Here are 100 books that How Things Shape the Mind fans have personally recommended if you like
How Things Shape the Mind.
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I've always been deeply fascinated with the sea and its creatures. While researching my book, I was amazed to discover just how extraordinarily intelligent and sensitive octopuses are. This led to an enduring obsession with these fascinating animals and inspired a resolution: as much as I love octopus salad, I can’t bring myself to eat an animal capable of opening child-proof jars.
The mystery of consciousness and the fascinating world of octopuses—two of my favorite topics—come together in this book. In the opening chapter, the author, a philosopher and scuba diver, declares, “Octopuses are the closest we will come to meeting an intelligent alien.”
The book delves into how octopuses evolved independently from vertebrates, leading to features like their decentralized nervous system—each arm functions as if it has its own brain alongside a central brain. This unique “design” makes octopuses an ideal subject for exploring the concept of consciousness.
The book often raises more questions than it answers—it occasionally left me feeling frustrated. However, as a philosophical work, this is perhaps fitting since the true nature of consciousness remains a mystery.
'Brilliant' Guardian
'Fascinating and often delightful' The Times
SHORTLISTED FOR THE 2017 ROYAL SOCIETY SCIENCE BOOK PRIZE
What if intelligent life on Earth evolved not once, but twice? The octopus is the closest we will come to meeting an intelligent alien. What can we learn from the encounter?
In Other Minds, Peter Godfrey-Smith, a distinguished philosopher of science and a skilled scuba diver, tells a bold new story of how nature became aware of itself - a story that largely occurs in the ocean, where animals first appeared.
Tracking the mind's fitful development from unruly clumps of seaborne cells to…
As an interdisciplinary scholar with professional musical training, I surveyed the literature in cognitive science for conceptual frameworks that would shed light on tacit processes in musical activity. I was tired of research that treats the musician either as a “lab rat” not quite capable of fully understanding what they do or as a “channel” for the mysterious and divine. I view musicians as human beings who engage in meaningful activity with instruments and with each other. Musicians are knowledgeable, skilled, and deeply creative. The authors on this list turn a scientific lens on human activity that further defines how we make ourselves through meaningful work and interactions.
I love this book because it demonstrates the human value of being excellentin personal and professional contexts. Like many musicians, I strive for excellence and in this book Schwartz & Sharpe draw a picture of excellence that includes “practical wisdom” – knowing how to do the right thing at the right time in the right way for the right reasons. A lovely book that is sure to be a helpful guide for those of us seeking personal fulfillment through any kind of meaningful activity.
A reasoned yet urgent call to embrace and protect the essential, practical human quality that has been drummed out of our lives: wisdom.
It's in our nature to want to succeed. It's also human nature to want to do right. But we've lost how to balance the two. How do we get it back?
Practical Wisdom can help. "Practical wisdom" is the essential human quality that combines the fruits of our individual experiences with our empathy and intellect-an aim that Aristotle identified millennia ago. It's learning "the right way to do the right thing in a particular circumstance, with a…
As an interdisciplinary scholar with professional musical training, I surveyed the literature in cognitive science for conceptual frameworks that would shed light on tacit processes in musical activity. I was tired of research that treats the musician either as a “lab rat” not quite capable of fully understanding what they do or as a “channel” for the mysterious and divine. I view musicians as human beings who engage in meaningful activity with instruments and with each other. Musicians are knowledgeable, skilled, and deeply creative. The authors on this list turn a scientific lens on human activity that further defines how we make ourselves through meaningful work and interactions.
This is a moving and profound book about how to reclaim our sense of self through meaningful activities and relationships. Crawford carefully studies how our attention is manipulated in various modern contexts, and what we can do to reclaim our sense of individuality. It is a book that underscores the importance of dealing with the real world—the people we encounter and the objects we use. This is the book that might convince you to take up knitting or the guitar. At the very least, it will help you understand some of what you gain by doing those things.
In his bestselling book Shop Class as Soulcraft, Matthew B. Crawford explored the ethical and practical importance of manual competence, as expressed through mastery of our physical environment. In his brilliant follow-up, The World Beyond Your Head, Crawford investigates the challenge of mastering one's own mind.
We often complain about our fractured mental lives and feel beset by outside forces that destroy our focus and disrupt our peace of mind. Any defense against this, Crawford argues, requires that we reckon with the way attention sculpts the self.
Crawford investigates the intense focus of ice hockey players and short-order chefs, the…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
As an interdisciplinary scholar with professional musical training, I surveyed the literature in cognitive science for conceptual frameworks that would shed light on tacit processes in musical activity. I was tired of research that treats the musician either as a “lab rat” not quite capable of fully understanding what they do or as a “channel” for the mysterious and divine. I view musicians as human beings who engage in meaningful activity with instruments and with each other. Musicians are knowledgeable, skilled, and deeply creative. The authors on this list turn a scientific lens on human activity that further defines how we make ourselves through meaningful work and interactions.
When I was a musician encountering theory in cognitive science for the first time, this book really moved me. I was searching for conceptual lenses on cognition in instrumental practice and this book is aimed at grounding the study of cognition in the body. I can still see myself sitting at a huge ugly desk under a tiny window thoroughly absorbed in this thrilling page-turner in the philosophy of mind. The book moved me so profoundly that I cried when I approached the last page, and gently closed the back cover. It is a precious book. It changed my world.
"There are books-few and far between-which carefully, delightfully, and genuinely turn your head inside out. This is one of them. It ranges over some central issues in Western philosophy and begins the long overdue job of giving us a radically new account of meaning, rationality, and objectivity."-Yaakov Garb, San Francisco Chronicle
I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired. Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center. Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.
My archaeological career began in 1971 in the Mimbres region of Southwestern New Mexico. I continued to work in the area, on and off, until 2013. Along the way, I wrote four books and many chapters/articles about Mimbres, and I formed some strong opinions on ancient Mimbres history.
Centered in the Mimbres River valley, the Mimbres built about twenty sizable stone villages at the same time as Chaco Canyon, from 1000 to 1125. Their towns were notably large for the time, fueled by sophisticated canal irrigation (probably adopted from the Hohokam, see above). But Mimbres is most famous for its remarkable black-on-white pottery: artfully-painted bowl interiors show bugs, fish, antelopes, birds, and people – people doing things, tableaus of daily life, esoteric rituals, mythical events. These images appeal strongly to us, today. In ancient times, however, Mimbres bowls and Mimbres art seems to have been limited to the Mimbres region…
People have called the mountains, rolling hills, wide valleys, and broad desert plains of southwestern New Mexico home for at least ten thousand years. When they began to farm a little over two thousand years ago, they settled near the rich soils in the river floodplains. Then, around 900, the people of this region burned all of their kivas and started gathering in large villages with small ritual spaces and open plazas. Between 900 and about 1100, they also made the intricately painted geometric and figurative bowls today called Mimbres, their best-known legacy. Then, in the 1130s, they stopped making…
I love exploring new places, buildings, and artworks. Luckily, my job, as a professor of ancient Roman art history at Case Western Reserve University in Cleveland, Ohio, allows me to do so! I am fascinated by the material culture of the Roman Empire and the ways in which buildings and objects—whether grand monuments like the Pantheon in Rome or humbler items like a terracotta figurine of a gladiator—shape how we experience the world and relate to other people. Whether I am living in Paris or Rome, excavating in Greece or Italy, or traveling elsewhere in the former lands of the Roman Empire, these topics are never far from my mind.
Although we often dismiss souvenirs as kitsch, they can be deeply meaningful to people, both today and in antiquity. Taking a phenomenological approach to ancient Roman souvenirs of places, Kimberly Cassibry shows how people would have held, used, and interacted with small objects showing seaside resort towns on the Bay of Naples, the Circus Maximus in Rome, Hadrian’s Wall in Britain, and the western empire’s network of imperial roads. Her book taught me just how large makers and materials loom in how places came to be represented and conceptualized in Roman antiquity. I love that Cassibry forces me to think anew about my own travel souvenirs and how I interact with them to make meaning of places my loved ones or I have visited.
In Destinations in Mind, Kimberly Cassibry asks how objects depicting different sites helped Romans understand their vast empire. At a time when many cities were written about but only a few were represented in art, four distinct sets of artifacts circulated new information. Engraved silver cups list all the stops from Spanish Cadiz to Rome, while resembling the milestones that helped travelers track their progress. Vivid glass cups represent famous charioteers and gladiators competing in circuses and amphitheaters, and offered virtual experiences of spectacles that were new to many regions. Bronze bowls commemorate forts along Hadrian's Wall with colorful enameling…
My passion for ancient history and archaeology began in secondary school when I started learning Latin and we were taken on a field trip to Fishbourne Roman Palace. By the time I started my MA at Bristol, my obsession with ancient Roman housing was well and truly established, and it quickly became clear to me that this was the area that I wanted to study for my PhD. Now as an Associate Professor in Ancient History and Archaeology at Royal Holloway, University of London, I have been very lucky to study and teach a range of areas in ancient history and archaeology, including my beloved area of the Roman domestic realm.
Hamilakis’s Archaeology and the Senses was one of the first books I read when starting to explore multisensory history, and it totally altered my view of how we study the past.
Focusing on Bronze-Age Crete, Hamilakis examines how archaeology has engaged with the bodily senses thus far and critiques its emphasis on sight and the traditional hierarchy of the five senses in the west.
Moreover, he proposes an innovative and exciting means by which archaeology can move beyond its focus on visual experiences of artefacts, environments, and materials to bring in lost and neglected, yet just as important, bodily senses such as sound, smell, taste, and touch.
Through this approach to archaeology he seeks to evoke a deeper, richer insight into the breadth of human experience in past societies.
This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritising isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age…
When we were young and naughty, our parents only had to give my sister The Look, and she’d burst into tears. Me, I would stare right back at them and demand, “What?” Fiercely. In fact I often got in trouble for “arguing,” (when all I was really trying to do was make my case because I felt misunderstood). These days people describe me as someone who doesn’t care what other people think. I forge my own path, staunchly, proudly, and so I am drawn to heroines who do the same, who fly in the face of societal expectations to fight for truth and science and what is right.
I was taken by this book from the moment I read the description. An intrepid archaeologist and fossil hunter trespassing on the lands of a hermit who literally wants her to get off his lawn? What could possibly go wrong! In Effie we have another heroine who is interested in science, knows her own biology, and is quite willing to explore it with the right sort of man. She’s a virgin, but she’s not a wilting young flower. She’s more of a curious pragmatist. In Max we have another damaged hero, and oh my goodness I am a sucker for a hero with terrible events in his past which have left him with physical scars as well as mental ones. I also love a good grumpy sunshine trope.
After losing all he holds dear in a horrific fire, Max Aldersley, Earl of Rivenhall, shuns the world - until he catches Effie Nithercott digging holes on his estate! He banishes the intrepid archaeologist and the disturbing feelings she rouses within him. But she returns even more determined and infuriatingly desirable than before! He's determined she'll never reach the man beneath the scars...no matter how deep she digs!
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I first read this book when I was trying to pull together all the disparate locations, time periods, and art movements for my book.
This task was a little overwhelming and Digging Up Britaintaught me how to make choices about what to include and what to leave out, how to weave it all into a narrative that makes sense, and how to bring prehistory to life.
Unusually, this book travels back in time as we travel through it. It is like an archaeological dig – we start with the Vikings and then the Staffordshire Hoard but end up with the Star Carr deer hunters and a million years of history.
It is a book you can dip into or read cover to cover (as I did) and it has some good illustrations and maps throughout.
Britain has long been fascinated with its own history and identity, as an island nation besieged by invaders from beyond the seas: the Romans, Vikings and Normans. The long saga of prehistory is often forgotten - but our understanding of our past is changing.
Mike Pitts presents ten astounding archaeological discoveries that shed new light on those who came before us, and radically altered the way we think about our history. His compelling, sometimes teasing, archaeological odyssey illustrates the diversity, complexity and sheer strangeness of the lives that represent Britain's past.
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
Many, many years ago, Rose Macauley’s classic book, The Pleasure of Ruins, went a long way to inspiring my sense of wonder at the remnants of past worlds.
In this book, Roloff Beny interprets Macauley’s words in the same way that I attempt to encapsulate and share some of the feelings of awe I get when I visit these magical places.
