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Novelist, essayist, and short-story writer W. D. Wetherell is the author of over two dozen books. A visit to the World War One battlefields in Flanders led to his lasting interest in the human tragedies of l914-18, inspiring his novel A Century of November, and his critical study Where Wars Go to Die; The Forgotten Literature of World War One.
The good news? After a long career as an editor in Boston, Ms. Aldrich retired to her beloved France in June l914. The bad news? The cottage she bought was only a few miles behind the front lines once the war started later that summer. This is her eyewitness account of what the Great War does to her adopted village, and memorably combines two literary genres that would seem to be incompatible: a book of simple rural pleasures with a book on war.
Mildred Aldrich (November 16, 1853 – February 19, 1928) was an American journalist and writer She was born in 1853 in Providence, Rhode Island. She grew up in Boston, taught at elementary school there and went on into journalism.[2] She wrote for the Boston Home Journal, the Boston Journal and the Boston Herald. She started the short-lived The Mahogany Tree in 1892. In 1898, she moved to France, and, while there, became a friend of Gertrude Stein and Alice B. Toklas. She worked as a foreign correspondent and translator.
Novelist, essayist, and short-story writer W. D. Wetherell is the author of over two dozen books. A visit to the World War One battlefields in Flanders led to his lasting interest in the human tragedies of l914-18, inspiring his novel A Century of November, and his critical study Where Wars Go to Die; The Forgotten Literature of World War One.
Film historians regard the movie version as one of Stanley Kubrick’s most powerful achievements, thanks in no small measure to Kirk Douglas, who, in the role of a French colonel desperate to preserve the life of his men in a suicidal attack, gives a performance for the ages. The l935 novel the film is based on stands on its own as one of the great anti-war books that followed in World War One’s wake.
Familiar to many as the Stanley Kubrick film starring Kirk Douglas, "Paths of Glory" explores the perilous complications involved in what nations demand of their soldiers in wartime. Humphrey Cobb's protagonists are Frenchmen during the First World War whose nightmare in the trenches takes a new and terrible turn when they are ordered to assault a German position deemed all but invulnerable. When the attack fails, an inquiry into allegations of cowardice indicts a small handful of lower-ranked scapegoats whose trial exposes the farce of ordering ordinary men to risk their lives in an impossible cause. A chilling portrait of…
Novelist, essayist, and short-story writer W. D. Wetherell is the author of over two dozen books. A visit to the World War One battlefields in Flanders led to his lasting interest in the human tragedies of l914-18, inspiring his novel A Century of November, and his critical study Where Wars Go to Die; The Forgotten Literature of World War One.
Masefield, before his 50-year tenure as Britain’s Poet Laureate, spent the war writing dispatches from the front. This slim book from l917 is his honest, soberly graphic description of what the Somme battlefield looked like after the fighting moved on—an approach that conveys war’s horrors without any moralizing or exaggeration.
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Novelist, essayist, and short-story writer W. D. Wetherell is the author of over two dozen books. A visit to the World War One battlefields in Flanders led to his lasting interest in the human tragedies of l914-18, inspiring his novel A Century of November, and his critical study Where Wars Go to Die; The Forgotten Literature of World War One.
How’s this for a challenge? Write a humorous book during World War One that can still make readers laugh 100 years later. That’s exactly what Lardner does here, when he turns his famous character Jack Keefe, the semi-literate, big-talking baseball pitcher into a soldier and sends him boasting and bragging to “Nobody’s Land,” where he hilariously ducks every dangerous situation he’s put in.
I am the child of refugees from the Holocaust, so displacement and the effects of war and violence have been part of my personal experience. My book, Only the River, is loosely based on my mother’s story. She and her family escaped from Vienna in 1938 and spent the war years in Bolivia, the only country that would give them visas. I am also a high school teacher who works with immigrant students, who have fled violence and poverty. It is my vocation to offer them hospitality and help them find a sense of home here, in an environment that is often hostile. These books bring the stories of the displaced and dispossessed alive.
This book by Canadian writer Marina Endicott is quirky in all the best ways—smart, tender, heart-wrenching, and quietly hopeful. It is about a lonely, divorced accountant who takes in a homeless family after crashing into their car. The book is gorgeous on the sentence level and the way Endicott writes about the connections and lack of connections between the characters in the book is full of wisdom and pathos. Though the premise is quite simple, the book is full of surprises.
Absorbed in her own failings, 43-year-old Clara Purdy crashes her life into a sharp left turn, taking the young family in the other car along with her. When bruises on the mother, Lorraine, prove to be late-stage cancer, Clara moves the three children and their terrible grandmother into her own house while Lorraine undergoes treatment at the local hospital.
We know what is good, but we don't do it. In Good to a Fault, Clara decides to give it a try, and then has to cope with the consequences : exhaustion, fury, hilarity, and unexpected love. But she questions her…
Plants in science fiction really grew on me while I was finishing my doctorate in literature from the University of Iowa. Stumbling on fin de siècle stories about monstrous plants, I fell down the rabbit hole and was hooked; however, I started truly digging into speculative vegetation after moving to the verdant island of Kyushu, Japan to teach literature at a small liberal arts college. Soon, I was speaking and publishing widely on topics ranging from vegetal time and arboreal horror to plant-centric communication – all of which gravitate around the idea of turning the leaves of our world to try to see things in a different way.
This is a great gateway collection. In fact, this was one of the first anthologies of plant-related speculative stories that I read after falling in love with science-fictional plants. I jumped at it when I saw that it includes authors such as H. G. Wells and Algernon Blackwood and am glad I did. I have written about a number of the stories I met in this collection. Awesome extra: there are two other volumes in this series.
Flora Curiosa compiles classic botanical (and mycological) short stories from science fiction and fantasy. Stories include Rappaccini's Daughter (Hawthorne), The American's Tale (Doyle), The Man-Eating Tree (Robinson), The Balloon Tree (Mitchell), The Flowering of the Strange Orchid (H. G. Wells), The Treasure in the Forest (H. G. Wells), The Purple Pileus (H. G. Wells), The Purple Terror (White), A Vine on a House (Bierce), Professor Jonkin's Cannibal Plant (Garis), The Willows (Blackwood), The Voice in the Night (Hodgson), The Orchid Horror (Blunt), The Man Whom the Trees Loved (Blackwood), The Pavilion (Nesbit), The Sumach (Daubeny), and The Green Death (McNeile).
When I first thought about crime writing I was probably too lazy to do the research on police procedures so decided instead to feature an “ordinary” character with no official role but who still intervenes when evil seems to be triumphing and nobody is paying attention. Key elements of this are reflected in my list—the importance of stories and storytelling, some great thrillers, and thoughtful consideration of why someone would put themselves in jeopardy for others. Having worked with many criminals and victims I have seen that ordinary people can make a difference. In a way my books ask the question, “What would you do in David Hidalgo’s shoes?”
I could easily recommend any of Robert Harris’s “intelligent thrillers” however I’ve picked this one because I like the idea of an “ordinary” man who finds himself in the midst of a dangerous mystery. Briefly, The Second Sleep is set in the future after our civilisation has destroyed itself and where life is now functioning at the medieval level. The church, which controls everything, has banned investigation into the past. A humble priest is sent to visit a village in his parish and begins to suspect that things are not as they seem. Eventually, against the orders of the church, he decides to try to penetrate the past with alarming consequences. So, as for my character, David Hidalgo, we find that ordinary people can make a difference!
THE LATEST NOVEL FROM ROBERT HARRIS: chosen as a Book of the Year by The Times, Sunday Times, Guardian, Telegraph, Mail on Sunday, and Express
WHAT IF YOUR FUTURE LIES IN THE PAST? _____________________________________ 'One word: wonderful. Two words: compulsive reading. Three words: buy it tomorrow. Four words: tonight, if it's possible.' STEPHEN KING 'A thoroughly absorbing, page-turning narrative.' SUNDAY TIMES 'Genuinely thrilling.' DAILY TELEGRAPH _____________________________________ Dusk is gathering as a young priest, Christopher Fairfax, rides across a silent land.
It's a crime to be out after dark, and Fairfax knows he must arrive at his destination - a remote…
Short stories suit the speed of modern society. I began writing them as a child and began to get them published in magazines. My first collection of stories in 2009 got quite a lot of press in the UK and two more collections followed. Initially, they were darkly-themed backfiring scenarios for the anti-hero and I redressed the balance in Out on Top. We all deserve some good Karma!
During a lengthy hospital stay once, I needed to escape. Magazines were formulaic and newspapers dark. This book materialized on a library trolley. A plain dark blue hard cover looking dull and aged amongst the same-old paperbacks. After only the first story of this magical collection I was hooked away from all around me and into Wells’ tales of incredible imagination. Wells’ other shorts have become well known to the masses but here contained over forty lesser-known proto-sci-fi gems. In the way that Dickens did with characters that others could not, Wells was not constrained by conventions of science. The thought-provoking The Door in the Wall and The Red Room remain today are examples of skill for all contemporaries to aspire to.
This book was first published in 1910. When I think of H.G. Wells, I think of his story about a time machine but this story, which I studied in school, was about changing your life, living your dream. Magic happens when Mr. Polly attempts suicide with the result that he becomes a hero and frees himself from the chains that bind him. I learned that all is possible. One does not need to be young, beautiful, and run a 4-minute mile to achieve one’s goals. With this thought in mind, I have run a marathon and entered two triathlons, finishing both and not coming last! I began my writing career at 70 years of age and am now the author of 5 books on mystery, history, and magic.
Mr Polly is an ordinary middle-aged man who is tired of his wife's nagging and his dreary job as the owner of a regional gentleman's outfitters. Faced with the threat of bankruptcy, he concludes that the only way to escape his frustrating existence is by burning his shop to the ground, and killing himself. Unexpected events, however, conspire at the last moment to lead the bewildered Mr Polly to a bright new future - after he saves a life, fakes his death, and escapes to a life of heroism, hope and ultimate happiness.
I was born in 1957, the year the Space Race started when the USSR launched its first satellite and grew up with astronauts and cosmonauts on the TV. Yuri Gagarin and Gordon Cooper were familiar names to me as a child but I only really started to take notice as the Apollo programme ramped up. Science fiction influenced me at an very early age with books like Kemlo and Tom Swift and, having pestered my English teacher with my embryonic works decided at seventeen to write my own novel. Some years later and just short of sixty I finally wrote Sirkkusaga and now have seven published works out there - as well as two anthologies.
I read these as a young teenager and loved them, they’re star-spanning, rip-roaring tales of civilisations pitted against each other across the universe. Triplanetary is the first book of the Lensman series but we have to wait until book two; First Lensman, for the arrival of the titular characters.
The good guys (Hooray! Including Earth, of course) have an advantage in that certain of them have been selected by the Arisians to wear a device called the Lens - which allows them to harness their mental powers against the Boskonians (the bad guys - boo!), who are assisted by the evil Eddorians.
It’s all good fun, and I admit to the stories having influenced me slightly.
Triplanetary is a space opera by E. E. Smith. This is the original version first serialized in Amazing Stories magazine in 1934. Smith later reworked the story into the first of two Lensman prequels which was then published in 1948. Triplanetary covers an eons-long eugenics project of the super-intelligences of the Arisians an alien race breeding two genetic lines to become the ultimate weapon in their cosmic war with the Eddore.
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