Here are 100 books that Beyond the Great, Bloody, Bruised, and Silent Veil of This World fans have personally recommended if you like
Beyond the Great, Bloody, Bruised, and Silent Veil of This World.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
The Bridge is a terrific and terrifying novella about womanhood, the patriarchate, technology, identity, and, ultimately, freedom. Its theme appeals to me as I have always been an ally of the women’s cause and JS Breukelaar does a great job describing a disturbing future if we are not more careful and respectful. What’s more, it is a great story, which embarks the reader in a dark and fascinating labyrinth. Both nightmarish and poetic, with references to ancient mythologies,The Bridge offers a unique reading experience. Although it’s very different stylistically from Margaret Atwood’s The Handmaid’s Tale, I nonetheless consider it to be a top-class feminist speculative fiction classic.
"I was raised by three sisters, one a witch, one an assassin and the third just batshit crazy." And so begins The Bridge, from Shirley Jackson Award, Aurealis Award, Shadows Award, and Wonderland Award finalist, J.S. Breukelaar. Meera and her twin sister Kai are among thousands of hybrid women—called Mades—bred by the Father in his Blood Temple cult. Meera is rescued by a mysterious healer and storyteller, Narn, but her sister, Kai, does not survive the Father's "unmaking." Years later, when the cult is discovered and abolished, Meera, still racked with guilt and grief, enrolls in college to take advantage…
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
InI Dream Of Mirrors, Scottish writer Chris Kelso describes a nightmarish virtual world in which a self-proclaimed prophet who turns his followers into obedient programs by erasing their memories. The two main protagonists, a nameless narrator, and his unreliable partner Kad, are rebels who want to find out the truth. I absolutely love this book, as it challenges our vision of technological progress and what we assume is our identity. Remarkably well written and with a fantastic pace, it is, in my eyes, a true underground classic, on par with William Gibson’s world-famous Neuromancer.
My bones feel new, brittle. You won’t have heard any apocryphal stories about me because no one seems to know anything about me. My body is a sheet of paper from a worn manuscript, folded into the origami shape of a man. My life has been stuffed into a satchel and carried to publishers. Its words are my words.
He has no name. He belongs to no race or nation. He has no definable personality or allegiance. Only the dead city of mirrors holds the key.
From the mind of Chris Kelso, author of The Dregs Trilogy, comes I Dream…
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
In Claiming T-Mo, Australian-African writer Eugen Bacon re-invents and shatters all the familiar codes of the magical sci-fi genre. A novel about women, magic, fate, and freedom, Claiming T-Mo is also a deep reflection on motherhood, love, masculinity, and identities. As the different female narrators share their views and feelings about T-Mo, the elusive central character, more questions about filiation and heritage unroll, making the reader a part of the quest. I love Eugen Bacon because she is an incredibly versatile talent, who turns everything she writes about into pure gold.
In this lush interplanetary tale, Novic is an immortal Sayneth priest who flouts the conventions of a matriarchal society by choosing a name for his child. This act initiates chaos that splits the boy in two, unleashing a Jekyll-and-Hyde child upon the universe. Named T-Mo by his mother and Odysseus by his father, the story spans the boy’s lifetime — from his early years with his mother Silhouette on planet Grovea to his travels to Earth where he meets and marries Salem, and together they bear a hybrid named Myra. The story unfolds through the eyes of these three distinctive…
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
If, like me, you love labyrinthian books that actually lead you somewhere, then Brazilian writer Fabio Fernandes’s short story collection,Love. An Archeology, is for you. Using meta with meta on top, these loosely related stories will take you on a wild ride with androgynous characters, mysterious places, and poetic situations. As you have probably figured it by now, I love to be challenged by books and this one is one of the most rewarding reads I have experienced. Highly recommended for lovers of high-brow speculative fiction who hate when genre is taken too seriously.
Fourteen stories, ranging from science fiction to weird, mixing future scenarios (on and off-Earth) and alternate realities, but in fact, they are essentially about one thing: love and its malcontents. A man who refuses to let death erase the memories of his loved ones; two time- travellers leaping through the aeons in a literal love-and-death relationship; a murderer in love with the ghost of his prey - and more.
What would you do for love? What lengths, in space and time, would you go to? These characters have done it all.
I’m an Executive who started life as an Occupational Therapist. As an undergrad, I had an innate curiosity around mental health, and what makes people thrive not just survive. This fascination sent me to university multiple times, and, as a self-confessed book nerd (my teams tell me one of my most common sayings is ‘There is a book you could read..’), constantly testing book theories at work. As an executive, I mentor up-and-coming leaders. This compilation of books represents the most common books I recommend to people to help them thrive at work as a leader. I hope you find them as useful as I have.
While we would love to think we are always rational, we are hard-wired for story not the rational data (albeit key data can be a strong anchor in a story). I started my career far more in the assumption of rational data trumps all, but recognised, through bumps and bruises, how stories can overtake decision-making. When I learned how to tell a better story, I learned how to get the results I needed. Gabrielle is such a down-to-earth, energising speaker and writer, and this book provided me with such a practical, relatable framework for always having a good story or two in my back pocket.
Learn the science and master the art of telling a great story
Stories for Work walks you through the science of storytelling, revealing the secrets behind great storytellers and showing you how to master the art of storytelling in business. Stories hold a unique place in our psyche, and the right story at the right time can be a game-changer in business; whether tragedy, triumph, tension or transition, a good story can captivate the listener and help you achieve your goals. In this book, author Gabrielle Dolan draws from a decade of training business leaders in storytelling to show you…
Through both a former career as an engineer and my writing, I have developed a craving (bordering on obsession) for all things scientific, historical, archaeological, metaphysical, and a more than avid interest in quantum physics which I like to introduce into my books and stories. I also have a fondness for the dark and macabre, for the bizarre, the wondrous, and the plain out there. The weirder the concept – the more I like it… get consumed by it.
I found this book by accident and was very glad I came across it while pottering around the shelves of my favourite second-hand bookshop. On first appearances, the book looks like a missing-person-stroke-body-turning-up-many-years-later-in-mysterious-circumstances kind of story, but it goes much further into a world of conspiracy theories, malign medical technologies, and seemingly unfathomable crimes. I loved the sheer pace of the book – very hard to put down – and how Iain Edward Henn set about weaving the characters, settings, and indeed reader into a possible (probable) new scientific paradigm.
How do we decide what is true and untrue, what is real and what isn’t? It’s something I’ve tried to understand since I was a child. In each book I chose, a character has to face a universe completely unlike what they’d believed—in some cases, what they’d spent their entire lives devoted to. How someone would react in such a situation is deeply fascinating to me, and each of these books has not only stayed with me for years but has profoundly influenced my own writing and worldview.
I’m fascinated with why people believe what they do and how those beliefs can sometimes be incredibly hard to change. In this book, three wry and jaded book publishers decide to out-conspire the conspiracy theorists—and succeed all too well.
The result is a brilliant labyrinth of a book that has always reminded me of one of those complicated contraptions with gears and levers, where all you can do is stare, fascinated, at the intricacy of the clockwork unfolding in front of you.
I love how history is wound through the entire plot, using real events and characters to tie the whole thing together. It’s a masterpiece.
Three book editors, jaded by reading far too many crackpot manuscripts on the mystic and the occult, are inspired by an extraordinary conspiracy story told to them by a strange colonel to have some fun. They start feeding random bits of information into a powerful computer capable of inventing connections between the entries, thinking they are creating nothing more than an amusing game, but then their game starts to take over, the deaths start mounting, and they are forced into a frantic search for the truth
I read widely and in many genres, so coming up with a thematic list was a difficult task. However, in working on my forthcoming novel Dead Ends, in which a quiet neighborhood descends into paranoia and insanity driven by fear, politics, and technology, I sought out novels that engaged with conspiratorial thinking and violence. I admire writers who don’t hold back and fully engage with their characters and material, particularly if it means going to dark, imaginative and strange places in their work. Please keep an eye out for Dead Ends, coming from Flame Tree Press in 2023.
Nick Mamatas never writes a typical novel and his latest offering is no exception. Built on the very real rumors and conspiracy theories surrounding mass shooting events in the United States, Mamatas' work offers hints and innuendos throughout of an invisible force seeking to create chaos, death, and destruction in collusion with a conspiracy theorist radio host fanning the flames. Like a real-life conspiracy theory, it’s all connected — somehow. Mamatas’ ability to draw a plot line and themes so at odds with our general perception of reality, the story, sadly, begins to reflect our real world of conspiracy theories and political paranoia in what has become a bat-shit age of American life.
"There was video of the second shooter. There was video."
In the first reports of every mass shooting, there's always mention of a second shooter-two sets of gunshots, a figure seen fleeing the scene-and they always seem to evaporate as events are pieced together.
Commissioned by a fringe publisher to investigate the phenomenon, journalist Mike Karras finds himself tailed by drones, attacked by a talk radio host, badgered by his all-knowing (and maybe all-powerful) editor, and teaming up with an immigrant family of conspiracy buffs.
Together, they uncover something larger and stranger than anyone could imagine-a technomystical plot to 'murder…
I am a political scientist, a professor emeritus at Webster University, with scholarly publications about Latin American and U.S. politics. My interest in conspiracy theories was piqued by a reviewer who dismissed my book on the “democratic façade” of U.S. politics as a “conspiracy theory.” I took umbrage and denied being a “conspiracy theorist.” Years later, conversing with a colleague about Oliver Stone’s JFK, I dismissed his doubts about the lone gunman theory as a conspiracy theory. He asked whether I would similarly dismiss questions about official stories regarding assassinations in South Asia or Latin America. This all set me on the path to studying the role of conspiracies.
I found this book a most accessible, comprehensive and incisive look at QAnon, one of the most baffling mass movements to have blasted into American political culture.
For those of us who live outside the reach of these cult-like believers in a raft of fantastical conspiracy theories, what baffles us is that unlike cults, which are typically withdrawn from mainstream society, QAnon reaches into our most intimate friend and family circles.
For me, where the book shines is in tracing the early appeal, its spiraling growth via the internet, and the links to radical right populists. This book is our best guide into the heart of darkness of Trumpian America.
"I hope everyone reads this book. It has become such a crucial thing for all of us to understand." —Erin Burnett, CNN
"An ideal tour guide for your journey into the depths of the rabbit hole that is QAnon. It even shows you a glimmer of light at the exit." —Cullen Hoback, director of HBO's Q: Into the Storm
Its messaging can seem cryptic, even nonsensical, yet for tens of thousands of people, it explains everything: What is QAnon, where did it come from, and is the Capitol insurgency a sign of where it’s going next?
As a longtime Angeleno, I’ve read a lot about the dark underbelly of our dysfunctional metropolis, both in the news and in fiction. I try to incorporate the City of Angels as a strong presence in my writing, and when I read other writers who have put Los Angeles at the center, it gives me a sense of things the way they really are, a glimpse at a deeper reality. I see the detectives in LA noir and crime fiction as inextricably intertwined with the city, their weaknesses, and their emotional quandaries emerging from this place.
I’d be afraid to meet this detective, Slater, in a dark alley, as he’s unpredictable and has a quick temper. At the same time I have to admit he’s the kind of guy I’d want to date. Smart and competent in his investigative work, Slater is a mass of contradictions, a textbook sex addict and in complete denial about it, plus he drinks too much. His pugilistic approach to the world evolves through the series, and in this book his slightly warped moral compass has him working to outsmart the cops to track down a violent conspiracy theorist.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with…
