Here are 100 books that Collecting Shakespeare fans have personally recommended if you like
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I am a historian at the University of St Andrews, and an expert in the history of books, media, and communication. My working life has revolved around libraries: I stacked shelves at my local university library while I was an undergraduate, and have since worked as a researcher in some hundred reading rooms in twenty countries (and I am therefore the proud owner of many library cards, expired and current). I am also an avid book collector, and have a growing collection of seventeenth and eighteenth-century books, mostly printed in my native Netherlands. Writing a history of libraries was an enjoyable tribute to those fine institutions, historic and present.
Why do our libraries, those at home, at university, or in the public library network, look the way they do? Many people would agree that books are best stored upright on shelves, spine out, but how did we come to that conclusion? This delightful book offers all the answers, and incidentally reveals more than you could ever think of to ask about the manner in which we take care of, store, and display books. It might even give you some inspiration on how to arrange your own collection.
He has been called "the poet laureate of technology" and a writer who is "erudite, witty, thoughtful, and accessible." Now Henry Petroski turns to the subject of books and bookshelves, and wonders whether it was inevitable that books would come to be arranged vertically as they are today on horizontal shelves. As we learn how the ancient scroll became the codex became the volume we are used to, we explore the ways in which the housing of books evolved. Petroski takes us into the pre-Gutenberg world, where books were so scarce they were chained to lecterns for security. He explains…
I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city.
I loved this book because it’s a medieval detective story set in 1327 in Italy. I learned a lot about the intrigue and corruption of religious life in the medieval period and how closed and isolated communities could lose their way with murderous consequences.
It’s a fascinating insight into the world of a monk’s life in 14th-century Italy, packed full of the atmosphere of religious life inside the abbey. It is a dark and gothic tale of corruption, murder, and power-grabbing at all costs.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
I am a historian at the University of St Andrews, and an expert in the history of books, media, and communication. My working life has revolved around libraries: I stacked shelves at my local university library while I was an undergraduate, and have since worked as a researcher in some hundred reading rooms in twenty countries (and I am therefore the proud owner of many library cards, expired and current). I am also an avid book collector, and have a growing collection of seventeenth and eighteenth-century books, mostly printed in my native Netherlands. Writing a history of libraries was an enjoyable tribute to those fine institutions, historic and present.
This is the most recently published book on my list of recommendations, and also the most beautiful. Books on libraries are often lavish, but few offer as striking and sad a history as this. This is the first in-depth examination of one of the greatest lost libraries in the world, that of King John V of Portugal (1689-1750). John was a true bibliophile, and arguably the greatest librarian-king. Although he rarely travelled, he amassed one of the most magnificent court libraries in Enlightenment Europe. This book tells its story, which also dips into a broader history of elite collecting, and of the devastating earthquake that struck Lisbon in 1755 and wiped the library off the face of the earth. Knowing the haunting fate of the library makes this a mesmerizing read.
The destruction on the morning of All Saints Day 1755 of the heart of the city of Lisbon by an earthquake, tidal wave and the urban fires that followed was a tragedy that divides the 18th century in Portugal. One casualty on that fatal morning was the Royal Library, one of the most magnificent libraries in Europe at the time. The Lost Library of the King of Portugal tells the story of the lost library – its creation, collection and significance.
This 18th-century library was founded by the Bragança monarch Dom João V shortly after he came to the throne…
I vividly recall learning about public libraries as a kid: if I signed up for a library card I could take ANY of these books home to read?! From the first, I loved books as physical objects on library shelves—savoring their covers and carefully reading their spines as clues to the stories within. I ended up as a professor of literature who does not just study the words, or texts, of novels (my specialty), but how stories are made into books and circulate in the culture. Everything from graphic design to price can influence our interpretation of a story, even before we read the first word...
I love this utterly unexpected book for its deadpan humor, animated prose, and strange and wondrous facts about the horror-filled history of libraries and the humans who run these book depositories. That CIA-trained librarians, a mere few decades ago, guillotined newspapers and books in the worship of microfilm is an incredibly painful truth in today’s digital age.
Baker’s outrage is palpable, and yet he made me laugh out loud on almost every nerdy page. I’m jealous of his way of speaking. I put this one on syllabi whenever I can.
The ostensible purpose of a library is to preserve the printed word. But for fifty years our country’s libraries–including the Library of Congress–have been doing just the opposite, destroying hundreds of thousands of historic newspapers and replacing them with microfilm copies that are difficult to read, lack all the color and quality of the original paper and illustrations, and deteriorate with age.
With meticulous detective work and Baker’s well-known explanatory power, Double Fold reveals a secret history of microfilm lobbyists, former CIA agents, and warehouses where priceless archives are destroyed with a machine called a guillotine. Baker argues passionately for…
Fake news is not new. Biographies, in particular, are fraught with fallacies and fake stories. When fake news slanders individuals, reputations are ruined and lives destroyed. That’s what happened to Elizabeth Wydeville, Queen Consort to Edward IV, and mother of the two princes who disappeared during Richard III’s reign. When I discovered the slander that destroyed Queen Elizabeth’s reputation, I began a 5-year research project to set the record straight. Some fallacies are deliberate, originating in envy or power putsches. Others derive from historical laziness or incompetence. What I learned from my research has determined my choices of biographies, stories that tell previously unrevealed truths about individuals.
The Millionaire and the Bard almost makes you believe in money. This biography of Henry Clay Folger records a great American success story: “Poor-Boy-Makes-Good” (with money from Standard Oil). But look at what Folger did with his money! He collected copies of Shakespeare’s Folios, the first edition of which is the most valuable book in the world ($9.98 million for the copy sold in New York on October 14, 2020).
Andrea Mays tells three stories: the biography of Henry Folger, who saved the FirstFolio; the story of the Folio itself (how it was published, read, and preserved); and the creation of the Folger Shakespeare Library, an amazing research and educational institution, improbably sited in Washington, D.C. I love this biography because it proves that one person (greatly assisted by his wife) can surely make a difference!
Today it is the most valuable book in the world. Recently one sold for over five million dollars. It is the book that rescued the name of William Shakespeare and half of his plays from oblivion. The Millionaire and the Bardtells the miraculous and romantic story of the making of the First Folio, and of the American industrialist whose thrilling pursuit of the book became a lifelong obsession. When Shakespeare died in 1616 half of his plays died with him. No one-not even their author-believed that his writings would last, that he was a genius, or that future generations would…
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
Lesser’s book is a bibliographical ‘detective story’ that I found captivating and is another model of the scholarship that I would like to emulate. It concentrates on a mysterious group of ten plays printed in 1619–most of which feature historical subjects and/or are by Shakespeare–and what we can learn about them, including why several were printed with false attributions and dates and how early readers might have encountered them.
I think Lesser’s book is an incredible achievement in handling complex, technical scholarship and an immense amount of archival research that is also so engrossing and accessible. As a reader, I felt drawn into this journey of discovery that also acknowledges the uncertainty and difficulties in making firm claims about its material.
Four years before the publication of the First Folio, a group of London printers and booksellers attempted to produce a "collected works" of William Shakespeare, not in an imposingly large format but as a series of more humble quarto pamphlets. For mysterious reasons, perhaps involving Shakespeare's playing company, the King's Men, the project ran into trouble. In an attempt to salvage it, information on the title pages of some of the playbooks was falsified, making them resemble leftover copies of earlier editions. The deception worked for nearly three hundred years, until it was unmasked by scholars in the early twentieth…
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
During my twenties, I supplemented my understanding of crime writers past and present by studying the essays, bibliographies, and authors’ comments in this weighty tome. It’s a first-rate reference book, packed with information. Reilly was responsible for the first two editions and I was delighted to be asked to contribute essays myself to the third and fourth editions.
Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or…
I grew up blocks from Hollywood Boulevard in the late ‘60s and early ‘70s and had something like a front-row seat to the greatest pop culture five-car pile-up in American history. At the Canteen on Hollywood and Vine, where my aunt would take me on summer weekdays for the “Extras for Extras Smorgasbord,” you’d rub shoulders with aging starlets, cowpokes, starry-eyed young hopefuls, and “leading men” in five-and-dime ascots who never had a leading role. Even Billy Barty, always of good cheer, would make the scene—he was so nice to me, and I had no idea he played my hero, Sigmund the Sea Monster!
Not usually considered a Hollywood novella per se, Bellow’s “small grey masterpiece” (V.S. Pritchett) tracks failed actor Tommy Wilhelm on a dark Manhattan day when his luck and his money run out.
This book is at once a tender portrait of failure and a searing indictment of the false promises America makes to the gullible. Along the way, Tommy recalls his one and only screen role—as a Hollywood extra, he briefly appeared barelegged in a kilt, pretending to blow bagpipes—just one more humiliation in a string of let-downs. By day’s end, Tommy goes face to face with humanity in a subway station and spirals toward “the heart’s ultimate need”—tears.
“What makes all of this so remarkable is not merely Bellow’s eye and ear for vital detail. Nor is it his talent for exposing the innards of character in a paragraph, a sentence, a phrase. It is Bellow’s vision, his uncanny ability to seize the moment and to see beyond it.” –Chicago Sun-Times
A Penguin Classic
Fading charmer Tommy Wilhelm has reached his day of reckoning and is scared. In his forties, he still retains a boyish impetuousness that has brought him to the brink of chaos: He is separated from his wife and children, at odds with his vain,…
I first learned about Fannie Lou Hamer more than a decade ago, and I have been deeply inspired by her life story and her words. I didn’t initially think I would write a book about her. But the uprisings of 2020 motivated me to do so. Like so many people, I struggled to make sense of everything that was unfolding, and I began to question whether change was possible. The more I read Hamer’s words, the more clarity I found. Her vision for the world and her commitment to improving conditions for all people gave me a renewed sense of hope and purpose.
Constance Baker Motley’s role within the Civil Rights Movement had not received the recognition it deserved until Tomiko Brown-Nagin’s Civil Rights Queen. Brown-Nagin reconstructs Motley’s life and pushes readers to consider the activist and legal career of the first Black woman appointed as a federal judge. As a writer who is especially interested in studying Black working-class women, I appreciate the author’s close attention to how Motley’s life from a working-class background to her position as a judge of the Southern District of New York.
With the US Supreme Court confirmation of Ketanji Brown Jackson, “it makes sense to revisit the life and work of another Black woman who profoundly shaped the law: Constance Baker Motley” (CNN). The first major biography of one of our most influential judges—an activist lawyer who became the first Black woman appointed to the federal judiciary—that provides an eye-opening account of the twin struggles for gender equality and civil rights in the 20th Century.
“A must-read for anyone who dares to believe that equal justice under the law is possible and is in search of a model for how to…
My print-journalist father covered the crime beat. He often took me with him to the police station and I got hooked on crime. My background is eclectic, a professional trumpet player with a BA in Mathematics and a Masters in Fine Arts. While teaching at Berklee College of Music in Boston, I discovered my dark side and began writing crime thrillers. Most are inspired by actual events or news reports about stalkers, domestic homicides, or serial killers. In 2001, I moved to New Orleans. My crime thriller series features NOPD Homicide Detective Frank Renzi. I'm fortunate to be able to consult three former NOPD homicide detectives who advise me on police procedures and investigations.
Half the fun of reading a Detective John Corey novel is his smartass humor and snarky dialogue. The other half is watching his dogged pursuit of the bad guys. InRadiant Angel, he's working for the Diplomatic Surveillance Group in New York City. His assignment? Keep tabs on a Russian diplomat who may be an enemy agent on a deadly mission.
The threat? A nuclear bomb—aka radiant angel—small enough to fit in a suitcase, big enough to blow New York City to smithereens, with enough radioactive fallout to cripple the US for years. The bonus is experiencing the action from the Russian agent's perspective, including his fear of failing to complete his mission. And the clock is ticking so John Corey must figure out how to stop him pronto.
Prescient and chilling, DeMille's #1 New York Times bestselling novel takes us into the heart of a new Cold War with a clock-ticking plot that has Manhattan in its crosshairs.
After a showdown with the notorious Yemeni terrorist known as The Panther, John Corey has left the Anti-Terrorist Task Force and returned home to New York City, taking a job with the Diplomatic Surveillance Group. Although Corey's new assignment with the DSG-surveilling Russian diplomats working at the U.N. Mission-is thought to be "a quiet end," he is more than happy to be out from under the thumb of the FBI…
