Here are 100 books that For Thy Great Pain Have Mercy On My Little Pain fans have personally recommended if you like
For Thy Great Pain Have Mercy On My Little Pain.
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In my college days, I majored in dance and political science. It was the 1960s, so marrying art with politics made countercultural sense. After realizing I wouldn’t become the next Martha Graham, I chose to pursue a doctoral degree in political science. But I never abandoned my first love, the arts. Following a more than twenty-year career teaching about women and politics at several universities, I returned to school myself, completed an M.F.A. in creative writing, and published my debut novel, Cities of Women.
In seventeenth-century Rome, a talented young woman artist, Artemesia Gentileschi, is put on trial for accusing her painting instructor of rape. Unwilling to bow to convention, Artemesia pours her rage into her art, inventing an aesthetic against the voyeurism and female submissiveness found in traditional artistic representations of women.
Fremantle heightens the drama and contemporary relevance of Artemisia’s life and art by telling her story in the present tense. Drawing subtle connections between women’s struggles for autonomy and dignity in the past and those in the present, this page-turner of a novel is a searing, nuanced portrait of a woman’s passion for art, determination to right being wronged, and steadfast resolve to be recognized as a great artist.
'This is the ring that you gave me, and these are your promises.'
Rome 1611. A jewel-bright place of change, with sumptuous new palaces and lavish wealth on constant display. A city where women are seen but not heard.
Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters - men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She belongs to her father and will belong to a husband.
As Artemisia patiently goes from lesson to lesson, perfecting her craft, a mysterious…
My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This book is not just a rich and detailed portrait of various times and places throughout the medieval period—it explains how history itself is written, how certain stories are told (and prioritized), and how certain individuals are remembered.
From page 1, Ramirez draws you in with her irresistible storytelling, making historical figures seem like the real people they were. She corrects popular misconceptions about the Middle Ages as well as how history is itself created.
Each chapter begins with a discovery, which is just as dramatic and exciting as the medieval subject matter. I love how Ramirez paints a picture of the past using sight, sound, and smell, drawing on the evidence provided by jewelry, weaponry, coins, manuscripts, and even human remains.
THE INSTANT SUNDAY TIMES BESTSELLER LONGLISTED FOR THE CUNDILL HISTORY PRIZE
'Revelatory' GUARDIAN
'A firecracker somehow captured between two covers' LUCY WORSLEY
An instant bestseller and one of the most celebrated history books of the year, Femina reveals the power and influence of medieval women who have been written out of our history. From royalty and religion to fame and fury, see the medieval world - and the women erased from it - with fresh eyes.
'Absolutely brilliant and highly recommended' CAITLIN MORAN
'Femina is a ground-breaking history of the Middle Ages' SIMON SEBAG MONTEFIORE
In my college days, I majored in dance and political science. It was the 1960s, so marrying art with politics made countercultural sense. After realizing I wouldn’t become the next Martha Graham, I chose to pursue a doctoral degree in political science. But I never abandoned my first love, the arts. Following a more than twenty-year career teaching about women and politics at several universities, I returned to school myself, completed an M.F.A. in creative writing, and published my debut novel, Cities of Women.
Readers may be familiar with The Arabian Nights, the source material behind this fascinating novel. Yet, what distinguishes Jamila Ahmed’s retelling is her focus on the famed storyteller, Shaherazade, whose exposure of the Seljuk king’s wife’s infidelity sets in motion a violent chain of events in twelfth-century Persia.
In lush, sensuous prose, Ahmed fills this vividly imagined, action-packed novel with compelling characters and labyrinthine tales within tales populated with mythical adventurers and creatures with magical powers.
The elaborate, psychologically complex portrait of Shaherazade at the heart of the novel celebrates the power of storytelling while paying homage to the agency of the storyteller.
In this riveting take on One Thousand and One Nights, Shaherazade, at the center of her own story, uses wit and political mastery to navigate opulent palaces brimming with treachery and the perils of the Third Crusade as her Persian homeland teeters on the brink of destruction.
In twelfth century, Persia, clever and dreamy Shaherazade stumbles on the Malik’s beloved wife entwined with a lover in a sun-dappled courtyard. When Shaherazade recounts her first tale, the story of this infidelity, to the Malik, she sets the Seljuk Empire on fire.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I’m an Egyptologist by training and a storyteller by nature. Fascinated by the origins of patriarchy since I was a small girl raised by strong women in a patriarchal context, I turned to Greek and Roman history for answers. I earned an MA and a richer understanding of the civilizations that influenced the classical period, which led to the study of Egypt and Mesopotamia and finally to a Ph.D. in Egyptology. At heart, I’m more creative than scholar. Telling stories that bring ancient Egypt to life and leave readers better informed of the challenges women have faced, and sometimes overcome, is my passion.
This book fueled my feminist rage and left me thinking about it for months after I put it down.
Unapologetically pro-women, Marmery challenges some of the patriarchy’s most sacred foundations. I love the courage of this book. It’s an intimate read but somehow also feels large and distant. For me, this one is a ca n’t-miss read that makes you think, wonder, and fume.
A triumphantly feminist retelling of ancient creation myths in the tradition of Madeline Miller and Claire North.
Lyrically rendered, this epic U.S. debut tells the story of the woman known as Adam's first wife and her fall from Paradise and quest for revenge.
Before Eve, there was Lilith.
Lilith and Adam are equal and happy in the Garden of Eden. Until Adam decides Lilith should submit to his will and lie beneath him. She refuses—and is banished forever from Paradise.
Demonized and sidelined, Lilith watches in fury as God creates Eve, the woman who accepts her submission. But Lilith has…
I’ve chosen these books because they take me to times and places I can’t go (although I did serendipitously get to Kerala, and am hoping to go to the West Coast of America one day).Girl with Two Fingers takes you into the studio, hopefullyas if you could have been there yourself. I want readers to be able to share something of the experience I was so lucky to have. And to be able to see perhaps more questioningly when they look at art.
You can’t go to the past, but the past can come to you, through a written voice.
This is a strong and extraordinary woman’s autobiography from the late 1400s and early 1500s. It’s like taking a phone call from the 15th century.
This directness is what I wanted in my own book.
Kempe could neither read nor write, so she dictated her story. She did things women often weren’t able to do back then. She ran a business, travelled to France, Germany, Spain, and even to Jerusalem. And she spoke out against many received medieval opinions.
Kempe's work is accompanied by an introduction, a map of medieval England, a Kempe lexicon, and explanatory annotations.
"Contexts" collects primary readings that illuminate The Book of Margery Kempe. Included are excerpts from The Constitutions of Thomas Arundel, Meditations on the Life of Christ, The Shewings of Julian of Norwich, The Book of Saint Bride, and The Life of Marie d'Oignies by Jacques de Vitry.
"Criticism" includes nine varied interpretations of the autobiography, written by Clarissa W. Atkinson, Lynn Staley, Karma Lochrie, David Aers, Kathleen Ashley, Gail McMurray Gibson, Sarah Beckwith, Caroline Walker Bynum, and Nicholas Watson.
I’d already published a scholarly book about the household of a medieval widow, who was just a decade older than Margery Kempe and lived sixty miles away, so the time, place, and mindset seemed very familiar. As a Jungian Psychoanalyst I’m interested in how individuals find the central meaning in their lives. Clearly for Margery it was the search for God, although she doesn’t appear to have been a kindly soul. When I read that she twice quarreled with her maidservant, I realised the maidservant could tell her own tale. And so she did, and sometimes it seemed she was dictating it to me! Characters really do speak for themselves...
I love this book – Hanawalt’s research is intriguing – using manorial court rolls, coroners’ reports, and wills she reveals the lives of ordinary folk and opened the doors for me to peasant homes in the later Middle Ages. I thoroughly enjoyed her description of everyday life from childhood to old age, the household economy, blood ties, wealth, homesteads, and surrogate parents and children. I discovered that family concerns were not so very different then to ours today and was reminded that the past is not a foreign country where they did things differently. It’s both scholarly and readable, a book to dip into or relish from cover to cover, another essential for writing historical fiction about the Middle Ages.
Barbara A. Hanawalt's richly detailed account offers an intimate view of everyday life in Medieval England that seems at once surprisingly familiar and yet at odds with what many experts have told us. She argues that the biological needs served by the family do not change and that the ways fourteenth- and fifteenth-century peasants coped with such problems as providing for the newborn and the aged, controlling premarital sex, and alleviating the harshness of their material environment in many ways correspond with our twentieth-century solutions.Using a remarkable array of sources, including over 3,000 coroners' inquests into accidental deaths, Hanawalt emphasizes…
The Road from Belhaven is set in 1880s Scotland. Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small girl that she can see the future. But she soon realises that she must keep her gift a secret. While she can sometimes glimpse…
I’d already published a scholarly book about the household of a medieval widow, who was just a decade older than Margery Kempe and lived sixty miles away, so the time, place, and mindset seemed very familiar. As a Jungian Psychoanalyst I’m interested in how individuals find the central meaning in their lives. Clearly for Margery it was the search for God, although she doesn’t appear to have been a kindly soul. When I read that she twice quarreled with her maidservant, I realised the maidservant could tell her own tale. And so she did, and sometimes it seemed she was dictating it to me! Characters really do speak for themselves...
If you want to know the reality of medieval pilgrimage, read this book. I learnt a lot from it and got a real feel for this group of people. Webb describes the multiple reasons for going on pilgrimage, as a penance, fulfilling a vow, looking for a cure or a blessing, or just having a good time. She introduces us to a wider variety of individuals than Chaucer’s famous pilgrims and describes the most important shrines in England, like Walsingham and the St Thomas shrine in Canterbury, as well as numerous small shrines with local cults where country folk went to worship in the hope of finding their lost keys or cattle. You might discover, as I did, there is still one near you!
The men and women who gathered at the Tabard Inn in Southwark in Chaucer's "Canterbury Tales" are only the most famous of the tens of thousands of English pilgrims, from kings to peasants, who set off to the shrines of saints and the sites of miracles in the middle ages. As they travelled along well-established routes in the hope of a cure or a blessing, to fulfil a vow or to see new places, the pilgrims left records that let us see medieval people and their concerns and beliefs from a unique and intimate angle. As well as the most…
I’d already published a scholarly book about the household of a medieval widow, who was just a decade older than Margery Kempe and lived sixty miles away, so the time, place, and mindset seemed very familiar. As a Jungian Psychoanalyst I’m interested in how individuals find the central meaning in their lives. Clearly for Margery it was the search for God, although she doesn’t appear to have been a kindly soul. When I read that she twice quarreled with her maidservant, I realised the maidservant could tell her own tale. And so she did, and sometimes it seemed she was dictating it to me! Characters really do speak for themselves...
I find it difficult to have any admiration for Margery Kempe since I don’t believe she was a mystic – she was frequently quarrelsome, meddling, vain and judgmental, and those who travelled on pilgrimage with her often wanted to get as far away from her as possible. Bale, however, has sympathy for this troubled soul and explores her life through the text of her book, focusing on the places she visited, her friends and enemies, objects she admired, and her intense feelings which were on a dramatic spectrum from despair to bliss. After reading A Mixed Life I still don’t think Margery is deserving of sainthood but, like her long-suffering maidservant, I appreciate her a little more and respect her tenacity and dedication to her religious quest.
This is a new account of the late-fourteenth-century mystic and pilgrim Margery Kempe. Kempe, who had 14 children, travelled all over Europe and recorded a series of unusual events and religious visions in her work The Book of Margery Kempe, which is often called the first autobiography in the English language. Anthony Bale charts her life, and tells her story through the places, relationships, objects and experiences that influenced her. Extensive quotation from Kempe's Book, and generous illustration, gives fascinating insight into the life of a medieval woman. Margery Kempe is situated within the religious controversies of her time, and…
I’d already published a scholarly book about the household of a medieval widow, who was just a decade older than Margery Kempe and lived sixty miles away, so the time, place, and mindset seemed very familiar. As a Jungian Psychoanalyst I’m interested in how individuals find the central meaning in their lives. Clearly for Margery it was the search for God, although she doesn’t appear to have been a kindly soul. When I read that she twice quarreled with her maidservant, I realised the maidservant could tell her own tale. And so she did, and sometimes it seemed she was dictating it to me! Characters really do speak for themselves...
There’re numerous books on medieval pilgrimage, and even though I don’t agree with all of Sumption’s conclusions, I’m recommending this for its readability and fascinating anecdotes and quotations, drawn from contemporary accounts, which were invaluable for my research. It’s informative about both the devout and more worldly travelers, kings, queens, clerics and nobles, and the common people of the day.
One major drawback is that his focus is largely on France and Rome, while Jerusalem, Santiago, and the German pilgrimage sites don’t get the attention they deserve. But this just demonstrates how popular pilgrimage was throughout the Middle Ages and how busy the highways and byways were with crowds of pilgrims. I learnt that people were much more mobile at this time than I had thought.
We are apt to forget how much people traveled in the Middle Ages. Not only merchants, friars, soldiers and official messengers, but crowds of pilgrims were a familiar sight on the roads of Western Europe. In this engaging work of history, Jonathan Sumption brings alive the traditions of pilgrimage prevalent in Europe from the beginning of Christianity to the end of the fifteenth century. Vividly describing such major destinations as Jerusalem, Rome, Santiago de Compostela and Canterbury, he examines both major figures--popes, kings, queens, scholars, villains--and the common people of their day.…
Historical fiction inspired by the story of Mary Leakey, who carved her own path to become one of the world's most distinguished paleoanthropologists.
It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the…
One Christmas Eve many years ago when I was a little girl, I was too excited to sleep. I prayed to the baby Jesus whom I’d heard about in carols. I felt wrapped in love and woke up well-rested on Christmas morning.
I’ve always believed life is a spiritual journey: I respect and learn from many religious and secular traditions. After I joined a church, I became a spiritual director. When I was sixty, I earned an MA in pastoral ministry and women’s studies. I have pastored two churches and also became a preacher—something I could not imagine I’d ever be able to do. It’s never too late!
Because I am also English and became a minister when women were not readily accepted in this profession, this 14th-century English mystic, Julian of Norwich, felt like a friend. She was able to thrive in a male-dominated world. She taught about God-imagery that included not only the divine father but also the divine mother. She spoke and wrote about her revelations from Jesus that, unlike the fear-based religious teaching of her day, were about God’s love for all people. I cherish her well-known words: “All shall be well, and all shall be well and all manner of things shall be well.”
