Here are 100 books that Fanny fans have personally recommended if you like
Fanny.
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At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
I wasn't an orphan, I wasn’t raised on a farm, and no one teased me for my ordinary brown hair, but my identification with “carrot topped” Anne Shirley was immersive and all consuming. I could smell the flowers and taste the russet apples she delights in, and I could feel the unrelenting joie de vivre that, despite life’s many slings and arrows, courses through her childhood, adolescence, and young adulthood.
This book may date from 1905, but this beloved story of an orphan girl who comes to live with an aging brother and sister on their farm on Prince Edward Island has lost nothing of its irresistible charm. An awkward outsider looking in upon a world she longs to join, outspoken, feisty, wildly imaginative Anne came alive for me and won my heart from the moment I met her on the page.
Anne of Green Gables is the classic children's book by L M Montgomery, the inspiration for the Netflix Original series Anne with an E. Watch it now!
Marilla and Matthew Cuthbert are in for a big surprise. They are waiting for an orphan boy to help with the work at Green Gables - but a skinny, red-haired girl turns up instead. Feisty and full of spirit, Anne Shirley charms her way into the Cuthberts' affection with her vivid imagination and constant chatter. It's not long before Anne finds herself in trouble, but soon it becomes impossible for the Cuthberts to…
I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
I both love and hate Zenia as a heroine in this witty, page-turning literary fiction by Atwood. Zenia is one of the cleverest and the most malicious female protagonists I’ve ever known: she constantly deceives her friends with her kaleidoscopic lies; she screws money out of them, and she even steals their men.
Would I want to be friends with her in real life? Probably not. But as a literary character, she stuns and captivates me and allows me to ponder the female transgression that lurks in all of us.
Zenia is beautiful, smart and greedy, by turns manipulative and vulnerable, needy and ruthless; a man's dream and a woman"s nightmare. She is also dead. Just to make sure Tony, Roz andd Charis are there for the funeral. But five years on, as the three women share an indulgent, sisterly lunch, the unthinkable happens; 'with waves of ill will flowing out of her like cosmic radiation', Zenia is back...
Women who behave badly delight me. My mother is Polish and I was raised by a formidable group of great aunts who gathered in flannelette nighties and curlers, in a cloud of cigarette smoke, to play cards into the early hours, fuelled by vodka shots and ginger cake. Survivors of Nazi invasion and atrocities, they were loud, effusive, argumentative, unapologetic, loving, and fiercely loyal. I explore difficult territory through my stories, but I have great faith in humanity. My characters are strong women, bold in the face of challenges. Love and loyalty are the keys to their survival.
The title of the book and the stylish cover design offer the first taste of its delicious content. I love a proper story, rich with details that conjure a heightened world and allow me to feel immersed within it. The sort of book you can’t wait to get back to. Extraordinary characters, glamour, danger, and adventure. And such beautiful writing – the language and rhythm sweep you along like a musical score. All that and a charismatic, inspiring heroine who overcomes monumental obstacles during a significant and distinctive period of European history. This book is a delightful, sensory experience. I recommended it to my book group and it did not disappoint.
As the clock chimed the turn of the twentieth century, Lilly Nelly Aphrodite took her first breath. Born to a cabaret dancer and soon orphaned in a scandalous murder-suicide, Lilly finds refuge at a Catholic orphanage, coming under the wing of Sister August, the first in a string of lost loves. There she meets Hanne Schmidt, a teen prostitute, and forms a bond that will last them through tumultuous love affairs, disastrous marriages, and destitution during the First World War and the subsequent economic collapse. As the century progresses, Lilly and Hanne move from the tawdry glamour of the tingle-tangle…
Women who behave badly delight me. My mother is Polish and I was raised by a formidable group of great aunts who gathered in flannelette nighties and curlers, in a cloud of cigarette smoke, to play cards into the early hours, fuelled by vodka shots and ginger cake. Survivors of Nazi invasion and atrocities, they were loud, effusive, argumentative, unapologetic, loving, and fiercely loyal. I explore difficult territory through my stories, but I have great faith in humanity. My characters are strong women, bold in the face of challenges. Love and loyalty are the keys to their survival.
My memory of this book is a little overshadowed by the superb TV adaptation with Pam Ferris, but it remains a firm favourite. Along with all of Fay Weldon’s books, this is a playful feminist challenge to a woman’s lot. Fay Weldon’s wit is brutally incisive and her observations of the male/female dynamic are simultaneously hilarious and alarming. This foray into something a little more magical is wonderful. “Hell hath no fury like a woman scorned.” Ruth Patchett had no idea what she was capable of until her husband betrayed her…. I won’t spoil it by telling you more. Suffice to say, Ruth refuses to be a victim!
'A savage, sadistic even, but beautifully and compellingly written satire' Sunday Express
Ruth Patchett never thought of herself as particularly devilish.
'The fun grows steadily blacker and wilder' Guardian
Rather the opposite in fact - simply a tall, not terribly attractive woman living a quiet life as a wife and mother in a respectable suburb. But when she discovers that her husband is having a passionate affair with the lovely romantic novelist Mary Fisher, she is so seized by envy that she becomes truly diabolic. Within weeks she has burnt down the family home, collected the insurance, made love to…
I am a middle-grade author and hold a Master of Fine Arts in Writing for Children and Young Adults. As an artist of multiple disciplines, I have always been fascinated by the tiny details in the world around me and the ways I can connect those details to how I understand myself, my experiences, and the human experience. Some may find such interests odd, eccentric, “whimsical,” perhaps, but I believe these fascinations inspire the most unique stories—stories that can only be told by the artist who is noticing, connecting, reflecting, creating. When I’m not writing, I enjoy teaching art and dance to elementary students.
Kat is a marvelously whimsical character. She embodies the wit and charm of her 1800s time period, while simultaneously allowing her modern spunk to shine through with her bravery, sass, and quirkiness. She is not afraid to be herself and to fight for those around her to be true to themselves as well.
"I was twelve years of age when I chopped off my hair, dressed as a boy, and set off to save my family from impending ruin. I made it almost to the end of my front garden . . ."
Magic may be the greatest scandal in Regency England. But that's not going to stop Kat Stephenson when there are highwaymen to foil, sinister aristocrats to defeat . . . and true loves to capture for her two older sisters.
I love to laugh. I don’t think there’s anything better than the sound of laughter. I’m originally from the Midwest and we tend to have a self-deprecating sense of humor—we like to laugh at ourselves. I’ve been in love with romance novels since I read my first Kathleen Woodiwiss book in my twenties. Although there are many sub-genres within romance, I prefer historical and contemporary (which I also write). My favorite stories have entertaining characters, witty banter, and lots of humor. For me, reading is like taking a vacation to the world within the pages of a book, and I want my vacation to be fun!
Quinn’s famous for her Bridgerton series, but this two-book set is among my favorites. Possibly because it closely relates to mine in that the two stories are happening simultaneously. Coincidentally, our heroes are both named Jack, and both Jacks are rogues and daredevils with a wicked sense of humor. The Lost Duke is about a long-lost cousin who may be the legitimate Wyndham heir (the second book deals with the current Wyndham heir). Jack is a highwayman who meets our heroine, Grace, and his possible grandmother, the dowager duchess, when he robs their coach. Quinn’s delightful characters always entertain and wicked Jack wooing the grandmother’s companion right under her nose while rejecting his questionable birthright is a delight.
A soldier. And he has always been a rogue. What he is not, and never wanted to be, is a peer of the realm, responsible for an ancient heritage and the livelihood of hundreds. But when he is recognized as the long-lost son of the House of Wyndham, his carefree life is over. And if his birth proves to be legitimate, then he will find himself with the one title he never wanted: Duke of Wyndham.
Grace Eversleigh has spent the last five years toiling as the companion to the dowager Duchess of Wyndham.…
When I started researching the history of early modern public execution, I read a few eyewitness accounts in which people behaved so strangely that I realised I understood nothing about the realities of this once-common historical practice. By reading the books on this list, I quickly discovered that the ceremony of capital punishment was a performance in which the entire community participated, filled with rituals and behaviours that had enormous emotional and spiritual significance for everyone involved, not just the ‘poor sinner’ on the scaffold. I also discovered that music and singing were crucial parts of the performance, with ballads being sung about the event for years afterwards.
McKenzie looks at the extraordinary phenomenon of the 'last dying speech' that condemned prisoners in Britain got to give from the scaffold. In particular, she explores events at Tyburn, London's most notorious execution site, in the 18th century, exploring how this period saw an explosion of printed literature that featured the criminal as an Everyman from whom everyone could learn a harsh lesson in morality. It's a fantastic exploration of the reality of the gallows versus what one could read in print: from the 'game' highwayman who refused to bow to society's expectations to the fearful, trembling prisoner who begged for mercy. Totally fascinating.
The public execution at Tyburn is one of the most evocative and familiar of all eighteenth-century images. Whether it elicits horror or prurient fascination - or both - the Tyburn hanging day has become synonymous with the brutality of a bygone age and a legal system which valued property over human life.But, as this fascinating cultural and social history of the gallows reveals, the early modern execution was far more than just a debased spectator sport. The period between the Restoration and the American Revolution witnessed the rise and fall of a vast body of execution literature - last dying…
As a former Human Resources executive I’m fascinated by the history of women in the workforce, especially in jobs that have traditionally been held by men. I was first drawn into the topic as a writer of WWII novels. Through memoirs, autobiographies, and oral history interviews I learned firsthand about women who entered the workforce to take the place of men who were serving in combat or the defense industry. In an effort to spotlight the women of this era as well as those who have gone before, many of my protagonists hold unusual jobs such as spy, war correspondent, pilot, doctor, restaurant owner, and gold miner.
What I love most aboutThe Stage Driver’s Daughter is that it’s inspired by the true story of Charley Parkhurst, a woman who disguised herself as a man to make a living as a rancher and stagecoach driver. The book digresses from real events, but the author effectively evokes the experience through vivid description and dialogue. I could smell, see, and hear what it was like to navigate the rutted and treacherous roads of the Old West. I was later than most learning to drive, and I have a poor sense of direction so driving to new places can be challenging and somewhat frightening for me. I admired Winnie’s fearlessness and try to remember her bravery when I am on my own in the car headed into unfamiliar territory.
It hurt, losing her pa like she did. That’s why Winnifred Morgan traded her dresses and bonnets for trousers and boots to drive a stage coach, just like he did. Beating the boys in a race for a position as Nevada’s newest stage driver wasn’t difficult for a skilled driver like Winnie, and facing highwaymen trying to steal the express box full of treasure didn’t intimidate her, either. Teaming up with Wells Fargo shotgun guard Benjamin Sharpe, Winnie must rein in the unfamiliar yearnings of her own heart.
But trouble is waiting in the wings, for her pa carried a…
I love happy endings and happily-ever-afters. I love reading and writing books that make people happy, give them hope, and bring romance into their lives. Shakespeare’s plays inspired me to explore the ways a writer can convey strong emotions with the written word. One of the first romances I ever read was Pride and Prejudice, and it changed my life. It made me laugh, but it also taught me to believe in the power of love and the power of storytelling. I have written thirty-two romance novels. I like to spread the love!
Edenbrooke is an easy read full of pure pleasure. This book explores innocence and idealistic love, and I adore it just for that reason. Last year I interviewed Julianne on my book club, and she talked about how since her divorce, she can’t write a book like Edenbrooke ever again. I told her that the innocence is what I love about her book. Most of us have moved past innocence, but we still like to visit that place and remember when love was young and fresh and new and we believed in the beauty of our dreams.
Marianne Daventry will do anything to escape the boredom of Bath and the amorous attentions of an unwanted suitor. So when an invitation arrives from her twin sister, Cecily, to join her at a sprawling country estate, she jumps at the chance. Thinking she'll be able to relax and enjoy her beloved English countryside while her sister snags the handsome heir of Edenbrooke, Marianne finds that even the best laid plans can go awry. From a terrifying run-in with a highwayman to a seemingly harmless flirtation, Marianne finds herself embroiled in an unexpected adventure filled with enough romance and intrigue…
Back in the dark ages, before the internet and cell phones, the most common form of off-duty soldiers’ entertainment was reading. I read pretty much anything I could get my hands on, but I was always most excited to read fantasy and science fiction. If a book has a wild new world, magic, or tech, I’m in and usually can’t get enough. I remain a cross-genre reader to this day, but fantasy and science fiction always feel like home. Bonus points for dragons.
Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff.
In this heroic gaslamp fantasy, superhuman abilities bring an adventurous new dimension to 1820 London, where an outlaw speedster and a master of illusion do battle to decide who will own the city.
Think being a superhero is hard? Try being the first one.
Will’s life is a proper muddle—and all because he was “accidentally” inflicted with the ability to run faster and leap higher than any human ever. One minute he’s a blacksmith’s apprentice trying to save his master from debtor’s prison. The next he’s accused of murder and hunted as a black-hearted highwayman.
