100 books like How to Be a Renaissance Woman

A quirky and brilliantly insightful book which is now, unfortunately, out of print. But do snap it up if you chance upon it in a second-hand bookshop or can find a copy online. It is deceptively modest-looking: a slender paperback, with only a handful of illustrations. My hunch is that it will change the way you think about paintings, sculptures, and buildings in the works of Shakespeare, Spenser, Donne, and their contemporaries. Certainly, that is the effect it had on me.

When I was first attracted to exploration history, I was mostly interested in the 19th and 20th centuries, but wanting to understand its pedigree, I searched back to the great voyages of the Renaissance and kept running into books by Parry. He’s everywhere, and always insightful.

His most widely read book is The Age of Reconnaissance: Discovery, Exploration, and Settlement, 1450-1650. But despite its clunky title, Establishment is my favorite because it distills the whole story – its events, its technology, its intellectual foundations – into almost crystalline form. A wonderful place to begin, or to return to and consolidate whatever else you’ve learned.

Mary Laven’s readable academic book Virgins of Venice is the definitive resource on the topic of nuns in Renaissance Venice. She explores every aspect of what it was like to be and live as a nun during a roughly two-hundred-year period, when most convents were filled with high-status women of no religious calling, forced to live there by their fathers and the strict social conventions of the time.

Whether or not one wants to make a case for the modern humanities deriving from the studia humanitatis in Renaissance Italy, it is undeniable that Renaissance humanism has been a source of endless fascination for humanities scholars. I enjoyed this book partly because it shows how this fascination led seventeenth- and eighteenth-century scholars to “recapitulate practices and mentalities that Italian Renaissance humanists pioneered.” It is such borrowing and reapplying that explains how a “humanistic tradition” could take shape. Another intriguing point is Celenza’s argument that this tradition has historically revolved as much around wisdom as about knowledge. While we modern academics know very well how to produce knowledge, what has happened to the wisdom part? Can the humanities survive, Celenza asks, without “reflection on the self and on life”?

De Humani Corporis Fabrica Libri Septem ["On the Fabric of the Human Body in Seven Books"] will likely catch you by surprise since, unlike most books featured on this website, this one was printed back in 1543. Fortunately, this means that anyone with a working Internet connection and web browser can access this mystifying medical atlas from the sixteenth century. Annotated editions of On the Fabric of the Human Body are available online from numerous medical colleges, so please take the time to find and appreciate this masterpiece of anatomy and artistic imagination.

While The Swerve is not exactly a book about posterity, it nonetheless provides a wonderful case study of a text that remained on the verge of destruction for centuries, before going on to play a tremendously influential role in shaping our modern world. This book is none other than On The Nature of Things by Lucretius –one of the foundational texts of Western culture, whose impact was postponed to the fifteenth century, as it would not have seen the light of day without its serendipitous rediscovery in a German monastery by Poggio Bracciolini (1380-1459). This gripping work offers a fascinating example of the delayed reception of a prominent cultural object, a proof of its extraordinary resilience, and, at the same time, an illustration of the role played by chance and accidents on the transmission of texts to posterity. 

There are millions of great guidebooks on Florence, but none is more entertaining, informative, and lively than Eve Borsook’s. An American art historian who lived in the city for most of her life, she unravels Florence's history, art, and politics with verve, knowledge, and insight. As one would expect in a guide, she describes systematically the city, a chapter for each neighborhood, each chapter starting with detailed descriptions of its most interesting streets, squares, buildings, and works of art. But what makes this guide invaluable are Borsook’s commentaries that follow her informative descriptions. I suggest you read this book before you go to Florence, plan your visit according to her chapters, and then, once in Florence, after you have seen the works she describes, read again the chapter on the neighborhood you visited that day. Renaissance Florence and the people who lived in it will come to life for you… show more.

This book is a fantastic, broad overview of the Italian Renaissance (or rinascimento, the term Ruggiero prefers and which his subjects would have recognized). The Italian Rinascimento was a period, according to Ruggiero, of vibrant cities, social change, and cultural expression, in which intellectuals, politicians, and artists both looked back to an idealized classical past and forward to uncharted territory.

I love the way this book focuses on issues that preoccupied the people he studies and incorporates topics often absent from works on the Renaissance, including women, sexuality, economics, disease and death, and religion, among others. Even more important, perhaps, is that it is clear, accessible, and engaging, and demonstrates a wealth of knowledge developed over an illustrious career as a historian of early modern Italy.

Here’s the one to get to introduce your children to Leonardo da Vinci – a pop-up book with gloriously beautiful drawings and 3D models of Leonardo’s inventions, which included airplanes, a submarine, a parachute, helicopter, armoured vehicle, and a crossbow-machine gun.

Aside from the renovation of the sewers and plumbing of a Florentine church, none of Leonardo’s technological designs are ever known to have been built and tested, which leaves us with the question of whether he was more of a dreamer than a doer. I think this would work for 6-12-year-olds.