Here are 100 books that Incidents in the Life of a Slave Girl fans have personally recommended if you like
Incidents in the Life of a Slave Girl.
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I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Among many wonderful things about this book, I consider it a climate novel and a climate justice story in particular. Hurricane Katrina wipes out a Black working-class family who are flooded out of their house. I was deeply attached to the narrator, the teen daughter in the story, and I loved her even more for having hope that things could change.
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'A brilliantly pacy adventure story ... Ward writes like a dream' - The Times
'Fresh and urgent' - New York Times
'There's something of Faulkner to Ward's grand diction' - Guardian
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WINNER OF THE NATIONAL BOOK AWARD
Hurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family.
Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets;…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Nell Painter’s biography of Sojourner Truth breaks new ground in a different way. Sojourner Truth is famous, an iconic freedom fighter and advocate for Black and female suffrage. Weall know her demand for recognition, “Ain’t I a woman?” Or do we? Painter’s research reveals a much more complicated woman and investigates why history has reduced a fascinating life story to that one simple question, which might never have been asked, at least in those precise words. Read this book to find out the true story of Sojourner Truth.
Sojourner Truth first gained prominence at an 1851 Akron, Ohio, women's rights conference, saying, "Dat man over dar say dat woman needs to be helped into carriages, and lifted over ditches. . . . Nobody eber helps me into carriages, or ober mud-puddles . . . and ar'n't I a woman?"
Sojourner Truth: ex-slave and fiery abolitionist, figure of imposing physique, riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight-talking and unsentimental, Truth became a national symbol for strong black women--indeed, for all strong women. Like Harriet Tubman and Frederick Douglass, she is regarded as…
I love to write stories about people who lived during pivotal times in history. I’m intrigued by what people were thinking and why they thought that way. People, just like us now, were a product of their time and circumstance. They had strong opinions about the issues of the day, and debated fiercely. It’s these conversations and opinions that help me make the past come alive. Being born and raised in Sweden, and having been a New Yorker for thirty years, I was awarded the 2021 Swedish Women’s Educational Association (SWEA) New York’s Scholarship for the artistic promotion of Swedish culture and history in New York.
This non-fiction book is giving Harriet Tubman the recognition she deserves. She was a hero in the true sense, who lived a life of service to others, and truly helped change the world. We have all heard of her, but few know who she really was, how much she did, and how incredibly brave she was.
Sometimes when I’m having a hard time, I think of how much she did all by herself, literally walking alone into enemy territory to save others, and leading an army of men. I could never compare myself to her, but thinking of her inspires me and gives me courage.
One of the most important and enduring figures in the history of 19th century America, the legendary conductor on the Underground Railroad whose courageous exploits have been described in countless books for young readers, is here revealed for the first time as a singular and complex character, a woman who defied simple categorisation. |In this, the first major biography of Harriet Tubman in more than 100 years, we see the heroine of children's books and biopics with a new clarity and richness of detail.| - Time
According to the eight generations of my family’s oral historians, I am a descendant of an enslaved cook and her enslaver, and half-brother, President James Madison. I am also a writer and a retired pediatrician. My essays, personal narrative, and commentaries have appeared in the Boston Herald, River Teeth, TIME, and the New York Times Magazine.
In 1761, the slave ship Phillis departed from Africa and headed toward America. Among the human cargo was a young girl. Judging by her missing incisors, she was seven or eight years old. Soon after the ship’s arrival in Boston, John and Susann Wheatley purchased the girl and named her after the ship that had delivered her to them. Mrs. Wheatley taught their servant to read and write and introduced her to classical and English literature, including revered poets. Around 1765, Phillis began writing poetry, and her first poem, “On Messrs. Hussey and Coffin,” published in 1767, when she was only about fourteen years old, rendered her the first black person in America to publish a poem. Carretta’s collection of Wheatley’s work includes a fascinating, thoroughly researched introduction.
The extraordinary writings of Phillis Wheatley, a slave girl turned published poet
In 1761, a young girl arrived in Boston on a slave ship, sold to the Wheatley family, and given the name Phillis Wheatley. Struck by Phillis' extraordinary precociousness, the Wheatleys provided her with an education that was unusual for a woman of the time and astonishing for a slave. After studying English and classical literature, geography, the Bible, and Latin, Phillis published her first poem in 1767 at the age of 14, winning much public attention and considerable fame. When Boston publishers who doubted its authenticity rejected an…
According to the eight generations of my family’s oral historians, I am a descendant of an enslaved cook and her enslaver, and half-brother, President James Madison. I am also a writer and a retired pediatrician. My essays, personal narrative, and commentaries have appeared in the Boston Herald, River Teeth, TIME, and the New York Times Magazine.
Though not published until 2002, after Harvard University professor Henry Louis Gates, Jr. purchased and authenticated the manuscript, the autobiographical novelThe Bondwoman's Narrative by Hannah Crafts is widely considered the first book known to have been written by a fugitive enslaved woman. Crafts was the author’s pseudonym, and the novel, estimated to have been written in 1858, parallels the life of Hannah Bond, a woman who is documented to have escaped enslavement on a North Carolina plantation and who, like the novel’s protagonist, eventually settled in New Jersey. The preface and introduction of the published book read like a mystery adventure as Professor Gates reveals his multifaceted strategies to identify the real-life author and the real-life characters of her book.
Possibly the first novel written by a black woman slave, this work is both a historically important literary event and a gripping autobiographical story in its own right.
When her master is betrothed to a woman who conceals a tragic secret, Hannah Crafts, a young slave on a wealthy North Carolina plantation, runs away in a bid for her freedom up North. Pursued by slave hunters, imprisoned by a mysterious and cruel captor, held by sympathetic strangers, and forced to serve a demanding new mistress, she finally makes her way to freedom in New Jersey. Her compelling story provides a…
I was born and raised in Nyack, New York, and all of my degrees are from colleges and universities in New York. I have always been interested in race relations in America and understanding their causes and consequences. Hope and despair are two themes that run through the experiences of people of African ancestry in America. The books I selected include fiction and nonfiction works that highlight promises made and promises unfulfilled.
I love Toni Morrison's works and consider her one of my favorite authors. I would argue, as others have, that Morrison is one of the greatest American writers ever. I appreciate that the characters in all of her books, including this one, are always dynamic. I also appreciate how Morrison shares the main characters' traumas, tragedies, and triumphs.
'Extravagantly beautiful... Enormously, achingly alive... A howl of love and rage, playful and funny as well as hard and bitter' New York Times
As young girls, Nel and Sula shared each other's secrets and dreams in the poor black mid-West of their childhood. Then Sula ran away to live her dreams and Nel got married.
Ten years later Sula returns and no one, least of all Nel, trusts her. Sula is a story of fear - the fear that traps us, justifying itself through perpetual myth and legend. Cast as a witch by the people who resent her strength, Sula…
I’m a teacher, a student, and a reader by trade (that is, a university professor), and I spend most of my time trying to understand social and political power: why some people have it, and others don’t, how it circulates and changes (gradually or suddenly), why it sometimes oppresses us and sometimes liberates, how it can be created and destroyed. I mostly do this by reading and teaching the history of political theory, which I am lucky enough to do at McGill University, in conversation and cooperation with some wonderful colleagues.
I think Scott is one of the most creative social scientists working today, and this book is probably his strongest work.
Scott flips the script and focuses attention on the strategies subordinates use to navigate and deal with the power of their social superiors. He has great faith in the abilities of ordinary people to mock and hoodwink the powerful and to create for themselves little refuges from kings, bosses, and overlords.
I go back to this book all the time because it is a treasure trove of wonderful anecdotes, too.
"A splendid study, surely one of the most important that has appeared on the whole matter of power and resistance."-Natalie Zemon Davis
Confrontations between the powerless and powerful are laden with deception-the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule…
I have always loved asking the big questions. What is justice? What is freedom? How should we live? I’ve been lucky to turn these questions into a career teaching philosophy, and I’m always inspired by authors who ask “Why?” in ways that shift our paradigms and broaden our minds. I’m also passionate about women who ask these questions—for too long, women were excluded from philosophy and not taken seriously when they wanted to know why. I loved writing a biography of Lydia Maria Child. So my list includes books by and about women like her: smart, witty, powerful women who ask why. Here’s to asking more questions and finding better answers!
This book is a mind-blowing, paradigm-shifting biographical reflection that asks why we see beauty and disability the way we do.
Jones is herself a philosopher and is disabled. Through anecdotes of ways she has been treated (also by philosophers), stories of her own birth and her unexpected pregnancy, and accounts of her travels (including going to see a Beyoncé concert!), she upended my ideas about beauty and about being able-bodied.
She helps us ask why we think of ability the way we do and why expanding our openness to beauty could help build a more beautiful world. I finished it feeling both humbled and exhilarated.
A New York Times Notable Book of 2022 * A Washington Post, Time,Publishers Weekly and New York Public Library Best Book of the Year * “Gorgeous, vividly alive.” —The New York Times * “Soul-stretching, breathtaking…A game-changing gift to readers.” —Booklist (starred review)
From Chloé Cooper Jones—Pulitzer Prize finalist, philosophy professor, Whiting Creative Nonfiction Grant recipient—an “exquisite” (Oprah Daily) and groundbreaking memoir about disability, motherhood, and the search for a new way of seeing and being seen.
“I am in a bar in Brooklyn, listening to two men, my friends, discuss whether my life is worth living.”
I have always loved asking the big questions. What is justice? What is freedom? How should we live? I’ve been lucky to turn these questions into a career teaching philosophy, and I’m always inspired by authors who ask “Why?” in ways that shift our paradigms and broaden our minds. I’m also passionate about women who ask these questions—for too long, women were excluded from philosophy and not taken seriously when they wanted to know why. I loved writing a biography of Lydia Maria Child. So my list includes books by and about women like her: smart, witty, powerful women who ask why. Here’s to asking more questions and finding better answers!
This book is simultaneously so exhilarating and creepy that it had me yelling at my car’s sound system as I listened to it! O’Gieblyn uses biography, history, and current events to ask why humans are pursuing artificial intelligence and what it means for the value of being human.
She weaves her life story, including losing her fundamentalist faith and spiraling into addiction, into a riveting analysis of artificial intelligence with all its promise and peril. I loved that she gave historical background about our search for artificial intelligence while also explaining what is at stake as AI infiltrates our very understanding of what it is to be human.
I finished the book feeling better informed about AI and better grounded in why being human is valuable, no matter what technology does next.
A strikingly original exploration of what it might mean to be authentically human in the age of artificial intelligence, from the author of the critically-acclaimed Interior States.
"Meghan O’Gieblyn is a brilliant and humble philosopher, and her book is an explosively thought-provoking, candidly personal ride I wished never to end ... This book is such an original synthesis of ideas and disclosures. It introduces what will soon be called the O’Gieblyn genre of essay writing.” —Heidi Julavits, author of The Folded Clock
For most of human history the world was a magical and enchanted place ruled by forces beyond our…
I’m from North Carolina, and Inside the Wolf is the first book I’ve written about the American South. For a long time, I resisted writing about my home state. I moved to New York and tried to write elegant New York stories. But writing is thinking for me, and I had to think through some of the stories and memories and hauntings of my youth. The books on this list have made me want to keep doing it
Faulkner is a problem, and for a Southern writer, he’s a problem that must be confronted.
The Bear is about the annual hunt for the “taintless and incorruptible” Old Ben, the legendary animal living along the Tallahatchie River. It’s also about ownership and inheritance and ‘manhood,’ filtered through Faulkner’s obsessions and nostalgia and limitations.
A story that taught me that grappling with, and arguing with, a work of literature is an unending struggle but sometimes a necessary one.
“I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.” —William Faulkner, on receiving the Nobel Prize
Go Down, Moses is composed of seven interrelated stories, all of them set in Faulkner’s mythic Yoknapatawpha County. From a variety of perspectives, Faulkner examines the complex, changing relationships between blacks and whites, between man and nature, weaving a cohesive novel rich in implication and insight.
