Here are 100 books that The Gods Are Athirst fans have personally recommended if you like
The Gods Are Athirst.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I have a congenital heart disease in which I go into spontaneous cardiac arrest, and I am now 1% bionic (I have an ICD—defibrillator and pacemaker—implanted). Ever since waking up from that surgery, I’ve changed my perspective on what it means to live in the Venn Diagram overlap of “human” and “machine.” My heart—an organ at the heart of so many metaphors about love and emotion—is not like everyone else’s. It is connected to a battery to keep me alive. I write about what it means to be human to better understand myself.
As a librarian, I loved how books were deemed a threat in this work. Through fear-mongering and keeping people distracted by technology, people are imprisoned by ignorance without access to books. I particularly enjoyed the symbolism in the robotic murder dog—it can hunt down anyone and can find you anywhere.
Living under that level of technological threat searches for what it means to be human that much harder—but vital. But my favorite idea is that the knowledge we carry collectively has the power to save our humanity.
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.
Over 1 million copies sold in the UK.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
I have a congenital heart disease in which I go into spontaneous cardiac arrest, and I am now 1% bionic (I have an ICD—defibrillator and pacemaker—implanted). Ever since waking up from that surgery, I’ve changed my perspective on what it means to live in the Venn Diagram overlap of “human” and “machine.” My heart—an organ at the heart of so many metaphors about love and emotion—is not like everyone else’s. It is connected to a battery to keep me alive. I write about what it means to be human to better understand myself.
This story and its questions of eugenics and our place in society really horrified me, not because it was unbelievable, but precisely because it was far too real. The genetic superiority/inferiority, coupled with social indoctrination into our “advanced” society, made me meditate a great deal on what it means to be human.
What are humans without societal pressures? The way Huxley looked at the costs of freedom was really compelling. And in so many ways, he accurately predicted the destructive side of the social microscope that we all live in today under social media.
**One of the BBC's 100 Novels That Shaped Our World**
EVERYONE BELONGS TO EVERYONE ELSE. Read the dystopian classic that inspired the hit Sky TV series.
'A masterpiece of speculation... As vibrant, fresh, and somehow shocking as it was when I first read it' Margaret Atwood, bestselling author of The Handmaid's Tale.
Welcome to New London. Everybody is happy here. Our perfect society achieved peace and stability through the prohibition of monogamy, privacy, money, family and history itself. Now everyone belongs.
You can be happy too. All you need to do is take your Soma pills.
I am a privileged individual of our Western society, with access to a good education, living away from hunger and despair. Am I wealthy? Far from it. I am amid that middle class where working hours are well understood and spare time is fully enjoyed. I have been a consultant to businesses of all sizes and I have learned closely how the wheels turn, how in order to produce anything, always someone and something is crushed and squeezed. Profit on one side and destruction and poverty on the other one. Throughout time, I have met people from various countries and understood the value of a multicultural world, which I defend.
I was very young when I first read this book. Many years later I took it back from the shelf and went through its pages with older eyes.
The reality portrayed by Émile Zola in the 19th Century is quite brutal. The coal miners back then – with their struggle for life, excess work, permanent fatigue, lack of knowledge and understanding, contrasted by the careful calculations and comfort of their masters – mirror miners and other workers today.
Greed on one side, poverty on the other regarded as normal. The very few with enough wit to overthrow the injustice were silenced, as it happens today at the productive facilities of the capital.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I am a privileged individual of our Western society, with access to a good education, living away from hunger and despair. Am I wealthy? Far from it. I am amid that middle class where working hours are well understood and spare time is fully enjoyed. I have been a consultant to businesses of all sizes and I have learned closely how the wheels turn, how in order to produce anything, always someone and something is crushed and squeezed. Profit on one side and destruction and poverty on the other one. Throughout time, I have met people from various countries and understood the value of a multicultural world, which I defend.
This book is an unfinished work, hard to follow, because it is a draft never reviewed by the author and published posthumously.
However, it is a must-read, so please do not be discouraged as I was, for the ideas that it encloses picture a more equalized society practically based on the changing of our economic road, nothing else than ending capitalism as we know it.
Two subjects are of particular interest: first, how to correctly retribute people for the wealth they generate through their work; and second, a demonstration of how excess production and money amassing do not amount to wealth. An interesting lesson in economics.
After crashing his car in 1939, Naval Airman Perry Nelson awakens to find the radically different world of 2086, one marked by a United Europe, the destruction of Manhattan island by two helicopters in 2003, and other changes in the economy, legal system, and the relationships between men and women, in a remarkable, long-lost first novel by the late master of speculative fiction. 75,000 first printing. Science Fiction Bk Club.
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Blanc discovered in the National Archives in Paris a remarkable cache of letters kept in an old tin labelled as the property of Fouquier-Tinville, the Public Prosecutor of the French revolutionary Tribunal. He was a man who in sending off the last batch of victims to be beheaded, even after hearing that Robespierre was dead and with him, the Terror, said ‘justice must run its course’
The letters, written by prisoners on the eve of their own execution, to wife, family, plangent pleas to be remembered – some containing a little keepsake: a shirt stud, maybe – were never delivered, but, on Fouquier’s order, impounded as possible evidence. Post mortem? What was the point? The letters are heart-rending, sad, pathetic, drained of hope, but as poignant a souvenir of the effect of the vicious law which was sending their authors to the scaffold as any you will read. Fouquier, whose…
Drawing on a centuries-old file, this volume reproduces the last letters by prisoners of the French Revolution in the last few moments before their death, and sheds new light on this turbulent time
My passion for 19th-century French art, literature, and social history was enkindled in academia, but when my doctoral research uncovered the remarkable story of a forgotten 19th-century courtesan, I set out on a career in biography. During the 19th century, the ‘woman question’ was marked by both radical change and fierce dispute. Based on careful research, my writing seeks to lift this history out of the dusty annals of academia and bring its characters and events vividly to life for the 21st-century reader. My books introduce real women, piecing their stories back together in intimate detail so that readers can really share their successes and frustrations.
A dusty bundle of 150-year-old letters found in a deserted house in rural France forms the premise of this intriguing literary hybrid. Author Gillian Tindall beckons us to follow her on an enthralling, real-life detective story, as she uncovers the life and loves of the letters’ addressee, an obscure provincial innkeeper’s daughter named Célestine Chaumettte. As she pieces Célestine’s story together, Tindall breathes life back into a whole slice of history and a community now vanished. A rich cast of forgotten characters springs from the pages as we see, taste, and smell the many textures of rural society in 19th-century France, along with the seasons and cycles that governed it. This evocative, haunting account of a country girl’s experience and place within this world really is social history at its best.
Seven marriage proposals written to Celestine in the early 1860s, and carefully preserved by her, offer a glimpse of rural nineteenth century French life
I have always been fascinated by the Regency Period, and because of this fascination, I explored its historical context in full. That includes, of course, the French Revolution and its repercussions in England and globally. I am also obsessed with the literary concept of the heroine, and wanted to create characters who in some ways synthesized Moll Flanders andJane Eyre, bridging the gap between 18th and 19th Century expression.
A total feeling for the pulse of the Revolution, and a focus on its core in that fatal year – the end of the Monarchy, the ushering-in of the Reign of terror. Its reverberations spread everywhere. It gave me such a strong sense of the decadence of the ancien régime, and the fury of the populace that aroused.
Ninety-Three (1874) is the final novel of Victor Hugo. As a work of historical fiction, the story is set during the period of conflict between the newly formed French Republic and the Royalists who sought to reverse the gains of the revolution. Praised for its morality and honest depiction of the horrors of war, Ninety-Three influenced such wide-ranging political thinkers as Joseph Stalin and Ayn Rand. "The soldiers forced cautiously. Everything was in full bloom; they were surrounded by a quivering wall of branches, whose leaves diffused a delicious freshness. Here and there sunbeams pierced these green shades." Advancing through…
In my research and teaching, I have long been fascinated with the effects of the French Revolution on France, Europe, and the broader world. In my most recent book, Our Friends the Enemies, I sought to examine the aftermath of the wars provoked by the Revolution, which lasted (with only two short breaks) from 1792 to 1815. In particular, I wanted to reconstruct the story—which had long been overlooked by historians—of the occupation of France by the Allies who defeated Napoleon. Lasting from 1815 to 1818, this occupation was the first modern peacekeeping mission, with profound consequences for the history of France and Europe in the nineteenth century and beyond.
This new collection of essays by an international team of cutting-edge scholars allows readers to see how the French Revolution affected ordinary men and women, in Paris, the French provinces, and the French empire overseas. Treating a broad range of topics—from female activism to property, justice, medicine, food, material culture, childhood, religion, and war—these essays collectively paint a vivid picture of everyday life during this tumultuous period. Each essay is accompanied by a primary document from the time, which enables readers to see for themselves the kinds of sources on which historians rely in their work. Inspired by innovative historiographical approaches to spaces, emotions, and artifacts, Life in Revolutionary France paves the way for new research into the everyday experience of revolution.
The French Revolution brought momentous political, social, and cultural change. Life in Revolutionary France asks how these changes affected everyday lives, in urban and rural areas, and on an international scale.
An international cast of distinguished academics and emerging scholars present new research on how people experienced and survived the revolutionary decade, with a particular focus on individual and collective agency as discovered through the archival record, material culture, and the history of emotions. It combines innovative work with student-friendly essays to offer fresh perspectives on topics such as:
* Political identities and activism * Gender, race, and sexuality *…
I have been trying to understand revolutionary violence my whole life, in the classroom and through scholarship. I am fundamentally interested in questions of “how” and “so what” because even the best, most heavily evidenced historical reconstructions of collective decisions rely heavily on conjecture, especially when it comes to something as complex and controversial as revolutionary violence. My biography of Alexandre Rousselin, an eyewitness and participant in French politics across the Revolutionary era, brings to life the choices and pressures that influenced his actions without minimizing the price he paid for those choices. Rousselin’s extraordinary life story contextualizes and engages understandings of the Terror in the French Revolution like those reviewed below.
This book blew me away when I read it in graduate school.
The depth of archival mastery is simply stunning, but what stands out about Cobb’s magnum opus is how he brought the intervention of the average militant, the men who made the Revolution work, to life.
He shows why and how people lived the Terror. Cobb also illustrates the Terror in the provinces, noting the unique elements of each place and region but also showing the commonalities of structure and practice.
Like many who read Cobb, I dreamed of writing something so poignant, so powerful, and so lasting.
Nobody has the time and financial support to do this kind of work anymore; it is a monument that helps everybody else illuminate different aspects of politics in 1793-94.
In this classic book, the famed historian Richard Cobb describes the Armees Revolutionnaires of eighteenth-century France and their clashes with the anti-revolutionary rural populace. In so doing, he provides important insights into the social and administrative history of the French Revolution. First published in France and now translated into English by Marianne Elliott, The People's Armies has had a profound influence on the study of the French Revolution and is still unsurpassed as a history of an important institution of the period of Revolutionary government in France.
NORVEL: An American Hero chronicles the remarkable life of Norvel Lee, a civil rights pioneer and Olympic athlete who challenged segregation in 1948 Virginia. Born in the Blue Ridge Mountains to working-class parents who valued education, Lee overcame Jim Crow laws and a speech impediment to achieve extraordinary success.
I’m a very ordinary person. A history and literary nerd. A wife and mother. I don’t have any M.As or PhDs. I started teaching myself to write in 1991, and after joining the Romance Writers of America, Australia, and New Zealand, as well as Writing NSW (New South Wales), I had my first writing award, and first short story published in 1997. I got my first writing contract in 2000 (Silhouette Books, NY). I quit romance in 2012 to focus on historical fiction and YA, both of which I still love, and putting a little romance in there never hurts. I've given workshops and talks for the Historical Novel Societies of Australia and North America.
“This enthralling biography and detective story convincingly identifies the real-life model for Baroness Orczy’s Scarlet Pimpernel. It delves into the politics and espionage of Revolutionary and Napoleonic eras.” The real Scarlet Pimpernel, Louis Bayard was an amazing person. Baroness Orczy knew him in her childhood as Lewis Duval, a London-based French lawyer. The story of his exploits in Orczy’s novels is just a shadow of all he accomplished, which Sparrow brings to glittering life. His allies and enemies, how he influenced Napoleon and Pitt, as well as other leaders of the time, and accomplished the impossible many times over, comes alive in this story that begins in his childhood. The boy and man for whom “seeking danger was a compulsion”. It’s how real heroes, ever hidden in the shadows, are made.
I’m using this “thundering good read” now while writing my own YA series. Sent back to 1793 Lyon, Xandra…
