Here are 100 books that Reading Egyptian Art fans have personally recommended if you like
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I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
Egyptologist Salina Ikram is the foremost expert on Egyptian animal mummies. She has performed mummification on numerous animals in order to better understand the ancient Egyptian process of mummification. This book is by a number of egyptologists. It is academic, but not difficult to understand. It gives information on different animals that were mummified, and the context in which they were discovered.
The invention of mummification enabled the ancient Egyptians to preserve the bodies not only of humans but also of animals, so that they could live forever. Mummified animals are of four different types: food offerings, pets, sacred animals, and votive offerings. For the first time, a series of studies on the different types of animal mummies, the methods of mummification, and the animal cemeteries located at sites throughout Egypt are drawn together in a definitive volume on ancient Egyptian animal mummies. Studies of these animals provide information not only about the fauna of the country, and indirectly, its climate, but…
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
Egyptologist Bob Brier is the foremost expert on Egyptian mummies. He is famous for actually mummifying a human body as a science experiment, with Dr. Ronn Wade in 1994. This was the first time a human was mummified in 2000 years. This is a popular book, entertaining, but accurate. He covers everything we know about ancient Egyptian mummification.
Egyptian Mummies results from research done in preparation for the mummification of a human body, the first to be done in the Egyptian style in two thousand years. Through these studies, noted Egyptologist Bob Brier has unearthed the gripping stories of grave robberies and stolen mummies, the forgotten language of the pharaohs, and the tombs of the royal mummies. In an easily accesible and lively style, Brier uncovers the complete historical context of ancient Egyptian culture and offers a fascinating contemporary interpretation of it. Illuminating their mysteries, myths, sacred rituals, and heiroglyphic writing, Egyptian Mummies brings the ancients to life.
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
This is the best up-to-date book for beginners learning to read ancient Egyptian hieroglyphs. Egyptian hieroglyphs are the most beautiful written language. They are not an alphabet. It is a complex system. The authors have it organized in sections that make it easier to understand the basics, and to read actual ancient texts on Egyptian artifacts.
Hieroglyphs are pictures used as signs in writing. When standing before an ancient tablet in a museum or visiting an Egyptian monument, we marvel at this unique writing and puzzle over its meaning. Now, with the help of Egyptologists Mark Collier and Bill Manley, museum-goers, tourists, and armchair travelers alike can gain a basic knowledge of the language and culture of ancient Egypt. Collier and Manley's novel approach is informed by years of experience teaching Egyptian hieroglyphs to non-specialists. Using attractive drawings of actual inscriptions displayed in the British Museum, they concentrate on the kind of hieroglyphs readers might encounter…
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
The late Egyptologist David O’Connor was the foremost authority on the ancient site of Abydos Egypt, and supervised excavations there for over 40 years. I worked on seven excavations in Abydos and knew Dr. O’Connor personally, a lovely man, whom everyone respected. Abydos was the cult center of Osiris, the god of the dead. There were numerous tombs and temples built in this area, one of the most important archaeological sites in Egypt.
Abydos is one of the most fascinating and enigmatic sites in southern Egypt. As both the burial place of the first pharaohs and a cult centre for the god Osiris, it was of immense importance to the ancient Egyptians for thousands of years, from nearly 3000 BC until the early centuries ad, and continues to yield spectacular discoveries. In this volume, David O'Connor, the world's greatest authority on Abydos, provides the most up-to-date and comprehensive account of the site's extraordinary history and tells the story of his own excavations there. This book will be of interest both to students and…
My love of history began at a young age, when I first read The Usborne Encyclopedia of World History, one of the books featured below. Reading that book, I felt a deep appreciation for the past that has lasted ever since. When I visited the Temple of Dendur at the Met Museum, I felt mesmerized by the mysterious symbols covering its walls, sparking a fascination with ancient Egypt.
If you want to learn the language carved on tombs and inside pyramids all over Egypt, you should start here! This book will take you through a wide variety of Egyptian inscriptions, teaching you something new (the different kinds of signs, word order, and even the numbering system) with each one.
Along the way, there are countless opportunities for practice in the beautifully arranged and formatted book.
An original and accessible approach to learning hieroglyphs, written by an experienced teacher and author.
This is the first guide to reading hieroglyphs that begins with Egyptian monuments themselves. Assuming no knowledge on the part of the reader, it shows how to interpret the information on the inscriptions in a step-by-step journey through the script and language of ancient Egypt.
We enter the world of the ancient Egyptians and explore their views on life and death, Egypt and the outside world, humanity and the divine. The book draws on texts found on some thirty artifacts ranging from coffins to stelae…
The Egyptology permits me to make an approach to the human past. Although there were many different cultures from which the current society is heir, the survival of innumerable written documents from ancient Egypt together with the good conservation of the archaeological material, give us the possibility to feel closer to the humans who lived in the Nile Valley thousands of years ago.
Professor Parkinson's work is a magnificent analysis of the Egyptian literature of the Middle Kingdom, traditionally considered the golden age of Egyptian letters, to the new visions present in current literary studies.
This is a work that goes beyond traditional translations of the most significant texts, as it tries to contextualize them historically, culturally, and literary.
The Middle Kingdom (c.1940-1640 BC) was a golden age of Ancient Egyptian writing. This study radically reassesses Middle Kingdom poems' cultural role, drawing on recent studies of the individual texts, some by the author, and on general developments in literary criticism to argue that they were entertainments that voiced potentially dissident views while also being integral to elite culture. The book surveys the social and ideological context of literature and proposes readings of the main tales, discourses, and teachings. An appendix surveys the entire range of surviving texts.
For as long as I can remember I have been intrigued by a family mystery. Names such as Howard Carter, Tutankhamun, and Didlington Hall permeated my childhood along with phrases such as ‘a mummy’s curse’ and ‘financial disaster’. Something had happened years before I was born, which no one would discuss. As an adult I decided to search for the truth, and on the way found inspiration to fulfil a long held ambition, which was to write. I discovered that my family had played a vital, but often forgotten, role in Howard Carter's discovery of Tutankhamun. Our story is of wealth lost, extraordinary characters, passion and tragedy, but through it all Egypt winds like a twist of golden thread.
This was one of the first books I read when I began researching my family’s passion for Egypt, and it was one of the most interesting.
When Napoleon invaded Egypt in 1798 his troops were astonished to find countless ruins, covered with hieroglyphs – but what did they mean? Being able to read the ancient texts would be the key to unravelling many of the mysteries of ancient Egypt. Determined to be the first to do so was 16-year-old Jean-Francois Champollion, the brilliant son of an impoverished bookseller. This book is a true story of adventure, obsession, and triumph over extreme adversity, and is well worth reading.
A vivid and superbly written account of the unravelling of one of the great intellectual puzzles, set against the backdop of Europe in the Napoleonic era.
When Napoleon invaded Egypt in 1798, his troops were astonished to discover ancient temples, tombs and statues, all covered with hieroglyphs - the last remnants of an unreadable script and a language lost in time. On their return Egyptomania spread rapidly and the quest to decipher hieroglyphs began in earnest.
Jean-Francois Champollion was obsessed with ancient languages from a very young age, and once he heard of the unreadable ancient Egyptian text he had…
It took me a while to figure out the backbone running through my intellectual interests, but I’ve always been interested in languages. I had the privilege of studying Japanese in Tokyo, near the peak of the Japanese economic “miracle.” That led to a PhD in Japanese drama (focusing on noh). Once I got tenure, I had the opportunity to add ancient Egypt to my professional profile. I learned hieroglyphs, studied Egyptian religion and art, and while continuing to work on noh drama, I (finally) figured out that what interests me is the way people express, or construct, their identities in literature and art.
Heinrich Schäfer’s Principles of Egyptian Art in John Baines’ meticulously patient translation shows us how well we can already read Egyptian art, because of lots of assumptions about seeing that we share with the people of the ancient Nile, and it also shows where we diverge in such readings.
This is a dense and demanding book, though, but one that you needn’t read from beginning to end in a single stream. You can come back to it time and time again, and the hundreds of line drawings and solid section of b/w glossy photos opens your eyes to the exquisite visual system the Egyptians devised for themselves (and us) and used for four thousand years and more.
The genre I specialize in is Ancient Historical Fiction. I have always been fascinated by history, and my vacations often involve visiting ancient ruins. I’m an avid reader on various periods of our past, especially Egypt, Rome, Mesopotamia, and India, and I enjoy writing about them. On the topic of Egypt and Cleopatra — Egypt is one of my favorite civilizations, and Cleopatra is one of the more interesting figures. I wanted to give her a treatment I felt she deserved—as a capable administrator, brilliant, ruthless, and fighting the circumstances of her times.
Who has not heard of King Tut? Written by the discoverer of the tomb, the book is a fascinating glimpse into the mind of an accomplished archeologist and a window to the fabulous riches of Egypt. Reading firsthand about what they saw and how things were placed gives us an insight into how things may have been in the last few hours of sealing the tomb. I often use such content to fuel my imagination of what might have happened.
November 4, 1922. For six seasons the legendary Valley of the Kings has yielded no secrets to Howard Carter and his archeological team: "We had almost made up our minds that we were beaten," he writes, "and were preparing to leave The Valley and try our luck elsewhere; and then — hardly had we set hoe to ground in our last despairing effort than we made a discovery that far exceeded our wildest dreams." Join Howard Carter in his fascinating odyssey toward the most dramatic archeological find of the century — the tomb of Tutankhamen. Written by Carter in 1923,…
I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
The dates that Egyptologists use for most rulers are guesstimates, and there’s not one fixed dating scheme.
Just for instance, one reference volume gives 1334-1325 B.C. as the dates for King Tut’s reign. Another says 1332-1322 B.C. And yet a third another has 1336-1327 B.C.
How do you know which one to believe?
During the three decades I worked as a staff writer at National Geographic magazine, we relied on the king list that Baines and Malek published in this book.
I still consider it as the last word on dates for my own research. It’s also full of very helpful maps, diagrams, and descriptions of archaeological sites all over Egypt.
Filled with fascinating facts and stunning images, this single-volume reference to ancient Egypt introduces readers to this unique, sometimes startling culture.
