Here are 100 books that The Mesa Verde World fans have personally recommended if you like
The Mesa Verde World.
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I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired. Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center. Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.
Chaco Canyon was a great capital of the Pueblo world, flourishing from about 850 to 1130 in an unlikely remote, desolate canyon in northwestern New Mexico. In that bleak setting, monumental “Great Houses” rose, the ruling elites’ (relatively) palatial homes. Chaco’s region was about the size of Ohio, with perhaps 100,000 people in 200+ villages, scattered at likely agricultural areas – wet places in the high desert. At each settlement, a small Great House loomed over the town, on a rise or hill. The far-flung villages were connected to Chaco (and to each other) by a network of “roads” and an intricate line-of-sight signaling system, working with smoke and mirrors.
We didn’t know any of this when I started out in archaeology in the early 1970s. The hot textbook of that time lamented, regarding Chaco, that “Less is really known about the area than of almost any other southwestern district.”…
Startling discoveries and impassioned debates have emerged from the Chaco Phenomenon since the publication of New Light on Chaco Canyon twenty years ago. This completely updated edition features seventeen original essays, scores of photographs, maps, and site plans, and the perspectives of archaeologists, historians, and Native American thinkers. Key topics include the rise of early great houses; the structure of agricultural life among the people of Chaco Canyon; their use of sacred geography and astronomy in organizing their spiritual cosmology; indigenous knowledge about Chaco from the perspective of Hopi, Tewa, and Navajo peoples; and the place of Chaco in the…
I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired. Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center. Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.
Contemporary with Mesa Verde’s cliff-dwellings and Chaco’s Great Houses, the Hohokam of southern Arizona too often fly under the radar. Their extensive settlements were constructed of mud and thatch – materials of the desert – and consequently Hohokam sites are mostly flat fields littered with potsherds. Ansel Adams never photographed a Hohokam site. There are exceptions: towering berms delimit oval ball courts (a local version of the Mesoamerican ball game) and vast canal systems which moved water many miles to the farm fields that underwrote the civilization. Hohokam was centered in Phoenix, but the civilization stretched from Gila Bend, Arizona on the west to Safford, Arizona on the east, and from Flagstaff on the north to Tucson on the south – the latter, the setting for my brief Hohokam fieldwork in the late 1980s. That fieldwork and my studies of Hohokam collections in museums, opened my eyes: I had no…
For a thousand years they flourished in the arid lands now part of Arizona. They built extensive waterworks, ballcourts, and platform mounds, made beautiful pottery and jewelry, and engaged in wide-ranging trade networks. Then, slowly, their civilization faded and transmuted into something no longer Hohokam. Are today's Tohono O'odham their heirs or their conquerors? The mystery and the beauty of Hohokam civilization are the subjects of the essays in this volume. Written by archaeologists who have led the effort to excavate, record, and preserve the remnants of this ancient culture, the chapters illuminate the way the Hohokam organized their households…
I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired. Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center. Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.
One of the most important Southwestern sites isn’t in the USA’s “Southwest.” This is the site of Paquimé, in the Mexican state of Chihuahua. Paquimé (pronounced pah-key-may) was the capital city of a region that encompassed much of northeastern Chihuahua and portions of southern New Mexico, from 1250 to 1450. While Pueblo people to the north recovered from the traumas of Chaco by deliberately simplifying their societies, Paquimé rose in glittering glory with a massive city center (hence Paquimé’s other name, Casas Grandes) surrounded by Mesoamerican-style ball courts, (small) pyramids, a football-field-long effigy of a plumed serpent, and all the wealth in the world: for example, copper artifacts fancier and more plentiful than at many central Mexican sites, and 500+ colorful macaws – birds brought up from the tropical south and bred at Paquimé.
The list of the architectural and artifactual wonders goes on and on. Archaeologists were aware of…
In the mid-1560s Spanish explorers marched northward through Mexico to the farthest northern reaches of the Spanish empire in Latin America. They beheld an impressive site known as Casas Grandes in the Mexican state of Chihuahua. Row upon row of walls featured houses and plazas of what was once a large population center, now deserted. Called Casas Grandes (Spanish for “large houses”) but also known as Paquimé, the prehistoric archaeological site may have been one of the first that Spanish explorers encountered. The Ibarra expedition, occurring perhaps no more than a hundred years after the site was abandoned, contained a…
I was Curator of Archaeology at the Museum of Natural History, University of Colorado, Boulder; recently retired. Before landing at the University of Colorado, I held research, curatorial, or administrative positions with the University of Tennessee, Eastern New Mexico University, National Park Service Chaco Project, Arizona State Museum, Museum of New Mexico, and Crow Canyon Archaeological Center. Over four decades, I directed more than 20 archaeological projects throughout the Southwest. I wrote a dozen books, chapters in many edited volumes, and scores of articles in journals and magazines. While many of these were technical treatises, I also tried to write scholarly books accessible to normal intelligent readers.
My archaeological career began in 1971 in the Mimbres region of Southwestern New Mexico. I continued to work in the area, on and off, until 2013. Along the way, I wrote four books and many chapters/articles about Mimbres, and I formed some strong opinions on ancient Mimbres history.
Centered in the Mimbres River valley, the Mimbres built about twenty sizable stone villages at the same time as Chaco Canyon, from 1000 to 1125. Their towns were notably large for the time, fueled by sophisticated canal irrigation (probably adopted from the Hohokam, see above). But Mimbres is most famous for its remarkable black-on-white pottery: artfully-painted bowl interiors show bugs, fish, antelopes, birds, and people – people doing things, tableaus of daily life, esoteric rituals, mythical events. These images appeal strongly to us, today. In ancient times, however, Mimbres bowls and Mimbres art seems to have been limited to the Mimbres region…
People have called the mountains, rolling hills, wide valleys, and broad desert plains of southwestern New Mexico home for at least ten thousand years. When they began to farm a little over two thousand years ago, they settled near the rich soils in the river floodplains. Then, around 900, the people of this region burned all of their kivas and started gathering in large villages with small ritual spaces and open plazas. Between 900 and about 1100, they also made the intricately painted geometric and figurative bowls today called Mimbres, their best-known legacy. Then, in the 1130s, they stopped making…
The American Southwest never gets old. Exploring any of the Ancestral Pueblo sites is like walking back in time. Anasazi Medium takes the reader there. I love the land and the culture that has brought us to the present. My character, Santa Fe reporter Rachel Blackstone, reflects this. She is sarcastic at times, can be funny, and has her poignant moments as she copes with a “talent” she never wanted. In Anasazi Medium, I concocted a mixture of mystery, Hopi traditions and a journalist’s eye to entertain and inform. What resulted is a climate mystery in the most water-challenged state in the U.S. and a high adventure read.
Nevada Barr’s mysteries are so colorful I feel like I’m there with Anna Pigeon, solving the mystery and hiking the Anasazi ruins. Barr’s love of the land, wherever her stories take me, creates a real sense of place. In Barr’s Ill Wind, Anna has transferred to Mesa Verde National Park in Colorado. Barr brings authenticity to this series because she had a career as a park ranger. In a new park, Anna is missing her cat and lamenting the party life of her younger co-workers when a colleague is killed. One of the things I like about Anna is that she is so well written. Because of this, I feel I know her.
Lately, visitors to Mesa Verde have been bringing home more than photos--they're also carrying a strange, deadly disease. And once it strikes, park ranger Anna Pigeon must find the very human source of the evil wind.
My twin passions are science and history, and I try to have it both ways by writing a mix of alternate history and hard SF. I grew up in Yorkshire, England, enjoyed lots of family vacations at Hadrian’s Wall and other Roman-rich areas, and acquired degrees in Physics and Astrophysics from Oxford, but I’ve lived in the US for over half my life and now work for NASA (studying black holes, neutron stars, and other bizarre celestial objects). My novella of a Roman invasion of ancient America, A Clash of Eagles, won the Sidewise Award for Alternate History and formed the starting point for my Clash of Eagles trilogy from Del Rey, and Hot Moon, my alternate-Apollo thriller set entirely on and around the Moon, will be published by CAEZIK SF & Fantasy in 2022.
Meanwhile, in the American Southwest we have the Great House civilization of the “Anasazi” -- more correctly, the Ancestral Puebloan people -- renowned for creating Chaco Canyon and many other great cultural centers. (Chaco and its inhabitants figure strongly in my third book, Eagle and Empire.) Craig Childs’ book makes this area, and its peoples, and the sheer extent of their civilization, come alive. It’s a beautiful and evocative work of archeological detective work and exploration.
The greatest 'unsolved mystery' of the American Southwest relates to the Anasazi, the native peoples who in the 11th century converged on Chaco Canyon (now New Mexico) and built a flourishing cultural center that attracted pilgrims from far and wide, a vital crossroads of the prehistoric world. The Anasazis' accomplishments - in agriculture, in art, in commerce, in architecture and engineering - were astounding, rivaling those of the Mayans in distant Central America. By the 13th century, however, the Anasazi were gone from Chaco. Vanished. What was it - drought? pestilence? war? forced migration? mass murder or suicide? Craig Childs…
My twin passions are science and history, and I try to have it both ways by writing a mix of alternate history and hard SF. I grew up in Yorkshire, England, enjoyed lots of family vacations at Hadrian’s Wall and other Roman-rich areas, and acquired degrees in Physics and Astrophysics from Oxford, but I’ve lived in the US for over half my life and now work for NASA (studying black holes, neutron stars, and other bizarre celestial objects). My novella of a Roman invasion of ancient America, A Clash of Eagles, won the Sidewise Award for Alternate History and formed the starting point for my Clash of Eagles trilogy from Del Rey, and Hot Moon, my alternate-Apollo thriller set entirely on and around the Moon, will be published by CAEZIK SF & Fantasy in 2022.
I thought of maybe featuring an encyclopedia of Native American cultures for my fourth pick, but no: this is basically a big glossy coffee table book, but it provides fascinating descriptions of the many and varied prehistoric Southwestern cultures: the Anasazi, the Sinagua, and Mogollon, the Hohokam, and many other peoples and sites from Utah and Colorado down through Arizona and New Mexico into modern-day Mexico. Cities built into cliffs. Sophisticated irrigation systems helped them survive in the desertlands. Just awesome.
In this stunning large-format guidebook, journalist Cheek explores visually and archaeologically over 25 Southwestern prehistoric sites once belonging to the Anasazi, Hohokam, Sinagua, and other tribes and the reasons for their demise.
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I first read this book when I was trying to pull together all the disparate locations, time periods, and art movements for my book.
This task was a little overwhelming and Digging Up Britaintaught me how to make choices about what to include and what to leave out, how to weave it all into a narrative that makes sense, and how to bring prehistory to life.
Unusually, this book travels back in time as we travel through it. It is like an archaeological dig – we start with the Vikings and then the Staffordshire Hoard but end up with the Star Carr deer hunters and a million years of history.
It is a book you can dip into or read cover to cover (as I did) and it has some good illustrations and maps throughout.
Britain has long been fascinated with its own history and identity, as an island nation besieged by invaders from beyond the seas: the Romans, Vikings and Normans. The long saga of prehistory is often forgotten - but our understanding of our past is changing.
Mike Pitts presents ten astounding archaeological discoveries that shed new light on those who came before us, and radically altered the way we think about our history. His compelling, sometimes teasing, archaeological odyssey illustrates the diversity, complexity and sheer strangeness of the lives that represent Britain's past.
Since childhood, growing up in a family with spiritualist beliefs, I’ve been fascinated with mysterious phenomena. Once I became a little older, and my childhood love of zoos, museums, and dinosaurs became a broader love of science, I began to re-examine certain fantastic claims and beliefs with a skeptical lens. I became fascinated not only with the subject of certain beliefs, but the reason we as humans have these beliefs. The study of ghosts, monsters, or UFOs is really a study of the human condition and our belief systems. It’s the exploration of the human side that motivates the characters in my books and my continued interest in mysterious phenomena.
Anyone who has watched the History Channel late into the night, or has listened to certain talk radio shows, understands the popular appeal of pseudo-archaeology. Whether it be talk of “ancient aliens,” a technologically-advanced Atlantis or nationalistic myths told for political motivation, pseudo-archaeology has been popular since the twentieth century and even before. Archaeologist Kenneth L. Feder tackles some of the misconceptions about history and archaeology that lead to pseudoscientific beliefs while painting a wondrous portrait of real-world archaeology. Feder not only dispels myths that might seem more fantastic or interesting than the facts, but he does so with an appreciation of past peoples and their accomplishments that is infectious. The reader emerges not only with an understanding of fact versus fiction vis a vis archaeology, but with an enduring interest in the science.
Frauds, myths, and supposed mysteries about humanity's past are moving targets for anyone committed to the scientific investigation of human antiquity. It is important for anyone interested in the human past to know, for example, that there is no evidence for a race of giant human beings in antiquity and no broken shards of laser guns under Egyptian pyramids. Debunking such nonsense is fun and useful in its own way, but more important is the process by which we determine that such claims are bunk.
Frauds, Myths, and Mysteries: Science and Pseudoscience in Archaeology, Tenth Edition, uses interesting--and often humorous--archaeological…
I’ve been writing fiction for as long as I can remember, but more formally for over a decade. I have published a variety of works from short-story collections to children’s books, and my latest is a science-fiction trilogy set in an underground world. I’m passionate about imagination and creativity, and love exploring different kinds of books and different ways of expressing similar ideas.
Another overlooked book because it is targeted for children. It’s the first in a series and is darker in tone than others. The imagination of the underground world here is neat and built in such a way that lets you envision it. The plot can be a bit disjointed for younger readers, and there are some twists to keep it interesting, but overall, is a fast read.
Fourteen-year-old Will Burrows lives with his family in London. He has little in common with them except for a passion for digging which he shares with his father.
When his father suddenly disappears down an unknown tunnel, Will decides to investigate with his friend Chester. Soon they find themselves deep underground, where they unearth a dark and terrifying secret - a secret which may cost them their lives.
