100 books like The Bridge

Jordan Krall is, in my opinion, one of the greatest speculative fiction writers alive today. This novella takes simultaneously place in two different locations: on a spaceship on its way to Mars and in a unnamed city, both with a main character that may or may not be the same. Easy to read, but difficult to understand, Beyond is both a pleasure and a riddle, challenging the reader in the most satisfying way. Dealing with the questions of identity, metaphysical anguish, and conspiracy theories, it radically breaks apart the world as we know it.   

In I Dream Of Mirrors, Scottish writer Chris Kelso describes a nightmarish virtual world in which a self-proclaimed prophet who turns his followers into obedient programs by erasing their memories. The two main protagonists, a nameless narrator, and his unreliable partner Kad, are rebels who want to find out the truth. I absolutely love this book, as it challenges our vision of technological progress and what we assume is our identity. Remarkably well written and with a fantastic pace, it is, in my eyes, a true underground classic, on par with William Gibson’s world-famous Neuromancer.

In Claiming T-Mo, Australian-African writer Eugen Bacon re-invents and shatters all the familiar codes of the magical sci-fi genre. A novel about women, magic, fate, and freedom, Claiming T-Mo is also a deep reflection on motherhood, love, masculinity, and identities. As the different female narrators share their views and feelings about T-Mo, the elusive central character, more questions about filiation and heritage unroll, making the reader a part of the quest. I love Eugen Bacon because she is an incredibly versatile talent, who turns everything she writes about into pure gold. 

If, like me, you love labyrinthian books that actually lead you somewhere, then Brazilian writer Fabio Fernandes’s short story collection, Love. An Archeology, is for you. Using meta with meta on top, these loosely related stories will take you on a wild ride with androgynous characters, mysterious places, and poetic situations. As you have probably figured it by now, I love to be challenged by books and this one is one of the most rewarding reads I have experienced. Highly recommended for lovers of high-brow speculative fiction who hate when genre is taken too seriously.  

The First Woman is perhaps the best novel you haven’t yet read. Kirabo has never known her mother and she is looking for answers at the same time as she is becoming a woman. She is guided first by the village’s blind witch Nsuuta, who has her own reasons for getting involved. Nsuuta tells Kirabo that women were once, “huge, strong, loud, proud, brave, independent. But it was too much for the world.” The writing in this ambitious novel is sometimes funny and sometimes poignant.

As a young woman, the protagonists of feminist fiction offered me bold heroines with more than a bit of oomph who weren’t afraid to get it wrong sometimes. Having completed a degree in literary fiction, desperate for something fun and frivolous, I stumbled upon Fanny Hackabout Jones. A foundling brought up by British aristocrats, she is forced to flee and seek her fortune, encountering witches, highwaymen, prostitutes, and pirates. This unashamed sexy romp presents as pulp fiction, but it’s thoroughly researched and informative, and has something to say about women and their role in society, then and now.  A real treat of a book.

Written with intelligence, wit, and searing social commentary, this book follows Jo, a 28-year-old woman living in a world in which witches are not only real but are feared, put on trial, and killed—she has until the age of 30 to marry a man or else she’ll have to register with the Bureau of Witchcraft and be closely monitored.

On top of that, Jo’s mother disappeared 14 years ago, and we meet her as she is just beginning to accept the idea that her mother might be dead. However, that all changes when she gets an opportunity to honor her mom’s one last request. What ensues is a powerful exploration of grief, autonomy, freedom, desire, community, and so much more. At once heartbreaking and hopeful, Giddings will have you savoring every word.

A dark and complex feminist story of magic and the patriarchy. A young woman living in a puritanical society discovers the power within herself. Echoes of the church’s own dark history with witch hunts can be found throughout the story, which makes Immanuelle’s story feel real and powerful. With my own history of growing up in religion, the town’s rhetoric about purity and sinfulness really hit home for me. It was in places (particularly at the start) difficult for me to read. But it also completely captured my attention as it felt so real, and it made the ending feel more like a triumph than ever. As someone with a complicated past with religion, there's something cathartic about reading about a character who seizes her own inner power and uses it to tear down the system.

Unrecognised female labor is also the subject of this captivating non-fiction book by Hochschild, a sociologist drawing upon decades of research with fifty heterosexual couples in the Bay area. Hochschild is well-known for identifying ‘the second shift’ of childcare and domestic chores that working women often perform at home, on top of their professional commitment. This results in a rampant inequality of leisure time, and compounded with unequal pay in the workplace, exacerbates gender injustice in contemporary American society. But Hochschild also provides powerful examples of couples who counter-act this norm, while showing how individual attitudes towards gender and domestic responsibilities are influenced by class, ethnicity, and upbringing. Fascinating and illuminating. 

A grimdark fantasy in the tone of Abercrombie, Moss’s The Worthy is a brilliant debut that explores a fractious sibling relationship between brother and sister Prince Barsten and Princess Ailith, both of whom are battling to become heir to the kingdom of Crell. Ailith herself is hiding her lover, Lady Avalon, at the same time as trying to protect the kingdom when it quite literally begins to tear itself apart due to a mysterious magical entity. The book explores issues of patriarchal oppression, historic abuse and trauma, sexuality and homophobia. Despite the grim world and morally grey characters, I found myself drawn into this story because of the important themes it considered.