Here are 100 books that Abdul's Story fans have personally recommended if you like
Abdul's Story.
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I identify as an author, creator, and activist and when I write, I write calling forth the world that our Ancestors dreamed of and deserved and our future generations need. We often forget the power we have as individuals and how that power is amplified in community. I write towards that power being recognized in kids and for them to see how any change they step into can be nurtured and expanded by others. Stepping into Ancestral Veneration, I realize that I never write alone. My Ancestors are always present in my writing, co-creating towards building a sustainable, regenerative, just, decolonized, Indigenized, and liberated world.
Harlem Grown is the story of the beginnings of the Harlem Grown program. The Harlem Grown program is a program that supports and mentors youth through urban gardening.
In New York City there was a vacant lot across from PS 175 full of junk and trash. The author Tony Hillery became part of the PS 175 community and decided to work with the students to transform that 'haunted' lot. Together, Tony and four hundred students made that garden into their own farm, then invited the neighbors to share their adventure.
This first successful project led to an organization of twelve Harlem gardens, sustained by their communities but supported by full time staff. It is a beautiful story of recognizing our ability to create impact and how that can be amplified in community.
"Hartland's joyful folk-art illustrations bop from the gray-toned jazzy vibrancy of a bustling city neighborhood to the colorful harvest of a lush urban farm." -The New York Times "An inspiring picture book for youngsters with meaningful ties to the environment, sustainability, and community engagement." -Booklist
Discover the incredible true story of Harlem Grown, a lush garden in New York City that grew out of an abandoned lot and now feeds a neighborhood.
Once In a big city called New York In a bustling neighborhood There was an empty lot. Nevaeh called it the…
I identify as an author, creator, and activist and when I write, I write calling forth the world that our Ancestors dreamed of and deserved and our future generations need. We often forget the power we have as individuals and how that power is amplified in community. I write towards that power being recognized in kids and for them to see how any change they step into can be nurtured and expanded by others. Stepping into Ancestral Veneration, I realize that I never write alone. My Ancestors are always present in my writing, co-creating towards building a sustainable, regenerative, just, decolonized, Indigenized, and liberated world.
School Library Journal invited Sandra, three other authors and myself to participate in their May 18th SLJ Day of Dialog to present our upcoming books centered around belonging. My first discovery of Sandra's book, We Belong to the Drum was through this event and collaboration.
Sandra's son is the star of the story, starting in the womb before Nikosis was born. The story centers around his Ancestral connection to the drum and the community found in gatherings and powwows. When Nikosis starts daycare he has separation anxiety and feels lonely in this new environment. Nikosis's mom has the brilliant idea to bring their Cree identity through music and drumming into the classroom which empowered both Nikosis and his peers.
It is a beautiful book of proudly walking in one's identity and communities welcoming that identity.
The drum represents the heartbeat of Mother Earth. We all belong to the earth and we all belong to the drum.
Nikosis grew up going to powwows with his family, happily immersed in music, dance and the sounds of the drum. But when he starts going to daycare, he doesn’t feel like he belongs. Nikosis cries every time his mother leaves him in the unfamiliar environment until, one day, she and the teachers use drums to help Nikosis find connection and comfort.
Inspired by her son’s experience―and her family's love of powwow music and dance―Indigenous educator and champion hoop dancer…
I identify as an author, creator, and activist and when I write, I write calling forth the world that our Ancestors dreamed of and deserved and our future generations need. We often forget the power we have as individuals and how that power is amplified in community. I write towards that power being recognized in kids and for them to see how any change they step into can be nurtured and expanded by others. Stepping into Ancestral Veneration, I realize that I never write alone. My Ancestors are always present in my writing, co-creating towards building a sustainable, regenerative, just, decolonized, Indigenized, and liberated world.
Angela Shanté and Seth Rogers have constructed a beautiful story around the infamous pastime in Black families sitting down for Sunday dinner.
While Sunday dinner's origins are rooted in chattel slavery, when enslaved Africans only day of rest was Sunday. Black families looked forward to a larger feast on those days. But while the options provided to the enslaved weren’t the best, Black Americans have always been able to transform the little they had into revolutionary additions to American cuisine.
The story of the Black Sunday dinner is one of resilience and community in the face of adversity. Sunday dinners with the main character expand in community as their family welcomes guests to join their weekly family ritual. When his teacher asks the class to share a family tradition, Sunday dinner becomes the obvious choice.
SUNDAY DINNER is a family story that celebrates the tradition of Sunday Dinners as seen through the imaginative eyes of the smallest member of the family, Brandon. On Sundays there's sure to be a story to tell. You never know who might pop in or what surprises (or tasty dishes) they might bring. The guests and the food make it Brandon's favorite day, so when he's assigned a huge project on family traditions, he knows exactly what to showcase.
Award winning author Angela Shanté teams up with her husband Seth Rogers to…
I identify as an author, creator, and activist and when I write, I write calling forth the world that our Ancestors dreamed of and deserved and our future generations need. We often forget the power we have as individuals and how that power is amplified in community. I write towards that power being recognized in kids and for them to see how any change they step into can be nurtured and expanded by others. Stepping into Ancestral Veneration, I realize that I never write alone. My Ancestors are always present in my writing, co-creating towards building a sustainable, regenerative, just, decolonized, Indigenized, and liberated world.
Kaz Windness, the author-illustrator wrote Bitsy for herself and anyone who is neurodivergent and experiencing something for the first time.
Bitsy is nervous about starting school and her family makes space for her to practice and prepare for her first night at school. She begins school and tries to go about the day in ways that feel natural to her but is quickly judged by others, being expected to do things the way her classmates do things.
While Bitsy had a rough first day, she is reminded that she is a star by being herself. She steps into her power and heads into her second day of school to help others do the same. My biological niece from my maternal-side was just recently diagnosed with autism. I was happy to be able to add this book to her bookshelf as she is navigating the world.
A little bat struggles to fit in only to learn to celebrate differences in this heartfelt picture book from an autistic perspective about starting school, making friends, and seeing what makes each person special.
Bitsy is a little bat with big star dreams of making friends at her new school. But when she arrives, Bitsy doesn't feel like she fits in. The other kids sit on their chairs, but sitting upright makes Bitsy dizzy. The other kids paint with their fingers, but Bitsy would rather use her toes. Everyone tells Bitsy she's doing things wrong-wrong-wrong, so she tries harder...and ends…
I am a rabbi and educator who lives in the midst of a large Jewish community and a large Muslim community. But up until about 10 or so years ago, I had no Muslim friends. My wife and I set out to change that. (She formed the Sisterhood of Salaam Shalom and I benefited as a plus one.) I am also the author of nearly 100 books, a growing number of which are for children and some focus on the relationship between Muslims and Jews.
This is a debut novel from someone who constantly lives the stories that she tells—how love can overcome hate, even in the most challenging of locations. Two women, living in neighboring villages in Israel, find a way to bridge that hate with love and provide hope for all who live there and beyond.
Hope Valley is the story of two women, one Jewish-Israeli and one Palestinian-Israeli, who come together to form the unlikeliest of friendships. Tikvah and Ruby meet one summer day right before the outbreak of the 2nd intifada, in the Galilean valley that separates the segregated villages in which they live. The valley Ruby's father had called Hope came to symbolize the political enmity that has defined the history of two nations in this troubled land and which has led to parallel cultures with little meaningful interaction between them.
Tikvah, a fifty-two-year old artist from Long Island, is the daughter of…
As an Arab American woman who grew up in Nashville in an evangelical church, I’ve always maintained complex understandings of myself as both an Arab and a woman. My experiences coupled with my love for reading led me to become a journalist where I could explore stories about Arab women in hopes of learning more about myself. After 9/11, watching my family face racism and hate from a country we're so proud to be a part of, I wanted to change the narrative. I got a Ph.D. in Media Sociology from the University of Missouri and started writing critical analyses of media’s poor representation of Arab women and how we can help change the game.
Segall’s book introduced me to so many incredible Muslim women that I hadn’t even heard of!
We’re talking about grassroots and famous protestors that engage with digital media to change the landscape of protest. Segall positions these women in positions of power, which we rarely see in literature, and lets them tell us why their stories matter.
The icon of the female protester and her alter-ego, the female superhero, fills screens in the news, in theaters, and in digital spaces. The female protester who is Muslim, though, has been subject to a legacy of discrimination. Superheroes in the Streets: Muslim Women Activists and Protest in the Digital Age follows the stories of both famous and grassroots Muslim female protestors, bringing careful attention to protest modes and online national icons.
US Muslim women have long navigated public and digital spaces aware of the complex and nuanced histories that trail them. Given the pervasive influence of mainstream feminism, Muslim…
I grew up reading all kinds of stories, but I was also a big fan of playing outdoors. The Adventures of Tom Sawyer was always a favorite of mine, but as an adult, I realized something…the one main female character who was my age, Becky Thatcher, didn’t seem to like adventure at all! I loved the idea of Becky being as much of a mischief-maker as the boys – and that became my first novel, The Actual and Truthful Adventures of Becky Thatcher. I love retellings of classics and how they respect the original story, but are also able to imagine a new path! I hope all readers have adventures, inside and outside of books!
More to the Story by Hena Khan is a retelling of Louisa May Alcott’s classic novel, Little Women. This version features four Muslim Pakistani-American sisters who live in Georgia. Their experiences and personalities both mirror and bring new light to the characters that I read and appreciated as a child. The novel delves into the personal challenges and joint effort of being a family in ways that are authentic and familiar. The details of setting and culture make the characters and story truly stand on their own. The importance of empathy, individuality, and support are all things that I loved about this book.
From the critically acclaimed author of Amina's Voice comes a new story inspired by Louisa May Alcott's beloved classic, Little Women, featuring four sisters from a modern American Muslim family living in Georgia.
When Jameela Mirza is picked to be feature editor of her middle school newspaper, she's one step closer to being an award-winning journalist like her late grandfather. The problem is her editor-in-chief keeps shooting down her article ideas. Jameela's assigned to write about the new boy in school, who has a cool British accent but doesn't share much, and wonders how she'll make his story gripping enough…
I’ve had a long career, publishing books that have won the highest awards in the industry, including two books that won Caldecott Medals. I’m best known as the editor of the Harry Potter books. But my expertise in this area also comes from being a father, a reader, and the author of several books with Jewish and intersectional themes.
My motivations for recommending this book are very similar to the ones that make me recommend the previous book.
Beyond the rhetoric of the news, what can we reach for that is undeniably true during these holidays that fall during the darkest days of the year?
Hebrew and Arabic have words for “Peace” that are nearly identical. Can we start there on a path to mutual understanding? Fawzia Gilani-Williams imagines this possibility.
Two neighbors―one Jewish, one Muslim―have always been best friends. When they both fall on hard times, can they find a way to help each other? In Fawzia Gilani's retelling of this folktale―which has both Jewish and Arab origins―differences are not always causes for conflict and friendship can overcome any obstacle.
My writing career has been in middle grade and YA, but as a reader I’m always trying to branch out. When I was a kid, literature opened the door to the whole world, and as an adult, I’m still exploring. When I read work in translation I can feel the literary connection to other writers and thinkers and simultaneously appreciate the differences that arise through geographic and cultural heritage. I hope my selections here might help readers like myself who enjoy reaching out to new voices and places.
Translated from French, this beautiful 101-page narrative reads like a poetic meditation. Our character once lived a deeply rural life in North Africa, a cultural and linguistic outsider. Now, as a refugee plunged into a new world of identities, she has been informed that she is Muslim. But what does it mean, this word, across languages and cultures? Deep questions about the interlacing of culture, religion, and geopolitics are posed here with startling urgency in a style that evokes not only the machinations of the state, but the deeply interior world in which we define ourselves to ourselves.
"Muslim" A Novel is a genre-bending, poetic reflection on what it means to be Muslim from one of France's leading writers. In this novel, the second in a trilogy, Rahmani's narrator contemplates the loss of her native language and her imprisonment and exile for being Muslim, woven together in an exploration of the political and personal relationship of language within the fraught history of Islam. Drawing inspiration from the oral histories of her native Berber language, the Koran, and French children's tales, Rahmani combines fiction and lyric essay in to tell an important story, both powerful and visionary, of identity,…
I’m a history professor at Western Washington University. I first got interested in understanding social movements, power, and political violence in the late 1990s and early ‘00s as a young anarchist. Later, while studying history in graduate school, I realized that much of what I thought I knew about the FBI, violence, and radical movements of the 1960s and ‘70s was inaccurate. I don’t have any magic solutions to the problems facing humanity, but I believe that studying history—including the history of political violence—can help us better understand our present moment and how we might build a more just and peaceful world.
Anthropologist Mahmood Mamdani wrote Good Muslim, Bad Muslimshortly after the 9/11 attacks. The book is a rebuttal of the U.S. government’s justifications for the War on Terror and military invasions of Afghanistan and Iraq, which relied heavily on the inaccurate notion that terrorism is a product of anti-modern passions embedded in Islamic culture. Mamdani uses history as a corrective, illustrating how such “culture talk” has deep roots in European imperialism, and how a violent strand of political Islam emerged from modern anticolonial movements in the Middle East and gained global influence amid U.S. covert military operations in the second half of the Cold War, particularly in Afghanistan. I learn something new every time I reread this fantastic book for my U.S. and International Terrorism history course.
In this brilliant look at the rise of political Islam, the distinguished political scientist and anthropologist Mahmood Mamdani brings his expertise and insight to bear on a question many Americans have been asking since 9/11: how did this happen?
Mamdani dispels the idea of “good” (secular, westernized) and “bad” (premodern, fanatical) Muslims, pointing out that these judgments refer to political rather than cultural or religious identities. The presumption that there are “good” Muslims readily available to be split off from “bad” Muslims masks a failure to make a political analysis of our times. This book argues that political Islam emerged…
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