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I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired. Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center. Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.
Chaco Canyon was a great capital of the Pueblo world, flourishing from about 850 to 1130 in an unlikely remote, desolate canyon in northwestern New Mexico. In that bleak setting, monumental “Great Houses” rose, the ruling elites’ (relatively) palatial homes. Chaco’s region was about the size of Ohio, with perhaps 100,000 people in 200+ villages, scattered at likely agricultural areas – wet places in the high desert. At each settlement, a small Great House loomed over the town, on a rise or hill. The far-flung villages were connected to Chaco (and to each other) by a network of “roads” and an intricate line-of-sight signaling system, working with smoke and mirrors.
We didn’t know any of this when I started out in archaeology in the early 1970s. The hot textbook of that time lamented, regarding Chaco, that “Less is really known about the area than of almost any other southwestern district.”…
Startling discoveries and impassioned debates have emerged from the Chaco Phenomenon since the publication of New Light on Chaco Canyon twenty years ago. This completely updated edition features seventeen original essays, scores of photographs, maps, and site plans, and the perspectives of archaeologists, historians, and Native American thinkers. Key topics include the rise of early great houses; the structure of agricultural life among the people of Chaco Canyon; their use of sacred geography and astronomy in organizing their spiritual cosmology; indigenous knowledge about Chaco from the perspective of Hopi, Tewa, and Navajo peoples; and the place of Chaco in the…
I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired. Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center. Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.
The cliff-dwellings of Mesa Verde National Park are the most famous ruins in the Southwest. Mesa Verde was the USA’s first archaeological site to make UNESCO’s World Heritage list (later joined by Chaco Canyon, Cahokia, and Poverty Point). But there was much more to the story than the cliff-dwellings – defensive settlements, the last-gasp before the entire “Four Corners” region was completely depopulated, with towns moving out to modern descendant communities from the Hopi Pueblos on the west through the Pueblos of Zuni and Acoma, and to the many Rio Grande Pueblos on the east. More than cliff-dwellings: the largest “Mesa Verde” sites are not in the National Park, but instead villages and towns found across a 100-mile stretch from northwest New Mexico to southeast Utah. The organization doing the most important research in that larger Mesa Verde area is Crow Canyon Archaeological Center, in Cortez, Colorado – an organization…
Mesa Verde, with its stunning landscapes and cliff dwellings, evokes all the romance of American archaeology. It has intrigued researchers and visitors for more than a century. But "Mesa Verde" represents more than cliff dwellings--its peoples created a culture that thrived for a thousand years in Southwestern Colorado and southeastern Utah. Archaeologists have discovered dozens of long-buried hamlets and villages spread for miles across the Great Sage Plain west and north of Mesa Verde. Only lately have these sites begun to reveal their secrets.
In recent decades, archaeologists have been working intensively in the Mesa Verde region to build the…
I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired. Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center. Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.
Contemporary with Mesa Verde’s cliff-dwellings and Chaco’s Great Houses, the Hohokam of southern Arizona too often fly under the radar. Their extensive settlements were constructed of mud and thatch – materials of the desert – and consequently Hohokam sites are mostly flat fields littered with potsherds. Ansel Adams never photographed a Hohokam site. There are exceptions: towering berms delimit oval ball courts (a local version of the Mesoamerican ball game) and vast canal systems which moved water many miles to the farm fields that underwrote the civilization. Hohokam was centered in Phoenix, but the civilization stretched from Gila Bend, Arizona on the west to Safford, Arizona on the east, and from Flagstaff on the north to Tucson on the south – the latter, the setting for my brief Hohokam fieldwork in the late 1980s. That fieldwork and my studies of Hohokam collections in museums, opened my eyes: I had no…
For a thousand years they flourished in the arid lands now part of Arizona. They built extensive waterworks, ballcourts, and platform mounds, made beautiful pottery and jewelry, and engaged in wide-ranging trade networks. Then, slowly, their civilization faded and transmuted into something no longer Hohokam. Are today's Tohono O'odham their heirs or their conquerors? The mystery and the beauty of Hohokam civilization are the subjects of the essays in this volume. Written by archaeologists who have led the effort to excavate, record, and preserve the remnants of this ancient culture, the chapters illuminate the way the Hohokam organized their households…
I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired. Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center. Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.
One of the most important Southwestern sites isn’t in the USA’s “Southwest.” This is the site of Paquimé, in the Mexican state of Chihuahua. Paquimé (pronounced pah-key-may) was the capital city of a region that encompassed much of northeastern Chihuahua and portions of southern New Mexico, from 1250 to 1450. While Pueblo people to the north recovered from the traumas of Chaco by deliberately simplifying their societies, Paquimé rose in glittering glory with a massive city center (hence Paquimé’s other name, Casas Grandes) surrounded by Mesoamerican-style ball courts, (small) pyramids, a football-field-long effigy of a plumed serpent, and all the wealth in the world: for example, copper artifacts fancier and more plentiful than at many central Mexican sites, and 500+ colorful macaws – birds brought up from the tropical south and bred at Paquimé.
The list of the architectural and artifactual wonders goes on and on. Archaeologists were aware of…
In the mid-1560s Spanish explorers marched northward through Mexico to the farthest northern reaches of the Spanish empire in Latin America. They beheld an impressive site known as Casas Grandes in the Mexican state of Chihuahua. Row upon row of walls featured houses and plazas of what was once a large population center, now deserted. Called Casas Grandes (Spanish for “large houses”) but also known as Paquimé, the prehistoric archaeological site may have been one of the first that Spanish explorers encountered. The Ibarra expedition, occurring perhaps no more than a hundred years after the site was abandoned, contained a…
As an interdisciplinary scholar with professional musical training, I surveyed the literature in cognitive science for conceptual frameworks that would shed light on tacit processes in musical activity. I was tired of research that treats the musician either as a “lab rat” not quite capable of fully understanding what they do or as a “channel” for the mysterious and divine. I view musicians as human beings who engage in meaningful activity with instruments and with each other. Musicians are knowledgeable, skilled, and deeply creative. The authors on this list turn a scientific lens on human activity that further defines how we make ourselves through meaningful work and interactions.
I love the way Malafouris delves into deeply philosophical questions about the boundaries of the mind. Working from the perspective of cognitive archeology, he broadly examines what makes us human in our engagement with objects and each other. Why does it help to understand the mind this way? Whenever we want to learn more about how we do the things we do, theories like Malafouris’material engagement theory can help us to organize familiar tasks and situations in a way that makes the underlying cognitive processes transparent. If you want to improve your performance in any area, conceptual frameworks like this one (and the one in my book) can bring tacit processes into focus.
An account of the different ways in which things have become cognitive extensions of the human body, from prehistory to the present.
An increasingly influential school of thought in cognitive science views the mind as embodied, extended, and distributed rather than brain-bound or “all in the head.” This shift in perspective raises important questions about the relationship between cognition and material culture, posing major challenges for philosophy, cognitive science, archaeology, and anthropology. In How Things Shape the Mind, Lambros Malafouris proposes a cross-disciplinary analytical framework for investigating the ways in which things have become cognitive extensions of the human body.…
I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
Although we often dismiss souvenirs as kitsch, they can be deeply meaningful to people, both today and in antiquity. Taking a phenomenological approach to ancient Roman souvenirs of places, Kimberly Cassibry shows how people would have held, used, and interacted with small objects showing seaside resort towns on the Bay of Naples, the Circus Maximus in Rome, Hadrian’s Wall in Britain, and the western empire’s network of imperial roads. Her book taught me just how large makers and materials loom in how places came to be represented and conceptualized in Roman antiquity. I love that Cassibry forces me to think anew about my own travel souvenirs and how I interact with them to make meaning of places my loved ones or I have visited.
In Destinations in Mind, Kimberly Cassibry asks how objects depicting different sites helped Romans understand their vast empire. At a time when many cities were written about but only a few were represented in art, four distinct sets of artifacts circulated new information. Engraved silver cups list all the stops from Spanish Cadiz to Rome, while resembling the milestones that helped travelers track their progress. Vivid glass cups represent famous charioteers and gladiators competing in circuses and amphitheaters, and offered virtual experiences of spectacles that were new to many regions. Bronze bowls commemorate forts along Hadrian's Wall with colorful enameling…
My passion for ancient history and archaeology began in secondary school when I started learning Latin and we were taken on a field trip to Fishbourne Roman Palace. By the time I started my MA at Bristol, my obsession with ancient Roman housing was well and truly established, and it quickly became clear to me that this was the area that I wanted to study for my PhD. Now as an Associate Professor in Ancient History and Archaeology at Royal Holloway, University of London, I have been very lucky to study and teach a range of areas in ancient history and archaeology, including my beloved area of the Roman domestic realm.
Hamilakis’s Archaeology and the Senses was one of the first books I read when starting to explore multisensory history, and it totally altered my view of how we study the past.
Focusing on Bronze-Age Crete, Hamilakis examines how archaeology has engaged with the bodily senses thus far and critiques its emphasis on sight and the traditional hierarchy of the five senses in the west.
Moreover, he proposes an innovative and exciting means by which archaeology can move beyond its focus on visual experiences of artefacts, environments, and materials to bring in lost and neglected, yet just as important, bodily senses such as sound, smell, taste, and touch.
Through this approach to archaeology he seeks to evoke a deeper, richer insight into the breadth of human experience in past societies.
This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritising isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age…
Observant of the world around me, and intellectual, I discovered my ideal way of life at age 16 when I read Kroeber's massive textbook Anthropology, 1948 edition. Anthropologists study everything human, everywhere and all time. Archaeology particularly appealed to me because it is outdoors, physical, plus its data are only the residue of human activities, challenging us to figure out what those people, that place and time, did and maybe thought. As a woman from before the Civil Rights Act, a career was discouraged; instead, I did fieldwork with my husband, and on my own, worked with First Nations communities on ethnohistorical research. Maverick, uppity, unstoppable, like in these books.
Read this book along with the other handsomely published book, Hidden Scholars, and we have a pair that opens up the idealized Southwest and the ideology of White Supremacy behind it. Schemes and sufferings, deals and derring-do abounded in the territory that now boasts our U.S. Secretary of the Interior, Laguna Pueblo citizen Deb Haaland. Don Fowler and his wife Catherine Fowler are themselves archaeologists/ethnographers in the Southwest borderland, my longtime good friends and colleagues, with an eye for arresting details and a story-telling style that make this book a gripping account of how the Romantic Ruins and fascinating Pueblos were created out in America's desert.
Initially published in 2000, this beautiful paperback reprint of respected archaeologist Don Fowler's A Laboratory for Anthropology tells the sweeping history tells of an idea, "The Southwest," through the development of American anthropology and archaeology.
For eighty years following the end of the Mexican-American War, anthropologists described the people, culture, and land of the American Southwest to cultural tastemakers and consumers on the East Coast. Digging deeply into public and private historical records, the author uses biographical vignettes to recreate the men and women who pioneered American anthropology and archaeology in the Southwest. He explores institutions such as the Smithsonian,…
Observant of the world around me, and intellectual, I discovered my ideal way of life at age 16 when I read Kroeber's massive textbook Anthropology, 1948 edition. Anthropologists study everything human, everywhere and all time. Archaeology particularly appealed to me because it is outdoors, physical, plus its data are only the residue of human activities, challenging us to figure out what those people, that place and time, did and maybe thought. As a woman from before the Civil Rights Act, a career was discouraged; instead, I did fieldwork with my husband, and on my own, worked with First Nations communities on ethnohistorical research. Maverick, uppity, unstoppable, like in these books.
Out of the feminist movement in American archaeology came this thick testament to the number and importance of women archaeologists and ethnographers who worked in the American Southwest before the U.S. Civil Rights Act made discrimination illegal. As a woman who had been ignored and even brutally put down by men archaeologists, reading of these hardworking, persistent, and some of them brilliant women thrilled me. Over and above the revelations of great researchers who often collaborated with First Nations people, the book is a treasure of stories about pioneer conditions in the Southwest, discoveries of famous ruins, and early anthropologists breaking through into native communities.
Women scholars, writers, curators, and philanthropists have played important roles in the study of Native American cultures of the Southwest. For much of the twentieth century, however, their work has been overlooked. The essays in this book, which grew out of the landmark conference known as Daughters of the Desert, help to rectify the appropriation, erasure, disparagement, and invisibility that many women anthropologists have suffered. A number of essays are biographical or intellectual histories, such as Parezo on Matilda Coxe Stevenson, Hieb on Elsie Clews Parsons, Babcock on Ruth Benedict, Lamphere on Gladys Reichard, and Lange on Esther Goldfrank. Others…
I’m fascinated by the mountain wilderness and national parks of my home state, Colorado. In my younger days, I hiked to the mountain lakes of the Sangre de Cristo range near my hometown and then later the high-country trails of northern Colorado and Rocky Mountain National Park. When I began writing the Timber Creek K-9 Mysteries, I combined my experience as a veterinarian’s wife with my love of the great outdoors and dogs to create Killing Trail, book one of eight in my series that features Deputy Mattie Cobb, her K-9 partner Robo, and veterinarian Cole Walker. Together they solve mysteries in the fictional mountain community of Timber Creek, Colorado.
Saguaro Sanction is the eighth book in Scott Graham’s National Park Mystery series.
I have read every one of Graham’s books, because I love being swept into the backcountry of one of the nation’s national parks and learning about issues that affect that particular location. I also love characters Chuck Bender, an archeologist, his wife Janelle Ortega, and her two daughters Carmelita and Rosie.
Graham is a master storyteller and provides a perfect balance as he weaves in details about this engaging family, the vivid descriptions of park landscapes, and educational elements to deliver an entertaining mystery.
Saguaro Sanction focuses on the cultural and historic aspects of Saguaro National Park and its mystery stands alone, but for the full scope of the characters’ stories, start with book one, Canyon Sacrifice.
Janelle Ortega and Chuck Bender are drawn deep into a threatening web of hostility and deceit in Saguaro National Park in this page-turner of a mystery.
"A winning blend of archaeology and intrigue, Graham's series turns our national parks into places of equal parts beauty, mystery, and danger.” —EMILY LITTLEJOHN, author of Lost Lake
When Janelle Ortega’s cousin from Mexico is found brutally murdered at a remote petroglyph site in Saguaro National Park, she and her husband, archaeologist Chuck Bender, are drawn deep into a threatening web of hostility and deceit stretching south across the US-Mexico border and back in…
