Here are 100 books that The Establishment of the European Hegemony, 1415-1715 fans have personally recommended if you like
The Establishment of the European Hegemony, 1415-1715.
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I have always been a fan of history. As a journalist by education and an investigator by trade, I love to carefully research my settings and weave original fictional plots through actual history in a seamless manner that both entertains and informs the reader. I also appreciate the need for compelling characters, page-turning plots, conflict, and tension to keep readers engaged. I have a long-term fascination with piracy, privateering, and exploration during the early age of sail. I am also attracted to Elizabethan England and the Renaissance period with its ideological struggles. I really love a good sea story, and who doesn’t? Enjoy my reading list!
The Great Explorers: The European Discovery of America is a seminal non-fiction work by a premiere historian detailing those intrepid early explorers who dared uncharted seas for greed and glory. The work really resonates with me because it showcases how difficult it was to navigate the world’s oceans in the days before electricity, reliable navigation aids, modern medicine, refrigeration, and dependable propulsion. Despite these handicaps, audacious seamen dared the unknown and challenged their resolve and endurance to meet their goals. I believe the inherent elements of drama and conflict in these voyages lend grist for the development of action and adventure-filled historical fiction. This book directly inspired me to develop my featured novel in an Age of Exploration setting.
This is an abridgement of Samuel Morison's magnum opus, The European Discovery of America, in which he describes the early voyages that led to the discovery of the New World. All the acclaimed Morison touches are here - the meticulous research and authoritative scholarship, along with the personal and compelling narrative style that gives the reader the feeling of having been there. Morison, of course, has been there, and The Great Explorers is enriched with photographs and maps he made while personally retracing the great voyages.
My 15 seasons at Grand Canyon inspired me to understand its story of revelation, which led to a fascination with the history of exploration overall. This has resulted in a series of books about explorers, places explored, and a conceptual scaffolding by which to understand it all: a geologist of the American West (Grove Karl Gilbert); Antarctica (The Ice); revisiting the Rim with better conceptual gear, How the Canyon Became Grand; and using its mission as a narrative spine, Voyager: Exploration, Space, and Third Great Age of Discovery. The grand sweep deserved a grand summary, so I’ve ended with The Great Ages of Discovery.
A few days out of high school, I found myself on a forest fire crew at the North Rim of Grand Canyon, and returned for 15 seasons. The more I pondered the Canyon, the more I wanted to learn about why this strange landscape was valued, which led me to William Goetzmann, who became my grad school advisor.
New Lands, New Men is the third and final volume of a trilogy Goetzmann wrote on the theme. (His second book, Exploration and Empire, won a Pulitzer.) It’s a bit looser, willing to play with the material, and full of the quirky as well as the renown. Its organizing concept that exploration rekindled in the 18th century (with a significant input from modern science) is a major innovation in a field usually devoted to stirring tales of individual adventure and discovery.
In New Lands, New Men, the third volume in his award-winning Exploration Trilogy, one of America’s leading historians tells the dramatic story of three centuries of exploration that witnessed Europeans exploring the Pacific and Northwest, Americans setting out across their own immense continent, and finally, Americans exploring new worlds: the oceans, Japan, the polar regions.
Spanning the seventeenth to the nineteenth centuries, the Second Great Age of Discovery was marked by the Enlightenment’s ideals of science and progress. Explorers from James Cook to George Catlin, from Charles Wilkes to Matthew Maury, trained as scientists intent on precise observation and gathered…
My 15 seasons at Grand Canyon inspired me to understand its story of revelation, which led to a fascination with the history of exploration overall. This has resulted in a series of books about explorers, places explored, and a conceptual scaffolding by which to understand it all: a geologist of the American West (Grove Karl Gilbert); Antarctica (The Ice); revisiting the Rim with better conceptual gear, How the Canyon Became Grand; and using its mission as a narrative spine, Voyager: Exploration, Space, and Third Great Age of Discovery. The grand sweep deserved a grand summary, so I’ve ended with The Great Ages of Discovery.
The current era of exploration began after World War II, announced by the International Geophysical Year. With Antarctica as a pivot, exploration moved down to the world’s ocean depths and out to interplanetary space. Space got the most attention – it was visible and had a literature that ice and abyss couldn’t match.
With vigor, clarity, and a lively tempo, This New Ocean narrates the space race in both its manned and robotic expressions, its American and Soviet versions, its technology, and its politics. Burrows is an enthusiast, but not an ideologue or a blinkered astrofuturist. A good survey and introduction, This New Ocean makes a lively read.
It was all part of man's greatest adventure--landing men on the Moon and sending a rover to Mars, finally seeing the edge of the universe and the birth of stars, and launching planetary explorers across the solar system to Neptune and beyond.
The ancient dream of breaking gravity's hold and taking to space became a reality only because of the intense cold-war rivalry between the superpowers, with towering geniuses like Wernher von Braun and Sergei Korolyov shelving dreams of space travel and instead developing rockets for ballistic missiles and space spectaculars. Now that Russian archives are open and thousands of…
My 15 seasons at Grand Canyon inspired me to understand its story of revelation, which led to a fascination with the history of exploration overall. This has resulted in a series of books about explorers, places explored, and a conceptual scaffolding by which to understand it all: a geologist of the American West (Grove Karl Gilbert); Antarctica (The Ice); revisiting the Rim with better conceptual gear, How the Canyon Became Grand; and using its mission as a narrative spine, Voyager: Exploration, Space, and Third Great Age of Discovery. The grand sweep deserved a grand summary, so I’ve ended with The Great Ages of Discovery.
For a while space and the deep oceans were a matched set of explorations – even Arthur C. Clarke wrote parallel novels about space and sea - then they diverged. What space promised, however, the oceans delivered – new maps of the solid Earth, a new geology, new biotas, and life forms.
No comprehensive survey of all that exploration yet exists. But Robert Ballard’s Eternal Darkness gives access to what happened and some of the critical discoveries, even if it grants attention to the sunken Titanic as well as to black smokers. Deep sea discovery doesn’t have a grand narrative akin to the space race to the Moon or Voyager’s mission to the outer planets; instead, it has biographies like that for the submersible Alvin and pioneers like Ballard. A readable introduction, with some thoughtful conclusions.
Until a few decades ago, the ocean depths were almost as mysterious and inaccessible as outer space. Oceans cover two-thirds of the earth's surface with an average depth of more than two miles--yet humans had never ventured more than a few hundred feet below the waves. One of the great scientific and archaeological feats of our time has been finally to cast light on the "eternal darkness" of the deep sea. This is the story of that achievement, told by the man who has done more than any other to make it possible: Robert Ballard. Ballard discovered the wreck of…
I’m a writer and an editor with eclectic interests. I’ve published two books of popular history—Da Vinci's Ghost (2012), about Leonardo da Vinci’s Vitruvian Man, and The Fourth Part of the World (2009), about the map that gave America its name. I’ve also written extensively for national publications on such topics as the sociology of new religious movements, privacy protection in the Internet age, the Voynich manuscript, the revisionist study of the Qur’an, the revival of ancient Greek music, and alphabet reform in Azerbaijan. I’m presently a senior editor at the Harvard Business Review and acontributing editor at The Atlantic. From 1988-1990, I served as a Peace Corps volunteer in Yemen.
You won’t be curling up in bed with this two-volume, 2,272-page encyclopedic history of cartography in the European Renaissance—but if you’ve got a passion for maps, or if you want the most comprehensive source of information on the cartography of the period, it’s a delightful and even essential work to consult. The essays are diverse and deeply informative, and the reproductions, including 80 gorgeous color plates, are a treat to spend time with.
When the University of Chicago Press launched the land-mark "History of Cartography" series nearly thirty years ago, founding editors J. B. Harley and David Woodward hoped to create a new basis for map history. They did not, however, anticipate the larger renaissance in map studies that the series would inspire. But as the renown of the series and the comprehensiveness and acuity of the present two-part volume demonstrate, the history of cartography has proven to be unexpectedly fertile ground. "Cartography in the European Renaissance" treats the period from 1450 to 1650, long considered the most important in the history of…
Trained as a physicist and employed for twenty years as an engineer, my great interest in the application of science then led me to write. I authored technical papers on the physics underpinning venerable machines such as pendulum clocks and waterwheels; these were read by the chief editor at Johns Hopkins University Press, who invited me to turn them into a popular science book–the first of fourteen. Often, technological advances were made empirically–the development of sailing ships, bridges, or pocket watches–by working people with no formal knowledge of science, yet their designs survive as triumphs of human thought, as well as useful machines.
This book is unique, to my mind, in topic and style. How is it possible to write engagingly about such a niche subject? Gunpowder was invented in China, but it was in Renaissance Europe that it became adapted to warfare (to say the very least).
This book covers a neglected aspect of technological history in an age otherwise much written about and covers it readably.
Weapons and Warfare in Renaissance Europe explores the history of gunpowder in Europe from the thirteenth century, when it was first imported from China, to the sixteenth century, as firearms became central to the conduct of war. Bridging the fields of military history and the history of technology -- and challenging past assumptions about Europe's "gunpowder revolution" -- Hall discovers a complex and fascinating story. Military inventors faced a host of challenges, he finds, from Europe's lack of naturally occurring saltpeter -- one of gunpowder's major components -- to the limitations of smooth-bore firearms. Manufacturing cheap, reliable gunpowder proved a…
I’m a science researcher and writer living in London. My research field is astrobiology and the possibility of life on other planets – it brings together lots of different areas of science with engineering and space exploration and so is deeply ‘interdisciplinary’. And as a science writer, I try to bring this same broad perspective and unifying approach to other profound questions. My fascination with understanding our own origins was sparked by my childhood growing up in East Africa, the cradle of humanity. In Origins I explored different ways that planet Earth has influenced our human story across the millennia - it’s an example of ‘Big History’.
Guns. Germs and Steel is an absolutely thrilling ride through world history in pursuit of the deepest answers to the question: why was it that European powers came to dominate those of the Americas from the sixteenth century, and not vice versa. The book was awarded the Pulitzer Prize and is a cracking example of what has come to be known as ‘Big History’.
I have been fascinated by the Tudors since childhood – in spite of, or perhaps because of, the fact that I grew up in the American Midwest, where Tudor artefacts were few and far between. A family holiday to England, when I was fourteen, sparked the beginning of a life-long love affair, which I have been lucky enough to turn into a career focused on all things Tudor. After receiving my PhD from Yale University, I took up a post-doctoral fellowship in England, at Warwick University, with which I have been affiliated ever since. I am currently an Honorary Reader at Warwick and working on a new book, on Hans Holbein.
A quirky and brilliantly insightful book which is now, unfortunately, out of print. But do snap it up if you chance upon it in a second-hand bookshop or can find a copy online. It is deceptively modest-looking: a slender paperback, with only a handful of illustrations. My hunch is that it will change the way you think about paintings, sculptures, and buildings in the works of Shakespeare, Spenser, Donne, and their contemporaries. Certainly, that is the effect it had on me.
An interdisciplinary study that shows how works of art influenced English poets in the late sixteenth and early seventeenth centuries. Included in the appendix is a survey of the ownership and distribution of books of art and architecture in English Renaissance libraries. Very light foxing on front panel. iv , 100 pages. stiff paper wrappers. small 8vo..
I have been fascinated by the lives of women in the Renaissance for as long as I can remember – growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to women’s global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality – issues that are still with us today.
I always appreciate a book that connects Renaissance history to present-day issues – like the never-ending pressure for women to fit a particular standard of beauty. Like us, Renaissance women obsessed over how they looked, how they smelled, their weight, their hair, their makeup (which somehow makes them seem like people we might have been friends with 500 years ago!).
Burke looks at Renaissance beauty culture through the lens of a historian, using sixteenth-century how-to manuals, poems, letters, diaries, and art to think about the impact of Renaissance ideas about beauty and the enduring connection between cosmetics and gender, misogyny, and power.
It’s an entertaining read that’s backed by serious research.
*As heard on BBC Radio 4 Woman's Hour* *A BBC Radio 4 Book of the Week, October 2023*
'A total eye-opener, I loved it' Nuala McGovern
'Lively and intriguing ... You'll never look at Renaissance portraits in the same way' Maggie O'Farrell
'Terrific ... that rare thing, a serious history that is both accessible and entertaining' Literary Review
Plunge into the intimate history of cosmetics, and discover how, for centuries, women have turned to make up as a rich source of creativity, community and resistance
The Renaissance was an era obsessed with appearances. And beauty culture from the time has…
I have been fascinated by the lives of women in the Renaissance for as long as I can remember – growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to women’s global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality – issues that are still with us today.
I loved this book because it’s a biography that reads like a novel and because its subject is a woman who was celebrated in her own time but has been almost totally forgotten since.
In an age when “respectable” women were discouraged from writing and publishing, Vittoria Colonna became one of the most revered poets of the Renaissance, moving in the same circles as popes, princes, writers, and artists.
I love how Targoff brings to life Colonna’s different environments – from the rocky island of Ischia off Naples, where she lived as a newlywed, to the convent where she sought refuge after the death of her husband (who inspired much of her poetry). I also appreciate the nuanced presentation of Colonna’s friendship with Michelangelo, which shows us how influential she was as his spiritual mentor.
Ramie Targoff's Renaissance Woman tells of the most remarkable woman of the Italian Renaissance: Vittoria Colonna, Marchesa of Pescara. Vittoria has long been celebrated by scholars of Michelangelo as the artist's best friend - the two of them exchanged beautiful letters, poems, and works of art that bear witness to their intimacy - but she also had close ties to Charles V, Pope Clement VII and Pope Paul III, Pietro Bembo, Baldassare Castiglione, Pietro Aretino, Queen Marguerite de Navarre, Reginald Pole, and Isabella d'Este, among others. Vittoria was the scion of an immensely powerful family in Rome during that city's…
