Why am I passionate about this?

I’m a teacher, a student, and a reader by trade (that is, a university professor), and I spend most of my time trying to understand social and political power: why some people have it, and others don’t, how it circulates and changes (gradually or suddenly), why it sometimes oppresses us and sometimes liberates, how it can be created and destroyed. I mostly do this by reading and teaching the history of political theory, which I am lucky enough to do at McGill University, in conversation and cooperation with some wonderful colleagues.


I wrote

Book cover of Marx's Inferno: The Political Theory of Capital

What is my book about?

My book reconstructs the major arguments of Karl Marx’s Capital and offers a new reading of a classic. Placing Marx…

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The books I picked & why

Book cover of Slavery and Social Death: A Comparative Study

William Clare Roberts Why did I love this book?

I am blown away by the scope, detail, and rigor of Patterson’s scholarship.

I think it is easy to imagine that slavery is a simple thing, treating a person like property and forcing them to work. But Patterson showed me that slavery has always been an entire system of meaning, ritual, and social dynamics.

I especially appreciate that Patterson demonstrates the ultimate perversity of the delusion that you could master other people.

By Orlando Patterson,

Why should I read it?

1 author picked Slavery and Social Death as one of their favorite books, and they share why you should read it.

What is this book about?

Winner of the Distinguished Contribution to Scholarship Award, American Sociological Association
Co-Winner of the Ralph J. Bunche Award, American Political Science Association

In a work of prodigious scholarship and enormous breadth, which draws on the tribal, ancient, premodern, and modern worlds, Orlando Patterson discusses the internal dynamics of slavery in sixty-six societies over time. These include Greece and Rome, medieval Europe, China, Korea, the Islamic kingdoms, Africa, the Caribbean islands, and the American South.

Praise for the previous edition:

"Densely packed, closely argued, and highly controversial in its dissent from much of the scholarly conventional wisdom about the function and…


Book cover of Domination and the Arts of Resistance: Hidden Transcripts

William Clare Roberts Why did I love this book?

I think Scott is one of the most creative social scientists working today, and this book is probably his strongest work.

Scott flips the script and focuses attention on the strategies subordinates use to navigate and deal with the power of their social superiors. He has great faith in the abilities of ordinary people to mock and hoodwink the powerful and to create for themselves little refuges from kings, bosses, and overlords.

I go back to this book all the time because it is a treasure trove of wonderful anecdotes, too.

By James C. Scott,

Why should I read it?

3 authors picked Domination and the Arts of Resistance as one of their favorite books, and they share why you should read it.

What is this book about?

"A splendid study, surely one of the most important that has appeared on the whole matter of power and resistance."-Natalie Zemon Davis

Confrontations between the powerless and powerful are laden with deception-the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule…


Book cover of Capital: Volume I

William Clare Roberts Why did I love this book?

I have spent more time with this book than with probably any other, and I still learn new things from it all the time.

Parts of it are very hard, but that’s because Marx is trying to show how the whole world is put into motion by economic power, money, and competition. But he also knows how to liven up even very technical parts of the argument with dark humor, arresting images, and biting sarcasm. 

By Karl Marx, Ben Fowkes (translator),

Why should I read it?

4 authors picked Capital as one of their favorite books, and they share why you should read it.

What is this book about?

'A groundbreaking work of economic analysis. It is also a literary masterpice' Francis Wheen, Guardian

One of the most notorious and influential works of modern times, Capital is an incisive critique of private property and the social relations it generates. Living in exile in England, where this work was largely written, Marx drew on a wide-ranging knowledge of its society to support his analysis. Arguing that capitalism would cause an ever-increasing division in wealth and welfare, he predicted its abolition and replacement by a system with common ownership of the means of production. Capital rapidly acquired readership throughout the world,…


Book cover of Incidents in the Life of a Slave Girl

William Clare Roberts Why did I love this book?

I think everyone should read at least one slave narrative, and Jacobs’s is a gem of both exquisite storytelling and powerful testimony.

Jacobs tells her own story but also the story of a whole town and a whole society, and she paints a devastating portrait of the rot at the heart of the Old South, the sham that slave power made of all human relations that came into contact with it.

By Harriet Jacobs,

Why should I read it?

5 authors picked Incidents in the Life of a Slave Girl as one of their favorite books, and they share why you should read it.

What is this book about?

The true story of an individual's struggle for self-identity, self-preservation, and freedom, Incidents in the Life of a Slave Girl remains among the few extant slave narratives written by a woman. This autobiographical account chronicles the remarkable odyssey of Harriet Jacobs (1813–1897) whose dauntless spirit and faith carried her from a life of servitude and degradation in North Carolina to liberty and reunion with her children in the North.
Written and published in 1861 after Jacobs' harrowing escape from a vile and predatory master, the memoir delivers a powerful and unflinching portrayal of the abuses and hypocrisy of the master-slave…


Book cover of On Violence

William Clare Roberts Why did I love this book?

I think this little book is invaluable for its portrayal of power, not as power over others or as power to do something but as power with other people.

It took me a long time to appreciate this insight, and I still think there is a lot to disagree with and dislike about Arendt’s work in general, but I am indebted to her argument that human power is rooted in solidarity.

By Hannah Arendt,

Why should I read it?

1 author picked On Violence as one of their favorite books, and they share why you should read it.

What is this book about?

Political theorist, philosopher, and feminist thinker Hannah Arendt's On Violence is an analysis of the nature, causes, and significance of violence in the second half of the twentieth century. The public revulsion against violence and nonviolent philosophies continues to diminish in the twenty-first century. In this classic and still all too resonant work, Hannah Arendt puts her theories about violence into historical perspective, examining the relationships between war and politics, violence and power. Questioning the nature of violent behavior, she reveals the causes of its many manifestations, and ulitmately argues against Mao Zedong's dictum "power grows out of the barrel…


Explore my book 😀

Book cover of Marx's Inferno: The Political Theory of Capital

What is my book about?

My book reconstructs the major arguments of Karl Marx’s Capital and offers a new reading of a classic. Placing Marx in the context of nineteenth-century socialism, I show how Capital was modeled on Dante’s Inferno and how Marx, playing the role of Virgil for the proletariat, introduced partisans of workers’ emancipation to the secret depths of the modern “social Hell.” 

Immersing the reader in socialist debates about the nature of commerce, the experience of labor, the power of bosses and managers, and the possibilities of political organization, I rescue those debates from the past and show how they speak to ever-renewed concerns about political life in today’s world.

Book cover of Slavery and Social Death: A Comparative Study
Book cover of Domination and the Arts of Resistance: Hidden Transcripts
Book cover of Capital: Volume I

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