I am a scholar of global politics, and I am drawn to psychoanalysis because it studies the unseen in politics, or rather, those things that are often in plain sight but remain unacknowledged. For example, why is it that, especially in this information economy, we are well aware of the inequality and environmental destruction that our current capitalist system is based on, but we still continue to invest in it (through shopping, taking out loans, using credit cards, etc.)? Psychoanalysis says that it's because we are unconsciously seduced by capitalism—we love shopping despite knowing about the socioeconomic and environmental dangers of doing it. I’m fascinated by that process of disavowal.
This is one of the first books that “blew my mind” when I was a young university student: it remains the one I constantly return to because it seeks to understand the psychoanalytic foundations of racism under French colonialism.
Fanon was only 27 when his book was first published in 1952, but his reflections provide a stunningly passionate and layered view on how anti-Black racism (de)forms the subjectivity of both white and Black people, locking them into constructions of whiteness/blackness that require constant questioning.
His arguments on the psychoanalytic and political underpinnings of racism remain as relevant today as they were in his time.
Few modern voices have had as profound an impact on the black identity and critical race theory as Frantz Fanon, and Black Skin, White Masks represents some of his most important work. Fanon’s masterwork is now available in a new translation that updates its language for a new generation of readers. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, Black Skin, White Masks is the unsurpassed study of the black psyche in a white world. Hailed for its scientific analysis and poetic grace when it was first published in 1952, the book remains a…
For me, Žižek is the most brilliant and insightful, even if controversial, philosopher of our times, and this work is largely considered his masterpiece.
Drawing on popular culture (movies, jokes, science fiction), it provides a psychoanalytic view of ideology, exploring the unconscious foundations of such phenomena as totalitarianism, capitalism, and racism.
Žižek beckons us to pay close attention to any ideology that attempts to present reality as unified or harmonious (e.g., “Make America Great Again,” or “happy shopping”), as it most often hides (“disavows,” in psychoanalysis) its many contradictions (e.g., how “greatness” is often built on a history of colonialism or slavery; or how consumerism most often depends on the exploitation of workers, many of whom are women and racialized people working under sweatshop conditions).
Slavoj Zizek, the maverick philosopher, author of over 30 books, acclaimed as the "Elvis of cultural theory", and today's most controversial public intellectual. His work traverses the fields of philosophy, psychoanalysis, theology, history and political theory, taking in film, popular culture, literature and jokes-all to provide acute analyses of the complexities of contemporary ideology as well as a serious and sophisticated philosophy. His recent films The Pervert's Guide to the Cinema and Zizek! reveal a theorist at the peak of his powers and a skilled communicator. Now Verso is making his classic titles, each of which stand as a core…
This is one of the most intriguing books published in recent times, in my view, providing a lucid and beautifully written psychoanalytic account of both the strangeness and emancipatory potential of sexuality.
Sex for Zupančič is not about genital sexuality. Instead, it has an amorphous and undefinable quality to it; and this lack of meaning implies we can never get enough of it—e.g., the reason porn watchers get hooked on porn is because even the “full” view of sexual activity doesn’t quite satisfy, so one looks for more “fullness” (which one never finds) and watches more porn. And this elusiveness is what sex is about.
I love that Zupančič draws out the political potential of this viewpoint, seeing the excess and indefinability of sex as “trouble”/“troubling,” opening up ways for the subject to break out of the everyday status quo.
Why sexuality is at the point of a “short circuit” between ontology and epistemology.
Consider sublimation—conventionally understood as a substitute satisfaction for missing sexual satisfaction. But what if, as Lacan claims, we can get exactly the same satisfaction that we get from sex from talking (or writing, painting, praying, or other activities)? The point is not to explain the satisfaction from talking by pointing to its sexual origin, but that the satisfaction from talking is itself sexual. The satisfaction from talking contains a key to sexual satisfaction (and not the other way around)—even a key to sexuality itself and its…
Relying on contemporary literary writing and films (e.g., Amitav Ghosh, Leila Aboulela, Black Panther, Gran Torino), Basu Thakur carries out a compelling psychoanalytic critique of postcoloniality (the study of global processes of exclusion and marginalization).
He reproaches it for focusing too much on questions of identity and difference (e.g., making political claims on the basis of gender, racialization, or sexual orientation). And feeding too easily into cultures of victimhood and neoliberal political economy (e.g., the commodification of women’s and racialized and LGBTQ+ people’s identities).
He stresses instead a psychoanalytic politics of lack and excess, whose negativity resists commodification and paves the way to postcolonial emancipation.
Postcolonial Lack reconvenes dialogue between Lacanian psychoanalysis and postcolonial theory in order to expand the range of cultural analyses of the former and make the latter theoretically relevant to the demands of contemporary narratives of othering, exclusion, and cultural appropriation. Seeking to resolve the mutual suspicion between the disciplines, Gautam Basu Thakur draws out the connections existing between Lacan's teachings on subjectivity and otherness and writings of postcolonial and decolonial theorists such as Gayatri Spivak, Frantz Fanon, and Homi Bhabha. By developing new readings of the marginalized other as radical impasse and pushing the envelope on neoliberal identity politics, the…
It may seem odd for me to include this work, focusing on the economics and politics of the capitalist system, under the category “psychoanalysis and politics.” But one easily forgets that it is in this groundbreaking book that Marx makes his crucial argument on “commodity fetishism,” the (psychoanalytic) process by which we so fetishize—which is to say, love—a car or an iPhone, for example, that we disavow the labor and environmental conditions (i.e. the exploitation and domination of people and nature) under which they were produced.
No wonder that Jacques Lacan, the noted psychoanalytic thinker, saw Marx as the first to have invented the “symptom,” seeing exploited labor (and I would add, the domination of the environment) as symptomatic of the violence of capitalism.
'A groundbreaking work of economic analysis. It is also a literary masterpice' Francis Wheen, Guardian
One of the most notorious and influential works of modern times, Capital is an incisive critique of private property and the social relations it generates. Living in exile in England, where this work was largely written, Marx drew on a wide-ranging knowledge of its society to support his analysis. Arguing that capitalism would cause an ever-increasing division in wealth and welfare, he predicted its abolition and replacement by a system with common ownership of the means of production. Capital rapidly acquired readership throughout the world,…
Ever wonder why our global capitalist system never rests still? Economic growth is never enough; there are always more profits to make, more markets to conquer. And crises such as climate change become not limits but opportunities for further profit-making, even though such crises are the very result of profit-making.
Psychoanalysis provides a key insight into this restlessness: it is unconscious “drive"—a fundamental compulsion to never stay satisfied, to always move from object to object and crisis to crisis—that helps explain why capital accumulation continues unabated, to the point of endangering life on this planet. Global Libidinal Economy is the first to examine global capitalism from a psychoanalytic perspective, helping to explain the system’s unconscious irrationalities and excesses.
I have been to, and loved, North, Central, and especially East Africa for over fifty years. Only six times have I been to Africa on holiday; more often, perhaps twenty or more times, as a television producer. Working in Africa gains a perspective of reality that the glories of vacation do not. Each has its place, each its pitfalls like stalled plane rides with emergency landings in the bush or attacks by wildlife. But, in the end, the magic of the “otherness,” what an old friend called “primitava” captures one’s soul and changes your life.
Keen to rekindle their love of East African wildlife adventures after years of filming, extreme dangers, and rescues, producer Pero Baltazar, safari guide Mbuno Waliangulu, and Nancy Breiton, camerawoman, undertake a filming walking adventure north of Lake Rudolf, crossing from Kenya into Ethiopia along the Omo River, following a herd of elephant making their annual migration.
Stumbling onto an elephant poaching, the team become embroiled in true financing of terrorism for al Shabaab –ivory sales–and are determined to stop the slaughter at any cost. Ivory trade financing terrorism involves UN refugee camps with two hundred thousand displaced Somali persons, powerful…
A documentary team hiking through East Africa collides with a gang of deadly poachers, in this gripping adventure by the author of Kidnapped on Safari.
Years of filming, extreme dangers, and daring rescues have taken their toll on documentary producer Pero Baltazar and his team. To relax and reconnect with the East African wildlife they love, Pero organizes a walking safari for him, his camerawoman Nancy Breiton, and their elite guide Mbuno Waliangulu. Still, Pero has trouble truly disconnecting from work. When the team comes across a herd of elephants making their annual migration north of Lake Rudolf, Pero decides…
