Here are 100 books that The Gabi That Girma Wore fans have personally recommended if you like
The Gabi That Girma Wore.
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My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
This biographical picture book tells the story of quilts made by hand by the women of Gee’s Bend, Alabama. The traditional quilts, made from scraps of cloth from clothing and cornmeal sacks, are now displayed in museums around the world.
The author does a beautiful job of showing how a family tradition has developed into spectacular works of art. Readers can see how important it is to maintain traditions that may have started for practical purposes (like staying warm!) but evolved into appreciation of the works of unknown artisans. The author includes instructions on how to make a quilt square.
Since the early nineteenth century, the women of Gee's Bend in southern Alabama have created stunning, vibrant quilts. In the only photo-essay book about the quilts of Gee's Bend for children, award-winning author Susan Goldman Rubin explores the history and culture of this fascinating group of women and their unique quilting traditions. Rubin uses meticulous research to offer an exclusive look at an important facet of African American art and culture.
In the rural community of Gee's Bend, African American women have been making quilts for generations. They use scraps of old overalls, aprons, and bleached cornmeal sacks anything they…
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
It’s difficult to find books for children that accurately depict crafts from different cultures. This book provides instructions and detailed illustrations of crafts such as matryoshka dolls, hamsa, Wayun mochilas, and Adinkra prints.
It would be a wonderful companion to Scribble, Spin, Swirl, and Stitch as children explore crafts around the world and think about what they would like to create.
From Japanese origami and Native American dream catchers to totem poles and Russian dolls, children can discover, draw and build objects from cultures around the world
From Japanese origami and Native American dream catchers to totem poles and Russian dolls, children can discover, draw and build objects from cultures around the world. Craft projects can be made from easy-to-source materials and include illustrated step-by-step instructions, while design projects provide sketching pages and guidance to encourage kids to create their own unique and exciting ideas.
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
This book consists of a series of stories that show how crafts from the past were designed and created. The book invites readers to appreciate the time, effort, and care that went into making objects such as toys and tools without machinery. I have included this book because it emphasizes the satisfaction of creating treasures by hand.
A beautiful, one-of-a-kind volume invites readers to marvel at the time, effort, and care that went into creating handmade toys, tools, and treasures of the past.
Whirr, buzz, hum. Before busy machines in factories turned out most of what we need and use, people crafted these items by hand. From a globe to a pie crimper, a butter churn to a rocking horse, this unique collection highlights fourteen one-of-a-kind objects — each one drafted, stitched, painted, or engraved by hand. Author Carole Lexa Schaefer draws inspiration from real historical artifacts to create thirteen short works of fiction, imagining the hands…
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
It was such a delight to find a picture book that teaches about a craft while telling a sweet story. As a man weaves a rug in his cottage, a family of mischievous mice gnaw away at the threads, creating a hole in the rug.
When they discover what they have done, they figure out a way to repair the hole and surprise the weaver. The tools of the trade are illustrated at the conclusion of this charming book.
What happens when a family of mice moves into a weaver's cottage for the winter? Will they tuck into his woven cloth for a long winter's nap? Will the weaver discover their presence, and if he does, what will he do?
This enchanting tale is spun by master weaver Tom Knisely, author of several instructional weaving books including Weaving Rag Rugs, Handwoven Table Linens, Handwoven Baby Blankets, and his latest, Huck Lace Weaving Patterns with Color and Weave Effects. Told in compassionate detail, the story makes you wonder, has Tom had personal experience with tiny curious visitors?
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
The prevailing narrative regarding adoption, at least in the U.S., is crafted by adoption professionals and adoptive parents and largely overlooks the experiences of the parties directly impacted—the adoptees themselves. As an adoptee—one who undertook a search for and was reunited with my first family, reassuming the name I was given at birth—I am always on the lookout for the work of other adoptees. Only we truly understand what it is like to be “split” between two families, to lose our roots and culture, and—perhaps most devastating—not to have our losses acknowledged. These stories, by Ethiopian adoptees, challenge traditional narratives that cast adoption as a benevolent practice, revealing the racist, classist, and colonialist roots that give rise to the modern institution. The stories speak to themes of displacement, bewilderment, and what it is like to grow up estranged from one’s culture, identity, and roots.
Lions Roaring Far From Home: An Anthology by Ethiopian Adoptees includes the essays and poems of 33 writers, ages 8 to over 50, raised in six countries (the US, Canada, Sweden, France, the Netherlands, and Australia). It is the first ever anthology by Ethiopian adoptees.
This anthology shares Ethiopian adoptees’ wide range of experiences, from childhood into adulthood, through the voices of the adoptees themselves. There is more than one mention of grief, confusion, and loss. The writers also talk about their strengths, hopes, happiness, and love for family. Along with sadness and anger, there is also compassion, grace, and…
I am passionate about writing books for children that create windows to the world, teaching empathy. Children that are empathic grow up to be kind and compassionate adults. I write because I long for a world that is more accepting and compassionate.
This is a story about a young girl named Almaz who dreams of becoming a beekeeper in Lalibela, Ethiopia. When she is told that beekeeping is a man’s job and that she should go back to cooking, cleaning, and gathering wood, she doesn’t give up. Instead, with the encouragement of a local priest, she becomes determined to continue toward her dream overcoming many obstacles. This is a story that is culturally accurate and gently explores gender roles in Ethiopia. In the end, Almaz’s perseverance pays off and she is welcome at the market, where she sells the best honey. I love this story also because of my love for Ethiopia, where women and girls are very strong, determined, and must overcome tremendous obstacles in daily life. I am in awe of their beauty and strength.
In the Ethiopian mountain village of Lalibela, famous for its churches and honey, a young girl determines to find a way to be a beekeeper despite being told that is something only men can do.
I have had a love for the early Church in Africa since I took a trip to Egypt when I was in seminary. Since then, I’ve had a chance to visit all of the countries on the continent with ancient churches. It is my greatest joy to share what I learn with my students and any anyone else who will listen. I research and teach in the area of early African Christianity at Fuller Theological Seminary and the Meachum School of Haymanot. I have published two monographs on this topic and hold a doctoral degree in languages and literatures of Northeastern Africa during Late Antiquity and the Middle Ages.
Ethiopian Christianity is a rich and diverse phenomenon that has a nuanced history. So many books on the history of this ancient Church are highly specialized and not accessible to popular audiences.
Ephraim Isaac’s book is the best overview of Ethiopian Christian history and practice that I have ever seen. It introduces the history of the Church and helpfully focuses on different aspects of worship, organization, and social engagement.
I refer back to this book often as it is so full of useful information, and I find new information every time.
Ethiopia is an extraordinary symbol of continuity amid a restive and crisis-ridden world. In a few decades, Africa has passed from colonialism, to modernity, to a congress of now largely independent black powers, whose views and votes are at long last heeded on the floor of the global parliament of nations. The capital of Ethiopia is also the headquarters of both the United Nations mission to the continent and of the indigenous continental African union. Ethiopia is unique, not only in the antiquity of her continuous religious and political history, but also in the ever accelerating involvement of the nation…
I’m a second-generation TCK. I was born in Peru and grew up in Chile and Panama, as well as the US. My YA novel, The Means That Make Us Strangers, explores some of my own experience moving crossculturally as a teenager.
I’ve been a fan of Elizabeth Wein’s since I read her bestselling YA thriller Code Name Verity, and I was thrilled to discover she herself is a TCK. In this novel, two adopted siblings (one white, one Black), move from the US to Ethiopia in the 1930s, just before Ethiopia’s war with Italy. TCKs will relate to Teo and Em’s struggle with not feeling fully at home in any one place. Like all of Elizabeth Wein’s books, there is plenty of airplane-flying adventure to keep readers on the edge of their seats!
"Think of the sky!" Delia gave Momma's hands a shake. "Think of the sky in Ethiopia! What will it be like to fly in Africa?"
This New York Times bestseller is a story of survival, subterfuge, espionage and identity.
Rhoda and Delia are American stunt pilots who perform daring aerobatics to appreciative audiences. But while the sight of two girls wingwalking - one white, one black - is a welcome novelty in some parts of the USA, it's an anathema in others. Rhoda and Delia dream of living in a world where neither gender nor ethnicity determines their life. When…
I lived in Ethiopia for 7 years and arrived expecting to find a country beaten down by war and famine, I could not have been more wrong. Ethiopia covers a vast territory and is as deep in history and culture, while its myriad peoples speak over 80 different languages. It remains one of the most mysterious, misunderstood, and least visited countries on the planet, and a paradise for both physical and armchair travelers alike to explore one of the last great largely undiscovered places on earth. I continue to write articles for both national and international newspapers and magazines about Ethiopia and its many wonders.
Ethiopia is a treasure trove of traditional folktales and learning. Elizabeth Laird has travelled the length and breadth of the country digging them out by talking to tribal elders, community leaders, and traditional storytellers. What emerged for me was a fascinating record of an ancient culture and its wisdom that can trace its roots back to the days of the Old Testament but whose lessons still ring true to this today. I loved accompanying Elizabeth on her travels as she went in search of the stories; enjoyed meeting alongside her the storytellers she managed to track down; and most of all was charmed by the stories themselves, which are a match in wit and human insight for anything that was ever penned by Aesop or Hans Christian Andersen.
In 1967, at the age of 23, Elizabeth Laird set off for Addis Ababa to take up her first teaching post. She was introduced to Haile Selassie, made a pilgrimage across the mountains on foot to the ancient city of Lalibela, hitched a ride on an oil tanker across the Danakil Desert, and was arrested for a murder she had not committed. Back in Britain, Laird established herself as a major author of fiction for children and young adults, but she always wanted to return to Ethiopia. Her chance came in the late 1990s, when the British Council in Addis…
By Bruce Bueno de Mesquita And Alastair Smith
Author
Why am I passionate about this?
Bruce Bueno de Mesquita and Alastair Smith are professors of politics at New York University. They use the mathematical approach of game theory to understand the incentives of leaders in different settings. The Dictator’s Handbook distills decades of academic work into a few essential rules that encapsulate how leaders come to power and remain there.
All of Kapuscinski’s books are gems. He traveled Africa and other parts of the developing world as a Soviet journalist. The Emperor describes the rule and decline of the Ethiopian Emperor, Haile Selassie. The dry day-to-dry accounts of the emperor’s benign neglect for his people is chilling. Haile Selassie knew to keep those around him happy and not to worry about the people: “A man starved all his life will never rebel…. No one raised his voice or hand there. But just let the subject start to eat his fill and then try to take the bowl away, and immediately he rises in rebellion. The usefulness of hunger is that a hungry man thinks only of bread.”.
A "sensitive, powerful ... history" (The New York Review of Books) of a man living amidst nearly unimaginable pomp and luxury while his people teetered netween hunger and starvation.
Haile Selassie, King of Kings, Elect of God, Lion of Judah, His Most Puissant Majesty and Distinguished Highness the Emperor of Ethiopia, reigned from 1930 until he was overthrown by the army in 1974. While the fighting still raged, Ryszard Kapuscinski, Poland's leading foreign correspondent, traveled to Ethiopia to seek out and interview Selassie's servants and closest associates on how the Emperor had ruled and why he fell. This is Kapuscinski's…
