “evil” and “victim” and “villain.” Grace isn’t entirely likable, and she’s pretty much entirely unreliable. So, embodying her perspective as a reader is a continual guessing game of whether or not she’s telling the truth about her role in the murders at the book’s center. At the same time, it’s also a kind of ethical guessing game, for even if Grace is guilty, Atwood makes the role society and class play in her downfall so painfully clear…
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
I’m an author because I was a reader who loved to be transported to a world and land outside my own. My favorite books are the ones that introduce me to a place and time I’ve never been, an immersive read that brings me somewhere new. I believe in the power of story and the magic of its transport. Come along with me and discover a few books that do this very thing.
I’ve only been to Paris one time, but I feel as if I’ve been many times because I toured this city with Paula McLain and the story of Hadley Hemingway, Ernest’s first and most beloved wife. From the cafes to the cobbled streets to the parlors and apartments, I was engrossed.
This is the wild story of Ernest Hemingway’s first wife. Hadley was a quiet twenty-eight-year-old woman who had given up on love until she met Ernest. Their whirlwind romance was ill-prepared for the fast living of Jazz Age Paris. It is a beautiful portrayal of love and loyalty, of art and heartbreak.
NEW YORK TIMES BESTSELLER • A deeply evocative novel of ambition and betrayal that captures the love affair between two unforgettable people, Ernest Hemingway and his wife Hadley—from the author of Love and Ruin and When the Stars Go Dark
“A beautiful portrait of being in Paris in the glittering 1920s—as a wife and as one’s own woman.”—Entertainment Weekly
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People • Chicago Tribune • NPR • The Philadelphia Inquirer • Kirkus Reviews • The Toronto Sun • BookPage
Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has all but…
My passion for this topic of women overcoming the odds stems from having worked with powerful, resilient women as a life coach and therapist for the past 15 years. I witness and continue to be inspired by women who surpass what they or those around them believe is possible internally and externally. Women are powerful in unimaginable ways, and I love to read a great story that depicts this truth.
I fall in love with any book that can bring details of the setting and time frame to life in my mind. This one was a movie in my imagination of Lucrezia de’ Medici’s world in the 16th century, what we now call Italy, from beginning to end.
The mystery of the story was mesmerizing. It was one of those novels that gives you a glimpse of the ending at the opening and keeps you guessing and rooting for the female protagonist. Once again, Lucrezia was the tenacious young woman everyone overlooked and underestimated, and the reader could not help but fall in love with her.
WOMEN'S PRIZE FOR FICTION FINALIST • REESE’S BOOK CLUB PICK • NEW YORK TIMES BEST SELLER • The author of award-winning Hamnet brings the world of Renaissance Italy to jewel-bright life in this unforgettable fictional portrait of the captivating young duchess Lucrezia de' Medici as she makes her way in a troubled court.
“I could not stop reading this incredible true story.” —Reese Witherspoon (Reese’s Book Club Pick)
"O’Farrell pulls out little threads of historical detail to weave this story of a precocious girl sensitive to the contradictions of her station...You may know the history, and you may think you…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I’ve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but it’s terrific fun!
While I was writing my novel about Elizabeth Arden and Helena Rubinstein, I heard that Renée Rosen was writing about Estée Lauder and couldn’t wait to read it.
She perfectly captures the pushy, driven, hilarious character of Estée, who was known for accosting strangers in the street to tell them they were wearing the wrong shade of lipstick for their skin tone. Renée Rosen is one of the authors whose books I always preorder: I love everything she writes.
It’s 1938, and a young woman selling face cream out of a New York City beauty parlor is determined to prove she can have it all. Her name is Estée Lauder, and she’s about to take the world by storm, in this dazzling new novel from the USA Today bestselling author of The Social Graces and Park Avenue Summer.
In New York City, you can disappear into the crowd. At least that’s what Gloria Downing desperately hopes as she tries to reinvent herself after a devastating family scandal. She’s ready for a total life makeover and a friend she can…
In my college days, I majored in dance and political science. It was the 1960s, so marrying art with politics made countercultural sense. After realizing I wouldn’t become the next Martha Graham, I chose to pursue a doctoral degree in political science. But I never abandoned my first love, the arts. Following a more than twenty-year career teaching about women and politics at several universities, I returned to school myself, completed an M.F.A. in creative writing, and published my debut novel, Cities of Women.
Today’s book-banning efforts replicate the dynamics of past political and religious upheavals when books were destroyed, including thousands of medieval manuscripts, many written by women.
Among those that survived were two mystical treatises: The Book of Margery Kempe discovered by chance in the 1930s in a dusty cupboard on an English country estate, and Julian of Norwich’s Revelations of Divine Love, given its first complete printing in 1901.
Victoria MacKenzie’s delicate, meditative novel evokes the lives of the two female mystics who authored these texts. In exquisite, spare prose, she conjures the distinctive voices of Margery and Julian, two souls seeking solace from the crushing orthodoxy threatening to envelop them.
An astounding debut, both epic and intimate, about grief, trauma, revelation, and the hidden lives of women - by a major new talent
'Miraculously conjured ... Brilliantly done' THE TIMES, Book of the Month
'A beautiful book ... It warmed my heart' MAX PORTER
'Electrifying ... A pocket epic' GUARDIAN
'The best first novel I've read in years ... So full and so vivid; it is amazing' RODDY DOYLE
'A vibrant portrait of female courage' OBSERVER
In the year of 1413, two women meet for the first time in the city of Norwich.
Margery has left her fourteen children and…
My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This book is not just a rich and detailed portrait of various times and places throughout the medieval period—it explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.
From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.
Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.
THE INSTANT SUNDAY TIMES BESTSELLER LONGLISTED FOR THE CUNDILL HISTORY PRIZE
'Revelatory' GUARDIAN
'A firecracker somehow captured between two covers' LUCY WORSLEY
An instant bestseller and one of the most celebrated history books of the year, Femina reveals the power and influence of medieval women who have been written out of our history. From royalty and religion to fame and fury, see the medieval world - and the women erased from it - with fresh eyes.
'Absolutely brilliant and highly recommended' CAITLIN MORAN
'Femina is a ground-breaking history of the Middle Ages' SIMON SEBAG MONTEFIORE
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
In my college days, I majored in dance and political science. It was the 1960s, so marrying art with politics made countercultural sense. After realizing I wouldn’t become the next Martha Graham, I chose to pursue a doctoral degree in political science. But I never abandoned my first love, the arts. Following a more than twenty-year career teaching about women and politics at several universities, I returned to school myself, completed an M.F.A. in creative writing, and published my debut novel, Cities of Women.
Readers may be familiar with The Arabian Nights, the source material behind this fascinating novel. Yet, what distinguishes Jamila Ahmed’s retelling is her focus on the famed storyteller, Shaherazade, whose exposure of the Seljuk king’s wife’s infidelity sets in motion a violent chain of events in twelfth-century Persia.
In lush, sensuous prose, Ahmed fills this vividly imagined, action-packed novel with compelling characters and labyrinthine tales within tales populated with mythical adventurers and creatures with magical powers.
The elaborate, psychologically complex portrait of Shaherazade at the heart of the novel celebrates the power of storytelling while paying homage to the agency of the storyteller.
In this riveting take on One Thousand and One Nights, Shaherazade, at the center of her own story, uses wit and political mastery to navigate opulent palaces brimming with treachery and the perils of the Third Crusade as her Persian homeland teeters on the brink of destruction.
In twelfth century, Persia, clever and dreamy Shaherazade stumbles on the Malik’s beloved wife entwined with a lover in a sun-dappled courtyard. When Shaherazade recounts her first tale, the story of this infidelity, to the Malik, she sets the Seljuk Empire on fire.
I’m an Egyptologist by training and a storyteller by nature. Fascinated by the origins of patriarchy since I was a small girl raised by strong women in a patriarchal context, I turned to Greek and Roman history for answers. I earned an MA and a richer understanding of the civilizations that influenced the classical period, which led to the study of Egypt and Mesopotamia and finally to a Ph.D. in Egyptology. At heart, I’m more creative than scholar. Telling stories that bring ancient Egypt to life and leave readers better informed of the challenges women have faced, and sometimes overcome, is my passion.
This book fueled my feminist rage and left me thinking about it for months after I put it down.
Unapologetically pro-women, Marmery challenges some of the patriarchy’s most sacred foundations. I love the courage of this book. It’s an intimate read but somehow also feels large and distant. For me, this one is a ca n’t-miss read that makes you think, wonder, and fume.
A triumphantly feminist retelling of ancient creation myths in the tradition of Madeline Miller and Claire North.
Lyrically rendered, this epic U.S. debut tells the story of the woman known as Adam's first wife and her fall from Paradise and quest for revenge.
Before Eve, there was Lilith.
Lilith and Adam are equal and happy in the Garden of Eden. Until Adam decides Lilith should submit to his will and lie beneath him. She refuses—and is banished forever from Paradise.
Demonized and sidelined, Lilith watches in fury as God creates Eve, the woman who accepts her submission. But Lilith has…
Decades ago, I fell madly, gladly, and giddily in love with Italian. This passion inspired La Bella Lingua: My Love Affair with the World’s Most Enchanting Language, which became a New York Times best-seller and won an Italian knighthood for my contributions to promoting Italy’s language. Intrigued by the world’s most famous portrait, I wrote Mona Lisa: A Life Discovered, an Amazon Best Book of the Year, translated into seven languages. My most recent journeys through Italian culture are La Passione: How Italy Seduced the World and ‘A’ Is for Amore, an e-book written during the pandemic and available free on my website.
This was the first Anthony Doerr book I read—the literary equivalent of eating dessert first. I’ve since savored his novels, but this irresistible feast of delicious morsels of Italian life lingers in my mind. Doerr doesn’t show you Rome. He invites you to live in it with him—during his sleepless nights, in the company of his twin babies, as a beloved Pope lies dying and the seasons bring new enchantments.
I can’t say whether I love this book more for the writing or for its tender portrait of Rome. Read it for the double pleasures of exquisitely crafted vignettes and a virtual visit to a city that eternally surprises and seduces visitors.
From the author of the acclaimed Pulitzer Prize-winning #1 New York Times bestseller All the Light We Cannot See and Cloud Cuckoo Land, a "dazzling" (Azar Nafisi, author of Reading Lolita in Tehran) memoir about art and adventures in Rome.
Anthony Doerr has received many awards—from the New York Public Library, the National Endowment for the Arts, and the American Library Association. Then came the Rome Prize, one of the most prestigious awards from the American Academy of Arts and Letters, and with it a stipend and a writing studio in Rome for a year. Doerr learned of the award…
It’s 1969. Women are fighting for equality. Rosalee, an insecure sculptor, and Fran, a best-selling novelist, have their issues. Will their bitter envy of each other and long-held secrets destroy their tenuous friendship? Or will Jill, Rosalee’s granddaughter, and the story behind her emerald necklace bind them together?
I fell in love with Italy when I traveled there with my family in 2013. While touring through this fascinating country, I felt inspired to write about it. When I came home, I threw myself into research. That research spawned my debut novel, Into the Lion’s Mouth, which is set in Renaissance Venice. I am always on the lookout for all things Italian, podcasts, TV shows, and definitely books. Since middle grade is my sweet spot, I am a sucker for a middle grade book set in Italy. Here are some of my favorites that will have you browsing airplane tickets to Italy and beyond.
This last book is a classic and part of a series that would be helpful for other travel adventures. It’s the only non-fiction book on the list. But it’s a great introduction for kids wanting to know more about the place they are travelling. While originally published in 1960 the book was updated in 2007. This is a great overall introduction to Rome and its history and a good place to start piquing a young traveler’s interest.
Like the other Sasek classics, this is a facsimile edition of the original book. The brilliant, vibrant illustrations have been meticulously preserved, remaining true to his vision more than 40 years later. Facts have been updated for the 21st-century, appearing on a "This is . . . Today" page at the back of the book. These charming illustrations, coupled with Sasek's witty, playful narrative, make for a perfect souvenir that will delight both children and their parents, many of whom will remember the series from their own childhoods. This is Rome, first published in 1960, traces the history of Roman…
