Fans pick 76 books like Claiming T-Mo

As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage. 

As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage. 

As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage. 

As a writer of dystopian novels, I have always been interested in narratives that challenge the reader. Why? Because I firmly believe that if literature is, as they say, "a window on the world," then mind-bending texts create their own windows, and hence allow the readers to free themselves from all sorts of conventions. What's more, many of my novels deal with a drug, "Synth," that allows the users to change their surroundings at will. So I do write some “mind-bending” stuff myself, with precisely the purpose I mentioned above. To challenge yourself through fiction is to challenge a reality you have not chosen to live in. It is not only an act of defiance, but also, very often, an act of courage. 

I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.

I usually enjoy painting pictures for storybooks about nature I know, so it was a treat to depict an imaginary place that I’ve never actually seen! I was so inspired to illustrate Mary’s story about the moon, as I could focus on creating an other-worldly atmosphere, adding to the drama that could have happened anywhere. The story focuses on Molly and her family moving to the moon and includes scientific facts about how gravity would impact their everyday life. I used Mary’s knowledge as reference to underpin the imaginative side of my process. Painting the inside of a moon module enabled me to use textures, colours, and lighting in such a fun, expressive way!

I discovered science fiction at age nine with Rocketship Galileo and Red Planet and have never lost my love for speculative worlds, even after growing up to follow a career teaching and writing about the history of cities and city planning. In recent years, I’ve also begun to write about the field of SF. So it is one-hundred-percent natural for me to combine the two interests and explore science fiction cities. I try to look beyond the geez-whiz technology of some imagined cities to the ideas of human-scale planning and community that might make them fun places to visit or live in if we could somehow manage to get there.  

Since my first trip to Oz, Dad’s voice traveling me to sleep, I’ve been in love with fantastic worlds, from the microscopic to the intergalactic. I’m drawn to the observations of poets, astronomers, and metaphysicians, but there’s a special place in my heart for children’s authors. Someone once told me middle grade is the “sweet spot.” Readers start making independent choices, exploring stories that resonate with them. I’ve been teaching world-building to students and writers of all ages since 1998, and there is something magical about those 8-12 year-olds with their wild imaginations and eagerness to explore. I wrote my fantasy series for 10-year-old me, lost in such worlds.  

My parents always encouraged me to explore the world and express myself. I also grew up in a home where the bookshelves were lined with Stephen King novels, encyclopedias, and VHS tapes containing episodes of Star Trek: The Next Generation. So it came as little surprise that my interests in astronomy, orbital mechanics, and fantastical technology concepts (who doesn't like the idea of a ringworld?) dominated my life. I also love history and the drive for exploring the endless possibilities behind the question "what if." Science fiction is, at its core, about exploring the human condition—this is where you’ll find my writing and the adventures I bring to you.

I’ve been a Star Trek fan and storyteller all my life. The first stories I wrote at school, the first Star Trek episodes I watched as The Next Generation debuted on German TV. Many years have gone by since then. I watched hundreds of Star Trek episodes and professionally penned dozens of fantasy and science fiction novels for children and adults, like Drachengasse 13 (“Dragon’s Alley 13”, not translated) or Der Drachenjaeger (“Black Leviathan,” Tor Books). The culmination of both being a fan and a writer came in 2016 when, with Star Trek: Prometheus, I was allowed to add my own small part to the ever-growing Star Trek literary universe.