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When I was six years old, my Dutch relatives visited. Stories swirled about their bravery in getting secrets from the Germans and sharing the intel with the Allies, about their privation during the hunger winter, and their work hiding their Jewish countrymen. I studied abroad in 1977-1978 and took the opportunity to visit my Dutch relatives. They told me more stories of their resistance work, their escapades, and, most importantly, their “why” during my time with them. Such stories don’t leave you–ever. They percolated in my head for years until a voice came to me, Rika’s voice, and I began to write. Sixty Blades of Grass is the result.
This is the Dutch Underground at its finest. The “why” people would risk their lives and resist the German persecution of the Jews came through loud and clear here.
Based on a true story, Corrie Ten Boom ran an underground cell out of her home in Harlem with the support of her family. Her religion sustained her through tremendous losses and suffering but enabled her to find peace for herself and others post-war.
It's World War II. Darkness has fallen over Europe as the Nazis spread hatred, fear and war across the globe. But on a quiet city corner in the Netherlands, one woman fights against the darkness.
In her quiet watchmaking shop, she and her family risk their lives to hide Jews, and others hunted by the Nazis, in a secret room, a "hiding place" that they built in the old building.
One day, however, Corrie and her family are betrayed. They're captured and sent to the notorious Nazi concentration camps to die. Yet even…
One Christmas Eve many years ago when I was a little girl, I was too excited to sleep. I prayed to the baby Jesus whom I’d heard about in carols. I felt wrapped in love and woke up well-rested on Christmas morning.
I’ve always believed life is a spiritual journey: I respect and learn from many religious and secular traditions. After I joined a church, I became a spiritual director. When I was sixty, I earned an MA in pastoral ministry and women’s studies. I have pastored two churches and also became a preacher—something I could not imagine I’d ever be able to do. It’s never too late!
Mary’s Oliver’s nature poems are like psalms: full of beauty, wisdom, and spirituality that touch my heart. I read her poems over and over again.
In particular, during a silent retreat I attended near Gloucester, Massachusetts where scripture is assigned for reflection, her poems became my meditations. Every morning in the dining room overlooking the sea, I watched the sun rise, glowing across the waves and rocks. “Hello, sun in my face…” Oliver writes and ends with, “Watch, now, how I start the day / in happiness, in kindness.”
The forty-seven new works in this volume include poems on crickets, toads, trout lilies, black snakes, goldenrod, bears, greeting the morning, watching the deer, and, finally, lingering in happiness. Each poem is imbued with the extraordinary perceptions of a poet who considers the everyday in our lives and the natural world around us and finds a multitude of reasons to wake early.
One Christmas Eve many years ago when I was a little girl, I was too excited to sleep. I prayed to the baby Jesus whom I’d heard about in carols. I felt wrapped in love and woke up well-rested on Christmas morning.
I’ve always believed life is a spiritual journey: I respect and learn from many religious and secular traditions. After I joined a church, I became a spiritual director. When I was sixty, I earned an MA in pastoral ministry and women’s studies. I have pastored two churches and also became a preacher—something I could not imagine I’d ever be able to do. It’s never too late!
This somewhat academic collection of articles, essays, and poems began in a Boston living room when a group of Jewish women recognized that traditional Jewish study was invariably seen through the lens of men. These women had formerly dismissed the Book of Ruth as irrelevant to them, nothing more than a tale about an old man marrying a younger woman.
They decided to compile a commentary about the Book of Ruth using female voices. These writings encouraged me to compile my own midrash (interpretation) and deeply impressed me with their understanding that this Biblical story is relevant for women today to explore powerlessness, vulnerability, loss, women mourning and rejoicing, and relationships.
"The Book of Ruth is one of Western civilization's great narratives of women's relationships. This collection of modern-day interpretations brings together the wisdom, sensitivity, and spirituality of the biblical story with the struggles and insights of contemporary women. Readers will be moved and inspired by these essays." --Susannah Heschel Editor of On Being a Jewish Feminist With Reading Ruth, two creative scholars have brought together an amazingly eclectic group of Jewish novelists, essayists, poets, rabbis, psychologists, and scholars--including Cynthia Ozick, Marge Piercy, Francine Klagsbrun, and Nessa Rapoport--to explore one of the most beloved stories in the Bible. In lively essays,…
One Christmas Eve many years ago when I was a little girl, I was too excited to sleep. I prayed to the baby Jesus whom I’d heard about in carols. I felt wrapped in love and woke up well-rested on Christmas morning.
I’ve always believed life is a spiritual journey: I respect and learn from many religious and secular traditions. After I joined a church, I became a spiritual director. When I was sixty, I earned an MA in pastoral ministry and women’s studies. I have pastored two churches and also became a preacher—something I could not imagine I’d ever be able to do. It’s never too late!
A friend once asked to whom I’d most want to be apprenticed. I thought about it for a while and answered, “Joan Chittister.” She invariably speaks deeply from a spirituality not limited to her Catholic orthodoxy, but inclusive of many other religious traditions. I never stop learning from her wisdom which often arises from her own experience.
In Chittister’s chapter about endurance, I am reminded of my own struggles as a writer and as a minister and how these struggles have deepened my spiritual understanding. Her words always give me hope and help me to persevere.
Everyone goes through times of pain and sorrow, depression and darkness, stress and suffering. It is in the necessary struggles of life, however, that we stretch our souls and gain new insights enabling us to go on.
Building on the biblical story of Jacob wrestling with God and on the story of her own battle with life-changing disappointment, Sister Joan Chittister deftly explores the landscape of suffering and hope, considering along the way such wide-ranging topics as consumerism, technology, grief, the role of women in the Catholic Church, and the events of September 11, 2001. We struggle, she says, against…
In my college days, I majored in dance and political science. It was the 1960s, so marrying art with politics made countercultural sense. After realizing I wouldn’t become the next Martha Graham, I chose to pursue a doctoral degree in political science. But I never abandoned my first love, the arts. Following a more than twenty-year career teaching about women and politics at several universities, I returned to school myself, completed an M.F.A. in creative writing, and published my debut novel, Cities of Women.
Today’s book-banning efforts replicate the dynamics of past political and religious upheavals when books were destroyed, including thousands of medieval manuscripts, many written by women.
Among those that survived were two mystical treatises: The Book of Margery Kempe discovered by chance in the 1930s in a dusty cupboard on an English country estate, and Julian of Norwich’s Revelations of Divine Love, given its first complete printing in 1901.
Victoria MacKenzie’s delicate, meditative novel evokes the lives of the two female mystics who authored these texts. In exquisite, spare prose, she conjures the distinctive voices of Margery and Julian, two souls seeking solace from the crushing orthodoxy threatening to envelop them.
An astounding debut, both epic and intimate, about grief, trauma, revelation, and the hidden lives of women - by a major new talent
'Miraculously conjured ... Brilliantly done' THE TIMES, Book of the Month
'A beautiful book ... It warmed my heart' MAX PORTER
'Electrifying ... A pocket epic' GUARDIAN
'The best first novel I've read in years ... So full and so vivid; it is amazing' RODDY DOYLE
'A vibrant portrait of female courage' OBSERVER
In the year of 1413, two women meet for the first time in the city of Norwich.
Margery has left her fourteen children and…
I’m an investigative journalist and social historian who’s obsessed with ‘invisible’ women of the 19th and early 20th century, bringing their stories to life in highly readable narrative non-fiction. I love the detective work involved in resurrecting ordinary women’s lives: shop girls, milliners, campaigning housewives, servants. . . The stories I’ve uncovered are gripping, often shocking and frequently poignant – but also celebrate women’s determination, solidarity and capacity for reinvention. Each of my two books took me on a long research journey deep into the archives: The Housekeeper’s Tale – the Women Who Really Ran the English Country House, and Etta Lemon – The Woman Who Saved the Birds.
‘What would happen,’ Norbury writes in her introduction to this anthology, ‘if I simply missed out the 50 percent of the population whose voices have been credited with shaping this particular cultural form?’ (ie, the ‘lone enraptured male,’ as writer Kathleen Jamie once memorably put it). The answer is a compulsively readable and constantly surprising anthology: a magpie curation of glittering treasures.
One of the many things I love about this timely book is its arrangement by alphabetical order. So you have contemporary nature blogger Nic Wilson next to Virginia Woolf, and Monica Ali rubbing shoulders with Elizabeth von Armin – and Enid Blyton next to Tessa Boase. This feels oddly apt: the writer who got me reading. Her entry illustrates Norbury’s inspired eye for what counts as ‘nature writing’: here, Philip mansplains a slow-worm to silly Dinah.
What would happen, I wondered, if I simply missed out the fifty per cent of the population whose voices have been credited with shaping this particular 'cultural norm'. If I coppiced the woodland, so to speak, and allowed the light to shine down to the forest floor and illuminate countless saplings now that a gap has opened in the canopy.
There has, in recent years, been an explosion of writing about place, landscape and the natural world. But within this, women's voices have remained in the minority.
This anthology gathers the voices of women from the fourteenth to the twenty-first…
As a historian with expertise in the early church, Middle Ages, and Reformation, I am obsessed with finding the writings and stories of women of the past. Whenever we discover works written by an unknown or forgotten woman in an archive or historical record, my co-author Marion Taylor and I excitedly email one another: “We rescued another woman!” I study the history of biblical interpretation and the history of women in religion. In most of my books, these two interests intersect—as I write about men throughout history who viewed stories of biblical women through patriarchal lenses and how women themselves have been biblical interpreters, often challenging men’s prevailing views.
In 2007, when Marion Ann Taylor, a pioneer researcher in the study of historical women biblical commentators, picked up a newly-published biographical encyclopedia of 200 “major biblical interpreters,” she was appalled to discover that it contained entries on only three women! This inspired her to edit a biographical dictionary dedicated solely to women who interpreted scripture. Taylor’s handbook contains 180 short articles, authored by expert historians and biblical scholars, about inspiring Jewish and Christian women who wrote about the Bible through the centuries. Readers learn biographical information about these women, as well as their approaches to scriptural interpretation, especially how they commented on the story of Eve and passages about other biblical women.
The history of women interpreters of the Bible is a neglected area of study. Marion Taylor presents a one-volume reference tool that introduces readers to a wide array of women interpreters of the Bible from the entire history of Christianity. Her research has implications for understanding biblical interpretation--especially the history of interpretation--and influencing contemporary study of women and the Bible. Contributions by 130 top scholars introduce foremothers of the faith who address issues of interpretation that continue to be relevant to faith communities today, such as women's roles in the church and synagogue and the idea of religious feminism. Women's…
I'm a huge fan of Revelation which tops my list of favorite books of the Bible. I recently retired after 47 years as a pastor in the United Church of Christ. How many times have I read Revelation and preached on this marvelous book? How many times have I read and heard interpretations, and misinterpretations? The answer, a lot! I finally decided I had to write my own book. I study Revelation like digging in a field for buried treasure. The more digging, the more riches I find! I am a graduate of Eastern Mennonite University where I majored in Bible, and a graduate of Union Presbyterian Seminary, Richmond, VA., with a Master of Divinity.
I love Bowman’s book for its simplicity and its scholarship. Through it, I discovered Revelation tells the gospel story as a drama! Reading his book, I begin to see, as the curtain is raised on each scene, wonderous mysteries are revealed. I eagerly read each page of the book and read and reread every page of Revelation to find more of its treasures. Having been convinced that Revelation is intended to be a carefully composed and complex drama, I adopted a similar format for organizing my own book.
This little book presents a new translation in the modern idiom and a commentary on the book of Revelation particularly directed to the laymen. The Revelation is set forth both as a letter and as a drama; with the major part devoted to the dramatic form of the book. The dramatic arrangement of the Biblical text and concise interpretations of it appear on facing page of the book. There are seven acts, each act with seven scenes. In addition, like the dramatic literature of its own day, it has a prologue and an Epilogue. The Prologue contains only two short…
I'm a huge fan of Revelation which tops my list of favorite books of the Bible. I recently retired after 47 years as a pastor in the United Church of Christ. How many times have I read Revelation and preached on this marvelous book? How many times have I read and heard interpretations, and misinterpretations? The answer, a lot! I finally decided I had to write my own book. I study Revelation like digging in a field for buried treasure. The more digging, the more riches I find! I am a graduate of Eastern Mennonite University where I majored in Bible, and a graduate of Union Presbyterian Seminary, Richmond, VA., with a Master of Divinity.
As a long-time fan of Eugene Peterson, I intentionally sought out his book. I was attracted by the title, the praying imagination. I came hungry to Revelation for more understanding and he masterfully sets the table with a feast of Jesus’ last words each one to be continually savored and enjoyed. It’s as if I am ushered into the heart of Revelation to linger and pray and sing and reflect on the wonder and grace of the crucified and risen Lamb. And among all these riches, I found additional confirmation for my own dramatic interpretation of Revelation!
Peterson's eloquent meditation on the Revelation of St. John engages the imagination and awakens the intellect to the vitality and relevance of the last words on scripture, Christ, church, worship, evil, prayer, witness, politics, judgement, salvation, and heaven.
I'm a huge fan of Revelation which tops my list of favorite books of the Bible. I recently retired after 47 years as a pastor in the United Church of Christ. How many times have I read Revelation and preached on this marvelous book? How many times have I read and heard interpretations, and misinterpretations? The answer, a lot! I finally decided I had to write my own book. I study Revelation like digging in a field for buried treasure. The more digging, the more riches I find! I am a graduate of Eastern Mennonite University where I majored in Bible, and a graduate of Union Presbyterian Seminary, Richmond, VA., with a Master of Divinity.
I am a long-time student of N. T. Weight and have read many of his books. I appreciate his scholarship and ability to communicate with “everyone.” I love Wright for his scholarly defense of Jesus' bodily resurrection. He leaves me in awe with his knowledge of Scripture and of the Roman world of the first century. He has influenced my Biblical worldview to the extent I can’t imagine writing a book apart from his influence. I admire his extensive knowledge of the historical context of the cities in which the seven churches are located. I love reading Wright for his contagious joy!
Enlarged print edition now available! In this final installment of the New Testament for Everyone series, Tom Wright explores the book of Revelation. With clear, accesible language, Wright offers us an entrance into the final book of the New Testament. While the book of Revelation has often been written off as a foretelling of doom, it is much more complex than this and has captured the imaginations of both lay and professional readers.
Tom Wright has undertaken a tremendous task: to provide guides to all the books of the New Testament, and to include in them his own translation of…
