Here are 100 books that Love. An Archaeology fans have personally recommended if you like
Love. An Archaeology.
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As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
The Bridge is a terrific and terrifying novella about womanhood, the patriarchate, technology, identity, and, ultimately, freedom. Its theme appeals to me as I have always been an ally of the women’s cause and JS Breukelaar does a great job describing a disturbing future if we are not more careful and respectful. What’s more, it is a great story, which embarks the reader in a dark and fascinating labyrinth. Both nightmarish and poetic, with references to ancient mythologies,The Bridge offers a unique reading experience. Although it’s very different stylistically from Margaret Atwood’s The Handmaid’s Tale, I nonetheless consider it to be a top-class feminist speculative fiction classic.
"I was raised by three sisters, one a witch, one an assassin and the third just batshit crazy." And so begins The Bridge, from Shirley Jackson Award, Aurealis Award, Shadows Award, and Wonderland Award finalist, J.S. Breukelaar. Meera and her twin sister Kai are among thousands of hybrid women—called Mades—bred by the Father in his Blood Temple cult. Meera is rescued by a mysterious healer and storyteller, Narn, but her sister, Kai, does not survive the Father's "unmaking." Years later, when the cult is discovered and abolished, Meera, still racked with guilt and grief, enrolls in college to take advantage…
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
Jordan Krall is, in my opinion, one of the greatest speculative fiction writers alive today. This novella takes simultaneously place in two different locations: on a spaceship on its way to Mars and in a unnamed city, both with a main character that may or may not be the same. Easy to read, but difficult to understand, Beyond is both a pleasure and a riddle, challenging the reader in the most satisfying way. Dealing with the questions of identity, metaphysical anguish, and conspiracy theories, it radically breaks apart the world as we know it.
Find yourself on a starship as it lumbers across the desert.Find yourself on a train looking out at the stars, the earth a blue marble in the infinite black abyss behind you. Find yourself overdosing on narcotics in a bathtub at home.The Red Planet.Pharmaceuticals.The Demiurge.Assassins.Suicide bombers.Underground railroads between worlds.What mysteries link them? Pull back the veil and see. In Beyond the Great, Bloody, Bruised and Silent Veil of this World author Jordan Krall creates a wholly unique experience; all at once revelatory, hypnotic, and hallucinatory. All literal, all parable, all a twisted drug-trip. So read on and know this; it's…
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
InI Dream Of Mirrors, Scottish writer Chris Kelso describes a nightmarish virtual world in which a self-proclaimed prophet who turns his followers into obedient programs by erasing their memories. The two main protagonists, a nameless narrator, and his unreliable partner Kad, are rebels who want to find out the truth. I absolutely love this book, as it challenges our vision of technological progress and what we assume is our identity. Remarkably well written and with a fantastic pace, it is, in my eyes, a true underground classic, on par with William Gibson’s world-famous Neuromancer.
My bones feel new, brittle. You won’t have heard any apocryphal stories about me because no one seems to know anything about me. My body is a sheet of paper from a worn manuscript, folded into the origami shape of a man. My life has been stuffed into a satchel and carried to publishers. Its words are my words.
He has no name. He belongs to no race or nation. He has no definable personality or allegiance. Only the dead city of mirrors holds the key.
From the mind of Chris Kelso, author of The Dregs Trilogy, comes I Dream…
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
In Claiming T-Mo, Australian-African writer Eugen Bacon re-invents and shatters all the familiar codes of the magical sci-fi genre. A novel about women, magic, fate, and freedom, Claiming T-Mo is also a deep reflection on motherhood, love, masculinity, and identities. As the different female narrators share their views and feelings about T-Mo, the elusive central character, more questions about filiation and heritage unroll, making the reader a part of the quest. I love Eugen Bacon because she is an incredibly versatile talent, who turns everything she writes about into pure gold.
In this lush interplanetary tale, Novic is an immortal Sayneth priest who flouts the conventions of a matriarchal society by choosing a name for his child. This act initiates chaos that splits the boy in two, unleashing a Jekyll-and-Hyde child upon the universe. Named T-Mo by his mother and Odysseus by his father, the story spans the boy’s lifetime — from his early years with his mother Silhouette on planet Grovea to his travels to Earth where he meets and marries Salem, and together they bear a hybrid named Myra. The story unfolds through the eyes of these three distinctive…
I am a curious, passionate, and introspective woman. My values have led me to a quest to have a profound impact on the world and leave a legacy of healing. Each book on my list has profoundly impacted me and led me to challenge my values, rethink my priorities, heal my inner turmoil, and use my lived experience to help others lead a more meaningful life.
I found this book, which I read over fifty years ago, opening my eyes to the foundation of feminism. It taught me that all genders have both traditional female characteristics and male characteristics.
Having been raised to be the beautiful and dutiful wife, this book gave me the courage to exert my autonomy and appreciate that I held a voice of wisdom that couldn’t be commandeered by another person.
In this quietly provocative book, Carolyn G. Heilbrun opens our eyes to the ways in which the concept of androgyny-the realization of man in woman and woman in man-has run, like a hidden river, from its source in pre-Hellenic myth through the literature of the Western world. The androgynous ideal shows itself to be a creative and civilizing force conducive to the survival of a truly human society.
I'm an art, performance, and music junkie. I love spectacle. My writing career began with articles in the political underground press of the 1970s and I've always seen art and entertainment as ‘political’ in their messages and in the emotions they incite. Tennis for me is part of a cultural spectrum embracing fashion, city and recreational life, film and artistic counter cultures, all creating a world of excitement and passion, so my writing on tennis is part of a wider project: to try to answer the questions of why these performances are so much more than ‘just’ entertainment, why they give passion and meaning to life, and why they are inspirational.
This beautiful book is the catalogue of an art exhibition devoted to paintings and photographs that capture the world of tennis, demonstrating the close link between art and the sport. Indeed, many enthusiasts see tennis as an art in its own right and this book should convince any waverers. The gorgeous coloured and black and white illustrations range from late Victorian genre scenes of tennis as a social event including champagne, strawberries, and flirtation, on through the androgynous twenties and thirties and its development into the modern power game. Accompanying essays trace the game’s wider cultural influence. Here you will find above all the languor and elegance of social tennis and especially the centrality of women to it, from ladies playing in bustles and high heels to the Williams sisters in skin-tight miniskirts.
"Court on Canvas: Tennis in Art" celebrates the origins of the game in Birmingham and explores the ways in which tennis has inspired artists from the mid-nineteenth century onwards. The book guides us from the origins of the game as a genteel pastime for the upper classes, through its codification as a sport, to the international high-earning power game of today. It illustrates the changes in fashion associated with the sport and the important role tennis played in the emancipation of women in the early part of the twentieth century. The book contains a survey of images of tennis in…
I’ve been meditating since I’m 10 years old, constantly inquiring about why humans are suffering. This led me on a very introspective journey into tantra. After travelling the world for over two decades to study tantric lineages and spiritual traditions, I founded The New Tantra in 2010 and developed a range of workshops with ground-breaking sexual practices. Through this crazy, wild, and genderfluid exploration, I’ve taught thousands of people how to improve their sex lives and experience sexuality in a totally different way. I believe that by dealing with our sexual conditioning, we can live more playful, innocent, and happier lives for ourselves and the future generations to come.
Professor Paglia’s books are a tad academic for most people’s taste, but I find it important to feature her here. In this book, she stirs up important questions around gender and sex. It seems that we are steadily moving towards a growing acceptance of diversity to the point in which androgyny is even becoming a desirable trait. Being genderfluid myself, I’ve sometimes asked myself these questions daily. In order to have more spiritual sex, it’s important that we accept and acknowledge our desires, and I’m all for supporting the full expression of feminine and masculine in both women and men. On top of this, Paglia is a real provocateur, which I like and can relate to. Truly one of the bright minds of our time.
From the fiery intellectual provocateur - and one of our most fearless advocates of gender equality - a brilliant, urgent essay collection that both celebrates modern feminism and affirms the power of men and women and what we can accomplish together.
I began my own writing journey in 2007. I skipped many HS classes just to stay home and read. I want to know the ending of a story. I want happy ending. Life is hard, but when I have the ability to write the stories I write with the ending that so many are deprived of, at least I know I can find it in a book of my own choosing. That is my love of romance.
If you love Indiana Jones or tales of King Soloman’s Mines then this is a great book. Very sexy. I will say (because it’s an old book, and yes, I’ve read and re-read it many times. It’s just that good!)
There is major head-hopping, but the story is so compelling that you can actually see past that. As a young girl, the heroine followed in her father’s archeological footsteps. Her father was known as Crackpot Sherman and she is out to prove he was not a crackpot, but things don’t look too promising.
A trek up the Amazon and Rio Negro rivers and a thousand miles through the jungle in a search for the heart of an unknown tribe. Family dynamics, a frustrated, but, definitely, a hero to die for. One of the best stories that will keep you turning the pages, when you are just dying to put it…
A fabulous lost Amazon city once inhabited by women warriors and containing a rare red diamond: it sounded like myth, but archaeologist Jillian Sherwood believed it was real, and she was willing to put up with anything to find it-even Ben Lewis.
Ruffian, knock-about, and number one river guide in Brazil, Ben was all man-over six feet of rock-hard muscles that rippled under his khakis, with lazy blue eyes that taunted her from his tanned face. Jillian watched him come to a fast boil when she refused to reveal their exact destination upriver in the uncharted rain forests-and resolved to…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I first read this book when I was trying to pull together all the disparate locations, time periods, and art movements for my book.
This task was a little overwhelming and Digging Up Britaintaught me how to make choices about what to include and what to leave out, how to weave it all into a narrative that makes sense, and how to bring prehistory to life.
Unusually, this book travels back in time as we travel through it. It is like an archaeological dig – we start with the Vikings and then the Staffordshire Hoard but end up with the Star Carr deer hunters and a million years of history.
It is a book you can dip into or read cover to cover (as I did) and it has some good illustrations and maps throughout.
Britain has long been fascinated with its own history and identity, as an island nation besieged by invaders from beyond the seas: the Romans, Vikings and Normans. The long saga of prehistory is often forgotten - but our understanding of our past is changing.
Mike Pitts presents ten astounding archaeological discoveries that shed new light on those who came before us, and radically altered the way we think about our history. His compelling, sometimes teasing, archaeological odyssey illustrates the diversity, complexity and sheer strangeness of the lives that represent Britain's past.
I have three lifelong passions, the first was reading, then writing, and then archaeology/history. To this end I studied and trained as an archaeologist before I sat down and decided to write stories set in the past as a way of bringing it to life. Of course, there had to be an adventure, a bit of a mystery, and a dash of magic to bring it all together. The books on my list are just a few of those that I have enjoyed reading during my hunt to get to know the past in intimate detail – on my own time travelling journey.
I have always admired people who can bring the past to life in a visual way and in this book, Victor Ambrose draws and paints the lives of people and places from the past.
The text is provided by Mick Aston, a well-known archaeologist of Time Team fame. Many of the places featured in this book were sites investigated by the Time Team. The book is full to the brim with excellent illustrations of places and perhaps importantly they are then peopled with interesting characters (for fans of Time Team, you may recognize a few faces).
This book makes it easy to travel back in time, to visualize what life may have been like for people way back when which is why I recommend it to any potential time travelers.
Since 1994, when the first "Time Team" program was broadcast, archaeology has been brought to life for millions of people by Victor Ambrus and Mick Aston. Victor has produced hundreds of sketches and drawings of archaeological sites and the lives of those who would have inhabited them. For the first time, his drawings of individual excavations have been brought together to provide a dramatic chronological survey of British history—from Stone Age to modern via the Romans, the Vikings, and more. Add to this Mick Aston's lively explanations and photographs, and you have an archaeological collaboration which is guaranteed to delight.
