100 books like Incidents in the Life of a Slave Girl

Salvage the Bones was the first Jesmyn Ward book I read, and I fell for 14-year-old Esch, who loves Greek myths and a boy named Manny. Set in the days before Hurricane Katrina, Esch and her beloved brothers live young lives full of – well, full lives, that’s the point. 

Ward told the Paris Review about living through Hurricane Katrina, “I saw an entire town demolished, people fighting over water, breaking open caskets searching for something that could help them survive. I realized that if I was going to assume the responsibility of writing about my home, I needed narrative ruthlessness. I couldn’t dull the edges and fall in love with my characters and spare them. Life does not spare us.”

Ward is an electrifying writer, and Salvage the Bones is an American classic. 

Nell Painter’s biography of Sojourner Truth breaks new ground in a different way. Sojourner Truth is famous, an iconic freedom fighter and advocate for Black and female suffrage. We all know her demand for recognition, “Ain’t I a woman?” Or do we? Painter’s research reveals a much more complicated woman and investigates why history has reduced a fascinating life story to that one simple question, which might never have been asked, at least in those precise words. Read this book to find out the true story of Sojourner Truth.  

This non-fiction book is giving Harriet Tubman the recognition she deserves. She was a hero in the true sense, who lived a life of service to others, and truly helped change the world. We have all heard of her, but few know who she really was, how much she did, and how incredibly brave she was.

Sometimes when I’m having a hard time, I think of how much she did all by herself, literally walking alone into enemy territory to save others, and leading an army of men. I could never compare myself to her, but thinking of her inspires me and gives me courage. 

In 1761, the slave ship Phillis departed from Africa and headed toward America. Among the human cargo was a young girl. Judging by her missing incisors, she was seven or eight years old. Soon after the ship’s arrival in Boston, John and Susann Wheatley purchased the girl and named her after the ship that had delivered her to them. Mrs. Wheatley taught their servant to read and write and introduced her to classical and English literature, including revered poets. Around 1765, Phillis began writing poetry, and her first poem, “On Messrs. Hussey and Coffin,” published in 1767, when she was only about fourteen years old, rendered her the first black person in America to publish a poem. Carretta’s collection of Wheatley’s work includes a fascinating, thoroughly researched introduction.

Though not published until 2002, after Harvard University professor Henry Louis Gates, Jr. purchased and authenticated the manuscript, the autobiographical novel The Bondwoman's Narrative by Hannah Crafts is widely considered the first book known to have been written by a fugitive enslaved woman. Crafts was the author’s pseudonym, and the novel, estimated to have been written in 1858, parallels the life of Hannah Bond, a woman who is documented to have escaped enslavement on a North Carolina plantation and who, like the novel’s protagonist, eventually settled in New Jersey. The preface and introduction of the published book read like a mystery adventure as Professor Gates reveals his multifaceted strategies to identify the real-life author and the real-life characters of her book.

Sula is a slim book and not only my favorite Toni Morrison novel, but one of my favorite novels. Although set in Ohio, Sula reveals more about American history and American Southern history than most historical tomes. 

“What was taken by outsiders to be slackness, slovenliness or even generosity was in fact a full recognition of the legitimacy of forces other than good ones. They did not believe doctors could heal—for them, none ever had done so. They did not believe death was accidental—life might be, but death was deliberate....”

Sula, a singular character in a singular novel by a singular writer.

I think Scott is one of the most creative social scientists working today, and this book is probably his strongest work.

Scott flips the script and focuses attention on the strategies subordinates use to navigate and deal with the power of their social superiors. He has great faith in the abilities of ordinary people to mock and hoodwink the powerful and to create for themselves little refuges from kings, bosses, and overlords.

I go back to this book all the time because it is a treasure trove of wonderful anecdotes, too.

Faulkner is a problem, and for a Southern writer, he’s a problem that must be confronted.

The Bear is about the annual hunt for the “taintless and incorruptible” Old Ben, the legendary animal living along the Tallahatchie River. It’s also about ownership and inheritance and ‘manhood,’ filtered through Faulkner’s obsessions and nostalgia and limitations.

A story that taught me that grappling with, and arguing with, a work of literature is an unending struggle but sometimes a necessary one.

The sociologist Arlie Hochschild visited Louisiana many times in the years she spent researching this book, about Tea Party Christians in the small town south.

Hochschild is determined to cross what she calls the “empathy wall,” and she listens closely to residents’ resentments, which she records in ways that allow her subjects to reveal themselves and their thinking. I’ve heard arguments against this book, and most of them are less nuanced than the ones Hochschild leaves me with.

What better than a book that takes disagreements seriously and leaves you with some of your own? A book of scope and scholarship and humanity of the sort I wish there were more of.

I have spent more time with this book than with probably any other, and I still learn new things from it all the time.

Parts of it are very hard, but that’s because Marx is trying to show how the whole world is put into motion by economic power, money, and competition. But he also knows how to liven up even very technical parts of the argument with dark humor, arresting images, and biting sarcasm.