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I have been engaged as a teacher of religion and ecology since the first Earth Day 50 years ago. That has entailed writing some prize-winning books,Earth Community, Earth Ethics(1996) and Earth-honoring Faith: Religious Ethics in a New Key(2013). Now I want to pass along distilled learnings to my grandchildren as they face a planet in tumult. The form—love letters—and the audience—future generations as represented by my grandkids—moves me to focus on effective communication of a highly personal sort to young people on matters vital to their lives. It’s a nice bookend near the end of my own life.
My own work, even in retirement, entails teaching and writing on changes in planetary systems that impact us dramatically (e.g., climate change). To engage students it is most helpful to have a highly engaging account of Earth’s own dramatic history over its 4.6. billion years. This book provides that in non-technical, jargon-free language that anyone of high school and college age, as well as older, easily understands.
"[A]n exuberant romp through evolution, like a modern-day Willy Wonka of genetic space. Gee’s grand tour enthusiastically details the narrative underlying life’s erratic and often whimsical exploration of biological form and function.” —Adrian Woolfson,The Washington Post
In the tradition of Richard Dawkins, Bill Bryson, and Simon Winchester—An entertaining and uniquely informed narration of Life's life story.
In the beginning, Earth was an inhospitably alien place—in constant chemical flux, covered with churning seas, crafting its landscape through incessant volcanic eruptions. Amid all this tumult and disaster, life began. The earliest living things were…
I'm an internationally recognised opinion leader in sustainable fashion. My career started as a designer with the pioneering upcycling label From Somewhere, which I launched in 1997. My label’s designer collaborations include collections for Jigsaw, Speedo, and 4 best-selling capsule collections for Topshop. In 2006, I co-founded the British Fashion Council Initiative Estethica at London Fashion Week, which I curated until 2014. In 2013 I co-founded Fashion Revolution, a global campaign with participation in over 90 countries. I'm a regular keynote speaker and mentor, and Associate Visiting Professor at Middlesex University. My first book Loved Clothes Last is published by Penguin Life, Corbaccio Editore in Italy and in France by Edition Marabou.
The best book on mending, maintaining, and repairing clothes, ever. Beautifully written, inspirational, and easy to use, this is the definitive practical guide to all techniques related to clothing longevity.
I am nowhere near as good at mending as the author of this book, but I have found her techniques to be both practical and fairly simple, and the beautiful images make trying compelling.
Slow fashion expert Katrina Rodabaugh, bestselling author of Mending Matters, teaches readers how to mend, patch, dye, and alter clothing for an environmentally conscious, reimagined wardrobe
Slow fashion influencer Katrina Rodabaugh follows her bestselling book, Mending Matters,
with a comprehensive guide to building (and keeping) a wardrobe that
matters. Whether you want to repair your go-to jeans, refresh a favorite
garment, thrift-shop like a pro, alter or dye clothing you already
have-this book has all the know-how you'll need. Woven throughout are
stories, essays, and a slow fashion call-to-action, encouraging readers
to get involved or deepen their commitment to changing…
I'm an internationally recognised opinion leader in sustainable fashion. My career started as a designer with the pioneering upcycling label From Somewhere, which I launched in 1997. My label’s designer collaborations include collections for Jigsaw, Speedo, and 4 best-selling capsule collections for Topshop. In 2006, I co-founded the British Fashion Council Initiative Estethica at London Fashion Week, which I curated until 2014. In 2013 I co-founded Fashion Revolution, a global campaign with participation in over 90 countries. I'm a regular keynote speaker and mentor, and Associate Visiting Professor at Middlesex University. My first book Loved Clothes Last is published by Penguin Life, Corbaccio Editore in Italy and in France by Edition Marabou.
Exploring an earth-centric view of business for the future, envisioning regenerative systems where fashion can support, rather than deplete our planet’s finite resources, this book challenges the concept of growth and offers real alternatives.
This book feels challenging, but is rooted in common sense, it may seem out there and unrealistic, but being about Earth it actually makes it feel not just possible but eminently doable.
I have spent 20+ years working on the question of how social and environmental change happens, from my long-time career in progressive politics to my current work writing about the most pressing issues of our time through an economic lens, and occasionally talking about them on my podcast, also called Wallet Activism. So I know well how intimidating it can feel to get involved, whether it’s worrying your voice isn’t needed (trust me, it is!) or not knowing the nuts and bolts of where to start. But we have so much power when we act collectively, and I want you to feel personally invited to take action.
My secret theory (or formerly secret, anyway) is that if books had best friends, my book's BFF would be this book. Aja and I were clearly on the same wavelength when writing our books, and there are many common threads, but Consumedtakes a much deeper dive into consumerism broadly and the fashion industry specifically, tying environmental and worker exploitation concerns together seamlessly. You’ll come away with real resolve to consume much less, as well as clarity on how to push producers of goods you buy to do much, much better.
'This powerful, speaking-truth-to-power book is an essential read for everybody who wants to stop feeling clueless and helpless about the impacts of cosumerism, and start doing their part to help create a more sustainable world' - Layla Saad
'A critique on what we buy, how it's made and the systems behind it that make an unfair and broken cycle' - New York Times
'The book is a blueprint for anyone who wants to do better' - VOGUE
'SUCH integrity. Aja is no bullsh*t.' - Florence Given
'Consumed takes us through the hideously complex topic of fashion and sustainability, from…
Like any writer, I’m fascinated with what makes people tick and why they act the way they do. Naturally, this means I read a lot of history. I love reference reading; I love researching arcane questions for a tiny detail that will bring a character or their world to life. Creating epic fantasy is an extension of both my drives as a reader and a writer. Pouring myself into characters who inhabit different settings is a deeply satisfying exercise in both craft and empathy, and each history book has some small bit I can use to make my settings more compelling, more enjoyable for readers, and more real.
Too often, our idea of history (or prehistory) is of men doing things and women silently following. Barber dives into the history of textiles to show how spinning, weaving, and cloth were not only drivers of culture and civilization but also a major technological achievement akin to harnessing fire and developing agriculture.
I was blown away both by the book’s premise and by the obvious passion and breadth of knowledge Barber brought to showing just how the stunning leap forward taken by women with spindles kick-started what we think of as civilization.
We take clothes for granted, but the first person to think of cloth rather than animal skins gave a great gift to humanity, one which may never be equaled.
New discoveries about the textile arts reveal women's unexpectedly influential role in ancient societies.
Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women.
Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This excellent introduction to the latest archaeological textile studies should convince you that this is the most exciting field for new interdisciplinary approaches to understanding the past. There are 23 essays discussing finds from 16 counties, each telling intelligent but accessible stories about social, chronological, and cultural aspects of ancient societies. Well illustrated and with lots of further reading listed, you’ll end up wanting more.
There is evidence that ever since early prehistory, textiles have always had more than simply a utilitarian function. Textiles express who we are - our gender, age, family affiliation, occupation, religion, ethnicity and social, political, economic and legal status. Besides expressing our identity, textiles protect us from the harsh conditions of the environment, whether as clothes or shelter. We use them at birth for swaddling, in illness as bandages and at death as shrouds. We use them to carry and contain people and things. We use them for subsistence to catch fish and animals and for transport as sails. In…
Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.
I am a huge fan of this ubiquitous dye, the cloth colored with it, and the various techniques used to create pattern. The way the world is tied together in this volume through a dye is wonderful. I had the pleasure of watching one of the remaining old traditional indigo dyers at work in Japan a few years ago. Many of the wildly diverse patterns illustrated are among my favorites.
Gloriously pieced together, much like the fine garments it portrays, this colourful volume takes the reader on an international tour of indigo-coloured textiles, presenting a huge swathe of remarkable clothing, people and fabric. Catherine Legrand, who has spent over twenty years travelling and researching the subject, has a deep knowledge of the ancient techniques, patterns and clothing traditions that characterize ethnic textile design, knowledge that she deploys to great effect in seven chapters exploring the production of Indigo textiles throughout America, China, India, Africa, Central Asia, Japan and Laos/Vietnam, and the men and women behind them. This profusely illustrated photographic…
Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.
This scholarly book accompanied the enlightening exhibition of the same name at the MET 2013-2014. The way we learn how trade in textiles united the world is fascinating. One revelation for me was discovering that the first non-noble wealth was generated in the 18th century through textile trade.
Beginning in the 16th century, the golden age of European navigation created a vigorous textile trade, and a breathtaking variety of textile designs subsequently spread across the globe. Trade textiles blended the traditional designs, skills, and tastes of their cultures of origin, with new techniques learned through global exchange, creating beautiful new works that are also historically fascinating. Interwoven Globe is the first book to analyze these textiles within the larger history of trade and design. Richly illustrated texts explore the interrelationship of textiles, commerce, and taste from the age of discovery to the 19th century, including a detailed discussion…
Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.
I am immediately drawn to this magnificent book for the many textile designs it contains and then, a new discovery for me, the vitality of the label imagery.The labels are sensual and sensational, devotional and secular.Most were created by British artists inspired by earlier Indian paintings and engravings just as so many textile designs are descendants of earlier patterns.
I learned how the stories told by these labels provide a rich view into an important period of British textile history and trade as well as Indian culture – from the heavenly realm of the Hindu Gods to the earthly palaces of Maharajas – from the mill workers of Lancashire to the khadi-clad followers of Mahatma Gandhi.
This book will be released in February/March 2023, but advance orders are being taken.Just take a peek and brace yourself for a wild, wonderful trip.Over 1000 period labels illustrate the…
At one time Great Britain clothed the world. In the 1880s, when the British textile industry was at its height, 85 percent of the world's population wore clothing made from fabric produced in the mills of Lancashire. From 1910 to 1913 alone, seven billion yards of cloth were folded, stamped, labeled, and baled. Most of this output was for export, and 30 percent of it went to India.
British textile manufacturers selling into the competitive Indian market were dealing with a largely illiterate population. In order to differentiate their goods, they stamped their cloth with distinctive images-a crouching tiger or…
Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.
Among my favorite textiles from anywhere, anytime are the Central Asian woven ikats used to make men’s robes and the superb Suzani embroideries made for young girls' dowries. Both of these exotic forms have inspired and been emulated by countless Western designers from Oscar de la Renta to ABC Carpet and Home. Many fine examples are generously illustrated in this extraordinary, beautiful and meticulous book.
Silk and Cotton combines powerful visuals of pattern and form with the history, use, and cultural significance of a wide sampling of Central Asian textiles. The archival photographs of the region by Max Penson add great depth and connect the objects to the peoples for whom they were, and in many cases still are, part of their daily lives.
The traditional textiles of Central Asia are unknown treasures. Straddling the legendary Silk Road, this vast region stretches from Russia in the west to China in the east. Whether nomadic or sedentary, its peoples created textiles for every aspect of their way of life, from ceremonial objects marking rites of passage, to everyday garments, to practical items for the home. There were suzanis for the marriage bed; prayer mats; patchwork quilts; bridal ensembles; bags for tea, scissors, and mirrors; lovingly embroidered hats and bibs; and robes of every color and pattern.Author Susan Meller has spent years assembling the 590 textiles…
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