Fans pick 64 books like Pine

Even though this is a period novel, I read this story for its Gothic horror and literary acumen. Repression of memories, feelings, and guilt struck me throughout. Dr. Faraday discovers ghostly mysteries at Hundreds Hall, and his romance with Caroline is spooky enough, but this ghost story is grounded in reality.

Who is the little stranger haunting the premises? I sunk deeply into this story, drinking up the beauty. But the ending! Wow. Brilliantly revealed and aptly placed on the final page. Sarah Waters hides the ghost in plain sight, and yet I was surprised at the conclusion—delightfully so. I’m a sucker for one-liners that grab the reader by the throat, metaphorically speaking, at the last line. I plan to read it again because it’s that good.

I strongly recommend this book as not only does it weave spooky images of ghostly events in one’s psyche, but couples it with fascinating phenomena such as telepathic communication and willpower. Furthermore, I was fascinated by the complex personality of the main protagonist, who allows himself to become victim of evil forces leading to a gradual descent into madness.

It also emphasises that social isolation in a remote place can have a detrimental impact on oneself and those close to you. I found the fight for survival in this tale riveting.

Looking to move past the social shame of her suicide attempt, Margaret Prior begins visiting a woman’s prison to conduct rehabilitative charity work. But when she meets the young spiritualist Selina Dawes, she finds herself pulled into a world of smouldering passion and the realisation the world may be more than she ever realised. 

In this book, Sarah Waters takes Victorian gothic romance and brings it into the modern age. Reading this book involves peeling away the layers and interpreting the unspoken. Nothing is spelt out, as none of the characters would ever deign to say such things out loud. But by looking at what isn’t said, we gradually learn the hidden truth.

I can’t have Christmas without a good ghost mystery and for me, Carfax House perfectly fits the bill. When her husband gets caught up at work in London, a lonely wife prepares their new country home for Christmas. But an elusive female figure haunting the building and its fog-strewn grounds reconnect her with a traumatic experience from the past. The contrast between the enforced jollity of Christmas and the strain on the woman’s psyche threatens to wreck her increasingly fragile grip on reality.

I love a classic, gothic haunted house story with an unexpected twist, and Priory delivers. When Oliver Hardacre returns to his namesake home, located outside the gloriously atmospheric Yorkshire town of Whitby, he opens the door to his past. The narrative is told from Oliver’s modern perspective and his mother’s point of view in the 1970s, when Oliver and his brother were children at Hardacre Priory. Replete with dark, twisted secrets and multi-layered, complex characters, Wright’s sentient, menacing estate comes alive under her masterful touch. This is a short read, easily finished in one sitting. Crack it open on a foggy morning, with a spot of tea and a blanket to cut the chill.

I’m listing this novel first because who’s worse than the devil? He’s the embodiment of a woman’s fears, there when we walk into a parking lot after dark, our keys clenched between our fingers in a makeshift weapon. And in a myriad of other forms. The devil is hard to get away from, especially as a woman.

In this novel, two childhood friends have to face off with the literal devil. And what they do to him—with him—is an anthem of female friendship, a love letter to our girlhood friends, and a book whose final line is as lasting as those years in our lives, the ones we believe at the time will never, ever have to end.

Junji Ito is the master of the unsettling.

His storytelling and artwork combined create books which even the strongest stomached would find uncomfortable. And yet, we are drawn to them, unable to look away. And he understands that the most terrifying thing is not an invasion by something outside of our world but the realisation that the everyday world around us might turn against us. 

Uzumaki is a story about incomprehensible obsession and how it can take over a society to the point of destruction. One by one, the people of a small Japanese town become obsessed with spirals. Not a monster or a ghost, but a shape, until the power behind it destroys everything. 

I do love a novel with history and objects at the core and The Corset adds an extra layer of spine tingling to the mix as well.

Ruth is a poorly paid seamstress, awaiting trial for murder. She is visited by the well-to-do Dorothea who wants to hear her story. The object, the corset, lies at the heart of Ruth’s tale and every stitch that she made in the creation of high-end pieces for her mistress begins to carry a greater significance.

In a world of fast fashion I have become increasingly fascinated by the handmade, the art of the needle, and the skill of the maker and here it has a slightly sinister facet to it.

This is another chiller thriller, set in a remote hotel in the Scottish Highlands. (Note to self: only holiday in Scotland in the summer!)

The hotel is closed to guests, and Rennie Yorke is working what should be her final shift when a storm blows in and seals off her exit. But she’s not alone for long – an injured man arrives at the door, claiming to be a police officer who was transporting a dangerous prisoner when his car crashed, and the prisoner escaped. Rennie lets him in – but shortly afterward another man arrives, making the same claim.

It’s a brilliant hook, and I was completely immersed in trying to work out who was telling the truth and who was lying. 

Another alien novel, but one of the strangest and most profound I’ve read. Isserly drives around in her van in the wilds of Scotland, picking up hitchhikers. But she is no ordinary woman; in fact, she isn’t human at all, but a modified alien tasked with finding humans to be turned into fast food for an alien world.

It is a darkly ironic, strange, and disturbing novel that asks questions about how we treat animals, cleverly reversing its language to refer to humans as aliens and aliens as humans. It felt to me that this book was able to touch on many of the evils of capitalism, not just mass farming but also the treatment of women and women’s bodies. But it doesn’t do this in an obvious way.

It’s an alien novel that’s low on overt science fiction; it’s gritty and real, emotional and lonely. I wasn’t the same… show more.