Here are 100 books that Last Letters fans have personally recommended if you like
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David Millett is a digital artist. He is an accomplished author, filmmaker, and producer of paper and eBooks. He loves writing, painting, filmmaking, composing, and performing music.
This book depicts the violence and devastation of the ‘Reign of Terror’ (a period of extreme violence during the French Revolution) with breathtaking power. It weaves into it a tale that grips, convinces, and profoundly moves the reader. If one is looking to understand human nature and its true depth of depravity, look to no other book.
Anatole France's work "Les dieux ont soif" translates to "The Gods Will Have Blood" or "The Gods are Athirst." Both translations of the title accurately depict the nature of this novel set during the French Revolution. Young artist Évariste Gamelin is the right-hand man of Jacobin, Marat, and Robespierre and eventually becomes appointed as a juror on the Revolutionary Tribunal during the heinous Reign of Terror. Though Gamelin fully believes in the ideas of revolution and liberty, he uses his position of power to terrorize his friends and family who do not agree with his zealous ideals. Yet his bloodthirsty…
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Loomis bases his account on the life and work of three principals in the Revolution: Jean-Paul Marat, the sanguinary demagogue, self-styled ‘People’s Friend’ and proponent of some of the grimmest excesses of the Terror; Danton, the moderate, whose increasing distaste for those excesses and his clash with Robespierre ultimately took him to the scaffold; Robespierre, the prissy, virginal, orphaned lawyer who had once argued passionately against the death penalty and then oversaw the herding of droves of citizens – mostly not aristocrats but largely what the French call the "menu peuple", humble artisans, shopgirls, social nobodies – to the guillotine. Inflexible as a Commandment, he became increasingly obsessed with ‘virtue’ in the twisted belief that legislation alone can enjoin decent behaviour or "civisme". Danton, the ebullient bon viveur rebuffed this nonsense cheerily: ‘Virtue,’ he said ‘is what I do with my wife every night.’
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Anouilh shapes his play in parallel reference to two of the most traumatic periods in French history: the immediate aftermath of the 1945 Liberation and the end of the Terror with the death of Robespierre. In post-war France, a group of friends hit on a plan to explore what twisted logic shapes the individual who gets caught up in the violence of oppression. They invite a local man, one Bitos, to attend a masked dinner where each of the guests will take on the role of a prominent figure of the Revolution, Bitos himself, who has greatly profited by collaboration with the occupiers, to take on that of Robespierre, whom Thomas Carlyle referred in his magisterial History of the French Revolution as the ‘sea-green incorruptible’, from the tinted spectacles he wore.
Carlyle’s prose is lush, baroque, strong meat but well worth dipping into. The idea is brilliant as a vehicle…
“Poor Bitos” is the strongest and most strikingly contemporary of Jean Anouilh’s plays. With freezing precision and extraordinary theatrical skill, Anouilh here exposes the evil at the heart of political extremism, with specific reference to the French people but with implications that are tragically universal. The principal character is one André Bitos, a thin-lipped, Eichmann-like public prosecutor with a fanatical sense of justice that outrages every normal feeling of compassion. Bitos since the close of World War II has made it his gruesome business to track down fellow countrymen suspected of collaborating with the Germans and to bring about their…
I am a physician assistant and paramedic with ten brothers and sisters, an all-consuming love of the outdoors and adventure, and a fascination with history, particularly early US history. I love reading and writing the kind of books that I would like to read. My debut novel, Firefax, was written in large part as an escape from the horrors of serving in the hospital as a physician assistant during the delta wave of the COVID-19 pandemic. I hope it provides my readers with an escape from their own struggles as well.
Each of the heroes is a deep, fully realized person, plagued with flaws, some of them almost unforgiveable. Each character must face their own demons in this fast-paced, mysterious adventure. This book has espionage, swordplay, constant danger, friendship, even romance, everything you could wish for.
It is a swashbuckling tale following the impetuous and brave-to-a-fault D’Artagnan as he grows from an idealistic boy to a man, chasing his calling to fight among the hallowed ranks of the King’s musketeers.
"We read The Three Musketeers to experience a sense of romance and for the sheer excitement of the story," reflected Clifton Fadiman. "In these violent pages all is action, intrigue, suspense, surprise--an almost endless chain of duels, murders, love affairs, unmaskings, ambushes, hairbreadth escapes, wild rides. It is all impossible and it is all magnificent."
First published in 1844, Alexandre Dumas's swashbuckling epic chronicles the adventures of D'Artagnan, a gallant young nobleman who journeys to Paris in 1625 hoping to join the ranks of musketeers guarding Louis XIII. He soon finds himself fighting alongside three heroic comrades--Athos, Porthos, and Aramis--who…
I am a privileged individual of our Western society, with access to a good education, living away from hunger and despair. Am I wealthy? Far from it. I am amid that middle class where working hours are well understood and spare time is fully enjoyed. I have been a consultant to businesses of all sizes and I have learned closely how the wheels turn, how in order to produce anything, always someone and something is crushed and squeezed. Profit on one side and destruction and poverty on the other one. Throughout time, I have met people from various countries and understood the value of a multicultural world, which I defend.
You and I are recently witnessing the popular upheaval in France as a result of the chronic reduction of the purchasing power.
A new story? Ha, no! The French Revolution was about the same thing at the same place: making ends meet. Anatole France takes us through a particular subject within the Revolutionary Tribunal, where the trials of the bourgeoisie should end in bloody executions.
It is very interesting to get under the skin of those jurors to understand why uprisings happen. I can easily see why people seek revenge without any conscience. The ambiance is captivating, the plot is pulling.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
I am a retired lecturer at Southampton University, but used to live in China for many years. I experienced the horrible Chinese Cultural Revolution between the 1960s and 1970s, which was similar to Stalin’s Great Purges. I was put in jail and suffered cruel torture. So personally, I can more understand how, in all revolutionary movement, people were struggling with the threat of death and hopelessness; how they were torn between the new value of the revolution and the damage to the existing moral system; and how the strength of humanity could shine in the bloody darkness of terror.
A compelling historical fiction with the background of the French Revolution. The book describes the three main figures from the outside province to Paris who made the agitated and bloody history. Camille was related to the capture of Bastille; Danton made the execution of Louis XVI and Robespierre—the Terror. They enjoyed the happiness of power, but also paid a heavy price for it. We can see how humanity was lost in the turbulent revolutionary storm.
This novel follows the lives of three major figures in the French Revolution - Robespierre, Danton and Desmoulins - from their childhoods in Northern France through to the last terrifying moments of their execution. The book juxataposes private occasions with public events.
I’m not a trained historian (I received my B.S. in geology and spent my career in commercial banking). However, I grew up in Europe during the 1960s and developed a passion for history. I learned to write as a banker back in the “good old” days. I enjoyed it so much that I told myself, “One day, I'm going to write a book.” Well, that day came in Nashville when I was running a small company. Then I found Leonard Pitt’s book called Walks Through Lost Paris. As we walked through the streets of Paris, I turned to my wife and said, “I can write a book like this.” And so I did.
Mr. Schama’s chronicle is considered the essential historical tome of the French Revolution. He presents the background and events leading to the revolution through its end when Robespierre was executed. The author leaves no stone unturned and many of the people, events, and outcomes have chilling similarities to our contemporary world more than 230-years later.
I like how Mr. Schama sticks to the facts. The reader is allowed to digest the events and reach their own conclusions. I think the lessons from the French Revolution are very fluid and every generation can learn from them.
At one point during the 1970s, Chinese Premier Zhou En-lai was asked what he thought was the significance of the French Revolution. He answered, “It’s too soon to tell.” I’m not sure I agree.
One of the great landmarks of modern history publishing, Simon Schama's Citizens: A Chronicle of the French Revolution is the most authoritative social, cultural and narrative history of the French Revolution ever produced.
'Monumental ... provocative and stylish, Simon Schama's account of the first few years of the great Revolution in France, and of the decades that led up to it, is thoughtful, informed and profoundly revisionist' Eugen Weber, The New York Times Book Review
'The most marvellous book I have read about the French Revolution' Richard Cobb, The Times
'Dazzling - beyond praise - He has chronicled the vicissitudes…
France has always been my special inspiration in life and I am lucky to have made a career writing about its history. Many of my books are framed in a long-term perspective. Paris: Biography of a City (2004) and The Cambridge Illustrated History of France (1994), for example, take the story back to the earliest times and comes up to the present. Wanting a complete change and a new challenge, I shifted focus dramatically in my current book: the history of a city in a single day – the dramatic day in the French Revolution when the Parisians overthrew Maximilien Robespierre.
Jordan’s is probably the most elegantly written of the five studies and stands out for providing a particularly generous allocation of space to Robespierre’s voice, telling the story of his life as much as possible through his own words. At the same time, Jordan’s intellectual biography is quietly attentive to providing a sense of the complex political environment in which any French revolutionary statesman had to act.
In changing forever the political landscape of the modern world, the French Revolution was driven by a new personality: the confirmed, self-aware revolutionary. Maximilien Robespierre originated the role, inspiring such devoted twentieth-century disciples as Lenin—who deemed Robespierre a Bolshevik avant la lettre.
Although he dominated the Committee for Public Safety only during the last year of his life, Robespierre was the Revolution in flesh and blood. He embodies its ideological essence, its unprecedented extremes, its absolutist virtues and vices; he incarnated a new, completely politicized self to lead a new, wholly regenerated society.
France has always been my special inspiration in life and I am lucky to have made a career writing about its history. Many of my books are framed in a long-term perspective. Paris: Biography of a City (2004) and The Cambridge Illustrated History of France (1994), for example, take the story back to the earliest times and comes up to the present. Wanting a complete change and a new challenge, I shifted focus dramatically in my current book: the history of a city in a single day – the dramatic day in the French Revolution when the Parisians overthrew Maximilien Robespierre.
Thompson published his life of Robespierre in 1935, yet despite its age, it belies its age and is well worth a look. It is a heavyweight two-volumed biography, that is profoundly researched yet gracefully written. Extraordinarily comprehensive, it spans from shrewd analyses of Robespierre’s ideas and actions down to some of the most trivial (and fascinating) minutiae of his life. Thompson was ordained as a priest, subsequently renouncing his faith, and his study is particularly interesting on Robespierre’s contentious religious ideas.
His conclusion that Robespierre was ‘the embodiment of the revolutionary spirit of the French people' is, however, more than a little worrying. Maybe Robespierre is one of those enigmatic characters who is always with us!
Using the rich documentation of the period, Thompson aims to give a detailed account of the play of intrigue and manipulation that characterized the Revolution. The biography attempts to combine historical accuracy with the excitement of a novel.
I have been trying to understand revolutionary violence my whole life, in the classroom and through scholarship. I am fundamentally interested in questions of “how” and “so what” because even the best, most heavily evidenced historical reconstructions of collective decisions rely heavily on conjecture, especially when it comes to something as complex and controversial as revolutionary violence. My biography of Alexandre Rousselin, an eyewitness and participant in French politics across the Revolutionary era, brings to life the choices and pressures that influenced his actions without minimizing the price he paid for those choices. Rousselin’s extraordinary life story contextualizes and engages understandings of the Terror in the French Revolution like those reviewed below.
Sometimes a book captures a scholarly moment; this one does.
It crystallizes a swirl of arguments about whether a true system of terror was created and imposed by the Revolutionary government by cutting through contemporary scapegoating and modern ideological conflict to lay the historical record bare.
Terror is a powerful book that I can both appreciate and argue with since I think it overemphasizes the experience of Paris at the expense of the lived reality of the provinces.
While I don’t always agree with its conclusions, Terror brings fresh insight to politics in 1793-94 and how the legacy of Revolutionary violence has become distorted, beginning in 1794 and continuing until the present.
At the heart of how history sees the French Revolution lies the enigma of the Terror. How did this archetypal revolution, founded on the principles of liberty and equality and the promotion of human rights, arrive at circumstances where it carried out the violent and terrible repression of its opponents? The guillotine, initially designed to be a 'humane' form of capital punishment, became a formidable instrument of political repression and left a deep imprint, not only on how we see the Revolution, but also on how France's image has been depicted in the world.
