Here are 100 books that How to Read Egyptian Hieroglyphs fans have personally recommended if you like
How to Read Egyptian Hieroglyphs.
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I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
Egyptologist Salina Ikram is the foremost expert on Egyptian animal mummies. She has performed mummification on numerous animals in order to better understand the ancient Egyptian process of mummification. This book is by a number of egyptologists. It is academic, but not difficult to understand. It gives information on different animals that were mummified, and the context in which they were discovered.
The invention of mummification enabled the ancient Egyptians to preserve the bodies not only of humans but also of animals, so that they could live forever. Mummified animals are of four different types: food offerings, pets, sacred animals, and votive offerings. For the first time, a series of studies on the different types of animal mummies, the methods of mummification, and the animal cemeteries located at sites throughout Egypt are drawn together in a definitive volume on ancient Egyptian animal mummies. Studies of these animals provide information not only about the fauna of the country, and indirectly, its climate, but…
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
Egyptologist Bob Brier is the foremost expert on Egyptian mummies. He is famous for actually mummifying a human body as a science experiment, with Dr. Ronn Wade in 1994. This was the first time a human was mummified in 2000 years. This is a popular book, entertaining, but accurate. He covers everything we know about ancient Egyptian mummification.
Egyptian Mummies results from research done in preparation for the mummification of a human body, the first to be done in the Egyptian style in two thousand years. Through these studies, noted Egyptologist Bob Brier has unearthed the gripping stories of grave robberies and stolen mummies, the forgotten language of the pharaohs, and the tombs of the royal mummies. In an easily accesible and lively style, Brier uncovers the complete historical context of ancient Egyptian culture and offers a fascinating contemporary interpretation of it. Illuminating their mysteries, myths, sacred rituals, and heiroglyphic writing, Egyptian Mummies brings the ancients to life.
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
This book is not about learning to read hieroglyphs so much as about understanding the relationship between hieroglyphs and Egyptian art. As hieroglyphs are pictures, the same pictures can be used in an artwork, as opposed to a written text. The author takes 100 of the over 700 hieroglyphs used in Egyptian writing, and shows how they are used in Egyptian art. He dedicates 2 pages to each symbol, with a written description and illustrations.
I have been fascinated by ancient Egypt since I was a child and dressed up to play as ancient Egyptian with her friends. I studied fine art in college, and was trained in archaeological illustration at the Metropolitan Museum of Art where I worked as a staff illustrator in the Department of Egyptian Art. I later worked in the Department of Egyptian Art at the Brooklyn Museum of Art. I have worked as the technical illustrator for a dozen archaeological digs in Egypt, Turkey, Spain, Belize, and California.
The late Egyptologist David O’Connor was the foremost authority on the ancient site of Abydos Egypt, and supervised excavations there for over 40 years. I worked on seven excavations in Abydos and knew Dr. O’Connor personally, a lovely man, whom everyone respected. Abydos was the cult center of Osiris, the god of the dead. There were numerous tombs and temples built in this area, one of the most important archaeological sites in Egypt.
Abydos is one of the most fascinating and enigmatic sites in southern Egypt. As both the burial place of the first pharaohs and a cult centre for the god Osiris, it was of immense importance to the ancient Egyptians for thousands of years, from nearly 3000 BC until the early centuries ad, and continues to yield spectacular discoveries. In this volume, David O'Connor, the world's greatest authority on Abydos, provides the most up-to-date and comprehensive account of the site's extraordinary history and tells the story of his own excavations there. This book will be of interest both to students and…
My love of history began at a young age, when I first read The Usborne Encyclopedia of World History, one of the books featured below. Reading that book, I felt a deep appreciation for the past that has lasted ever since. When I visited the Temple of Dendur at the Met Museum, I felt mesmerized by the mysterious symbols covering its walls, sparking a fascination with ancient Egypt.
If you want to learn the language carved on tombs and inside pyramids all over Egypt, you should start here! This book will take you through a wide variety of Egyptian inscriptions, teaching you something new (the different kinds of signs, word order, and even the numbering system) with each one.
Along the way, there are countless opportunities for practice in the beautifully arranged and formatted book.
An original and accessible approach to learning hieroglyphs, written by an experienced teacher and author.
This is the first guide to reading hieroglyphs that begins with Egyptian monuments themselves. Assuming no knowledge on the part of the reader, it shows how to interpret the information on the inscriptions in a step-by-step journey through the script and language of ancient Egypt.
We enter the world of the ancient Egyptians and explore their views on life and death, Egypt and the outside world, humanity and the divine. The book draws on texts found on some thirty artifacts ranging from coffins to stelae…
For as long as I can remember I have been intrigued by a family mystery. Names such as Howard Carter, Tutankhamun, and Didlington Hall permeated my childhood along with phrases such as ‘a mummy’s curse’ and ‘financial disaster’. Something had happened years before I was born, which no one would discuss. As an adult I decided to search for the truth, and on the way found inspiration to fulfil a long held ambition, which was to write. I discovered that my family had played a vital, but often forgotten, role in Howard Carter's discovery of Tutankhamun. Our story is of wealth lost, extraordinary characters, passion and tragedy, but through it all Egypt winds like a twist of golden thread.
This was one of the first books I read when I began researching my family’s passion for Egypt, and it was one of the most interesting.
When Napoleon invaded Egypt in 1798 his troops were astonished to find countless ruins, covered with hieroglyphs – but what did they mean? Being able to read the ancient texts would be the key to unravelling many of the mysteries of ancient Egypt. Determined to be the first to do so was 16-year-old Jean-Francois Champollion, the brilliant son of an impoverished bookseller. This book is a true story of adventure, obsession, and triumph over extreme adversity, and is well worth reading.
A vivid and superbly written account of the unravelling of one of the great intellectual puzzles, set against the backdop of Europe in the Napoleonic era.
When Napoleon invaded Egypt in 1798, his troops were astonished to discover ancient temples, tombs and statues, all covered with hieroglyphs - the last remnants of an unreadable script and a language lost in time. On their return Egyptomania spread rapidly and the quest to decipher hieroglyphs began in earnest.
Jean-Francois Champollion was obsessed with ancient languages from a very young age, and once he heard of the unreadable ancient Egyptian text he had…
Having first discovered the mystery of ancient Egypt as a small child via my father’s war-time souvenirs, this interest grew over the years until it became a serious magical under-taking, culminating in Initiation into the magical order of the Temple of Khem. I became Principal tutor of the Order in 1998 and publishedLiber Ægyptius: The Book of Egyptian Magic in the same year. I continue to teach the Egyptian Mystery Tradition to those willing to submit themselves to the exacting discipline needed to enter the priesthood, and remain a member of the Egypt Exploration Society to keep up-to-date with the current archaeological discoveries in Egypt.
I’ve always struggled with reading hieroglyphics but this handbook is the perfect explanation of what each of the 600 figures mean by tracing the origins and meanings of each sign, as well as its graphic stylization. For me, it was the first book to make the symbols ‘come alive’ and it’s been an invaluable desk companion over the years – having been written by a scholar and a language expert and provides a still-vivid snapshot of the gods, the people, and the every-day life of the ancient Egyptians. There is also a complete glossary, a bibliography, and an index, providing a valuable resource for the casual reader, students, and specialists.
Both literal and highly lyrical, hieroglyphics bring alive a distant world, with descriptions of the natural environment, the art, the society, the religious beliefs, and even the philosophical basis of a culture that flourished 5,000 years ago. Presenting and explaining almost 600 of the figures used in the classic phase of Egypt's "sacred writing," this fascinating volume traces the origins and the meaning of each sign, as well as its graphic stylisation. An opening essay reveals the secrets of the hieroglyphic system, including its development and its structural characteristics, and emphasises the sacred, evocative, even magical power of the form,…
The Egyptology permits me to make an approach to the human past. Although there were many different cultures from which the current society is heir, the survival of innumerable written documents from ancient Egypt together with the good conservation of the archaeological material, give us the possibility to feel closer to the humans who lived in the Nile Valley thousands of years ago.
Professor Parkinson's work is a magnificent analysis of the Egyptian literature of the Middle Kingdom, traditionally considered the golden age of Egyptian letters, to the new visions present in current literary studies.
This is a work that goes beyond traditional translations of the most significant texts, as it tries to contextualize them historically, culturally, and literary.
The Middle Kingdom (c.1940-1640 BC) was a golden age of Ancient Egyptian writing. This study radically reassesses Middle Kingdom poems' cultural role, drawing on recent studies of the individual texts, some by the author, and on general developments in literary criticism to argue that they were entertainments that voiced potentially dissident views while also being integral to elite culture. The book surveys the social and ideological context of literature and proposes readings of the main tales, discourses, and teachings. An appendix surveys the entire range of surviving texts.
I’m an archaeologist by training and a journalist by profession. During my long career as a staff writer at National Geographic magazine, and now as a freelance Nat Geo book editor and author, I have often written about the ancient world and cultural heritage preservation. I was very lucky to be sent to Egypt on a number of occasions to write stories about sites and discoveries, and I have now come to specialize in Egyptology. I recently took an online course that taught me how to read ancient Egyptian hieroglyphs. I’m still in glyph kindergarten, but every new sign I learn is allowing me to better understand—and interpret—the culture of the pharaohs.
Want to know about magic bricks? You can look them up in this book, along with a lot of other intriguing things.
Sure, you can find descriptions online. But there’s a lot of misinformation out there in the e-sphere. It’s much better to rely on something published by the august British Museum, which has been showcasing artifacts from the ancient world since 1753. I always do.
This successful and highly-esteemed British Museum reference work is now republished in a new pocket-sized edition. This authoritative illustrated dictionary provides clear explanations and descriptions of the important ideas, events and personalities throughout four thousand years of Egyptian civilization. More than 600 extensively cross-referenced and comprehensively-indexed A-Z entries provide detailed information on all aspects of ancient Egypt and Nubia during the pharaonic and Graeco-Roman periods. Each entry is followed by a bibliography. The dictionary is lavishly illustrated throughout with photographs, line drawings, site plans and maps.
I studied the ancient world in college, but Egypt really got my attention when I covered the CT scanning of King Tutankhamun in the Valley of the Kings on January 5, 2005, for National Geographic magazine, where I was a staff writer for many years. Ancient Egypt has become one of my great passions, especially the royal successions of the 18th dynasty and the saga of King Tut. I’m currently president of the Washington, D.C., chapter of the American Research Center in Egypt, and I host a lecture about ancient Egypt every month for that group. I’m also studying hieroglyphs—and appreciating how the landscape comes alive now that I can read the signs.
The
mother of all coffee-table books. Fabulous photos by Araldo de Luca, who’s
famous for shooting Tut’s personal effects in ways that show them at their
stunning best. And text written by T.G.H. James, long-time keeper of the
department of ancient Egypt at the British Museum and one of the great
authorities on the teenage king and his era. If I’m stuck on a gnarly detail
about some of King Tut’s stuff, I turn here. I get information that I can
trust, and images that allow me to see the tiniest of evocative details.
The purpose of this book is to describe by text and illustration the extraordinary tomb of this seemingly unimportant king of the late Eighteenth Dynasty, with its exceptional contents. An introductory chapter sets the historical scene for the reign of Tutankhamun, placing it in the context of the anciently reviled period of heresy associated with King Akhenaten, and its disintegration after his death. Tutankhamun ruled on the point of the change back to a traditional Egyptian regime, with the rehabilitation of the old gods, a change, which was consolidated after his death by his general Horemheb. A second chapter discusses…
