I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
“Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories—she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there, beneath the house he'd built for his family.
Coming home is hard enough for Vera, and to make things worse, she and her mother aren’t alone. A parasitic artist has moved into the guest house out back and is slowly stripping Vera’s childhood for spare parts. He insists that he isn’t the one leaving notes around the house in her father’s handwriting… but who else could it possibly be? Vera must face the secretsof the notorious Crowder House and find out just how deep the rot goes.
This book delivers truly striking insight into the nature of fear, the cost of survival, and cycles of violence. Dawson’s writing shines here, grounded and visceral, and deeply honest. Between the propulsive and tense plot, the exquisitely rendered characters, and the unflinching examination of the world we live in, this one kept me up late and woke me up early.
How far would you go to be free? Three generations of women forge a new path through an America torn by a mysterious wave of violence in this “chilling [and] dizzyingly effective” (The New York Times Book Review) novel of revenge, liberation, and triumph.
“A compulsively readable fusion of domestic thriller and modern horror.”—Kameron Hurley, author of The Light Brigade
“A novel that defines this era.”—Stephen Graham Jones, New York Times bestselling author of The Only Good Indians
They call it The Violence: a strange epidemic that causes the infected to experience sudden bursts of animalistic rage, with no provocation…
When I was a kid I was very excited about wolves. Not in the sense that I knew a lot about wolves—I didn’t study them and learn about them—so much as I felt certain, in my heart of hearts, that if I met a wolf, we would understand each other in a way no two creatures ever have. Feed Them Silence is a book that returned me to that sense of certainty, but with a more fundamentally realistic understanding of the nature of animals as existing outside of human understanding. I couldn’t put it down, and the hours slipped right past me.
Lee Mandelo dives into the minds of wolves in Feed Them Silence, a novella of the near future.
What does it mean to "be-in-kind" with a nonhuman animal? Or in Dr. Sean Kell-Luddon’s case, to be in-kind with one of the last remaining wild wolves? Using a neurological interface to translate her animal subject’s perception through her own mind, Sean intends to chase both her scientific curiosity and her secret, lifelong desire to experience the intimacy and freedom of wolfishness. To see the world through animal eyes; smell the forest, thick with olfactory messages; even taste the blood and viscera…
Hide feels like a book tailor-made to pull me in and refuse to let go. The pitch—a high-stakes game of hide-and-seek in an abandoned amusement park—is solid gold, and the book delivers so much more than it promises. With relentless, cutting-class commentary and a truly ferocious sense of clarity, Hide excoriates systems of exploitation with incredible efficiency. I found myself sneaking chapters wherever I could.
A high-stakes hide-and-seek competition turns deadly in this dark supernatural thriller from New York Times bestselling author Kiersten White, perfect for fans of Stephen King and SQUID GAME.
The challenge: spend a week hiding in an abandoned amusement park and don't get caught.
The prize: enough money to change everything.
Even though everyone is desperate to win - to seize their dream futures or escape their haunting pasts - Mack feels sure that she can beat her competitors. All she has to do is hide, and she's an expert at that.
It's the reason she's alive, and her family isn't.…
This one took me to places I never could have imagined. The Hollow Sisters are exquisite: monstrous, tender, unknowable, and obsessed with each other. Reading this book felt like sitting down to a sumptuous meal and knowing that some of the dishes being served are cooked with human flesh. Nothing in this book is as it seems, nothing is predictable, and yet everything fits together seamlessly. Dark and lush as a night-blooming garden.
'A gorgeous, grisly modern fairy tale.' - THE GUARDIAN
'Dark and delicious. House of Hollow hums with malice and mystery. I devoured it whole.' - KIRAN MILLWOOD HARGRAVE
** SHORTLISTED FOR THE YA BOOK PRIZE 2022 **
The Hollow sisters - Vivi, Grey and Iris - are as seductively glamorous as they are mysterious. They have black eyes and hair as white as milk. The Hollow sisters don't have friends - they don't need them. They move through the corridors like sharks, the other little fish parting around them, whispering behind their backs.
Elison is a master of her craft. With Number One Fan she constructs a multilayered horror story that has given me many sleepless nights. This book explores terror from every conceivable angle, from the physical to the existential, while delivering profound insight into the nature of creativity, fandom, and obsession. There’s a scene in this one that made me clench up into a ball and I’m not sure I’ll ever fully relax again.
"Elison’s brutal, incisive novel cuts to the heart of what makes public figures vulnerable and asks us to question our voyeurism." —New York Times Book Review
She created a beautiful world. Now he wants it all.
On her way to a speaking engagement, bestselling novelist Eli Grey gets into a cab and accepts a drink from the driver, trusting that everything is fine. She wakes up chained in the stranger’s basement. With no close family or friends expecting her to check in, Eli knows she needs to save herself. She soon realizes that her abduction wasn’t random, and though she…
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
His memoir is rich in anecdotes and admissions. At The Times, Jan Morris threw a manuscript at him, he shared an embarrassing moment with Jacqueline Kennedy, and he got the paper sued for $1 million. Along the way, Rod Laver challenged Stock to a tennis match, he played a clarinet duet with superstar Richard Stoltzman, and he shared a Mafia-spiced brunch with Jerry Orbach.
Me and The Times: My wild ride from elevator operator to New York Times editor, columnist, and change agent (1967-97)
An intimate, unvarnished look at the making of the Sunday sections of The New York Times in their pre-internet heyday, back when they shaped the country’s political and cultural conversation.
Over 30 years, Robert Stock edited seven of those sections, innovating, and troublemaking all the way – getting the paper sued for $1 million, locking horns with legendary editors Abe Rosenthal and Max Frankel, and publishing articles that sent the publisher Punch Sulzberger up the wall.
On one level, his memoir tracks Stock’s amazing career from his elevator job at Bonwit Teller to his accidental entry into journalism to his…
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