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I am a rabbi and educator who lives in the midst of a large Jewish community and a large Muslim community. But up until about 10 or so years ago, I had no Muslim friends. My wife and I set out to change that. (She formed the Sisterhood of Salaam Shalom and I benefited as a plus one.) I am also the author of nearly 100 books, a growing number of which are for children and some focus on the relationship between Muslims and Jews.
There are so few young adult novels that demonstrate positive relationships between Muslim kids and Jewish kids. This one succeeds masterfully.
The main characters in the story come from very different backgrounds and seem to share little in common. Their friendship grows slowly, and eventually they learn to trust one another. This story shows both the risks and rewards of such a friendship. With taking risks, there can be no reward.
A timely, accessible, and beautifully written story exploring themes of food, friendship, family and what it means to belong, featuring sixth graders Sara, a Pakistani American, and Elizabeth, a white, Jewish girl taking a South Asian cooking class taught by Sara’s mom.
Sixth graders Sara and Elizabeth could not be more different. Sara is at a new school that is completely unlike the small Islamic school she used to attend. Elizabeth has her own problems: her British mum has been struggling with depression.
The girls meet in an after-school South Asian cooking class, which Elizabeth takes because her mom has…
I’ve had a long career, publishing books that have won the highest awards in the industry, including two books that won Caldecott Medals. I’m best known as the editor of the Harry Potter books. But my expertise in this area also comes from being a father, a reader, and the author of several books with Jewish and intersectional themes.
My motivations for recommending this book are very similar to the ones that make me recommend the previous book.
Beyond the rhetoric of the news, what can we reach for that is undeniably true during these holidays that fall during the darkest days of the year?
Hebrew and Arabic have words for “Peace” that are nearly identical. Can we start there on a path to mutual understanding? Fawzia Gilani-Williams imagines this possibility.
Two neighbors―one Jewish, one Muslim―have always been best friends. When they both fall on hard times, can they find a way to help each other? In Fawzia Gilani's retelling of this folktale―which has both Jewish and Arab origins―differences are not always causes for conflict and friendship can overcome any obstacle.
I am a rabbi and educator who lives in the midst of a large Jewish community and a large Muslim community. But up until about 10 or so years ago, I had no Muslim friends. My wife and I set out to change that. (She formed the Sisterhood of Salaam Shalom and I benefited as a plus one.) I am also the author of nearly 100 books, a growing number of which are for children and some focus on the relationship between Muslims and Jews.
A young adult novel that has all the ingredients for a good book: mystery, intrigue, humor, and a powerful ending. And this one has fantasy built into it too.
Two young girls—one Muslim, one Jewish—are called hateful names at school. The Jewish girl’s grandmother gives the kids a box full of buttons, one of which gives them the ability to travel back in time and save one of the Muslim girl’s ancestors.
As a result, the Golden Age of Spain is born where Jews and Muslims lived together peacefully and productively.
After Jewish fifth-grader Ava and her Muslim best friend Nadeem are called hateful names at school, Ava's Granny Buena rummages in her closet and pulls out a glittering crystal button box. It's packed with buttons that generations of Ava's Sephardic ancestors have cherished. With the help of Granny's mysterious cat Sheba, Ava and Nadeem discover that a button from the button box will take them back in time. Suddenly, they are in ancient Morocco, where Nadeem's ancestor, Prince Abdur Rahman, is running for his life. Can Ava and Nadeem help the prince escape to Spain and fulfill his destiny, creating…
I am a rabbi and educator who lives in the midst of a large Jewish community and a large Muslim community. But up until about 10 or so years ago, I had no Muslim friends. My wife and I set out to change that. (She formed the Sisterhood of Salaam Shalom and I benefited as a plus one.) I am also the author of nearly 100 books, a growing number of which are for children and some focus on the relationship between Muslims and Jews.
The title of this book reflects the entire book—and the lives and work of the authors.
A Muslim woman and a Jewish man demonstrate why they refuse to be enemies, even when large segments of their respective communities are them to be so. They use their own life stories and transform them into a dialogue of mutual respect, demonstrating to the reader that Muslims and Jews have more in common than they have differences.
The book is both manifesto and instruction as to how we can create communities that share rather than conflict with one another.
For readers of The Faith Club, Sons of Abraham, and The Anatomy of Peace, a call for mutual understanding and lessons for getting there We Refuse to Be Enemies is a manifesto by two American citizens, a Muslim woman and Jewish man, concerned with the rise of intolerance and bigotry in our country along with resurgent white nationalism. Neither author is an imam, rabbi, scholar, or community leader, but together they have spent decades doing interfaith work and nurturing cooperation among communities. They have learned that, through face-to-face encounters, people of all backgrounds can come to know the Other as…
Exploring what is hidden beneath our feet has been a long-time obsession of mine, a passion has taken me into subterranean Syrian tombs, Kurdish caves, Thai grave pits, and buried Assyrian palaces. Since I break things, I let others do the digging and I do the writing. I'm particularly drawn to places that can help explain why humans became the urban species we are today. What did they believe, think, eat, drink, and dream about? And I'll take a dusty and nearly vanished mudbrick Sumerian sanctuary in a remote Iraqi desert to a crowded Egyptian stone temple any day.
It is impossible to grasp the hold that Jerusalem has on billions of people on the planet—Jewish, Christian, or Muslim—without understanding what Armstrong, a religious scholar but a popular writer, calls its sacred geography.
This is a great one-stop shop to appreciate the religious pull that the Holy City has had on so many for so many generations—and how that pull has launched bloody wars as well as dramatic innovations of faith.
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In the 1980s, I was living in Spain, teaching high school. On weekends and vacations, I traveled throughout the country, fascinated with the remnants of its flourishing medieval civilization, where Jews, Christians, and Muslims mingled. When I later became a historian, I focused on the rich history of Jewish-Christian-Muslim contact in Spain and throughout the Mediterranean. I also wanted to understand conflict and prejudice, particularly the historical roots of antisemitism and islamophobia in Europe. I have increasingly realized that classical religious texts need to be reread and contextualized and that we need to rethink our ideas about religion and religious conflict.
In this book, Robert Gregg focuses on the narratives around a number of key figures in the sacred history of the Judaism, Christianity and Islam. They are “shared stories” because these various writers agreed on most (but not all) of the biographical details of these figures. Indeed, the “rival tellings” often reflect intimate knowledge of each other: the Jewish stories about Mary and Jesus are implicit responses to (and refutations of) Christian beliefs, and the Mary of the Qur’an is a rebuke to both Christian and Jewish versions. Retelling and reinterpreting these stories is a key activity in the construction and delineation of communities of the faithful, whether defined broadly (Judaism, Christianity, Islam) or in their narrower components (ascetic movements within each of the three traditions, rival Christian churches, Sunnism vs Shiism, etc.). If telling stories can be a way to build bridges, it is also, as Gregg shows, a…
While existing scholarship informs us about early contact between Christians, Muslims, and Jews, the nature of that interaction, and how it developed over time, is still often misunderstood. Robert Gregg emphasizes that there was both mutual curiosity, since all three religions had ancestral traditions and a commanding God in common, and also wary competitiveness, as each group was compelled to sharpen its identity against the other two. Faced with the overlap of many scriptural stories, they were eager to defend the claim that they alone were God's preferred people.
In Shared Stories, Rival Tellings, Gregg performs a comparative investigation of…
Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
Among the wonders of medieval Spain is the appearance of the first Hebrew secular poetry since Biblical times. In this masterful and unparalleled set of translations by Peter Cole, we witness the profound, pious, chauvinistic, and indeed, sensual traditions of secular poetry over centuries. A fusion of Arabic and Hebrew traditions, in and of themselves, these poems stand as a metaphor for the Jewish community itself as well as its dynamism and endurance under Muslim and then, Christian rule.
Hebrew culture experienced a renewal in medieval Spain that produced what is arguably the most powerful body of Jewish poetry written since the Bible. Fusing elements of East and West, Arabic and Hebrew, and the particular and the universal, this verse embodies an extraordinary sensuality and intense faith that transcend the limits of language, place, and time. Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including…
I am a teacher, writer, mother, and grandmother who sees the debilitating effects of meanness and the healing effects of kindness daily. In case that isn’t reason enough for writingA Flood of Kindness, I’m also what some call “A Floodie.” Like my character’s home flooded, so did mine. As devastating as it was, the kindness of others was overwhelming. I spent time with children whose homes also flooded. Aside from losing material things, it is easy to feel powerless. Like myself, I found that the children began their healing when they were able to give back, even in very small ways. I knew this had to be my book.
I love the sweet kindness of this book, and of course, the overarching message that with heart and compassion, we can build bridges connecting us together. This book focuses on three girls of different faiths who meet on the first day of school. They help each other through difficulties without ever thinking about their differences. What makes this book unique is that the three authors are each from the same faith tradition of the girls about which they write. How does this book demonstrate the healing power of kindness? Although there is no major trauma in this story itself, I think that perhaps we can emulate these children and begin to heal the world itself with kindness.
When they meet on the first day of school, three girls realize they are different from each other - Molly is Christian, Savera is Muslim, and Hannah is Jewish. Through a class planting project, the girls' friendship blossoms, and they learn they are more alike than they thought. Written by three women authors from the same faith traditions as the girls in the story, this book brings more kindness and understanding into the world.
I’ve had a long career, publishing books that have won the highest awards in the industry, including two books that won Caldecott Medals. I’m best known as the editor of the Harry Potter books. But my expertise in this area also comes from being a father, a reader, and the author of several books with Jewish and intersectional themes.
Avi and Hamudi are two boys who live in Jerusalem's Old City―Avi in the Jewish Quarter and Hamudi in the Muslim Quarter. To each boy, the other's neighborhood is an alien land. And although neither boy knows it, both are caring for the same beautiful white stray cat. One day the boys follow the cat as she travels the winding streets and crosses the boundaries between the city’s quarters. And on this journey something wonderful happens, as unexpected as a snowfall in Jerusalem.
My writing career has been in middle grade and YA, but as a reader I’m always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, I’m still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from French, this beautiful 101-page narrative reads like a poetic meditation. Our character once lived a deeply rural life in North Africa, a cultural and linguistic outsider. Now, as a refugee plunged into a new world of identities, she has been informed that she is Muslim. But what does it mean, this word, across languages and cultures? Deep questions about the interlacing of culture, religion, and geopolitics are posed here with startling urgency in a style that evokes not only the machinations of the state, but the deeply interior world in which we define ourselves to ourselves.
"Muslim" A Novel is a genre-bending, poetic reflection on what it means to be Muslim from one of France's leading writers. In this novel, the second in a trilogy, Rahmani's narrator contemplates the loss of her native language and her imprisonment and exile for being Muslim, woven together in an exploration of the political and personal relationship of language within the fraught history of Islam. Drawing inspiration from the oral histories of her native Berber language, the Koran, and French children's tales, Rahmani combines fiction and lyric essay in to tell an important story, both powerful and visionary, of identity,…
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