Here are 88 books that Harlem Grown fans have personally recommended if you like
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I’m a children’s book author, illustrator, and map illustrator, as well as an armchair traveler and history buff. I adore books that explain how the world works through the ideas and inventions of curious human beings, narratives of travel and change, and how past and present history are connected. Nonfiction picture books are a fantastic way to distill these true stories for readers of allages!
New York City is all about iconic landmarks! When her husband falls ill from “caisson sickness” during the construction of the Brooklyn Bridge, Emily Roebling takes on the task of overseeing the massive project. She studies the latest technology of the time in an era when many thought that women couldn’t possibly understand advanced math, engineering, and physics. With illustrations that show step-by-step how the Brooklyn Bridge was built, this book is for anyone who is fascinated by bridges, infrastructure, and true stories about women who get the job done.
On a warm spring day in 1883, a woman rode across the Brooklyn Bridge with a rooster on her lap.
It was the first trip across an engineering marvel that had taken nearly fourteen years to construct. The woman's husband was the chief engineer, and he knew all about the dangerous new technique involved. The woman insisted she learn as well.
When he fell ill mid-construction, her knowledge came in handy. She supervised every aspect of the project while he was bedridden, and she continued to learn about things only men were supposed to know:
I’m a children’s book author, illustrator, and map illustrator, as well as an armchair traveler and history buff. I adore books that explain how the world works through the ideas and inventions of curious human beings, narratives of travel and change, and how past and present history are connected. Nonfiction picture books are a fantastic way to distill these true stories for readers of allages!
One of my favorite things to do in New York City is to walk around and look at everything. Whether people-watching or admiring the architecture or visiting a museum— there is always something new to see! The city is truly an ever-changing work of art, and art is made up of shapes. Through rhyming text and colorful watercolor and collage illustrations, this book explores the natural and human-made shapes of the city through the eyes of a young girl as she observes the world around her.
A truck rumbling by to deliver the mail, a silvery cart with hot pretzels for sale, and stacks of brown packages hauled up the stairs... Some shapes in the city are... on-the-go squares!
City Shapes is an ode to city life, depicted from the points of view of a young girl walking through her neighborhood and a bird flying high above, both spotting dazzling shapes in every scene they pass. From the shimmering skyscrapers to the bustling marketplace, the kites flying free in the sunlight to the stars shining bright at night, everyday scenes become extraordinary.
I’m a children’s book author, illustrator, and map illustrator, as well as an armchair traveler and history buff. I adore books that explain how the world works through the ideas and inventions of curious human beings, narratives of travel and change, and how past and present history are connected. Nonfiction picture books are a fantastic way to distill these true stories for readers of allages!
There is history quite literally buried beneath the concrete of New York City. This book tells the almost-forgotten story of the city’s first underground train, built before the subway system as we know it today was constructed. Alfred Ely Beach managed to secretly dig an underground tunnel and use a fan-powered pneumatic tube to move people back and forth on a train car. Though his invention quickly came to an end— likely due to complicated city politics— it remains a fascinating reminder that there is often a story behind the story and that new technology evolves from the ideas of many people.
From an acclaimed author and a New York Times Best Illustrated artist comes the fascinating, little-known—and true!—story of New York City’s first subway.
New York City in the 1860s was a mess: crowded, disgusting, filled with garbage. You see, way back in 1860, there were no subways, just cobblestone streets. That is, until Alfred Ely Beach had the idea for a fan-powered train that would travel underground. On February 26, 1870, after fifty-eight days of drilling and painting and plastering, Beach unveiled his masterpiece—and throngs of visitors took turns swooshing down the track.
I’m a children’s book author, illustrator, and map illustrator, as well as an armchair traveler and history buff. I adore books that explain how the world works through the ideas and inventions of curious human beings, narratives of travel and change, and how past and present history are connected. Nonfiction picture books are a fantastic way to distill these true stories for readers of allages!
Someone once referred to Central Park as the “lungs” of New York City. When the grid plan for the streets of Manhattan was designed it left little room for greenspace. Human beings need nature, and respite from the crowds, so a contest was held to design a park. Calvert Vaux and Frederick Law Olmsted came up with the winning idea. This lushly illustrated book tells the story of how their Greensward Plan became Central Park— the first landscaped public park in the United States. I love to think about how the two designed the placement of every tree, bridge, and curved path, with the goal of making a place where allthe people in the city could enjoy nature— and still do, today!
In 1858, New York City was growing so fast that new roads and tall buildings threatened to swallow up the remaining open space. The people needed a green place to be - a park with ponds to row on and paths for wandering through trees and over bridges. When a citywide contest solicited plans for creating a park out of barren swampland, Calvert Vaux and Frederick Law Olmsted put their heads together to create the winning design, and the hard work of making their plans a reality began.
By winter, the lake opened for skating. By the next summer, the…
I identify as an author, creator, and activist and when I write, I write calling forth the world that our Ancestors dreamed of and deserved and our future generations need. We often forget the power we have as individuals and how that power is amplified in community. I write towards that power being recognized in kids and for them to see how any change they step into can be nurtured and expanded by others. Stepping into Ancestral Veneration, I realize that I never write alone. My Ancestors are always present in my writing, co-creating towards building a sustainable, regenerative, just, decolonized, Indigenized, and liberated world.
Jamilah Thomkins-Bigelow has threaded a beautiful story around Abdul and his love of telling stories but finds it challenging to transition them into written form.
Abdul describes not seeing himself or his community in the books read in the curriculum at school, which amplifies the doubt in his voice and stories being worth of being in a book. One day a class has a visitor, a writer, who Abdul is able to see himself in. While Abdul continues to struggle with self-doubt in his writing abilities, the visitor allows him to break free from the limitations planted and amplified within himself.
In collaboration with Tiffany Rose's illustrations, Jamilah weaves a beautiful reminder for all Black children who have ever had a doubt— that their stories have and will always matter.
A little boy who loves storytelling but struggles with writing learns that it's okay to make mistakes in this charming and encouraging picture book from the author of Mommy's Khimar.
Abdul loves to tell stories. But writing them down is hard. His letters refuse to stay straight and face the right way. And despite all his attempts, his papers often wind up with more eraser smudges than actual words. Abdul decides his stories just aren't meant to be written down...until a special visitor comes to class and shows Abdul that even the best writers-and superheroes-make mistakes.
I identify as an author, creator, and activist and when I write, I write calling forth the world that our Ancestors dreamed of and deserved and our future generations need. We often forget the power we have as individuals and how that power is amplified in community. I write towards that power being recognized in kids and for them to see how any change they step into can be nurtured and expanded by others. Stepping into Ancestral Veneration, I realize that I never write alone. My Ancestors are always present in my writing, co-creating towards building a sustainable, regenerative, just, decolonized, Indigenized, and liberated world.
School Library Journal invited Sandra, three other authors and myself to participate in their May 18th SLJ Day of Dialog to present our upcoming books centered around belonging. My first discovery of Sandra's book, We Belong to the Drum was through this event and collaboration.
Sandra's son is the star of the story, starting in the womb before Nikosis was born. The story centers around his Ancestral connection to the drum and the community found in gatherings and powwows. When Nikosis starts daycare he has separation anxiety and feels lonely in this new environment. Nikosis's mom has the brilliant idea to bring their Cree identity through music and drumming into the classroom which empowered both Nikosis and his peers.
It is a beautiful book of proudly walking in one's identity and communities welcoming that identity.
The drum represents the heartbeat of Mother Earth. We all belong to the earth and we all belong to the drum.
Nikosis grew up going to powwows with his family, happily immersed in music, dance and the sounds of the drum. But when he starts going to daycare, he doesn’t feel like he belongs. Nikosis cries every time his mother leaves him in the unfamiliar environment until, one day, she and the teachers use drums to help Nikosis find connection and comfort.
Inspired by her son’s experience―and her family's love of powwow music and dance―Indigenous educator and champion hoop dancer…
I identify as an author, creator, and activist and when I write, I write calling forth the world that our Ancestors dreamed of and deserved and our future generations need. We often forget the power we have as individuals and how that power is amplified in community. I write towards that power being recognized in kids and for them to see how any change they step into can be nurtured and expanded by others. Stepping into Ancestral Veneration, I realize that I never write alone. My Ancestors are always present in my writing, co-creating towards building a sustainable, regenerative, just, decolonized, Indigenized, and liberated world.
Angela Shanté and Seth Rogers have constructed a beautiful story around the infamous pastime in Black families sitting down for Sunday dinner.
While Sunday dinner's origins are rooted in chattel slavery, when enslaved Africans only day of rest was Sunday. Black families looked forward to a larger feast on those days. But while the options provided to the enslaved weren’t the best, Black Americans have always been able to transform the little they had into revolutionary additions to American cuisine.
The story of the Black Sunday dinner is one of resilience and community in the face of adversity. Sunday dinners with the main character expand in community as their family welcomes guests to join their weekly family ritual. When his teacher asks the class to share a family tradition, Sunday dinner becomes the obvious choice.
SUNDAY DINNER is a family story that celebrates the tradition of Sunday Dinners as seen through the imaginative eyes of the smallest member of the family, Brandon. On Sundays there's sure to be a story to tell. You never know who might pop in or what surprises (or tasty dishes) they might bring. The guests and the food make it Brandon's favorite day, so when he's assigned a huge project on family traditions, he knows exactly what to showcase.
Award winning author Angela Shanté teams up with her husband Seth Rogers to…
I identify as an author, creator, and activist and when I write, I write calling forth the world that our Ancestors dreamed of and deserved and our future generations need. We often forget the power we have as individuals and how that power is amplified in community. I write towards that power being recognized in kids and for them to see how any change they step into can be nurtured and expanded by others. Stepping into Ancestral Veneration, I realize that I never write alone. My Ancestors are always present in my writing, co-creating towards building a sustainable, regenerative, just, decolonized, Indigenized, and liberated world.
Kaz Windness, the author-illustrator wrote Bitsy for herself and anyone who is neurodivergent and experiencing something for the first time.
Bitsy is nervous about starting school and her family makes space for her to practice and prepare for her first night at school. She begins school and tries to go about the day in ways that feel natural to her but is quickly judged by others, being expected to do things the way her classmates do things.
While Bitsy had a rough first day, she is reminded that she is a star by being herself. She steps into her power and heads into her second day of school to help others do the same. My biological niece from my maternal-side was just recently diagnosed with autism. I was happy to be able to add this book to her bookshelf as she is navigating the world.
A little bat struggles to fit in only to learn to celebrate differences in this heartfelt picture book from an autistic perspective about starting school, making friends, and seeing what makes each person special.
Bitsy is a little bat with big star dreams of making friends at her new school. But when she arrives, Bitsy doesn't feel like she fits in. The other kids sit on their chairs, but sitting upright makes Bitsy dizzy. The other kids paint with their fingers, but Bitsy would rather use her toes. Everyone tells Bitsy she's doing things wrong-wrong-wrong, so she tries harder...and ends…
I became fascinated by the intersection of food, sustainable agriculture, and culture when I moved to Iowa. I had long been an environmentalist, but moving to the land of big corn forced me to rethink food production. I wrote a book that explored agricultural narratives in India (Growing Stores from India) and developed a class on Religion and Food. I then became curious about how people and communities translate their values of sustainability into practice. For example, how do you decide what to eat, and who gets to decide? These books helped me think about links between food, sustainability, and culture and the power to decide what to eat.
Instead of merely critiquing existing food systems, Will Allen’s Good Food Revolution documents a path forward that he himself created in Milwaukee, WI.
After a career spanning professional basketball and food production, Allen created Growing Power, an urban farm in an impoverished area of Milwaukee focusing on fish and produce. More important, Growing Power helps local youth and addresses the systemic racism that many face.
What I especially love about this book is that Allen shows the power of urban agriculture to change lives. Many denigrate community gardens and similar projects, stating that they can’t feed everyone. True, but they do provide education, community, and opportunities, Allen and Growing Power show food democracy can change a community.
A pioneering urban farmer and MacArthur Genius Award-Winner points the way to building a new food system that can feed- and heal- communities.
The son of a sharecropper, Will Allen had no intention of ever becoming a farmer himself. But after years in professional basketball and as an executive for Kentucky Fried Chicken and Procter & Gamble, he cashed in his retirement fund for a two-acre plot just outside Milwaukee's largest public housing project. The area was a food desert with only convenience stores and fast-food restaurants to serve the needs of locals.
Despite financial challenges and daunting odds, Allen…
I grew up in a farming community where everyone understood where our food comes from; we were all either farmers or related to farmers. I’ve since discovered that is not the case everywhere. Many kids honestly believe our food comes from grocery stores. Those that have been told our food is grown, are still unfamiliar with the extent of our reliance on agriculture—not just for food, but clothing; building and cleaning supplies; sports equipment; fuel; and so much more! They also don’t understand the amount of time and hard work (even technology) required to grow, harvest, and process the plants used to create their favorite foods. Hopefully these books—mine included—will help.
Not really a farm-to-table book, but I love the inspirational message of this story—that anyone can grow a plant, anywhere that they are.
“For an anywhere farm, here's all that you need: soil and sunshine, some water, a seed.” The author goes on to inspire readers (in rollicking rhyme) to plant their “farms” in any type container they can find—an empty lot, a box or bucket, a shoe, or even a horn.
Again, not exactly accurate, but a wonderful way to spark creative discussions about growing a garden to make our world a greener and more beautiful place. For, “with soil and sunshine and water and care, one day all our anywhere farms anywhere might turn into an everywhere farm everywhere.”
Anywhere can be a farm - all it takes is one small seed, and someone to plant it.
In this celebration of green fingers and the thrill of nurturing new life Phyllis Root delivers a read-aloud rhyming mantra for planting your very own farm, while G. Brian Karas's joyful city illustrations sprout from every page. You might think a farm means fields, tractors and a barnyard full of animals. But you can plant a farm anywhere you like! A box or a bucket, a boot or a pan - almost anything can be turned into a home for growing things.…
