100 books like The Man in the White Sharkskin Suit

This is my favorite book for showing how culture affects perceptions of history. Ansari writes brilliantly of the time between the Prophet Muhammad and the fall of the Ottoman Empire and beyond. My favorite quote about differences between Western and Eastern cultures, says it all: “What looks from one side like a campaign to secure greater rights for citizens…looks from the other side like powerful strangers inserting themselves into the private affairs of families and undercutting people’s ability to maintain their communal selves as families and tribal networks. In short what looks from one side like empowering each individual, looks from the other side like disempowering whole communities” (p.353). The book is full of similar cultural insights and is a must-read for anyone interested in understanding the Middle East. 

In 1979 Caton traveled to a remote area of Yemen to do fieldwork on the oral poetry of local tribes. He describes how tribesmen used poetry in multiple facets of their lives, to praise friends and scorn enemies, at important events and in mediating local conflicts. Although he works to develop trust with his neighbors, he is never quite sure of the cultural rules, and soon finds himself involved in a local controversy that leads to his betrayal and ultimately abduction and imprisonment. Many of the traditions Caton describes are lost or abbreviated now, but knowing about them helps us understand the subtleties that drive Yemen’s modern conflicts. 

In Tents and Pyramids, Khuri describes how Arabs’ ways of seeing and dealing with reality have implications for power in the Middle East. He juxtaposes tents—the low horizontal Bedouin ones—against vertical hierarchical pyramids. Khuri argues that authority is not built into the tent approach—rather the strategy is to act as equal groups with leaders who are only “first among equals” and isolated individuals are the vulnerable ones. The second group, imagined as hierarchical pyramids, has no standardized rules for succession and ends up being the ones who conquer the rest. To stay in power these autocrats need strong militaries to keep the public from holding them accountable. Although Khuri’s framework doesn’t always hold up, it offers a useful way of imaging the region’s power structures.    

In 2003 Stewart was appointed deputy governor of Amara and then later Nasiriya, both provinces in the remote southern marsh areas of Iraq. His job was to offer reconstruction resources and bring a semblance of order to their civilian government after coalition forces overthrew Saddam Hussein. What he found was two very different kinds of reactions to his advice by the local population. When he returned to see the results of their community-building efforts much later, he was surprised to find that the most contentious group had made the greatest progress. His narrative reminds us that cultures have sub-groups with variations in the way they respond to various sets of conditions. Accepting assistance passively from an outsider rather than negotiating differences upfront can result in a flawed implementation.

This rare novel by the TV writer Gail Parent is a broad, almost slapstick comedy about a proudly Jewish girl in the 1970s who moves from Long Island in Manhattan in her bid to find Mr. Right.

“As a graduation present, I was offered either a nose job or a fur coat. I took the fur coat with a high collar.” Mr. Right proves elusive as Sheila makes her way through the swinging singles scene of the time, and she ends up finding a different kind of success as a teacher.

I’ve probably read this book a dozen times and still find it very funny – although, trigger warning, it’s written in the form of an extended suicide note. (She changes her mind.)

In 1951, Sydney Taylor invented the memorable Brenners—papa, mama, five sisters, and baby brother—a Jewish family on the Lower East Side in turn-of-the-century New York. Taylor’s words and Helen John’s illustrations in this book, the first in a series, set the scene. A calendar in the parlor announced that it was 1912. Tenements lined city streets. When I read these novels as a child, I did not yet know that they were closely based on Taylor’s own life. When the entire series was republished in 2014, I quipped: I became a Jewish historian because of these books. 

Understanding New York Jews is key to understanding American Jews. There is no city like New York City and there are no Jews like New York Jews. In the middle of the 20th century, they made up around 30% of the total city population. This three-volume award-winning set uncovers aspects of the city’s history that even aficionados don’t know. Each volume can be purchased separately but together they paint an absorbing panorama across four centuries. I like to teach the volumes. They are fresh each time I read them, with lively prose and compelling vignettes. Reading them is like walking the streets of Gotham with a great guide.

Tough Jews is a short history of Jewish-American gangsters and their Italian colleagues with whom they made common cause. It is here for the first time that we understand why Arnold Rothstein was the most important gangster in America.  Having introduced "organized" into organized crime, he promised underworld figures the help of the famous attorney William Fallon if they landed in trouble and agreed to look after their families if they got sent up the Hudson (to Sing Sing). I am struck by the fact that Cohen makes his history personal, by means of his own contacts with the people who know the inside story of how the Jewish gangsters thrived—or didn't. He sits down with them; he eats with them; and he gets them to remember how it once was in the days of Dutch Schultz, Legs Diamond, and Arnold Rothstein.

The complexities of the human, the whole human. That’s what Paley explores. How we think, how we act and feel, how we play and fight, how we talk. And talk. Paley is a master of nuance, and often reveals her mastery through dialogue. There is always a convincing urgency in the way her characters speak, and a delicious talking-around a thing, an idea. Her worlds richly detailed and urban. I’d like to live in the apartment building of Grace Paley’s mind. 

If you want to understand the struggle Jews like me face in modern America, read this classic novel.

Two Jewish boys—one secular and the other expected to follow in his father’s footsteps as a Chasidic rabbi—grow up in 1940s Brooklyn against the backdrop of World War II and the founding of Israel. It shows the conflict we face between family expectations and assimilating in a country where we don’t feel fully welcome.