Here are 100 books that The Bridge fans have personally recommended if you like
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As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
Jordan Krall is, in my opinion, one of the greatest speculative fiction writers alive today. This novella takes simultaneously place in two different locations: on a spaceship on its way to Mars and in a unnamed city, both with a main character that may or may not be the same. Easy to read, but difficult to understand, Beyond is both a pleasure and a riddle, challenging the reader in the most satisfying way. Dealing with the questions of identity, metaphysical anguish, and conspiracy theories, it radically breaks apart the world as we know it.
Find yourself on a starship as it lumbers across the desert.Find yourself on a train looking out at the stars, the earth a blue marble in the infinite black abyss behind you. Find yourself overdosing on narcotics in a bathtub at home.The Red Planet.Pharmaceuticals.The Demiurge.Assassins.Suicide bombers.Underground railroads between worlds.What mysteries link them? Pull back the veil and see. In Beyond the Great, Bloody, Bruised and Silent Veil of this World author Jordan Krall creates a wholly unique experience; all at once revelatory, hypnotic, and hallucinatory. All literal, all parable, all a twisted drug-trip. So read on and know this; it's…
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
InI Dream Of Mirrors, Scottish writer Chris Kelso describes a nightmarish virtual world in which a self-proclaimed prophet who turns his followers into obedient programs by erasing their memories. The two main protagonists, a nameless narrator, and his unreliable partner Kad, are rebels who want to find out the truth. I absolutely love this book, as it challenges our vision of technological progress and what we assume is our identity. Remarkably well written and with a fantastic pace, it is, in my eyes, a true underground classic, on par with William Gibson’s world-famous Neuromancer.
My bones feel new, brittle. You won’t have heard any apocryphal stories about me because no one seems to know anything about me. My body is a sheet of paper from a worn manuscript, folded into the origami shape of a man. My life has been stuffed into a satchel and carried to publishers. Its words are my words.
He has no name. He belongs to no race or nation. He has no definable personality or allegiance. Only the dead city of mirrors holds the key.
From the mind of Chris Kelso, author of The Dregs Trilogy, comes I Dream…
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
In Claiming T-Mo, Australian-African writer Eugen Bacon re-invents and shatters all the familiar codes of the magical sci-fi genre. A novel about women, magic, fate, and freedom, Claiming T-Mo is also a deep reflection on motherhood, love, masculinity, and identities. As the different female narrators share their views and feelings about T-Mo, the elusive central character, more questions about filiation and heritage unroll, making the reader a part of the quest. I love Eugen Bacon because she is an incredibly versatile talent, who turns everything she writes about into pure gold.
In this lush interplanetary tale, Novic is an immortal Sayneth priest who flouts the conventions of a matriarchal society by choosing a name for his child. This act initiates chaos that splits the boy in two, unleashing a Jekyll-and-Hyde child upon the universe. Named T-Mo by his mother and Odysseus by his father, the story spans the boy’s lifetime — from his early years with his mother Silhouette on planet Grovea to his travels to Earth where he meets and marries Salem, and together they bear a hybrid named Myra. The story unfolds through the eyes of these three distinctive…
As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage.
If, like me, you love labyrinthian books that actually lead you somewhere, then Brazilian writer Fabio Fernandes’s short story collection,Love. An Archeology, is for you. Using meta with meta on top, these loosely related stories will take you on a wild ride with androgynous characters, mysterious places, and poetic situations. As you have probably figured it by now, I love to be challenged by books and this one is one of the most rewarding reads I have experienced. Highly recommended for lovers of high-brow speculative fiction who hate when genre is taken too seriously.
Fourteen stories, ranging from science fiction to weird, mixing future scenarios (on and off-Earth) and alternate realities, but in fact, they are essentially about one thing: love and its malcontents. A man who refuses to let death erase the memories of his loved ones; two time- travellers leaping through the aeons in a literal love-and-death relationship; a murderer in love with the ghost of his prey - and more.
What would you do for love? What lengths, in space and time, would you go to? These characters have done it all.
I started my path as a professional witch about eight years ago. As a millennial babe who loves instagram, I found my community in the aesthetic feed of stylized ritual and came out of the broom closet in 2016. I’ve forged many personal relationships over my time in that space, and have connected with some incredible witchcraft and astrology experts who helped me when I was just starting out. These books are from some of these trusted experts, and the information inside them is deliciously woo while able to be applied practically. I hope you add them to your growing grimoire library!
This is absolutely the best introduction to witchcraft I have ever read. Even when I deepened my craft, using this book as a guide was extremely helpful for nuance and details. I still keep it for reference and love the tone and attitude. Herstik goes over everything I use in my practice!
The ultimate guide to witchcraft for every woman craving a connection to something bigger, using the tools of tarot, astrology, and crystals to discover her best self.
In these uncertain times, witchcraft, astrology, tarot, crystals, and similar practices are seeing a massive resurgence, especially among young women, as part of their self-care and mindfulness routines. Gabriela helps readers take back their power while connecting to something larger than themselves. She covers:
* Witchcraft as a feminist call to action * Fashion magick * Spells for self-love * Cleansing your space * Holidays of the witch * How to create a…
Women who behave badly delight me. My mother is Polish and I was raised by a formidable group of great aunts who gathered in flannelette nighties and curlers, in a cloud of cigarette smoke, to play cards into the early hours, fuelled by vodka shots and ginger cake. Survivors of Nazi invasion and atrocities, they were loud, effusive, argumentative, unapologetic, loving, and fiercely loyal. I explore difficult territory through my stories, but I have great faith in humanity. My characters are strong women, bold in the face of challenges. Love and loyalty are the keys to their survival.
As a young woman, the protagonists of feminist fiction offered me bold heroines with more than a bit of oomph who weren’t afraid to get it wrong sometimes. Having completed a degree in literary fiction, desperate for something fun and frivolous, I stumbled upon Fanny Hackabout Jones. A foundling brought up by British aristocrats, she is forced to flee and seek her fortune, encountering witches, highwaymen, prostitutes, and pirates. This unashamed sexy romp presents as pulp fiction, but it’s thoroughly researched and informative, and has something to say about women and their role in society, then and now. A real treat of a book.
Discovered on the doorstep of a country estate in Wiltshire, England, the infant Fanny is raised to womanhood by her adoptive parents, Lord and Lady Bellars. Fanny wants to become the epic poet of the age, but her plans are dashed when she is ravished by her libertine stepfather. Fleeing to London, Fanny falls in with idealistic witches and highwaymen who teach her of worlds she never knew existed. After toiling in a London brothel that caters to literati, Fanny embarks on a series of adventures that teach her what she must know to live and prosper as a woman.…
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
The First Woman is perhaps the best novel you haven’t yet read. Kirabo has never known her mother and she is looking for answers at the same time as she is becoming a woman. She is guided first by the village’s blind witch Nsuuta, who has her own reasons for getting involved. Nsuuta tells Kirabo that women were once, “huge, strong, loud, proud, brave, independent. But it was too much for the world.” The writing in this ambitious novel is sometimes funny and sometimes poignant.
'In Jennifer Makumbi, we have a giant of literature living among us.' Peter Kalu, Jhalak Prize Judge
Longlisted for the Diverse Book Awards, 2021
'Jennifer Makumbi is a genius storyteller.' Reni Eddo-Lodge
A SUNDAY TIMES, OBSERVER, DAILY MAIL, BBC CULTURE & IRISH INDEPENDENT BOOK OF THE YEAR
At once epic and deeply personal, the second novel from prize-winning author Jennifer Makumbi is an intoxicating mix of Ugandan folklore and modern feminism that will linger in the memory long after the final page.
As Kirabo enters her teens, questions begin to gnaw at her - questions which the adults in her…
I am passionate about fierce female protagonists in fiction because I believe that fiction is a great way to highlight real-life issues. Before becoming an author, I was a lawyer. It was tough navigating the challenges of maternity leave and trying to have a career whilst being a mum to a young family. The reality is that there’s still plenty of gender inequality remaining in the world at large, so I made sure that I always write strong, competent female main characters to lead by example. As you can imagine, my reading tastes are the same as my writing ones, making me an excellent curator of strong female fiction.
Imogen is an absolute hoot, and I can’t wait for you to meet her. This is one of my all-time comfort reads. Fresh, fun, and fast-paced, it masterfully weaves feminism and pressing real-world issues into the narrative, a hallmark of Hignett’s writing that I thoroughly enjoy. It is also low-key hilarious—like, wear a panty-liner funny.
Imogen is just slightly on the wrong side of crazy, but who can blame her? She’s an immortal woman who has lived for millennia, and I’m pretty crazy after only thirty-seven years of revolving on this earth. With all that time behind her, you’d expect her to be channeling Hermione Granger know-it-all vibes, but instead, you’ve got this somewhat jaded screwball driven by a singular mission: to hunt down the monster that kills her repeatedly.
I love Imogen because she stands up for the underdog, often against her better judgment. Without a doubt, she is…
Just ask Imogen Gray – over two-hundred thousand years old and teetering on the edge of total insanity.
All throughout history, she’s been hunted by an ancient creature who finds her and rips her to pieces every time she dares to access her deepest powers. But Imogen always regenerates. Slowly. Painfully.
She’s on a mission to find answers. She’s almost found them.
Unfortunately for her, there’s a delinquent psychic kid, a dangerously hot Vampire King, and a power-crazed blood witch hell-bent on bringing about the apocalypse standing in her way.
I started my path as a professional witch about eight years ago. As a millennial babe who loves instagram, I found my community in the aesthetic feed of stylized ritual and came out of the broom closet in 2016. I’ve forged many personal relationships over my time in that space, and have connected with some incredible witchcraft and astrology experts who helped me when I was just starting out. These books are from some of these trusted experts, and the information inside them is deliciously woo while able to be applied practically. I hope you add them to your growing grimoire library!
Feeling empowered is my mission, and Kristen Sollee gives an entire breakdown of why this is. From persecution to misogyny, witches (and women) have been demonized by the patriarchy, and it gets my engine revving! I love the history, but more than that, the actionable change we can start doing today!
Witch, Slut, Feminist: these contested identities are informing millennial women as they counter a tortuous history of misogyny with empowerment. This innovative primer highlights sexual liberation as it traces the lineage of "witch feminism" through art, film, music, fashion, literature, technology, religion, pop culture, and politics. Juxtaposing scholarly research on the demonization of women and female sexuality that has continued since the witch hunts of the early modern era with pop occulture analyses and interviews with activists, artists, scholars, and practitioners of witchcraft, this book addresses and illuminates contemporary conversations about reproductive rights, sexual pleasure, queer identity, pornography, sex work,…
I’m a queer, nonbinary writer who has always loved reading and writing speculative fiction, whether it be dystopian novels, sci-fi, fantasy, and beyond. I think speculative fiction is such an effective and creative way to hold a mirror up to our society, explore traumatic and heavy themes, and ultimately, show us what it means to be a person, no matter how strange or unfamiliar the world is. Like many millennials, I grew up reading that awful transphobic woman’s magical series but soon realized how limiting that series was, and how there were so many better, smarter, more inclusive books out there, especially those that center queer and trans characters and know how to break my heart ten times over.
Written with intelligence, wit, and searing social commentary, this book follows Jo, a 28-year-old woman living in a world in which witches are not only real but are feared, put on trial, and killed—she has until the age of 30 to marry a man or else she’ll have to register with the Bureau of Witchcraft and be closely monitored.
On top of that, Jo’s mother disappeared 14 years ago, and we meet her as she is just beginning to accept the idea that her mother might be dead. However, that all changes when she gets an opportunity to honor her mom’s one last request. What ensues is a powerful exploration of grief, autonomy, freedom, desire, community, and so much more. At once heartbreaking and hopeful, Giddings will have you savoring every word.
'For fans of Margaret Atwood' Elle 'Thoughtful...wry, magical' Guardian 'brimming with wonder' Raven Leilani, author of Luster
Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge because in a world where witches are real, peculiar behaviour raises suspicions and a woman-especially a Black woman - can find herself on trial for witchcraft.
But fourteen years have passed since her mother's disappearance, and now Jo is finally ready to let go…
