100 books like Flaubert and Madame Bovary

As a child in New York, I was interested in history to the point where by third grade I had memorized the list of U.S. presidents beginning with George Washington. The world was more Eurocentric than now, and I was taken by what I saw as the richness of European history. Surrounded later by Leftist academics, I became interested in the Right. Why were so many, especially among the lower middle classes, drawn to the Right and fascism during the first half of the twentieth century? This led to my interviewing and studying World War II pro-Nazi French collaborators. Later I branched into food history and the history of tourism.

I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.

I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.

I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.

I'm a professor of history at the Graduate Center and Queens College at the City University of New York, where I'm also director of the Irish Studies program and the MA program in Biography and Memoir. My specialty, covered in five books that I’ve authored or co-edited, is English and Irish history in the sixteenth and seventeenth centuries; my new book represents the culmination of a decade’s research devoted to Ireland. In addition to teaching British and Irish history, I offer more unusual and wide-ranging classes including the history of the devil, the history of crime and punishment, and the history of the body. My life is divided between New York City and mid-coast Maine.

I am a privileged individual of our Western society, with access to a good education, living away from hunger and despair. Am I wealthy? Far from it. I am amid that middle class where working hours are well understood and spare time is fully enjoyed. I have been a consultant to businesses of all sizes and I have learned closely how the wheels turn, how in order to produce anything, always someone and something is crushed and squeezed. Profit on one side and destruction and poverty on the other one. Throughout time, I have met people from various countries and understood the value of a multicultural world, which I defend.

Crystal King is the author of The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must-Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at GrubStreet, Harvard Extension School, and Boston University, among others. She resides in Boston.

Fiona Sampson is a leading British poet and writer, a Fellow of the Royal Society of Literature, awarded an MBE for services to literature. Published in thirty-seven languages, she’s the recipient of numerous national and international awards. Her twenty-eight books include the critically acclaimed In Search of Mary Shelley, and Two-Way Mirror: The life of Elizabeth Barrett Browning, and she’s Emeritus Professor of Poetry, University of Roehampton.

I’m a perfect of exemplar of an author whose party days are decidedly not over, but I’m doubtless at the age/stage where I’m bloody contemplating at least paring down my intakes plural. Not that I’m still at it like a Sophomore or anything but I’m hanging in there. I get a great, tingly buzz (you had to have seen this coming!) recommending great books to keen readers. I live in a library—essentially—and friends who visit for a beer or a spliff most often leave with a book I’ve given them. Now you lot are gonna ask me to lend you some scratch! Now you’ve gone and done it, John! Haha.

I focus on real-life stories of people usually in wartime conflicts and study the American Civil War and WWII. I am friends with several Holocaust survivors. But my focus is on defiance, rather than evading capture or captivity. Wars show the extremes of human behavior, both good and evil. I have a place in my heart for women and girls who were thrust into a man’s world at incredible disadvantage and through extraordinary character and ability overcame the harshest realities. A few were military fighters, some spies, but all in death-defying roles. Many died in action, and most never recognized for their valor. These are the unsung heroes that I love most.