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Robespierre.
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France has always been my special inspiration in life and I am lucky to have made a career writing about its history. Many of my books are framed in a long-term perspective. Paris: Biography of a City (2004) and The Cambridge Illustrated History of France (1994), for example, take the story back to the earliest times and comes up to the present. Wanting a complete change and a new challenge, I shifted focus dramatically in my current book: the history of a city in a single day – the dramatic day in the French Revolution when the Parisians overthrew Maximilien Robespierre.
This is my own favourite. Realising that he could not make up his mind whether he loved Robespierre or hated him, Hampson staged his own dilemma by presenting Robespierre’s life through an imagined set of conversations between a version of himself and three fictional members of the public. Witty and insightful and superbly researched below the water-line, this brilliantly experimental biography is a neglected masterpiece.
This investigation into the mind of Robespierre is now available in paperback. The book is presented as a discussion between three figures - a civil servant, a member of the Communist Party and a clergyman - representing different viewpoints in their reactions to evidence presented by a fourth figure, the narrator. In this way, the author sets out to display the contradictions in the character of Robespierre that so puzzled his contemporaries and continue to perplex historians. The book should be of interest to students of the French Revolution and general readers.
I’m not a trained historian (I received my B.S. in geology and spent my career in commercial banking). However, I grew up in Europe during the 1960s and developed a passion for history. I learned to write as a banker back in the “good old” days. I enjoyed it so much that I told myself, “One day, I'm going to write a book.” Well, that day came in Nashville when I was running a small company. Then I found Leonard Pitt’s book called Walks Through Lost Paris. As we walked through the streets of Paris, I turned to my wife and said, “I can write a book like this.” And so I did.
There has been much written about Maximilien Robespierre (in French and English).
I enjoyed Ms. Scurr’s biography because it is well-written, superbly researched, and represents a complete picture of the ruthless leader of the Jacobins and the French Revolution. The author paints her young bourgeois subject as the zealous revolutionary who demanded nothing less than complete devotion to Liberté, Égalité, Fraternité. Responsible for the period we know as “The Terror,” Robespierre’s edicts were so severe that people lost their heads if even suspected of a “crime.”
As so often happens, what goes around, comes around. Robespierre’s downfall is outlined in detail and serves as a warning to political and other leaders whose extremist views are imposed on people.
Robespierre was only 36 when he died, sent to the guillotine where he had sent thousands ahead of him. Only a few months before, this pale and fragile man, formal, anxious to the point of paranoia, steeled by deep-held principles, had held centre place in the new Festival of the Supreme Being, wearing his sky-blue coat and decreeing a new religion for France. Robespierre and the Revolution were inseparable: a single inflexible tyrant. But what turned a shy young lawyer into the living embodiment of the Terror at its most violent? Admirers called him 'the great incorruptible'; critics dubbed him…
I’m a historian of eighteenth-century France, above all, the French Revolution. Throughout my career, my primary goal has been to try to reconstruct the experience of revolution in all its dimensions. I have published extensively on subjects relating to the French Revolution, including the French revolutionary terror; the politics of the Jacobins; ideology, emotions, and revolution; revolutionary leaders – including Robespierre and Saint-Just; fear of conspiracy as a driver of actions; the influence of classical antiquity; women participants in the Revolution.
Maximilien Robespierre will always be associated in people’s minds with ‘the Terror’. In reality, he was not a dictator, but one of a group of committed revolutionaries in the National Convention. Within hours of his execution in July 1794 a myth began to circulate that he had been the sole mastermind behind ‘the Terror’. This myth was a way of exculpating the men who had also backed terror during the crisis of the ‘Year II’. Afterward, it was so much simpler for them to lay all the blame onto Robespierre. McPhee’s profound knowledge of the Revolution enables him to situate Robespierre in his context, showing not just how Robespierre affected the course of the Revolution, but how the Revolution changed Robespierre. This is simply by far the best recent study in English of Robespierre’s life.
An intimate new portrait of one of history's most controversial figures: heroic revolutionary or the first terrorist?
For some historians and biographers, Maximilien Robespierre (1758-94) was a great revolutionary martyr who succeeded in leading the French Republic to safety in the face of overwhelming military odds. For many others, he was the first modern dictator, a fanatic who instigated the murderous Reign of Terror in 1793-94. This masterful biography combines new research into Robespierre's dramatic life with a deep understanding of society and the politics of the French Revolution to arrive at a fresh understanding of the man, his passions,…
France has always been my special inspiration in life and I am lucky to have made a career writing about its history. Many of my books are framed in a long-term perspective. Paris: Biography of a City (2004) and The Cambridge Illustrated History of France (1994), for example, take the story back to the earliest times and comes up to the present. Wanting a complete change and a new challenge, I shifted focus dramatically in my current book: the history of a city in a single day – the dramatic day in the French Revolution when the Parisians overthrew Maximilien Robespierre.
Jordan’s is probably the most elegantly written of the five studies and stands out for providing a particularly generous allocation of space to Robespierre’s voice, telling the story of his life as much as possible through his own words. At the same time, Jordan’s intellectual biography is quietly attentive to providing a sense of the complex political environment in which any French revolutionary statesman had to act.
In changing forever the political landscape of the modern world, the French Revolution was driven by a new personality: the confirmed, self-aware revolutionary. Maximilien Robespierre originated the role, inspiring such devoted twentieth-century disciples as Lenin—who deemed Robespierre a Bolshevik avant la lettre.
Although he dominated the Committee for Public Safety only during the last year of his life, Robespierre was the Revolution in flesh and blood. He embodies its ideological essence, its unprecedented extremes, its absolutist virtues and vices; he incarnated a new, completely politicized self to lead a new, wholly regenerated society.
I’m not a trained historian (I received my B.S. in geology and spent my career in commercial banking). However, I grew up in Europe during the 1960s and developed a passion for history. I learned to write as a banker back in the “good old” days. I enjoyed it so much that I told myself, “One day, I'm going to write a book.” Well, that day came in Nashville when I was running a small company. Then I found Leonard Pitt’s book called Walks Through Lost Paris. As we walked through the streets of Paris, I turned to my wife and said, “I can write a book like this.” And so I did.
The story of Robespierre’s archnemesis, George-Jacques Danton, is not widely known (Robespierre and Marie Antoinette seem to hog all the attention). This is surprising considering the substantial impact Danton had on the revolution as one of its influential leaders.
Mr. Lawday portrays Danton as he was in real life: a very large and physically imposing man (if you don’t believe this, check out Danton’s statue next to the entrance of the Odéon métro station), quite an athlete (he kept in shape by swimming the Seine), and a natural leader (Danton was the leader of the Cordeliers, the primary competitor to the Jacobins).
Danton was a victim of the revolution and Robespierre. The Swiss-born constitutional monarchist, Jacques Mallet du Pan, wrote, “...like Saturn, the Revolution devours its children.” He was right.
One of the Western world’s most epic uprisings, the French Revolution ended a monarchy that had ruled for almost a thousand years. George-Jacques Danton was the driving force behind it. In the first biography of Danton in over forty years, David Lawday reveals the larger-than-life figure who joined the fray at the storming of the Bastille in 1789 and was dead five years later. To hear Danton speak, his booming voice a roll of thunder, excited bourgeois reformers and the street alike; his impassioned speeches, often hours long, drove the sans culottes to action and kept the Revolution alive. But…
I have been intrigued by Maximilien Robespierre ever since, as a student, I pondered how it could be that someone who articulated the highest principles of 1789 could come to be seen as the personification of the “Reign of Terror” in 1793–94. This is the great conundrum of the French Revolution. Was this a tragic case of the dangers of ideological and personal rigidity, or rather an extreme example of how great leaders may be vilified by those they have served and saved? Or, as I found while researching and writing my biography, something quite different, the tragic, human story of a vulnerable but determined young man who put himself at the heart of one of the world’s greatest upheavals?
Jean-Marie Roland and Marie-Jeanne Phlipon (later Madame “Manon” Roland) were the Revolution’s power couple, their lives both entwined and contrasting with Robespierre’s. Their fascinating and tragic story, expertly researched and retold by Siân Reynolds, has much to tell us about the power and passions of the Revolution and the personal relationships at its heart. We also learn much about provincial life, parenthood, and a companionate marriage. The Rolands were initially political allies of Robespierre, and “Manon” sought to cultivate personal friendship with him, but their bitter falling-out would be fatal for them in November 1793 – and ultimately for Maximilien in July 1794.
Marriage and Revolution is a double biography of Jean-Marie Roland (1734-1793) and Marie-Jeanne Phlipon, later Madame Roland (1754-1793), leading figures in the French Revolution. J.-M. Roland was minister of the Interior for a total of eight months during 1792. The couple were close to Brissot and the Girondins, and both died during the Terror. Mme Roland became famous for her posthumous prison memoirs and is the subject of many biographies, but her husband, despite being a key figure in administration of France, seldom out of the limelight during his time in office, is often marginalized in histories of the Revolution.…
I’m not a trained historian (I received my B.S. in geology and spent my career in commercial banking). However, I grew up in Europe during the 1960s and developed a passion for history. I learned to write as a banker back in the “good old” days. I enjoyed it so much that I told myself, “One day, I'm going to write a book.” Well, that day came in Nashville when I was running a small company. Then I found Leonard Pitt’s book called Walks Through Lost Paris. As we walked through the streets of Paris, I turned to my wife and said, “I can write a book like this.” And so I did.
Mr. Schama’s chronicle is considered the essential historical tome of the French Revolution. He presents the background and events leading to the revolution through its end when Robespierre was executed. The author leaves no stone unturned and many of the people, events, and outcomes have chilling similarities to our contemporary world more than 230-years later.
I like how Mr. Schama sticks to the facts. The reader is allowed to digest the events and reach their own conclusions. I think the lessons from the French Revolution are very fluid and every generation can learn from them.
At one point during the 1970s, Chinese Premier Zhou En-lai was asked what he thought was the significance of the French Revolution. He answered, “It’s too soon to tell.” I’m not sure I agree.
One of the great landmarks of modern history publishing, Simon Schama's Citizens: A Chronicle of the French Revolution is the most authoritative social, cultural and narrative history of the French Revolution ever produced.
'Monumental ... provocative and stylish, Simon Schama's account of the first few years of the great Revolution in France, and of the decades that led up to it, is thoughtful, informed and profoundly revisionist' Eugen Weber, The New York Times Book Review
'The most marvellous book I have read about the French Revolution' Richard Cobb, The Times
'Dazzling - beyond praise - He has chronicled the vicissitudes…
I have spent much of my adult life studying the French Revolution with students who, like me, are engrossed by the drama, successes and tragedies of the Revolution, and the scale of the attempts to arrest or reverse it. Why and how did an apparently stable regime collapse in 1789? Why did it prove to be so difficult to stabilize a new order? How could claims to “liberty” and “equality” be balanced? And why was there a period of “terror” in 1793-94? When the Revolution was finally over, how had France and other parts of the world been changed? The answers to those questions remain open and continue to fascinate.
After 1792 French revolutionaries had to confront European armies and internal counter-revolution in a battle for the survival of the Revolution – and their own lives. The Jacobins saved the Revolution, but an enormous cost in human life. Marisa Linton takes us inside the personal dimensions of this deadly struggle, examining how personal friendships and alliances among revolutionary leaders disintegrated into recrimination and killings. By the Year II (1793-94) the policies of “terror” unleashed at the armed enemies of the Revolution had been extended to other revolutionaries believed to lack the authenticity necessary to the practice of republican “virtue”. Linton unravels the deadly logic of suspicion at a time of violence and acute fear which underpinned this “politicians’ terror”.
Choosing Terror: Virtue, Friendship and Authenticity in the French Revolution examines the leaders of the French Revolution - Robespierre and his fellow Jacobins - and particularly the gradual process whereby many of them came to 'choose terror'. These men led the Jacobin Club between 1789 and 1794, and were attempting to establish new democratic politics in France. Exploring revolutionary politics through the eyes of these leaders, and against a political backdrop of a series of traumatic events, wars, and betrayals, Marisa Linton portrays the Jacobins as complex human beings who were influenced by emotions and personal loyalties, as well as…
I am a retired lecturer at Southampton University, but used to live in China for many years. I experienced the horrible Chinese Cultural Revolution between the 1960s and 1970s, which was similar to Stalin’s Great Purges. I was put in jail and suffered cruel torture. So personally, I can more understand how, in all revolutionary movement, people were struggling with the threat of death and hopelessness; how they were torn between the new value of the revolution and the damage to the existing moral system; and how the strength of humanity could shine in the bloody darkness of terror.
A compelling historical fiction with the background of the French Revolution. The book describes the three main figures from the outside province to Paris who made the agitated and bloody history. Camille was related to the capture of Bastille; Danton made the execution of Louis XVI and Robespierre—the Terror. They enjoyed the happiness of power, but also paid a heavy price for it. We can see how humanity was lost in the turbulent revolutionary storm.
This novel follows the lives of three major figures in the French Revolution - Robespierre, Danton and Desmoulins - from their childhoods in Northern France through to the last terrifying moments of their execution. The book juxataposes private occasions with public events.
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Anouilh shapes his play in parallel reference to two of the most traumatic periods in French history: the immediate aftermath of the 1945 Liberation and the end of the Terror with the death of Robespierre. In post-war France, a group of friends hit on a plan to explore what twisted logic shapes the individual who gets caught up in the violence of oppression. They invite a local man, one Bitos, to attend a masked dinner where each of the guests will take on the role of a prominent figure of the Revolution, Bitos himself, who has greatly profited by collaboration with the occupiers, to take on that of Robespierre, whom Thomas Carlyle referred in his magisterial History of the French Revolution as the ‘sea-green incorruptible’, from the tinted spectacles he wore.
Carlyle’s prose is lush, baroque, strong meat but well worth dipping into. The idea is brilliant as a vehicle…
“Poor Bitos” is the strongest and most strikingly contemporary of Jean Anouilh’s plays. With freezing precision and extraordinary theatrical skill, Anouilh here exposes the evil at the heart of political extremism, with specific reference to the French people but with implications that are tragically universal. The principal character is one André Bitos, a thin-lipped, Eichmann-like public prosecutor with a fanatical sense of justice that outrages every normal feeling of compassion. Bitos since the close of World War II has made it his gruesome business to track down fellow countrymen suspected of collaborating with the Germans and to bring about their…
